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Various - A-Sides Vol. 14 V4

Various

A-Sides Vol. 14 V4

12inchDC340V4
Drumcode
29.05.2026

Drumcode returns with its flagship A-Sides series, featuring an exciting mix of established heavy-hitters, alongside a slew of new faces set to make their mark on the genre.

V4 features big names like DC regular Oliver Huntemann, Bulgarian DJ and producer known for his energetic techno-trance style JackRock on the flip we have DC Radio regular Alex Stein and rounding off with new Romanian artist Tao Andra, who shares the celestial ‘Unity’.

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The Mighty Zaf & Linkwood - Get Another Love / He Made You Mine

Fresh from flexing his scalpel skills via an impressive double 12-inch for Hot Biscuit Recordings, The Mighty Zaf once more joins forces with regular studio buddy Linkwood for two more tried-and-tested reworks. 'Get Another Love' is particularly potent, with the duo combining elements from a vintage disco-soul workout - glistening guitars, bass, vocals, strings - with a vintage-sounding drum machine beat which alternates between sweat-soaked Chicago-house jack and post-electro swing. 'He Made You Mine', meanwhile, is a straight edit of a slow, loved-up, immersive and horn-laden disco-soul gem that switches from loved-up downtempo loveliness to punchy dancefloor excellence midway through.

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Various Artists - 23 Years Of Getafix Records 2x12

This is it ! GetAFix Records is 23 years!! Owner and wellknown artist: "Bad Boy Pete" (UK) wants to celebrate this with his fans & followers and has put together this amazing 2x12" vinyl with friends and fellow artists from the Acid Techno scene. The biggest names appear on this release! To make this complete: 1 vinyl has been added for FREE. So you pay for 1 vinyl instead of both! This is to thank you all!! Without you, we are nothing! Together with the support of Stay Up Forever & the Flatlife Records Labelgroup we are strong !

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Various - STUDIO ONE FUNK 2x12"

Soul Jazz Records’ long out of print classic ‘Studio One Funk’ collection is being re-released in three new one-off limited-edition coloured pressing 18th anniversary format editions!
Firstly, a heavyweight special limited edition one-pressing only red 2xLP vinyl + download. Secondly, there is also a new special limited-edition one-off pressing edition red-pressed CD enclosed in jewel case and slipcase. And thirdly there is a very limited unique new one-off pressing red-cased cassette format (200 copies only)! 18 years on from its original release Studio One Funk remains one of our Studio One releases most in-demand titles and like all our earlier special coloured editions is sure to sell out fast!
Studio One Funk is made up of rare and unreleased Reggae Funk from the vaults of Studio One. Ever since the birth of Funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records with ‘Hang Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super-funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’ again by Cedric Im Brooks track - another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic ‘It’s A Shame’, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut “Now” by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.
Version-wise, we have ‘Idleberg’, Cedric Im Brooks tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove Black’s cut of Sidewalk Doctor (A/K/A Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio One’s heavyweight session players including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more and you have one of the finest selections of reggae and funk you will ever hear.







"This collection goes deep into the Brentford Road vaults and unearths a rake of previously unreleased gems alongside hard to find classics. Heavy and inspirational, totally unique and essentially timeless." Straight No Chaser
"An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own." Echoes
"A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” Touch
"The most satisfying listening experience so far in the Studio One series." The Wire
"Rare and unreleased grooves from Jamaica's house of excellence." Mojo

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Последний логин: 3 г. назад
Split System - Vol. 1

Split System

Vol. 1

12inchDRUNKENSAILOR157
Drunken Sailor
05.06.2026

Split System, the Aussie group featuring Jackson Reid Briggs (Jackson Reid Briggs & The Heaters) on vocals and Arron Mawson (Stiff Richards) on guitar, took the punk world by storm with its debut EP this past spring. That was hardly surprising given the talent involved. But whatever my expectations were for Split System, the Melbourne-based outfit far exceeded them. Not just another "super group" (also on board are guitarist Ryan Webb Speed Week, bassist Deon Slaviero, and drummer Mitch McGregor [No Zu]), Split System is straight-up one of the most powerful and exciting punk rock and roll bands of recent memory. The band's EP was a smasher, and now debut album Vol. 1 emphatically follows suit. My god, this record is a monster! Essentially Split System's sound is classic Aussie punk. That may sound like nothing new, but this band executes the style with a force and fury rarely heard these days. It doesn't hurt that Jackson Reid Briggs is one of the best rock and roll screamers going. He's got a fire inside of him. Meanwhile, Mawson and Webb form one hell of a guitar tandem. And that rhythm section is insane. These are all brilliant players who come together to make an extraordinary band. Vol. 1 comes storming out of the gates with "The End" and never lets up. Of course we knew some of the previously-released tracks ("Hit Me," "Demolition," "Climbing") were going to rip. But the newer material is just as good and will just about melt your face off. Songs like "Ringing In My Head" and "Grip" are pure energy and ferocity, while closing track "Feelings" has a mellowed-out Saints feel. This band knows how to rock and roll, and there are literally no songs on this album that don't entirely kick ass. Sometimes we think of these all-star groups as "side projects," but such categorization would sell Split System woefully short. If we're talking about the top three or four punk bands in Australia right now, this has to be one of them! Josh Rutledge/ Faster and Louder

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Kronos Quartet - Glorious Mahalia LP
  • Glorious Mahalia: I. Hold On
  • Glorious Mahalia: Ii. Stave In The Ground
  • Glorious Mahalia: Iii. Are You Being Treated Right
  • Glorious Mahalia: Iv. Sometime I Feel Like A Motherless Child
  • Glorious Mahalia: V. This World Will Make You Think
  • God Shall Wipe All Tears Away
  • Peace Be Till: I. Doors Of Justice
  • Black Thread
  • Peace Be Till: Ii. Protest
  • Peace Be Till: Iii. Copter
  • Peace Be Till: Iv. Symphony Of Social Justice
  • Peace Be Till: V. Tell 'Em About The Dream

Midway through Martin Luther King, Jr's historic speech at the 1963 March on Washington, a voice rang out from behind him: "Tell them about the dream, Martin!" That voice belonged to Mahalia Jackson, King's close friend and one of the most revered gospel singers of the 20th century - Glorious Mahalia, a visionary tribute to Jackson's life by the internationally renowned Kronos Quartet, uses that moment as a springboard to explore the depth of Jackson's musical craft and its impact on the Civil Rights Movement, including her relationship with Clarence Jones and Studs Terkel, other luminaries of the time

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Soul Jazz Records Presents - STUDIO ONE SKA LP 2x12"

Soul Jazz Records celebrate 25 years of working in partnership with Studio One with brand new editions of FIVE of their best-selling CLASSIC Studio One collections all released on limited-edition one-off pressing coloured double vinyl. Also available in new limited-edition card wallet CD editions. The new edition featured albums are Studio One Funk, Studio One Dub, Studio One Ska, Studio One Roots and Studio One Classics.

