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Various - DIVE  LP

Various

DIVE LP

12inchMOVATM404
Music On Vinyl
26.01.2024

"The Dive is a 2023 scuba-diving movie, starring Sophie Lowe (Medieval) and Louisa Krause (Billions), with much of the footage – underwater and topside – shot in the popular diving destination of Malta. Directed by Maximilian Erlenwein and written by Erlenwein with Joachim Heden, The Dive focuses on two sisters, Drew and May, whose dive together off the rocky shoreline is abruptly cut short when a landslide above water sends a cascade of boulders down on top of them, leaving May trapped down at 28m by the debris. With dangerously low levels of oxygen and cold temperatures, it is up to her sister to fight for her life. The score to The Dive is composed by Volker Bertelmann & Raffael Seyfried. Bertelmann is a German composer who is also known under the name Hauschka. In 2022, he won an Academy Award and BAFTA for his work on All Quiet on the Western Front. For the soundtrack for The Dive, he teamed up with Raffael Seyfried, who previously scored the acclaimed 2018 drama series Patrick Melrose. The Dive is available as a limited edition on turquoise coloured vinyl."

Dive by Various Artists, released 25 January 2024, includes the following tracks: "Do You Hear That", "Go To The Surface", "Ship", "Are You OK" and more.

This version of Dive comes as a 1xLP.

The vinyl is pressed as a turquoise disc.

pre-order now26.01.2024

expected to be published on 26.01.2024

Will Long - Too Much

Will Long

Too Much

12inchSAT062
Scissor & Thread
26.01.2024

Will Long is an American artist. He curates and manages the label Two Acorns, as well as producing music since 2005, in various forms under his own name for Terre Thaemiltz's Comatonse Recordings, and as Celer for his own label and many others.
Here he joins the perfectly aligned Scissor and Thread label of Francis Harris and Anthony Collins for the Too Much EP.
"Too Much" is a deep cut from the same grooves as the Long Trax series," says Will Long, "a further entry for the downtrodden, the overwhelmed, and those that think change has come. A midnight meditation of intentional simplicity, strained, and on that night train."
The title track is lush, loose deep jam that combines wistful, warm pads with an insistent groove and choice samples.
Francis Harris steps up to provide one of his signature reforms, adding a little more percussion and drive to the track, while DJ Aakmael (Greg Stewart) offers up another version that takes the track somehow even deeper, adding some additional instrumentation and raw sounds.

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Last In: 9 months ago
Xenomorph - Negative Time EP

Negative Time! The new 12" vinyl EP of Xenomorph has a name that suits our global crisis. The best way to face these dark times is through the therapeutic powers of music. This 3-track 12" EP is the harbinger for the upcoming album "Netherverse" in early 2024. Fans of Mark Petrick know what to expect for sure. Goa-trance with a darker twist, but still filled with powerful melodies, unique kicks and psychedelic effects

The opening track, Negative Time, is a musical interpretation of zero point energy creation and quantum physics. Cutting, yet melodic goa-riffs take the listener on a journey backward in time through a mix of darkness leading to a positively melodic final. Danger on the High Seas is a deeper, more straightforward technoish track where light and dark are doing a wonderful mating dance between the crests of the high waves. The song was inspired by the mysterious vanishing of flight-19 in the bermuda triangle. The last track, Lost In An Old Junkyard, is known to the people that bought the Carpe Noctem compilation on Suntrip. But now it is available on vinyl as well as a different mix: the Tow Hook Mix! This track is the most classic Xenomorph track. Alienated tearing effects, mixed with exalted melodies.

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Last In: 3 months ago
David Wallraf - The Commune Of Nightmares

The new album The Commune Of Nightmares by noise artist David Wallraf is a tapeloop-based musical game of cadavre exquis, a technique developed by surrealist artists.

David Wallraf is a noise artist and theorist living in Hamburg. His artistic work deals with the repressed and uncanny sonic residues of quotidian life, crafting soundtracks for the creeping disaster we inhabit. His works have been released on numerous international tape labels. A recent interest of his is the live scoring of silent films, including works by Luis Buñuel, Maya Deren and Jean Genet. His PhD thesis Grenzen des Hörens. Noise und die Akustik des Politischen (Limits of Hearing.Noise and the Acoustics of the Political) has been published in German, an English translation is in progress.

The Commune of Nightmares stems from the idea that nightmares are the logical reverse of 'capitalist realism': an uncanny undercurrent of daily experiences and an algorithmic haunting of dreams that at the same time is a shared – communal – experience of everybody. All songs are based on tapeloops that were cut arbitrarily from a stash of cassettes, some of which found on the street, others from a stockpile of 4 track tapes recorded in the late 90s and early 2000s – a musical game of cadavre exquis played with random strangers and former versions of DW.

Credits:

All music composed and recorded by David Wallraf in Hamburg-Wilhelmsburg, first half of 2023

pre-order now26.01.2024

expected to be published on 26.01.2024

Klein - STAR IN THE HOOD LP

The vinyl edition of Klein's 2022 album: »STAR IN THE HOOD« plays like a cracked, tarnished mirror of contemporary numbing music, replacing long-form expression with tighter, more explosive and sometimes completely freeform transmissions that will wake you up from your overly comfortable environmental music slumber. Opening with cycling ghost drones, dialog and piano motifs that blur into heartfelt noise, »black star« is all loping, looping piano and chthonic vocals spiked with cheese-grater noise and chipmunked chirps. It’s Klein’s delirious vocal runs that push the album to the next level though; like her style-defining »Lagata« and the Hyperdub-released »Tommy,« she subverts the raw material that makes up R&B, turning memorable hooks into blurry impressions that will glue to your mind like a diva moment on a Suburban Bass cut.

She keels into longform on »schooled,« fogging organ drones into hazed clouds that gust into imposing shapes over a 10-minute duration, rekindling the dialog between contemporary noise and gospel music. Grandiose classical sounds receive a similar treatment on ‘Friend in the Mirror’, pulled into disorienting shapes that dispel any notions of class gatekeeping; in the final third, Klein’s voice interrupts the mood, before machine-gun percussion reminds us not to get too comfortable. If yr in search of beauty, »postcode wars« finds Klein fuzzing euphoric chords into an afterparty woosh of half-heard voices and dribbling synths. She simultaneously channels rapture and wrath, poignantly torching the contemporary societal skeleton without losing her near-at-hand community in the process.

Midway through the album there’s a thematic pivot signalled by the brief »shorty alert,« a trilling mass of carnivalesque vocal quirks that sound like spiders spitting DMT into yr eardrums. From here, things get darker and more unsettling: there’s doomed subterranean ambience on »signed and delivered«, Disney-esque piano motifs, blown-out lo-fi outsider rawk on »Swerve,« and speaker garbling free eccentric soul on »brand new day,« each struck through with that unmistakable high-vs-low culture posturing. It all brings us to the album’s unsettling one-two punch of ‘haha hehe business’, maybe the foamiest track we’ve heard from her this year, and the zonked »winter« - a piece that’s as crystal clear as Klein gets, an unprocessed heartstring-tugging vocal performance over acoustic guitar twangs.

pre-order now26.01.2024

expected to be published on 26.01.2024

Amazingblaze - Believe EP

Amazingblaze

Believe EP

12inchKNTXT023
KNTXT
23.01.2024

This is a welcome return to the label for Amazingblaze who released his Can't Stop EP in January this year and his Venture EP in 2022. Since then he has continued to innovate with his heavy-hitting trance, techno and hardstyle influenced sounds. His ever evolving studio skills see him mix up old school influences with new school sound design that is perfect for engaging dance floors. His signature imprint is all over these four new cuts with their mix of big synths, bigger drums and all consuming grooves.

“Believe EP says it itself. All I wanted to say is that you have to believe in yourself”, Amazingblaze says. “This brand new EP contains 4 full-power tracks that definitely goes through your heart. Massive trance synths combined with vocals make it sound really mysterious and groovy. Hope you enjoy it, and believe in yourself.”

Charlotte de Witte adds: “It’s no secret that to me, Amazingblaze is one of the purest talents out there. This guy really understands what music is about and manages to create dancefloor bombs time after time. I’m super proud to have him on board for another EP on KNTXT and to watch him grow and become one of the top level artists out there.”

'Believe' kicks off with intense drum patterns and smart vocal samples that are lit up with bright and electric synths full of euphoric energy. 'Strange Candy' is a bulky and physical mix of clipped techno funk and throwback rave sounds with strobe-like lasers shooting across the face of the track. There is more peak time brilliance in the hard drums and hands-in-the air synth magic of 'It Happened Again' while 'Boyz Makin Noiz' shuts down with twitchy stabs and twisted acid lines and dark vocals appear from the shadows.

Amazingblaze delivers yet another exceptional EP, seamlessly blending forward-thinking techno and trance elements.

stock from02.06.2026


Last In: 18 months ago
Fairuz - MAARIFTI FEEK

Fairuz

MAARIFTI FEEK

2x12inchWWSLP36
WeWantSounds
20.01.2024

Following the reissue last year of Fairuz's classic 1979 album "Wahdon", Wewantsounds pursue their exploration of great Lebanese music with the reissue of Fairuz's highly sought-after LP "Maarifti Feek," released in 1987. Recorded in Beirut around 1983-84, the album features the Diva's superb voice combined with Ziad Rahbani's jazz and funk orchestration, making it one of the most in-demand albums on the Arabic funk scene. The release will coincide with "Arab Divas," a major exhibition set in the prestigious Institut du Monde Arabe (IMA) in Paris, celebrating the greatest singers from the Arab World and starting 13 May 2020. One of the greatest singers of the Middle East, Fairuz started her career in Lebanon in the 50s and quickly established herself as the most renowned Diva in the Arabic world, playing the most prestigious venues in the world. At the end of the 70s, Fairuz was at a turning point both professionally and personally. Her Husband Assi Rahbani, who, with his brother Elias, had penned her biggest successes, has suffered a stroke a few years earlier. This setback ultimately led to both the demise of their marriage and the end of their professionnal partnership. Enters Ziad Rahbani, Fairuz and Assi's son, a young musician, playwright and producer who had cut his teeth writing a handful of Fairuz's song - including her 1973 hit "Sa'alouni El Nas" - at just seventeen. Ziad Rahbani swiftly took over from his father and uncle as the singer's musical director and composer and this fruitful association, which started in 1979 with the album "Wahdon," broke many new grounds for Fairuz with funkier rhythms and edgier lyrics. It was recorded at the same time as Rahbani's own 12 inch "Abu Ali" which became a sought-after disco classic in its own right. The association between the two continued with a second album, "Maarifti Feek" ("Our Encounter"), recorded between 1983 and 84 in Beirut but only released in 1987. The album was another groundbreaking mix of influences ranging from the traditional arrangements of "Oudak Rannan" and "Ma Kdirt Nseet" to the brazilan flavour of "Version 1" via the synth funk of "Ouverture 83" and its follow up "Reprise 83". Also featured on the album is a beautiful remake of Joaquin Rodrigo's "Concerto de Aranjuez" in the form of a tribute to the lebanese capital, "Li Beirut." This blend of Oriental grooves with jazz and funk orchestrations by Ziad Rahbani is a unique document of Fairuz's career development in the 80s and explains why "Maarifti Feek" is such a sought after album on the DJ and collector circuits which Wewantsounds is delighted to reissue for the first time since the album first came out.

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Last In: 14 months ago
PRINCESS CHELSEA - LIL' GOLDEN BOOK (10TH ANNIVERSARY DELUXE EDITION)

Goldene Deluxe Edition zum 10-jährigen Jubiläum des Debütalbums von Princess Chelsea. 180g goldfarbenes Vinyl in einer gestanzten Gatefold-Hülle mit Goldfolienrücken, Songtexten und einem Poster im DIN-A1 Format. Lil' Golden Book ist das Debütalbum der neuseeländischen Künstlerin Princess Chelsea. Es wurde ursprünglich am 2. Mai 2011 über Lil' Chief Records veröffentlicht. Das Album wurde von Jonathan Bree und Chelsea Nikkel produziert und erzählt die Geschichte des Aufwachsens als Teenager und junger Erwachsener in Neuseeland. Nikkel gab an, dass die Produktion des Albums fast drei Jahre dauerte. The Sunday Star Times beschreibt es treffend als "when cute meets creepy". "Princess Chelsea veröffentlicht anno 2011 mit gerade mal 19 Jahren ihr Langspiel-Debüt "Lil' Golden Book". Darauf regiert kurioser Pop. Mit dem Video zu "The Cigarette Duet" landet sie völlig überraschend einen Youtube-Hit. Der Track handelt von den unterschiedlichen Haltungen zweier Partner zum Thema Abhängigkeit. Die eingängigen Melodien, die sie in vielfältige Arrangements bettet, ordnen viele dem Baroque-Pop bei. Vor allem Klavier und die feengleiche, spröde Stimme der Dame dominieren die Songs, die oft zwischen Sadcore und Ambientpop oszillieren. Darin finden immer wieder entrückte Synthieflächen und vereinzelt elektrische Schnipsel Einzug. Zusammen mit orchestralen Parts ergibt dieser schrille Cocktail einen cinematischen Sound, der in drei Jahren Heimarbeit entstanden ist." - LAUT.de

pre-order now19.01.2024

expected to be published on 19.01.2024

Boo Williams - Song & Dance EP

Boo Williams

Song & Dance EP

12inchPHONOGRAMME39
PHONOGRAMME
19.01.2024

Get Ready to Groove! Boo Williams Is Back With a Sizzling 4-Track Ep on Phonogramme Records That's Set to Ignite Your Dancefloor With His Tripping House, Spaced Out, and Classy Beats.