A blistering collection of non-stop Ska classic tunes featuring classic cuts from the originators of Ska alongside a heavy dose of superb rarities from the might vaults of 13 Brentford Road - pure fire! This compilation features classic tracks from The Skatalites, Bob Marley & The Wailers, Delroy Wilson alongside super-rare tracks from the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and many more. Clement ‘Sir Coxsone’ Dodd’s musical empire was founded on Ska, the first explosive and most exciting music to come out of newly independent Jamaica. This album is a celebration of the music of Studio One Records’ seminal Ska releases and features a who’s who of some of the most important artists in the history of reggae music.

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Последний логин: 2 г. назад
Jacksonville - Nightcode EP

Jacksonville

Nightcode EP

12inchPHONOGRAMME77
PHONOGRAMME
05.06.2026

Nightcode EP finds UK deep-house craftsman Jacksonville in full control, lacing warm chords, swinging drums and basslines built for red-lit basements. Across “Nightcode”, “Ecstasy in Starlight”, “Octobers in Love” and “Blind Spot”, he fuses classic Detroit/UK house textures with his own emotional, story-telling touch—timeless deep house for DJs who play past sunrise.

Feedbacks:


Laurent Garnier : Octobers in Love <3 <3 <3
Nick Holder : dope
Gina Breeze (Classic / Get Up / Homoelectric) : Feeling the deepness! Look forward to playing.
Nightmares On Wax (Warp Records) : Ecstasy in starl;ight and Blind spot are my jams !
Josh Wink (Ovum) : Deep, old old school flavored with new school production.
Alexkid (Rawax / FUSE / NG Trax) : Lovely
Lauren Lo Sung (LOLiFE records, e1even records) : Octobers in love is nice!
Dj Hutch (Ambers / Rinse FM) : grooves
Louise Chen (NTS) : This is so so sooo good! Can't wait to play on the radio!
Rob Pearson (Evasive Records / Sine 102.6fm) : Nightcode is the standout for me, will play tonight on Evasive
Eviltron / Paul Donton (Bombis / Triangle) : Blind Spot and Ecstasy in Starlight are the ones on the
D'Julz (Bass Culture) : feeling night code and blind spot . merci!
Junior Sanchez (Strictly Rhythm / Cube Recordings) : Really Cool EP!
DJ Three : this is all very high quality house that feels very much a
nd_baumecker (Ostgut Ton) : Nightcode and Octobers In Love for me. Quality as usual.
Sasha (Last Night On Earth) : Downloading for Sasha
William Kiss (Rekids) : very nice!
Monty Luke (Rekids / Black Catalogue) : thx for this...
Mystic Bill (Classic / Trax / Relief) : Will try some of these out, thanks!
Carista : beautiful
Crackazat (Freerange / Local Talk) : Sick sick sick
Jhobei (Bizarre Trax / FUSE / Felon 5) : Nice smooth deep
Khadija (Rek'd / Rafiki Collective) : Danke
Ben Sims : Now downloading - will check asap!
DJ Bone (FURTHER) : Very nice tunes here, thanks
Bake (All Caps/Rinse FM) : thank you!
Dj Deep (Deeply Rooted) : very nice tracks!
Oliver $ (Classic Music Company / Play It Down) : nice one!
Tripmastaz (Plant 74) : Nightcode is tight
Harvey Sutherland (MCDE / PPU / Voltaire Records) : couple of nice tunes here!
Anthony Collins (Frank & Tony / Scissor & Thread) : super nice deep tunes
Marcel Dettmann : thx
Voigtmann (Subsequent) : Ecstacy in Starlight is the one!
Gerd (4Lux / Clone) : dope house trax from the phonogramme crew once again!
Groove Armada : Great EP - Love Nightcode, Ocotber is love so good too±
Harri (Sub Club) : nice, will play and support
Jorkes (Freeride Millenium) : ecstasy in starlight..yes yes yes yes
DJ Minx (Women On Wax Recordings) : Every one of these...top tier! I'm on 'em!
DJ Rocca (Nang Records, Mantra Vibes) : Great EP. Nightcode is great, super bassline indeed
Jacques Renault : Ectasy In Starlight for me here!
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Mark Farina : dig it
Âme (Innervisions) : thanks
Djebali ( ( djebali ) / INFUSE / Freak n Chic) : Love it ! thanks for sharing. Blind Spot is my fav
Jaye Ward (Dalston Super Store / Netil Radio) : wicked release!! night code is a belter!!! thx
Iron Curtis (Mule Musiq, Morris Audio) : thank you!

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Atonal - Bridge

Atonal

Bridge

12inchBLOW07
Cold Blow
05.06.2026

Bridge was to be the Edinburgh-born Kieran Warren’s debut release circa 1994 on Metatone - a short-lived techno label by J. M. Adkins (Electro Music Union) and Damon D'Cruz (Jack Trax, Chill). As fate had it, Metatone folded before the album got printed, and the music was lost in time. That is, until Adkins tipped the Cold Blow boys off while they were working on his anthology, the 2019 double LP "Electro Music Union, Sinoesin & Xonox Works 1993-1994".

Atonal’s Cithare EP last year was the world’s first glimpse at the fuzzy, warm techno archives of Kieran Warren. As a sequel, Cold Blow has restored and compiled their vision of the ‘94 “Bridge” while tapping into the same demo archives that were being scoured through by Metatone in their day.

Essential for the fans of early Aphex Twin, the album moves between warm melodic techno cuts and nostalgic ambient pieces before reaching the grand finale of Arkanoids, an 8-minute ambient epic straight from the school of Selected Ambient Works 2.

Housed in full, cosmic artwork designed by Ed Cheverton. Mastered by Keith Tenniswood.