From the Mastermind Behind Iconic House Beats, This Ep Is a Sonic Journey You Won't Want to Miss. Williams' Signature Sound Combines Classic Rhythms With Cutting-Edge Innovation, Creating an Irresistible Blend of Nostalgia and Modernity.

Each Track Is a Testament to Boo Williams' Exceptional Talent, Promising a Dynamic Mix of Deep, Soulful, and Electrifying House Music, All With That Tripping House, Spaced Out, and Classy Touch.

So Mark Your Calendar, Because This Ep Is About to Become the Soundtrack to Your Next Dance Party.

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Last In: 80 days ago
Andy Sharrocks - Country Rock ‘n’ Roll and Durty Blues LP 3x12"

Andy Sharrocks started writing songs in 1976. He found a vehicle for these songs with punk band Accident On The East Lancs. This started out as a covers band, but Andy soon became frustrated when the other members wanted to stay that way. The band disintegrated but Andy retained the name, forming a new cutting edge four piece playing his songs. He financed their first single in 1979 on his own label Roach Records. This was a double A side as one of the sides was a ditty called We Want It Legalised. The other side was a Bo Diddley kind of groove called Tell Me What Ya Mean, which Record Collector magazine recently said sounded like a song The Strokes should cover. This line up fell apart when immediate success failed to arrive, but Andy formed another band out of the ashes of local band Wilful Damage, and the guitarist out of the original covers band. They recorded and released on Roach Records another double A sided single in 1981 as well as an album released on cassette tape on Cargo Records. The singles now exchange hands on the collectors market for over seventy pounds, the album has been rereleased on vinyl twice, once on a German label, and once on UK’s OZIT/MORPHEUS Records which came with a bonus live album The singles have been released on many punk compilations and We Want It Legalised is about to be released on a new Manchester punk compilation on Cherry Red Records. They played many free festivals including Deeply Vale three times, and did many great supports including The Fall, Tractor, Here And Now and Crass. Andy left the band in 1982 for personal reasons, and had a one single deal with I Believe In Love on the Vibes and Vibes record label in 1985. Refusing to compromise and do covers, Andy found it impossible to make a living doing his own material which was now primarily Americana, after discovering alt.country through Steve Earle and Lyle Lovett in 1985. He went on the road as a tour manager, which is where he met Hilly Briggs, who went on to produce Andy’s first solo album in 2004 called Walking In Familiar Footsteps, which featured ex Rolling Stones Guitarist Mick Taylor, Bluesband and Manfreds frontman Paul Jones and Bobby Vee’s sons Jeff and Tommy on drums and bass respectively. Andy was now living in London and was gigging regularly on his own or with a revolving circle of musicians going under the collective title of Andy Sharrocks & The Smokin’ Jackets. He played over five hundred gigs all over London and the UK. He also did many supports for Mick Taylor, Buddy Whittington, Steve Gibbons, The Strawbs, Curved Air, and supported John Mayall on a UK nationwide tour, and played the Jazz Café in Camden twice with John. He also played The Hells Angels Bulldog Bash three times, The Skegness Rock n Blues Festival, The Herelbeke Blues festival in Belgium and The Colne Blues Festival. In 2009 he released another album called Dirt with The Smokin’ Jackets, which came out to great critical acclaim. Andy is now releasing a triple album of truly magnificent UK Americana, called Country Rock n Roll n Durty Blues. Press Quotes : "Country Rock ‘n’ Roll ‘n’ Durty Blues is a sprawling album of original rock and blues which takes you from Muddy Waters to modern Americana" – Nigel Carr, Louder Than War // "Good honest earthy rock ‘n’ roll done the old fashioned way with passion and aplomb" – Mark Radcliffe, BBC // "Country Rock ‘n’ Roll effortlessly lives up to its title … and more" – Pete Feenstra, Get Ready To Rock // "As a listener it really is bloody good fun - Briticana, Americana with a very English voice

pre-order now19.01.2024

expected to be published on 19.01.2024

Restless Mashaits - Dubplate Style2x12"

A selection of 8 exclusive Dub cuts produced in the legendary Genevan squat “Goulet 25” between 2003 and 2013 and cut at 45rpm for deeper basses at Dubplates & Mastering in Berlin.

Give thanks to the Creator JAH RASTAFARI to make everything possible

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Last In: 2 years ago
AURAGRAPH - NEW STANDARD LP

Auragraph

NEW STANDARD LP

12inchDAISLP2225
Dais Records
19.01.2024

The latest by Texan-turned-Angeleno progressive vaporwave producer Carlos Ramirez aka AURAGRAPH finds him shifting focus to the dance floor across eight chrome clockworks of cosmic acid house and liquid rave glide: 'New Standard'. Inspired by lessons learned during a 5K mile American road trip tour in the summer 2022, he set to work in his Simi Valley Tuff Shed of synths and hardware, pursuing an explicitly DJ-friendly muse: "I realized I wanted to make a record where every track could go off in a live setting."These cuts do just that, revved and rhythmic, peppered with slap bass, Madchester whistles, filtered acid, gated snares, baggy cowbell, and sample pack classics - record scratches, orchestral stabs, the "Yeah! Woo!" from Lynn Collins "Think (About It)." Ramirez describes the process as immediate and instinctual: "I'd turn on the MPC, pick a tempo, and just improv - it was incredibly fun."From sleek freeway techno ("110 Cruising") to arcade lurker acid ("Coast 2 Coast") to big room bangers ("666 Ambience"), the tracks time-travel across the canon of club music, sifting tricks and styles to fashion fresh anthems of hypnagogic jack. It's an album channeled as much as crafted, tapping into the decks of mythic warehouse infinities past and present, where the system rips all night and acid never dies.

pre-order now19.01.2024

expected to be published on 19.01.2024

ASA - Radial

Asa

Radial

12inchR-M209-2
Raster
19.01.2024

ASA

Arturo Lanz Saverio Evangelista AtomTM

are the last three futurists on earth.

»Radial« is the result of a vivid creative merge between Esplendor Geométrico and AtomTM. A transparent diamond formed by a heavy implosion. Its underlying massive mechanics are covered by a crystal surface made to cut reality in half. Just one letter short of “radical”, this album is no less than exactly that – an orgy of powerful, blunt repetition and hyperbolic simplicity, a profound evocation of nothingness and its surroundings.

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Last In: 2 years ago
Smokey Brights - I Love You But Damn LP

Smokey Brights were early signees to Freakout Records, along with fellow Seattle psych-rockers Acid Tongue, after gaining the love of legendary NW station KEXP. Produced by Andy Park (Death Cab for Cutie, Noah Gunderson, Ciara, Mac Miller), the band's newest full-length, I Love You But Damn, walks a fine line between gritty NW rock and stately arena ready pop. Smokey Brights tirelessly toured and intensely demoed in their basement home studio leading up to recording I Love You But Damn, and their devotion to their craft is unmistakable in every track.

pre-order now19.01.2024

expected to be published on 19.01.2024

The Courettes - BOOM! DYNAMITE

The Courettes

BOOM! DYNAMITE

12inchDAMGOOD600LPUS
DAMAGED Goods
19.01.2024

To coincide with The Courettes' first US tour, Damaged Goods put out this special compilation album. Boom! Dynamite includes singles, deep cuts from their studio albums, with B-sides and rarities thrown in for good measure! First pressing on orange vinyl is limited to 1000 copies only! The Courettes are two souls in love with each other and in love with rock 'n' roll. They've been touring nonstop throughout Europe since 2015, bringing their "perfect blend of garage rock, '60s Girl Group, Wall of Sound, surf music and doo wop" to the delight of any audience even remotely interested in rock 'n' roll. Expect excitement, danger, sweat, explosive performances, and most importantly, GREAT tunes! The "hardest working band in showbiz" now venture further away - After visiting the Land of the Rising Sun in 2022, The Courettes are thrilled to tour the USA for the first time in 2023. Described as "The Ronettes meet The Ramones at a wild party at Gold Star Studios echo chamber", The Courettes have released four fantastic albums on the legendary label Damaged Goods Records, each one praised by magazines such as MOJO and Shindig!, most notably the Back In Mono album in 2021, a true milestone in their career. This new compilation, Boom! Dynamite, released exclusively for the US market, guides you through their albums from the very beginning, from the early raw power garage rock onto their present Spector/Levine Wall of Sound Gold Star sound, made using complex recording techniques at StarrSound Studios in Denmark with top producer Soren Christensen and mixing genius Seiki Sato from Japan. Featuring Brazilian Flavia Couri on guitars and vocals, and Danish Martin Couri on drums, The Courettes were born international. For them there are no nations or borders. Their mission is to connect, cherish, and inspire rock 'n' roll souls around the world, including now, in the USA. The Courettes are pure dynamite! Turn up the volume and fuzz out! BOOM!

pre-order now19.01.2024

expected to be published on 19.01.2024

Shooting Daggers & Death Pill - Split Single

New Heavy Sounds is super stoked to announce a very very special team up between our favourite punk sisters, Shooting Daggers and Death Pill. Both bands have recorded a brand new song, and what better way is there to present them (or any kind of punk) than a good old split single. So kicking off the Shooting Daggers/Death Pill split, is this never before recorded Death Pill track 'MONSTERS'. Ukrainian punk trio Death Pill certainly made a stir when they hit the UK as part of their first ever European tour. Articles in the likes of the Guardian and Sunday, featured in all the music mags, plus the band showed that they were a pretty ferocious musical outfit, as those who were witness to the full on live experience can testify. Whilst in London, the band also had time to cut 'MONSTERS'. Recorded live in the studio with Wayne Adams (Pet Brick, Big Lad and producer of Green Lung) at the helm, MONSTERS is a short, sharp shock. An angry, sardonic and skewed amalgam of riffs and full on blast beats … it growls and it rips. The band says .. “This track is about how our parents knowingly or unknowingly lose their children. As an example - here are the most painful things you could hear from your folks: "When will you finish your music games?” "You will never achieve anything!” "When are you finally going to do something useful?" Therefore, when there was an opportunity to record a one live song in London, the choice of a song became obvious. Just imagine the "surprise" on the faces of our mums... Many thanks for Ged and Paul from the NHS label for supporting this idea, and to Wayne from Bear Bites Horse for the sick and fat sound” What makes this release all the more exciting, is that Shooting Daggers are dropping their first new music since last year's EP 'Athames'. Sal, Bea and Raquel are most definitely on the way up, their exciting blend of hard as nails hardcore, punk attitude and a neat melodic sense have made them a much sought after outfit, for gigs and festivals here and across Europe. They are slowly but surely proving themselves to be one of THE bands to watch in 2024. If the EP left their growing legion of fans gagging for more, new track 'NOT MY RIVAL' will not disappoint. It's a catchy, pogo-tastic, queercore punk banger, full of feminist grit and a killer earworm chorus. The band says ... "Not My Rival, is a song about dismantling the male gaze, fighting against the internalised patriarchal messages that we all unconsciously absorb. It's about breaking the cycle of female rivalry. We want to encourage lifting each other up instead of tearing each other down" The Shooting Daggers debut album is due in the new year .... you have been warned, this is the shape of things to come. But there’s more ... a very special 7” single strictly limited to 250 copies. Classic black vinyl, with a reversible foldover sleeve with artwork from each band on each side so you can choose your own cover, full colour printed labels housed in a poly overbag

pre-order now19.01.2024

expected to be published on 19.01.2024

LASSIGE BENDTHAUS / ATOM TM - COMPILATION / THE OVERCOME EP

On the occasion of the release of the book “AtomTM, the noncon- formist virtuoso”, the Valencian labels Fill-Lex Records and In- dustrial Complexx join forces to release “Transitions”, a limited edition of only 200 copies that brings together a select compila- tion of tracks by Lassigue Bendthaus on side A, and the EP The Overcom by AtomTM.

Side A opens with Transitory (Anti-Matter Edit), an alternative version released only on the 1991 CD maxi Automotif, in which the German producer shows a premature ability to generate com- plex rhythmic patterns and futuristic electronic textures. Infor- mation, the second cut on this A-side, was originally released on Biohazard in 1992 and its sound mixes influences from styles such as EBM and electro. Render appears on the album of the same name, released in 1994 and only on CD, and here we can observe the sonic evolution of Lassigue Bendthaus in which he integrates a heavier rhythm.