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Последний логин: 4 г. назад
Larry June - Spaceships on the Blade LP 2x12"
  • A1: From Uncle Herm, Pt. 4 (Feat. Herm Lewis)
  • A2: Private Valet
  • A3: I'm Him
  • A4: Things You Do
  • A5: Don't Check Me
  • B1: Another Day, Pt. 2
  • B2: Tools Of The Game (Interlude) (Feat. Wallo267)
  • B3: Corte Madera, Ca
  • B4: Still Boomin (Feat. 2 Chainz)
  • B5: Brand New Machinery (Feat. Duckwrth)
  • C1: I'll Make Time
  • C2: For Tonight (Feat. Syd)
  • C3: In My Pockets
  • C4: 5.0 Chronicles (Feat. Curren$Y)
  • C5: Breakfast In Monaco (Feat. The Alchemist)
  • D1: Larry's Diner (Interlude)
  • D2: Organic Adjustments
  • D3: Spaceships & Orange Juice
  • D4: Extra Of Um (Feat. Babyface Ray)
  • D5: Appreciate It All

Spaceships on the Blade is the 2022 solo album from San Francisco legend, entrepreneur and rapper, Larry June. The 20-track album features the singles, “Private Valet,” & “In My Pockets,” and sees production from a wide range of producers such as, The Alchemist, Jake One, DJ Khalil, Cardo, DJ.Fresh, Chuck Inglish, Turbo & more. Enlisting the help from fellow rap luminaries such as 2 Chainz, Babyface Ray, Curren$y and more, Spaceships on the Blade shows that Uncle Larry always has an eye on expanding and diversifying income steams and will continue to do numbers for a long time. Good Job, Larry. 2xLP, Black Vinyl, Widespine Jacket, Printed Sleeves.

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53X - Cyan Haze

53X

Cyan Haze

12inchEES053
(Emotional) Especial
05.06.2026

The return of Jonne Lydén aka 53X is an exhilarating welcome for Emotional Especial with 4 more seismic analogue psychedelic jams that are becoming recognisably a unique and hypnotic statement.

Lydén’s studio time is distillation for personal contemplation and perfection just 3 releases in 5 years that are worth the wait. The heady demand for his debut ‘Synapse’ and the following ‘Zen ‘23’ on Especial (limited repress incoming!) show constant development a sound of widescreen technoscope where dub beats trance pyrotechnics and 303 mind-melt swirling in a cosmic matter.

His return takes this further his music heritage in Finland’s hardcore punk scene to finding the techno of Detroit and Berlin before submerging in synths and drum programming jamming recording and mixing these trip-out electronic journeys live.

This heavy 4/4 jack is apparent on opening Sanctuary. Like his recent outings ‘Radar’ found on the Especial 50th “sampler” release ‘Gracias Especial’ (EES050) and also ‘Simulaato’ hidden away on blink and you miss it cult label Avidya (AVI003) this is a pure undiluted bang. Straight forward heavy bass kicking charged with acid 303 and monotonic vocal insights the track is a flourishing temple a call of embrace.

The eponymous Cyan Haze showcases 53X’s cinematic finest panoramic audio and sound design creating expansive phonics. BPMs drop samples flourish around break drops and rolling bass – breathing looping shouting lifting.

Owls enlightens. Hardware rumbles cerebral a temporal universe awakening. The collage of found sound successive sequential all encased by hypnotic broken chords rolling bass and melancholic piano refrain. Meta worming braindance ecstatic tribal industrial gliding by Shiva into the night.

Dust closes apt its basement collage pounds Lydén to techno genesis. Proto-zeitgeist steppa dark room incantation pulling and expanding the fantasy to strange dreamscapes. Reincarnation and hope in 2026.

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Abstract Tribe Unique - South Central Thynk Taynk (Remastered) (2x12")
  • 01: Explanation
  • 02: Hits Like Hank
  • 03: Renaissance (While We)
  • 04: Them That’s Got
  • 05: Through These Streets
  • 06: A.t.u. Is In The House Tonight
  • 07: L.a. Styles Back
  • 08: Mass Men Baby
  • 09: No Regrets
  • 10: Front Row
  • 11: Just Like Akira
  • 12: They Ryde
  • 13: Showgun
  • 14: Why Oh Why
  • 15: L.a. Styles Back (Project Blowed Remix)”

Red "Eruption" Marble Blend" Doppel-Vinyl, inklusive 16-seitigem Booklet mit Texten und ausführlichen Liner Notes. Ursprünglich 1998 veröffentlicht, fing ,South Central Thynk Taynk" von Abstract Tribe Unique (Abstract Rude, Fat Jack, Zulu Butterfly Priest, Irie Lion King und DJ Drez) einen entscheidenden Moment in der Underground-Szene von Los Angeles ein - als junge schwarze Künstler den Hip-Hop von Grund auf neu erfanden. Mit einer Mischung aus jazzigen Beats, spiritueller Einsicht und einer äußerst unabhängigen Produktion wurde das Album zu einer Hymne auf Selbstständigkeit und kreative Rebellion. Jetzt wird dieser lange nicht mehr erhältliche Klassiker von Rhymesayers Entertainment als Deluxe-2xLP-Set mit einem Text-Booklet und einem Bonustrack neu aufgelegt und kehrt für eine neue Generation zurück. Im kulturellen Zentrum der Platte steht Project Blowed, eine legendäre Crew aus L.A., die von Abstract Rude und Aceyalone gegründet wurde und eine Reihe von Rap-Innovatoren hervorbrachte, deren Einfluss bis heute im globalen Hip-Hop zu spüren ist. Während der Mainstream-Rap den G-Funk-Boom der Westküste aufgriff, schlug die Blowed-Crew einen anderen Weg ein - geprägt von Jazz, radikaler Politik und afrozentrischem Futurismus. ,South Central Thynk Taynk" ist eine vielschichtige Zeitkapsel aus dieser revolutionären Zeit, die Ab Rudes tiefgründige Lyrik mit Fat Jacks genreübergreifendem Produktionsansatz verbindet und eine poetische Reflexion über Familie, Kampf und künstlerische Bestimmung schafft. Diese Neuauflage enthält den Titel ,L.A. Styles Back (Project Blowed Remix)" mit einer generationsübergreifenden Besetzung von Schwergewichten - Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore und NGAFSH -, die unterstreicht, wie die Underground-Szene von L.A. seit Jahrzehnten ein kreatives Epizentrum geblieben ist. ,South Central Thynk Taynk" ist mehr als ein Kultartefakt; es ist ein lebendiges Dokument der Transformation, der Gemeinschaft und der künstlerischen Kraft.















[o] 15 : L.A. Styles Back (Project Blowed Remix)” [feat. Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore, NGAFSH]

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Marion Brown - Awofofora

First time reissue of JP / US free jazz rarity.

The 1970s were Marion Brown’s most searching decade, a period during which he sought to move beyond the free jazz of the previous era and find more personal approaches to structuring improvisation and composition. After leaving New York for Europe in 1967, Brown began reshaping his music into what he described as “a more deliberate kind of music that had more structure to it,” pacing it so that moods and modes could develop over time. Albums such as In Sommerhausen, Afternoon of a Georgia Faun, Geechee Recollections, and Sweet Earth Flying trace this evolution: rhythmic structures moved to the foreground, harmony receded, and composition became a matter of orchestrating interlocking rhythmic parts as one would polyphonic lines.