The B-side of Transitions hosts the two tracks from The Overcom EP, released by AtomTM in digital format in May 2022. Kuro- sawa sounds like a transgressive industrial with a fast cadence. On The Overcom, the EP’s closing track, the rhythmic intensity continues, and even intensifies to the point of focusing much of the track on percussive patterns.

AtomTM, the nonconformist virtuoso is a book that explores the artistic evolution of one of the most multifaceted and ver- satile producers on the international electronic music scene. It offers an insight into the progression and different musical paths that this German artist has taken since the mid-80s to the present day.

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Last In: 2 years ago
BADBADNOTGOOD - III LP 2x12"

BADBADNOTGOOD is a young supremely talented trio of musicians made up of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums. Since their inception at Humber College’s Music Performance program in 2011, the three have challenged the rule book on improvised instrumental music and taken jazz tradition into the future.
With early champions including acclaimed BBC broadcaster Gilles Peterson and Tyler The Creator who helped fuel their discovery with a series of live jams that instantly went viral and dubbed them the “Odd Trio”, the band released their first EP BBNG in June 2011 to wide praise. The marriage of jazz virtuosity and hip hop source material offered a fresh take on the traditional “standard” applied to hip hop classics by taking on choice cuts from the golden era rap cannon and writing inspired arrangements for them instead of one-dimensional covers.
The band hit a landmark by introducing original material into their composi- tions with BBNG2 in 2012. New songs like “Rotten Decay”, “Vices” or “UWM” carried on the proud heritage of musical juxtaposition by bringing together jazz, hip hop, punk, and dance music into vigorous balance. Since then, they’ve won praise from the four corners of the globe and collaborated with Frank Ocean, Earl Sweatshirt, MF Doom, Pharaoh Monch and RZA among many. Their no- torious live performances have brought fans across the whole musical spectrum together, taking the band around the world from Coachella to Glastonbury.
Now, the inseparable friends are prepping to release their biggest project to date III on prodigious young label Innovative Leisure, a highly-anticipated project ushering in the group’s newest explorations which are proving to be limitless.

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Last In: 16 months ago
Joel Corry - Another Friday Night

On 6th October, multi BRIT-nominated DJ/producer Joel Corry releases his debut album, ‘Another Friday Night’ via Asylum / Atlantic Records, with the pre-order going live on the 18th August.

To be released on both vinyl & CD, as well as via streaming/download, ‘Another Friday Night’ is a collection of Joel’s most iconic records of the last five years, including breakthrough hit ‘Sorry’, ‘Lonely’, multi-platinum UK #1 single ‘Head & Heart’ ft. MNEK, ‘BED’ w/ RAYE & David Guetta, ‘OUT OUT’ w/ Jax Jones, Charli XCX & Saweetie, plus fresh 2023 cuts like ‘Dance Around It’ with Caity Baser and the anthemic ‘0800 HEAVEN’ with Nathan Dawe & Ella Henderson, ‘Another Friday Night’ toasts a remarkable run of releases that’s seen Joel become one of the UK’s biggest and most impactful dance acts.

“My debut album ‘Another Friday Night’ is the biggest moment of my life”, says Joel Corry. “Everything I have dreamed about and worked so hard for has come together with the release of this record. It has been an incredible journey and I am so proud to have reached this moment in my career. I want the songs to make people feel good and bring happiness to their days, and the album includes everyone’s favourite bangers from over the years, as well as some really exciting new material. This is the ultimate Joel Corry playlist, perfect for Another Friday Night.”

Ahead of the release of ‘Another Friday Night’ on October 6th, Joel has also announced a special headline show at London’s Ministry Of Sound on Friday 29th September – his first London headline date since playing at former 5000-cap venue, Printworks, in autumn 2021.

Fans who pre-order ‘Another Friday Night’ will be granted early pre-sale access to tickets on August 24th, before general sale opens on August 25th

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Last In: 2 years ago
Veerus - Cycle

Veerus

Cycle

12inchDC294
Drumcode
16.01.2024

Almost two years on from his last EP offering, Veerus returns for another double shot of groove-inflected techno power.

The Italian artist has been a stellar contributor to Drumcode since his debut in 2019 with the outstanding ‘Hypnosis’ EP. From the ‘System’, to ‘Recovery’ and his most recent EP offering ‘Yard’ in early 2022, we’ve been given a sense of his deft touch for crafting dramatic techno, that’s equal parts exquisite and dynamic.

His latest work ‘Cycle’ reinforces the passion he imbues each production with. “These two tracks perfectly express my vision of techno nowadays,” he shares. “Not fast, groovy, with researched sounds and a crazy impact on the dancefloor.”

The title track balances tension and release on a knife’s edge, as it builds deliciously via a menacing array of synths, before dropping down into an all-out laser-focused march. A powerful cut that’s been a go-to for Adam Beyer at Awakenings, Loveland and Resistance Ultra in Croatia, among others.

‘It’s Funky’ was two months in the making and bring bags of energy and atmosphere as it explores funky terrain, not in the bottom end, but rather Veerus’ colourful approach to writing melodies. A great track for building excitement throughout a set.

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Last In: 7 months ago
Tank - This Means War LP 2x12"

High Roller Records, black vinyl, ltd 400, 425gsm heavy cardboard cover with 5mm spine, 4 page insert, double sided poster, 2 track black vinyl bonus 7" with p/s and insert, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

pre-order now15.01.2024

expected to be published on 15.01.2024

Tank - This Means War LP 2x12"

High Roller Records, black vinyl, ltd 400, 425gsm heavy cardboard cover with 5mm spine, 4 page insert, double sided poster, 2 track black vinyl bonus 7" with p/s and insert, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

pre-order now15.01.2024

expected to be published on 15.01.2024

Black Devil Disco Club - Étincelles LP

“I wrote these six new pieces with simple French words that a student learning French can understand. It is always intended for fanciful dances and musical fantasies” - Bernard Fevre

Legendary Parisian disco pioneer and producer, Black Devil Disco Club is back and has announced the release of a new album via UK independent imprint Lo Recordings on the 1st December.

‘Etincelles’, which translates as ‘sparks’ in English, is the follow up to 2020’s ‘Lucifer Is A Flower’ and will be digitally available and released on limited edition coloured vinyl wrapped in screen printed sleeves with lazer cut triangles designed by the award winning Non Format team. A truly future perfect and infectious collection of electronic sounds and beats, the new album features six brand new tracks including the lead single ‘L Mer Sur L’enfer’ which was inspired by Salvador Dali and will be available from the 3rd of November.

With a story as deep and strange as the music itself, Black Devil is the alter ego of Bernard Fevre, a French composer of electronic library music with a highly sought after back catalogue that includes the magnificent ‘Strange World Of Bernard Fevre’.

Having grown up and worked in Paris, it was the African clubs and rhythms in the city that inspired him to make his celebrated debut album ‘Black Devil Disco Club’ with only a small arsenal of electronic keyboards, a vocoder and looped conga drums. One of the most enigmatic electronic masterpieces ever made, the record was so ahead of it’s time that no one could believe it was made in 1977 on it’s release in ‘78. When it was re- issued in 2004 on the Rephlex label many thought it was a hoax and that the music was made by Aphex Twin or Luke Vibert but when Lo Recordings put out the ‘28 After’ album in 2006, the truth was finally revealed.

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Last In: 2 years ago
Sub Dub - Digital Africa LP 2x12"

2001, Yorkshire, England. SUBDUB is in full strength shaking down Leeds' city walls with regular parties, community events & sound system sessions. Active since 1998, the devoted crew push UK Dub music forward, inviting key players of the scene to play at their events powered by the mighty Iration Steppas sound system. Session after session, the SUBDUB imprint nurtures a loyal community of skankers while building close ties top artists in the field. A solid reputation that resonates amongst dub-heads around the globe. After 3 years of existence and having already put out 3 singles on their Tandori Space Records label, the idea of putting out a SUBDUB compilation album sparks. Producers get involved and the ‘Digital Africa’ project takes shape! But when the test presses finally arrive, the difficult financial situation and bleak state of the vinyl market at the time force the project to get shelved…

22 years on, while on a pilgrimage to SUBDUB and stopover at the Tribe Records HQ, the Dubquake team see the dusty test presses emerge from the record store vaults and get a taste of the incredible music through the shop's speakers… Unreleased & exclusive tracks by Iration Steppas, Jah Warrior, D.BO General, Vibronics, The Disciples, Tena Stelin, Nucleus Roots, The Bush Chemists & Freedom Masses. 12 undiluted UK Dub cuts from the 90s pressed on to 2x12” vinyl discs, with a 13th bonus digital track. Pure sound system business, raw dubs inna vanguard style!

‘Digital Africa’ is finally coming out on Dubquake Records in time to celebrate SUBDUB’s 25th birthday. A forgotten compilation full of history, curated by Simon Scott & Mark Iration. Guaranteed to bring back sweet memories to veterans of the dance, a great piece of dub music education for the rest of us!

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Last In: 2 years ago
Normal Bias - LP3

Normal Bias

LP3

12inchUKM118
U Know Me Records
15.01.2024

The third album of the amazing dub duo NORMAL BIAS, consisting of YAC (Piotr Krupiński) and 77 (Tomasz Karczewski). "LP3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "LP3".

The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.

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Last In: 2 years ago
THE NEW BOMB TURKS - DESTROY-OH-BOY!!

**Reissue 2024 w/bonus cut Updated and newly remastered LP edition of this January 1993 ALL-TIME PUNK-ROCK CLASSIC, NOW with a BONUS CUT, "OUT Of MY MIND" from the original Destroy-Oh-Boy session (previously only available on a 3" CD included in French zine Abus Dangereux). This bonus cut and new master is "thanks" to the assholes at the pressing plant in Eastern Europe for THROWING OUT the original D-O-B metal mothers*, so luckily MORITZ at DUOPHONIC in Augsburg baked and transferred the original reel-to-reel tapes and lovingly re-cut a beauty of a new master! **Comes with a 2-page 30cm x 30cm insert crammed with pix & liners by John Petkovic (Death Of Samantha) and a slew of musician/fan ravings.

pre-order now12.01.2024

expected to be published on 12.01.2024

Connie Price & They Keystones - Wildflowers LP 2x12"

Superjock Records is proud to present the 20th Anniversary Expanded Edition of Connie Price & The Keystones’ cinematic Psychedelic masterpiece “Wildflowers” for the first time on vinyl!

Originally released in 2004 on Now-Again Records, the Expanded Edition features B-sides, EP cuts, and rarities from the vault.

Masterminded by producer/composer/multi-instrumentalist Dan Ubick, the album also features members of Breakestra, Orgone, Poets of Rhythm, L.A. Carnival, Funk Inc., Dap Kings, and The Heliocentrics!

pre-order now12.01.2024

expected to be published on 12.01.2024

FIRE-TOOLZ - I AM UPSET BECAUSE I S... LP

Producer / composer / multi-instrumentalist Angel Marcloid records music under the moniker Fire-Toolz. Though Marcloid’s output emerges in a litany of aliases and projects — from the jazz fusion / new age of Nonlocal Forecast to the vaporous nostalgia of MindSpring Memories — the Fire-Toolz catalog remains the central focus of the prolific artist’s musical universe and a home for Marcloid’s most ambitious work.

"I am upset because I see something that is not there.", the fifth Fire-Toolz album to join the Hausu Mountain catalog since 2017, follows 2021’s sprawling double-album Eternal Home and 2022’s self-released EP I will not use the body’s eyes today. I am upset… offers listeners a prismatic cross-section of juxtaposed genres and compositional contortions to explore, maintaining Fire-Toolz’s signature density and complexity while tightening the scope of Marcloid’s experimentation into the project’s most focused song cycle to date.

Perhaps more than any previous Fire-Toolz album, I am upset... presents some form of pop music, carried in Marcloid’s passages of clean vocals, in the bright synth tones that animate its tracks, in the yearning saxophone lines that pour into view and whisk the narrative onto a new path. The format of a one-person “band” carries a different weight in a landscape of solo artists crafting modernist productions that don’t allude in the slightest to various twentieth-century rock-related traditions. Fire-Toolz exists on both sides of this divide. The music of Fire-Toolz draws energy on a moment-to-moment basis from the constant fluctuation between seemingly disparate styles, yet Marcloid repeatedly pulls off the impossible feat of making chaotic deviations and improbable jump-cuts between ideas sound holistic, as if such compositional gambits were already logical to begin with. Bursts of harsh textural noise cut into drifts of new age synth bliss, while screamo verses bookend passages of hyper-technical jazz fusion.

pre-order now12.01.2024

expected to be published on 12.01.2024

Normal Bias - LP3

Normal Bias

LP3

12inchUKM118COLOR
U Know Me Records
12.01.2024

The third album of the amazing dub duo NORMAL BIAS, consisting of YAC (Piotr Krupiński) and 77 (Tomasz Karczewski). "LP3" is a kind of closure to the trilogy started in 2016. By inviting Dariusz Dudziński (drummer of the legendary Polish indie band Ewa Braun, currently Titanic Sea Moon) to participate in the recordings, the Normal Bias musicians create a symbolic loop centered on the hometown of all three artists - Słupsk - the place where it all began, where Tomek and Darek years ago they shared their bands' rehearsal space in the famous "independent garage" - a city whose spirit naturally became the leitmotif of the entire "LP3".