Released in 1976, Awofofora is an overlooked but crucial entry in that sequence. At the time, its use of funk and reggae beats, electric guitars, and grooves drawn from contemporary Black popular music led some to misread it as a jazz-rock detour. In retrospect, it is entirely consistent with Brown’s methodology. As he admired in the Art Ensemble of Chicago, the stimulus comes from within the community. Here Brown filters Afro-Caribbean rhythms and funk through his own sensibility, abstracting their structural qualities rather than adopting surface style.

“La Placita,” making its first recorded appearance, layers distinct rhythmic phrases in a manner reminiscent of African drum ensembles, over which Brown and trumpeter Ambrose Jackson spin extended improvisations. The standard “Flamingo” is reshaped through diasporic rhythm and lyrical soloing, while “Pepi’s Tempo” and “Mangoes” harness crisp funk and reggae grooves to generate what Brown called a “manifestation of community” through collective improvisation. Even the overdubbed solo feature “And Then They Danced” reflects his structural thinking, ingeniously re-voicing a duet composition for two alto saxophones performed by one player.

This was the only recording by a short-lived band that briefly polarized audiences during festival appearances in 1976. Yet Brown consistently sought unity across change: different sounds, same principles — rhythm as structure, melody as architecture, collective improvisation, and above all, the primacy of tone. Awofofora stands not as a departure, but as a vivid synthesis of the elements he had been refining since the late 1960s, its grooves and golden alto lines conveying a sound drawn, in his words, “from life and from the world of experience.”

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Prospa - Free Your Mind (2x12")

Prospa

Free Your Mind (2x12")

2x12inchCLR019V
Circoloco
05.06.2026

UK-duo Prospa are set to release their highly anticipated debut album Free Your Mind on June 5. Synthesizing the traditions of classic house with the sounds of modern global dance music, Free Your Mind is a sleek collection of club-ready future classics. As a first preview, Prospa also shared its title track, a driving cut of jacking vocal house featuring tech-house innovator Cloonee.

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Spin Doctors - Pocket Full Of Kryptonite LP
  • A1: Jimmy Olsen's Blues
  • A2: What Time Is It?
  • A3: Little Miss Can't Be Wrong
  • A4: Forty Or Fifty
  • A5: Refrigerator Car
  • A6: More Than She Knows
  • B1: Two Princes
  • B2: Off My Line
  • B3: How Could You Want Him (When You Know You Can Have Me)
  • B4: Shinbone Alley / Hard To Exist

Definition of spin doctor: a spokesperson employed to give a favorable interpretation of events to the media, especially on behalf of a political party. Spin Doctors weren't part of a political party but spread the word about romance.

The band was formed in New York City, best known for their early 1990s hits "Two Princes" and "Little Miss Can't Be Wrong". Those 2 songs were hits all over the world, and are still big hits in the streaming era. Pocket Full of Kryptonite is the first studio album (and second release) by the Spin Doctors, and originally released in August 1991.

The album was a top 10 hit in many countries, including the UK, Denmark, Germany, Norway and Sweden. It was the band's bestselling album and was certified 5x Platinum in the US. Not to be confused with the 3 Doors Down song 'Kryptonite' from 2000, the Superman theme was all over the Spin Doctors' album, with the title, a song called "Jimmy Olsen's Blues" and the album cover showing a phone booth (referring to Clark Kent frequently ducking into a nearby phone booth to change into his Superman attire).

This pressing of Pocket Full of Kryptonite is a limited 35th anniversary edition of 4,000 individually numbered copies on green vinyl. The jacket has a deluxe leather-texture laminate finish.

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Run The Jewels - Run The Jewels 2 (Reissue) LP
  • A1: Jeopardy
  • A2: Oh My Darling Don't Cry
  • A3: Blockbuster Night Pt. 1
  • A4: Close Your Eyes (And Count To Fuck) (Feat. Zack De La Rocha)
  • A5: All My Life
  • A6: Lie, Cheat, Steal
  • B1: Early (Feat. Boots)
  • B2: All Due Respect (Feat. Travis Barker)
  • B3: Love Again (Akinyele Back) (Feat. Gangsta Boo)
  • B4: Crown (Feat. Diane Coffee)
  • B5: Angel Duster
  • B6: Blockbuster Night Pt. 2 (Feat. Despot, Wiki)

Named the #1 Hip-Hop Album of 2014 by Pitchfork, Rolling Stone, and Complex, RTJ2 is the duo’s definitive masterpiece. This LP finds GRAMMY-winner Killer Mike and El-P at their peak alongside guests Zack de la Rocha (Rage Against the Machine) and Travis Barker. Available for the first time as a 1LP pressing, this edition restores the legendary Gangsta Boo verse and includes the rare bonus track "Blockbuster Night Pt. 2" (feat. Despot & Wiki). Now back in print as a 140g LP in Gatefold Jacket. A must-have for any hip-hop collection.

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Kanyon - Technical Research

NYC’s Kanyon debuts his new label “Solitary Works” with an EP paying homage to the old-school. A1-B1: 3 raw, jacking techno tracks relay Kanyon’s vision of classic loop techno revival. On B2, Kanyon flexes his live production madness showcasing an electro track which is sure to convert the non-believers.

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Nine Inch Nails - TRON Ares: Divergence (2x12")
  • 1: Converge
  • 2: I Know You Can Feel It (Mark Pritchard Remix)
  • 3: Godmode
  • 4: A Question Of Trust (Boys Noize Remix)
  • 5: Operand
  • 6: Zero State
  • 7: Empathetic Response (Lanark Artefax Remix)
  • 8100: % Expendable (Chilly Gonzales Remix)
  • 9: Who Wants To Live Forever? (Danny L Harle Remix)
  • 10: Infiltrator (Jack Dangers Remix)
  • 11: A Framework
  • Disc 2
  • 1: Ghost In My Machine (Boys Noize Remix)
  • 2: What Have You Done? (Boys Noize Remix)
  • 3: As Alive As You Need Me To Be (Pixel Grip Remix)
  • 4: The First Betrayal
  • 5: I Know You Can Feel It (Working Men's Club Remix)
  • 6: Shadow Over Me (The Dare Remix)
  • 7: Terminal
  • 8: Forked Reality (Schwefelgelb Remix)
  • 9: As Alive As You Need Me To Be (Arca Remix)
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Paradox - Drumline / Trident

Paradox finally returns to his main label after a 3-year hiatus with a 12” of Jungle and Breakbeat excursions.

The A side Drumline skips with ‘All I need is beats that Rhyme’ vocals, 90’s Reinforced records style pads and intricate loops. Another cut of B-boy culture
On the defence AA side Trident kicks back at 143 bpm with raw Funk breaks, wobbly subs, strings and vocal tricks.

The green artwork jacket projects Paradox Music in Blue & Yellow alongside traditional Ukrainian Vyshyvanka patterns.

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ESCAPE-ISM - CRIME WAVE ROCK
  • Crime Wave Rock
  • Bodysnatcher

Ian F. Svenonius and the philosopher of fuzz, black-jacket beat-bopper, bandstand bolshevik, single note savant, tear-stained tape deck, last refuge of ineptitude, sin is in group, ESCAPE-ISM stopped by our Detroit location one spring afternoon and recorded this pan-sonic polymorphously perverse plastic platter live on the Blue Stage. TOP SECRET. DO NOT BUY.

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CAT STEVENS / YUSUF ISLAM - I LOVE MY DOG

Helping to celebrate the 50th anniversary of his debut LP, Matthew & Son, released in 1967 via Deram, Third Man Records along with producer Jack White are pleased to announce two new and as of yet unreleased renditions of the earliest singles from Yusuf "Cat Stevens" Islam's vibrant and storied catalog. The project signals more of what's to come from the Blue Room Sessions series. Recorded at label headquarters this past September, the songs find new life with arrangements that are pensive and potent, sharpened by time on the road. The results are far and away a testament to the hustle and vision of all involved.

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Teflon Dons - Rudiments EP (30th Anniversary)

The Teflon Dons' Rudiments EP, released in 1996 on Worldship Music and now reissued on FRL Classic edition, is one of those records that perfectly embodies the most authentic spirit of 90s underground deep house. From the very first bars, Rudiments EP stands out for its raw but deeply soulful sound, built on filtered samples, “dirty” drum machines (typically SP-1200) and an aesthetic that mixes Chicago and Detroit.

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MAXIMUM PENALTY - INDEPENDENT
  • 1: Face Value
  • 2: Find A Better Way
  • 3: Could You Love Me
  • 4: So God Help Me
  • 5: Nowhere To Turn To
  • 6: Justice Paid
  • 7: Where Were You
  • 8: Life Jacket
  • 9: Hate
  • 10: Comin' Home
  • 11: Be Yourself
  • 12: Burning Bed (Heartless)
  • 13: Acceptance + Ivory Tower
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Cassette


Maximum Penalty wurden 1986 gegründet und gelten als eine der einzigartigsten Bands, die während der Blütezeit des New Yorker Hardcore entstanden sind. Die Band, die von Sänger Jimmy Williams ins Leben gerufen wurde und 1988 durch den Gitarristen Joseph Affe verstärkt wurde, begann mit schnellem Hardcore-Punk und entwickelte sich nach und nach zu etwas Größerem, angetrieben von melodischen Rhythmen und gefühlvollem, klarem Gesang. Maximum Penalty war von Anfang an ein fester Bestandteil legendärer Veranstaltungsorte wie CBGB und Coney Island High und tourte in den 90er Jahren auch durch Nordamerika und Europa, wo sie die Bühne mit Bands wie Agnostic Front, Madball, Sick Of It All und Gorilla Biscuits teilten. Die erste Schaffensphase von Maximum Penalty umfasste eine beeindruckende Diskografie - ,Demo 89", die EP ,East Side Story" von 1995, die LP ,Independent" von 1996, die LP ,Super Life" von 1997 sowie eine Reihe von Titeln auf verschiedenen Compilations, darunter ,Where The Wild Things Are" und ,Satisfaction Guaranteed" von Blackout Records. Maximum Penalty tauchte 2009 mit der LP ,Life & Times" (Reaper Records) wieder auf und brachte ihren Sound neuen und alten Hörern näher. Der Einfluss, den Maximum Penalty auf die moderne Hardcore-Szene hatte, ist unbestreitbar. Turnstile nahm die Band in eine einflussreiche Playlist auf, und der Hardlore-Podcast erklärte Maximum Penalty zu einer der ,am meisten unterschätzten Hardcore-Bands". Im Jahr 2025 veröffentlichte die Hardcore-Band End It aus Baltimore ein Cover von ,Could You Love Me?" aus dem 1996er Album ,Independent", hauchte dem Titel neues Leben ein und veranlasste Fans, das Original zu entdecken. Zum 30-jährigen Jubiläum wird ,Independent" zum ersten Mal überhaupt auf Vinyl gepresst, und zwar über Flatspot Records. Gitarrist Joseph Affe bemerkt: ,Maximum Penaltys ,Independent` ist das einzige Album, das nie auf Vinyl erschienen ist, da Vinyl zu der Zeit, als es auf CD veröffentlicht wurde, nur eine Nebensache war. Während wir weiter spielten und neue Veröffentlichungen herausbrachten, war die Veröffentlichung von ,Independent` auf Vinyl etwas, das wir schon immer tun wollten, und nun sind wir endlich, 30 Jahre später, so weit. Die ,Independent`-Ära war eine großartige Zeit in der Geschichte von Maximum Penalty - es bedeutet uns sehr viel, zu sehen, dass ein neues Publikum die Platte zum ersten Mal entdeckt, das ist unglaublich!"

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MAXIMUM PENALTY - INDEPENDENT (TAPE)

Maximum Penalty wurden 1986 gegründet und gelten als eine der einzigartigsten Bands, die während der Blütezeit des New Yorker Hardcore entstanden sind. Die Band, die von Sänger Jimmy Williams ins Leben gerufen wurde und 1988 durch den Gitarristen Joseph Affe verstärkt wurde, begann mit schnellem Hardcore-Punk und entwickelte sich nach und nach zu etwas Größerem, angetrieben von melodischen Rhythmen und gefühlvollem, klarem Gesang. Maximum Penalty war von Anfang an ein fester Bestandteil legendärer Veranstaltungsorte wie CBGB und Coney Island High und tourte in den 90er Jahren auch durch Nordamerika und Europa, wo sie die Bühne mit Bands wie Agnostic Front, Madball, Sick Of It All und Gorilla Biscuits teilten. Die erste Schaffensphase von Maximum Penalty umfasste eine beeindruckende Diskografie - ,Demo 89", die EP ,East Side Story" von 1995, die LP ,Independent" von 1996, die LP ,Super Life" von 1997 sowie eine Reihe von Titeln auf verschiedenen Compilations, darunter ,Where The Wild Things Are" und ,Satisfaction Guaranteed" von Blackout Records. Maximum Penalty tauchte 2009 mit der LP ,Life & Times" (Reaper Records) wieder auf und brachte ihren Sound neuen und alten Hörern näher. Der Einfluss, den Maximum Penalty auf die moderne Hardcore-Szene hatte, ist unbestreitbar. Turnstile nahm die Band in eine einflussreiche Playlist auf, und der Hardlore-Podcast erklärte Maximum Penalty zu einer der ,am meisten unterschätzten Hardcore-Bands". Im Jahr 2025 veröffentlichte die Hardcore-Band End It aus Baltimore ein Cover von ,Could You Love Me?" aus dem 1996er Album ,Independent", hauchte dem Titel neues Leben ein und veranlasste Fans, das Original zu entdecken. Zum 30-jährigen Jubiläum wird ,Independent" zum ersten Mal überhaupt auf Vinyl gepresst, und zwar über Flatspot Records. Gitarrist Joseph Affe bemerkt: ,Maximum Penaltys ,Independent` ist das einzige Album, das nie auf Vinyl erschienen ist, da Vinyl zu der Zeit, als es auf CD veröffentlicht wurde, nur eine Nebensache war. Während wir weiter spielten und neue Veröffentlichungen herausbrachten, war die Veröffentlichung von ,Independent` auf Vinyl etwas, das wir schon immer tun wollten, und nun sind wir endlich, 30 Jahre später, so weit. Die ,Independent`-Ära war eine großartige Zeit in der Geschichte von Maximum Penalty - es bedeutet uns sehr viel, zu sehen, dass ein neues Publikum die Platte zum ersten Mal entdeckt, das ist unglaublich!"