The album was mixed again by the duo themselves under the reliable supervision of Kwazar, and the mastering (including cutting the lacquer!) was entrusted to Stefan Betke - co-founder of the famouse ~scape label from Berlin, which can also be treated as a symbol. The graphics based on Martiszu's design were completed by a Znajomy Grafik.

pre-order now12.01.2024

expected to be published on 12.01.2024

Various - Generacja JAZZ LP

Various

Generacja JAZZ LP

12inchUKM116COLOR
U Know Me Records
12.01.2024

There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.

Both have special insert inside with the bands bio and photos.

Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.

For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.

The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.

Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.

And here are the bands from the album:

1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.

Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).

The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.

The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.

The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.

The trio has performed its original material at many venues and festivals around Europe and Asia.

2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.

3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.

Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.

The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.

Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.

4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.

Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.

5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.

Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.

6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.

pre-order now12.01.2024

expected to be published on 12.01.2024

Tank - Power of the Hunter LP

Tank

Power of the Hunter LP

12inchHRR844LP
HIGH ROLLER RECORDS
Release unknown

High Roller Records, black vinyl, ltd 400, 425gsm heavy cardboard cover with 5mm spine, 4 page insert, poster, 2 track black vinyl bonus 7" with p/s and insert, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

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VIBRO SUCCESS INTERCONTINENTAL ORCHESTRA - DRUNKARD

The official new edition from this rare and great Afrobeat & Soukous masterpiece from Nigeria !

"Vibro Success Intercontinental Orchestra was an extraordinary group from the Central African Republic, founded by the sax player Rodolphe 'Beckers' Bekpa, also known as Master Békers, in the late 60's. The band achieved surprising domestic success after Beckers introduced the first drums to the Congolese Rumba rhythm. His innovation proved to be wildly popular so they were hired as the resident band of “ciel d’Afrique au Km5”, a night club in Bangui. The club was renowned as the temple of the Olympic Réal football team's fans and that visibility propelled them into becoming the official national orchestra.

1970 marked beginning of the band's international fame . Their fame spread beyond national borders until they became so popular that invitations began to arrive from nearby countries like Cameroon and Chad, the former of which the band would then tour that same year. The success of their performances prompted a further tour in 1972. According to Rodolphe Bépka, the audience enthusiasm Vibro encountered was bewildering. "We filled the old military stadium in Yaoundé in 1970, in 1972 the new Amadou Haïdjo stadium ... We are running with great success in the cities.” Their popularity was also growing in Chad, where they would tour several times through the early and mid 70's.

Towards the end of 1976, Vibro Success decided to take their music global and introduce Central African music to listeners worldwide. It worked. The turning point came in Nigeria. There the group achieved extraordinary success, with live performances followed by contracts with local labels like Scottie and Ben/Clover resulting in hit releases. Most of their LP's were originally released on this later label, Ben Limited, owned by Ben Okonkwo.

Ben, also known as Clover Sounds, brought a great number of the biggest bands from the country to market, bands like The Apostles, Akwassa,The Doves, Aktion, The Visitors, Mansion, Folk 77 and many others. Nearly all those groups started their recording careers in the label's studios based in the commercial heart of Aba, Abia State, one of Southeastern Nigeria’s largest cities. Aba at that time was a flourishing city, an important crossroads of people and culture with an intensive and active and cutting edge live music and nightlife.

But after that golden era the group began to lose its popularity. In the 1980's they returned to Bangui and resumed their old-time gigs in dance halls there - only to realize that their music didn't have the appeal it used to. Making matters worse, the domestic economic downturn accelerated, forcing the orchestra to slowly end its activities . Vibro Succès Intercontinental Orchestra disappeared at the end of the 80s and most of its members died in the 90s.

We discovered this LP during our first trip to Nigeria in 2016. While traveling in the east to meet up with a musician, we stopped for a night in a village. As often happens in Nigeria, information has a way of traveling fast. The news that a couple of white guys looking for records had arrived in the village the day before spread like light. When we awoke, we found a couple of elderly music lovers in the hall of our hotel with a little pile of records for sale. The nice cover of the “Drunkard” album was right on top!

At first we thought it was just another really good soukous album made by Vibro Success but after we heard “Drunkard” - we knew we had stumbled onto something very special. That was the “easy” part. Soon after, we had the idea of reissuing this LP and that was a bit harder. There were no credits on the cover and not much information about Vibro Succès. We started to ask to our friends to ask around, see if somebody knew them or the producer. That's when sadly we discovered that Ben Okonkwo had passed. So with no leads to follow and seemingly without any possibility of making progress on the matter, we "gave up" and returned to Italy.

A couple years later, in the summer of 2019, we found ourselves again in Aba. This time we had the chance to meet Nnamdi Okonkwo, the eldest son of the late Ben Okonkwo. After Nnamdi's mother and family agreed, he was glad to cooperate with us for the re-release of this special album."

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UH HUH - S/T

Uh Huh

S/T

12inchTER104
Telephone Explosion
Release unknown

Telephone Explosion proudly presents the self-titled debut LP from Toronto’s UH HUH, out physically and digitally on April 14, 2023. The album features eight tracks of dub-damaged art rock which conjure a potent vision of spaced-out 1980s post-punks feeding their angular rhythms and bass-heavy grooves through layer upon layer of grime-spattered spring reverb.

There is a palpable sense of discovery and exploration throughout UH HUH’s 37 heady minutes. Elastic basslines and serpentine guitar phrases throb and glide, cutting through dubwise reverberations like hands moving through an opaque cloud of reefer smoke.

Formerly known as Teenanger, the reconfigured (and reinvigorated) group’s newfound sense of sonic identity is put on display the moment the door kicks open. The percolating spaciousness of opener “Somewhere Beyond” is followed by the cyclical grooves of “Redemption Pause.” Vocalists Christopher Swimmings and Melissa Ball each take respective turns at lead vocal duties, showcasing their contrasting yet complimentary styles.

“Babylon”, a slab of overcast, loping funk features both singers on the same track, alternating between Swimmings’ stoned syncopation and Ball’s saccharine melancholy. This juxtaposition leans against a backdrop of reverb-soaked drums, watery guitar chords and rippling trumpet.