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Soul Jazz Records Presents - STUDIO ONE ROOTS (2x12")
  • 1: The Cyclones With Count Ossie – Meditation
  • 2: Cornell Campbell – Natty Don't Go
  • 3: Freddie Mcgregor – Africa Here I Come
  • 4: Bunnie & Skitter – Lumumbo
  • 5: Willie Williams – Addis A Baba
  • 6: L Crosdale – Set Me Free
  • 7: Leroy Wallace – Far Beyond
  • 8: Lennie Hibbert – More Creation
  • 9: Alton Ellis – Blackish White
  • 10: Winston Jarrett – Fear Not
  • 11: Devon Russell – Drum Song
  • 12: The Gaylads – Africa
  • 13: Black Brothers – School Children
  • 14: Linton Cooper – You'll Get Your Pay
  • 15: Sound Dimension – Congo Rock
  • 16: Zoot Simms – African Challenge

Soul Jazz Records celebrate 25 years of working in partnership with Studio One with brand new editions of FIVE of their bestselling CLASSIC Studio One collections all released on limitededition one-off pressing coloured double vinyl. Also available in new limited-edition card wallet CD editions. The new edition featured albums are Studio One Funk, Studio One Dub, Studio One Ska, Studio One Roots and Studio One Classics. Studio One Roots set the standard for Soul Jazz Records’ long-standing series and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae. This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining in-house groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. The album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s ‘Blackish White’, a surreal and powerful Afro-centric dream, Count Ossie’s Rastafarian drummers’ genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams aweinspiring versioning of the Skatalites' seminal Rastafari anthem ‘Addis Ababa’ and many, many more. Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves. “There isn't a weak number across these 16 tracks, from the Gaylads’ ode to ‘Africa’ and Devon Russell's version of the heavyweight ‘Drum Song’ rhythm, to stunning instrumentals such as Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on ‘Meditation’, Lenny Hibbert’s sparkling vibe work over Mittoo's ‘Ghetto Organ’ and The Sound Dimension’s ‘Congo Rock.” Pitchfork “The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection.” All Music

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GRADE 2 - TALK ABOUT IT

GRADE 2

TALK ABOUT IT

12inch205544
Hellcat
05.06.2026

British punk trio GRADE 2 return swinging with Talk About It, their third and most blisteringly realized album, out on Tim Armstrong"s storied Hellcat Records. It"s an 11-track surge that fuses classic punk"s bare-knuckle conviction with the disillusionment, identity crises, and quiet rage of Gen-Z-delivered by three Isle of Wight lifers who"ve been sharpening their edge since they fifirst bashed out covers at 14. Jack Chatfifield, Jacob Hull, and Sid Ryan have spent thirteen years turning raw instinct into a signature roar, and Talk About It captures them at full velocity. Their blistering track, "Cut Throat," distills their ethos: fifierce guitars, punishing rhythm, and a narra-tive of clawing forward while the world seems hellbent on pulling you under. "It"s about a world that takes more than it gives," the band says-and that tension becomes fuel, a rallying cry for anyone navigating a landscape that feels colder by the day. With Talk About It, GRADE 2 don"t just revive punk"s urgency-they embody it.

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DEMENTED ARE GO - ORGASMIC NIGHTMARE
  • 1: Orgasmic Nightmare
  • 2: Beast In The Cellar
  • 3: House Of Blood
  • 4: Now She's Dead
  • 5: Clitoris Bite Boogie
  • 6: Love Is Like Electrocution
  • 7: Who Put Grandma Under The Stairs
  • 8: Love Seeps Like A Festering Sore
  • 9: Nightlife
  • 10: Anal Wonderland
  • 11: Demon Angel
  • 12: Straight Jacket
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TURQUOISE BLACK MARBLE VINYL


2026 repress of classic fourth album by U.K. Psychobilly legends DEMENTED ARE GO! Originally released in 1991 on FURY RECORDS / U.K.! Mark 'Sparky' Phillips - vocals * Antanoid 'Horseman' Thomas - drums * Lex 'Luther Boy Wonder' - Guitar * Billy 'Space Cadet' Munster - Slap bass Initially released by the legendary rockabilly / psychobilly label Fury Records in 1991, DEMENTED ARE GO's "Orgasmic Nightmare" is brought back to life again for all you cellar beasts and demon angels! Twelve tracks of 100% psychobilly mayhem for all you stompers and wreckers out there! Classic (black vinyl here)!

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DEMENTED ARE GO - ORGASMIC NIGHTMARE

2026 repress of classic fourth album by U.K. Psychobilly legends DEMENTED ARE GO! Originally released in 1991 on FURY RECORDS / U.K.! Mark 'Sparky' Phillips - vocals * Antanoid 'Horseman' Thomas - drums * Lex 'Luther Boy Wonder' - Guitar * Billy 'Space Cadet' Munster - Slap bass Initially released by the legendary rockabilly / psychobilly label Fury Records in 1991, DEMENTED ARE GO's "Orgasmic Nightmare" is brought back to life again for all you cellar beasts and demon angels! Twelve tracks of 100% psychobilly mayhem for all you stompers and wreckers out there! Classic (black vinyl here)!

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Matty - POPS

Matty

POPS

12inchLEX189LP
LEX RECORDS
05.06.2026
  • 1: Around The World
  • 2: Boyfriend
  • 3: Fool 4 U
  • 4: Madly
  • 5: Shes The One
  • 6: I Love You (Yes I Do)
  • 7: My Girl
  • 8: Cant Get Enough Of Her Love
  • 9: Cool
  • 10: Can You Hold Me Tight
  • 11: Mommy

A founding member and keyboardist of acclaimed jazz
groupBADBADNOTGOOD,Tavares has gone from being an in-demand
producer with some of the biggest names in music to a songwriter and
artist in his own right, having touched corners of the globe and cemented
twoGRAMMY Awardsand five nominations
Between collaborations with Kendrick Lamar , Ghostface Killah , MF DOOM , Tyler
the Creator , Kali Uchis , Tavares has also played with Frank Ocean ,
soundtracked Virgil Alboh 's landmark S/ S 2019 runway show for Louis Vuitton,
and penned songs for Post Malone , Rosalia , Travis Scott , Kodak Black , Justin
Beiber,Camilla Cabello,Jack Harlow amongst others.
With a sound that fuses his nostalgia for the golden era of blogs with the
eclecticism of the late 2000s, the combination of the internet crossed with an
isolated suburban upbringing has laid the groundwork for Matty's genre-bending
artistry. Embracing a raw creative output with an aversion to following the norms
of the industry reverberates across his discography,Matty has found success in
previous releases including 'Clear' and 'I'll Gladly Place Myself Below', which push
the boundaries of sonic creativity and knowledge.
Now with his upcoming album POPS , Matty relinquishes his lowkey and
understated style for something larger than life, while maintaining a level of
honesty and openness that has defined his past work to make for a dynamic
release that constellates around music's greatest subject - love.

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Various - The Ultimate Demonstration Disc Volume 2 LP
  • Javon Jackson, David Hazeltine, Tony Reedus & Paul Gill - In A Mellow Tone
  • Jon Faddis - Speak Like A Child
  • The Persuasions - Angel Of Harlem
  • The Body Acoustic - Club Descarga
  • I Ching - Young Girl's Heart
  • Jimmy Cobb Quartet - My Foolish Heart
  • Valerie Joyce - Little Wing
  • Larry Coryell, Victor Bailey & Lenny White - Misterioso
  • Rachel Z - Imagine
  • David Chesky - Concerto For Bassoon And Orchestra, Movement 3
  • Billy Burnette - Tear It Up

Thirteen years later, building on everything they had learned about capturing the purest sound, Guttenberg returned to produce The Ultimate Demonstration Disc Volume 2. Designed to bridge the gap between technical terminology and the listening experience, this collection serves as a practical guide to the audiophile lexicon. On each track, Guttenberg "spells out" exactly what to listen for, providing clear musical examples of concepts like "transparency" and "soundstage depth." By using a custombuilt recording chain and avoiding dynamic range compressors, equalizers, or overdubbing, the album captures a "live" session exactly as the microphones heard it - resulting in a sound so neutral and natural that it can be used to reveal the subtle differences between high-end speakers, electronics, and cables.

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Terry Francis - Digitec

Terry Francis

Digitec

3x12inchSUSH78
Sushitech
27.05.2026

Terry Francis stands as one of the original architects of acid tech house, a genuine pioneer whose influence shaped the sound and spirit of London’s underground scene in the 90s. From the seminal projects with Housey Doingz to his enduring tenure as a core resident at fabric, Terry has remained a constant and uncompromising force at the heart of the scene.

His contribution is impossible to overstate. Across three decades, Terry’s unmistakable sound, forward thinking approach and steadfast dedication have inspired artists across the globe. His work helped define an era and continues to resonate today.

Following a widely acclaimed run of reissues from the golden age of the early 2000s London underground, where the label was born, Sushitech Records now joins forces with Terry for a landmark moment, his first Sushitech LP, featuring various tracks from over the years alongside unreleased session recorded at Strange Weather Studios in 1999.

This special collection brings together eleven tracks, officially remastered from the original tapes and source material for the very first time. These are timeless productions, restored to reveal new depth, clarity and detail while preserving the raw energy that made them so vital and sought after, pressed on 180g vinyl. The release also features standout collaborations with Ricardo Afonso, Gideon Jackson and Haris, further cementing its status as an essential document of an era. A landmark collection, restored with precision and reintroduced in its fullest form.

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Various - Ministry Of Sound - Origins Of House 2x12"

Back in stock !

First three releases in Ministry Of Sound's new 'Origins Of' series of vinyl releases. Taking it right back to where it all began, Ministry of Sound’s Origins series charts a selection of pioneering records responsible for shaping the sound of modern day dance music. It’s hard to imagine a world without House; this 2x LP release explores the origins of the genre from its early beginnings in 1980s Chicago presenting some of the key building blocks of a sound that went on to change the world. Featuring, Frankie Knuckles&Jamie Principle, “Steve” Silk Hurley, Marshall Jefferson, Farley “Jackmaster” Funk, Ron Hardy, RalphiRosardo, Joe Smooth and many more.

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KETTAMA - Archangel LP 2x12"

One of electronic music’s most sought-after names, producer and DJ KETTAMA today announces the release of his long-awaited debut album, Archangel, out 3rd of October. The announcement arrives in tandem with new single “Sort It Out” featuring Clouds, and a landmark moment in his career: his biggest ever London headline show, taking over Brixton Academy on Saturday, October 4th, followed by an expansive tour across Europe, North America, and Australia.



A decade in the making, Archangel is the definitive statement from KETTAMA (Evan Cambell), the Galway-born, London-based artist. The 15-track project is a powerful blend of hard-house energy, trance-inflected euphoria, hip-hop sample-based attitude, and unmistakable emotional depth—sonic signatures that have placed KETTAMA at the cutting edge of contemporary dance music.



The album showcases a curated roster of collaborators who reflect KETTAMA’s reach and relevance across today’s underground and mainstream scenes, including Interplanetary Criminal, Fred again.., Clouds, Prospa, DJ HEARTSTRING, Shady Nasty, SØLV and seantommy. Their contributions amplify the project's scope, offering a multi-sided view into KETTAMA’s musical universe.



Among its early singles, the Interplanetary Criminal collaboration “Yosemite” is a high-velocity anthem marrying speed-garage grit with ecstatic rave melodies, while his track “Air Maxes” with Fred again.. And Shady Nasty blends introspective vocal sampling with wide-eyed club emotion. On “If U Want My Heart” with DJ HEARTSTRING featuring KLP, the ensemble channels high-energy trance, breakbeats, and vocal euphoria into a soaring anthem that fuses emotional intensity with peak-time club energy. Meanwhile, his collaboration with Clouds, released today, “Sort It Out” dives headfirst into industrial-techno territory, conjuring a dark, cathartic energy destined for warehouse euphoria. And reigning as one of the undeniable anthems of the summer so far, “It Get’s Better (Forever Mix)” delivers euphoric waves of uplifting synths and relentless rhythm, bringing an irresistible surge of energy that’s become synonymous with this summer’s club moments.