The slinking, fractured grooves of “Rain (In The Afternoon)” and “Citrus Song” call to mind the deranged minimal dub-wave of Naffi or Vivien Goldman. Both songs feature lyrical content heavily inspired by the Florida swamplands, although the aural landscape on these tracks is decidedly more brutalist than Boca Raton. Two of the songs included here are reworkings of previously released Teenanger numbers. “Blinds Drawn” is reduced to its core elements of bottom-heavy rhythm, spliced guitar shanks and Swimmings’ murmured ruminations. “Good, You”, on the other hand, is completely re-imagined as a blissed-out melt of opiated bossa nova.

After countless hours of experimentation during the album’s recording sessions at Toronto’s Studio Z, the band decided to send their drum machines, snare drums and percussion through an obscure 1960’s Japanese Guyatone guitar amp with a notoriously ecstatic spring reverb sound. The result was immediately inspiring.

The dank, busted and clanking tones produced by the Guyatone evoke a muggy, humid atmosphere that mimics the photo on UH HUH’s cover. The process of re-amping is literally the means through which UH HUH found the sound of this record. UH HUH is a record that asks more questions than it does provide answers. This is searching music that requires that the listener lean into it, the more time you spend in between the beats, bars, notes contained within, the more vivid the picture becomes.

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JOHNNY CASH - WITH HIS HOT AND BLUE GUITAR LP

The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.

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Foodman - Shokuhin

Foodman

Shokuhin

12inchOM183
Planet Mu Records
Release unknown

Since the release of Foodman’s debut album Shokuhin in 2012, the music of this Japanese artist has found ever larger audiences, developing along its own inimitable path, as heard on a growing pile of albums and single releases, as well as at concerts all around the world. Now, more than ten years later, it is worth going back to the fascinating beginning, which sounds as refreshingly weird today as it did back then. While Foodman’s music has often been described as a sort of lopsided relative of the Chicago-based footwork, it doesn’t really resemble anything else, and this idiosyncratic approach was evident right from the start. Here, by being cut and diced into strange rhythmic structures, samples gain a dreamlike life of their own, simultaneously alien and charming, and without any resemblance to the real world from which they came. With this re-release of Shokuhin, the album is not only being reintroduced to new Foodman fans, it is also being released on LP for the first time, in a collaboration between Orange Milk and the new label Xtroplast, which is focusing on vinyl releases of electronic music hitherto not available on that format.

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BAD COMPANY - BAD COMPANY LP 2x12"

Bad Company

BAD COMPANY LP 2x12"

2x12inchAAPA009-45
Atlantic
Release unknown

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Bad Company's eponymous 1974 debut featuring "Ready for Love"
180-gram 45 RPM double LP
Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings and RTI
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.

The group's eponymous 1974 album debut decidedly proves the band is proudly not progressive — the details make a difference, as do the pastoral acoustics of the closing "Seagull" — reducing their rock 'n' roll to a strong, heavy crunch; compare "Ready for Love," a tune Ralphs brought over from Mott the Hoople, to the original to see how these quartet members keep their heads down as they do their business. Appropriately enough given their name, there's a sense of slow, churning menace to Bad Company, writes AllMusic reviewer Stephen Thomas Erlewine.

Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), reached the Top Five in the album charts in both the U.K. and the U.S.. Many of their singles and songs, such as "Bad Company," "Can't Get Enough," "Good Lovin' Gone Bad," "Feel Like Makin' Love," "Ready for Love," "Shooting Star," and "Rock 'n' Roll Fantasy," remain staples of classic rock radio. They have sold 20 million RIAA-certified albums in the U.S. and 40 millon worldwide.

The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane's Mobile Studio. The album reached No. 1 on the Billboard 200 in the U.S, and No. 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles "Can't Get Enough" and "Movin' On" reached No. 5 and No. 19 on the Billboard Hot 10.

All the hallmarks of a top-notch Analogue Productions reissue are here for your pleasure: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Melanie Martinez - Cry Baby (Deluxe Edition) LP 2x12"

Melanie Martinez’s debut album “Cry Baby” has remarkably kept growing in stature since its 2015 release, now approaching its high-water mark of 1 BILLION global audio streams for the second consecutive year. The RIAA recently re-certified the record at 2x platinum, in large part due to TikTok trending moments for several of the album’s tracks. These trending moments, occurring over the course of 2020-1, most notably included the digital bonus cut “Play Date,” which became a TikTok phenomenon and is now Melanie’s most popular song with over 700M streams.
On this expanded deluxe edition, “Play Date” and 2 additional digital bonus tracks (“Teddy Bear” and “Cake”) are – for the first time – added to the original, standard vinyl album. These songs were only previously available on vinyl on the now out-of-print, limited edition Extra Clutter EP from 2016.
With an expanded booklet featuring 3 new illustrations for the 3 bonus tracks, this deluxe edition will be the one, primary Cry Baby vinyl product moving forward.

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Tove Lo - Dirt Femme LP

Tove Lo

Dirt Femme LP

12inchPYSW814
Virgin UK
29.12.2023

Dirt Femme is the fifth studio album by Swedish singer Tove Lo. It was her first to be independently released by her own label, Pretty Swede Records, on 14 October 2022. The first two singles, "How Long" and "No One Dies from Love", had been released earlier that year

pre-order now29.12.2023

expected to be published on 29.12.2023

THE CHORDS (UK) - SOMEWHERE BEYOND THE RAINBOW

The second incarnation of the mythical band of the eighties mod revival, active since 2013 under the leadership of Chris Pope. The English band offers us 4 tracks full of power-pop, punk 77 rage and classic melodies. The Chords UK are back in action with a new EP that keeps the bar high when it comes to punk-influenced power pop. The title track of the EP was originally composed and worked on in 1985 for the Arista label, with the collaboration in production of Tony James (Generation X, Chelsea...). It finally remained unreleased and is now, at last, seeing the light of day once re-imagined, re-arranged and re-recorded in April 2023. It's a fearsome shock of rock'n'roll rhythm and sharp, angular guitars with more than a nod to late 70's The Clash, all wrapped up in infectious vocal harmonies and anthemic choruses. "Veronica Jones" is a new mix of the celebrated cut from the band's 2022 album "Big City Dreams". This track was born as a punchy modern folk song, as it tells the story of a girl who is clearly out to have a good time, but this version is elevated with a garage rock approach, ably assisted by the keyboard talents of Mick Talbot, formerly of The Style Council and Merton Parkas. "Before Elvis" has its origins in a 2014 demo that eventually remained unreleased and is a raging rock track with a Stones-style beat and amps pushed to the limit. The EP closes with "All I Want is Everything" a high-tempo rock'n'roll reworking of the song that previously appeared on their 2018 album "Nowhere Land", with the bass-driven beat rising several notches as the guitar screams and wails.

pre-order now29.12.2023

expected to be published on 29.12.2023

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