Archangel has already found a home on the world’s biggest stages and radio airwaves, with early support from key tastemakers including Jack Saunders, Danny Howard, Sarah Story, and Tim Sweeney. Simultaneously, a grassroots groundswell continues to bloom across social platforms—where viral snippets and show footage capture the visceral reaction of a fast-growing, global fanbase.



This year, KETTAMA has elevated his status to a full-blown festival phenomenon, performing at major stages including Coachella, Glastonbury, Creamfields, Portola, Seismic, and ARC Festival, to name a few. In June, he played to 20,000 people in Belfast for a b2b with Chris Stussy—one of the UK’s largest DJ events in recent memory—and is currently mid-way through a 16-week Ibiza residency at Amnesia, playing every Monday night throughout summer. Full list of upcoming live dates can be found below.



Perhaps the clearest signal of his surging popularity is the jaw-dropping response to his upcoming Boiler Room live set, with over 15,000 fans signing up to attend— the set’s release is now highly anticipated as a time capsule moment in a breakout year for the artist.



KETTAMA’s rise to prominence has been anything but conventional. Eschewing the traditional gatekeepers of the industry, KETTAMA cultivated an underground following through the likes of SoundCloud and TikTok, where raw uploads, bootlegs, and viral edits generated a tidal wave of grassroots momentum. Over the years, these platforms became launching pads for a fiercely loyal global community, drawn to his unfiltered energy and boundary-pushing sound. This subversive path to recognition has made him not just a fixture of the scene but a symbol of how new-generation artists can forge success on their own terms.



From his humble roots in the Irish underground to the world stage KETTAMA is now pushing the limits of what a next-gen DJ-producer can achieve. With Archangel, he fuses the sound of his native ‘G-Town’ with a futuristic vision that’s unapologetically global—marking a creative milestone that cements his place among electronic music’s most compelling voices.

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BOOH - Momm03

BOOH

Momm03

12inchMOMM03
Momm
08.06.2026

BOOH opens the record with a slow subterranean rumble before the machine locks in with full force. Welding Groove is a dense and relentless techno tool, built on a heavy low-end foundation and punctuated by sharp breaks that release tension only to snap back harder. A floor-ready opener that sets the tone for what follows.

Powder wastes no time. The groove hits from the first bar, driving forward with precision and urgency through a series of tightly chopped breaks before the bass reclaims the floor. Physical, direct, and built for the peak hours.

BOOH flips the record with Spectrum, the most patient track of the four. A long, layered intro slowly stacks elements one by one before the groove finally takes over and holds its ground without letting up. Wide and immersive, it carries the energy of a long set deep into the night.

Jackson Poliakov is the most unpredictable of the bunch. Opening with a wide, full-spectrum groove, it shifts midway into darker, more hypnotic territory before a final break brings everything back for the closing stretch. Two faces in one track, and the perfect way to close this chapter.

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Various - Hotline Miami 1 & 2: The Complete Collection (8x12")
 
76

To celebrate the 10th anniversary of the iconically brutal-yet-stylish Hotline Miami, the head honchos at Devolver Digital, Dennaton Games and Laced Records picked up the phone and made the call to bring back two killer soundtracks to vinyl.

This Standard Edition of the Hotline Miami 1 & 2: The Complete Collection 8LP box set includes traditional black vinyl.

Every in-game track from Hotline Miami and Hotline Miami 2: Wrong Number is present and correct, including Castanets’ “You Are The Blood” (not previously available via the HM2 Steam soundtrack release.) 76 tracks remastered for vinyl will be pressed to heavyweight LPs that come in spined inner sleeves, contained in a rigid board lift-off lid box with spot UV highlight.

Also included in the box are two 12” art prints of the front and back cover pieces, and a 50 Blessings symbol felt slipmat and metallic sticker.

The box set features brand new eye-exploding artwork by long-time Dennaton collaborator Niklas Åkerblad — aka El Huervo aka Beard — alongside illustrator -IZMA-. El Huervo’s grisly covers depict contradictory accounts of a berserk face-off between Jacket and Biker, replete with entrails. -IZMA-’s disc sleeves explore scenes from the series’ lore, tapping into the violence, psychedelia and nihilism that pervade its characters and themes.

10 years on, neon-soaked indie hit Hotline Miami has become a cultural touchstone in a way that few video games ever achieve — and the electronic soundtracks for both series titles are held up as modern classics that have transcended gaming. At turns brutal and laid-back, pulsating and aimless, coked-up and checked-out, these two ultracool compilations were at the heart of the retro-’80s synthwave scene that swept the Internet over the 2010s.

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BeTheGun - Miami Deco EP

Bethegun

Miami Deco EP

12inchBLAH159LP
BLAH Records
08.06.2026

BLAH Records is proud to announce the official release of BeTheGun's debut EP 'Miami Deco' - Entirely produced by Lee Scott & Jack Chard. BeTheGun is one of the most unique voices in the UK's underworld of independent rap, the talisman of the infamous COTD crew. A unique turn of phrase and unmistakable delivery with a panache for the finer things. A debut EP to behold.

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Genesis - Foxtrot LP 2x12"

Genesis

Foxtrot LP 2x12"

2x12inchAAPA027-45
Analogue Productions
08.06.2026

Genesis' Foxtrot is the band's fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis' discography.

AllMusic's Stephen Thomas Erlewine says Foxtrot is where where Genesis began to pull all of its varied inspirations into a cohesive sound. The startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power, he writes, giving the album a 5-star review.

"There's might and majesty here, and it, along with 'Get 'Em Out by Friday,' is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose." — AllMusic

This is the rare art-rock album that excels at both the art and the rock, and it's rightly celebrated for its enduring impact on the progressive rock genre, making it an essential listen for Genesis fans.

Analogue Productions has given Foxtrot the deserving full reissue treatment: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Various - Amateur Hour Vol. I

Amateur forever? Oh yeah! “Amateur Hour” celebrates 15 years of Frank Music - still running on pure DIY energy, with Johannes Albert happily admitting he’s got no master plan, just a deep feel for House Music. And somehow, nearly 80 releases later, that instinct still hits. Volume I digs into the archives: forgotten cuts, long out of print, quietly becoming cult favorites. David Jackson’s “Broken Heart” returns to wax, alongside J.A.’s own “Giovanni Frizzante" if Italo is still your thing.
Flip it over and it gets deeper: Shan reworks “Wing House” into something massive, while Max Lessig closes things out with the understated, timeless glow of “Jupiter Hymn”.
Let's be frank. Once again.

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