Buscar:come

Showcase Series 1 - Come Rasta People - Barry Isaac

Available on LP

Originally released in 1996, Come's third album 'Near Life Experience' was the sound of a band heading into new territory, refining their dense mix of hypnotic noise-rock, blues and rock'n'roll song-writing. Lovingly remastered, this new version features three incredible bonus tracks 'Prize', 'Strike', 'Hurricane II' stemming from the same era, additional liner notes and photographs. After Come's seminal 1994 release 'Don't Ask Don't Tell', bassist Sean O'Brien and drummer Arthur Johnson left the band to pursue other careers. Remaining members Chris Brokaw and Thalia Zedek recorded Near Life Experience with two different rhythm sections: one half of the album was recorded with drummer Mac McNeilly of the Jesus Lizard and Bundy K. Brown of Tortoise and Gastr Del Sol, the other half recorded with Kevin Coultas and Tara Jane O'Neil of Rodan and The Sonora Pine. Other contributors to the album included Edward Yazijian from Kustomized and Jeff Goddard from Karate, both rock bands hailing from Boston, MA. The title of the album resulted from "a slip of the tongue, as Zedek states, she "was telling someone she had had a 'near life experience,' but meant to say near death experience. Chris [Brokaw] was cracking up at the imagery of that. Thus, the phrase was chosen as the album's title. "Near-Life Experience is heavier, and at the same time prettier, than Come has ever sounded." CMJ New Music Monthly. "Come is a re-energized, even more powerful band than they used to be, and Near Life Experience is their most concise and affecting release yet." All Music. Zedek and Brokaw might have compensated the loss of band members by recruiting new blood but the reward was huge, 'Near Life Experience' is Come's most cinematic, diverse and accessible album.

"As long as you come to my garden", the sixth release in the cherished Die Schachtel’s series “Decay Music” as well as the debut of the duo Damāvand (Gianluca Ceccarini and Alessandro CIccarelli) on the prestigious Italian label, is a tribute to the Armenian troubadour Sayat Nova, through his lyrics and freely inspired by the cult movie about his life The Color of the Pomegranates (Nřan guynə, 1968, USSR) directed by Sergei Parajanov. The feature film tells the life of the poet, who lived in the 17th Century, from childhood in the royal court, to retirement until his death in the monastery of Haghpat, through a series of episodes, static like paintings that do not tell but show, evoke, they suggest through metaphors, analogies, surrealist flair, dreamlike landscapes, liturgical pauses.

The six tracks are inspired by the dreamlike imagery contained in the movie, weaving sound textures ranging from ambient to noise, to references to the musical tradition of the Middle East.

Gianluca Ceccarini and Alessandro Ciccarelli alternate, without fixed roles, with analog synths, drones, amplified common objects, generative music, audio samples from the film and acoustic instruments such as the tar - a stringed instrument of Persian origin, the trombone and the cornet. In addition, two of the songs on the album contain Sayat Nova’s poems recited in Persian by Nahid Rezashateri.

The sound materials are revealed gradually like episodes, evoking the visual suggestions staged by Parajanov in the movie. As long as you come to my garden is intended as an imaginative journey to distant spaces and indefinite archaic times.

DAMĀVAND is a musical project by Gianluca Ceccarini (electronics, electroacoustic objects, tar) and Alessandro Ciccarelli (electronics, electroacoustic objects, trombone, cornet)

Gianluca Ceccarini, guitarist, electroacoustic experimenter, luthier specialized in the restoration and construction of plucked musical instruments for early music. In 2021 his first album Starving Night was released for the netlabel Laverna and in 2022 the Sarab Label published a CD version. He also works in photographic research, video-art, graphics and independent publishing with the Sarab collective.

Alessandro Ciccarelli is an author who ranges between different languages: photography, video, sound. He is involved in several collective research projects in the musical and theatrical fields. His solo records are released under the nom de plume Elnath Project. The latest work, after six years of silence, from Italian berlin-based composer, performer and publisher (Black Letter Press) Claudio Rocchetti, and a welcomed return on the Die Schachtel imprint after the brilliant Another Piece of teenage wildlife (2008), Labirinto verticale (Vertical Maze) takes its origin from the four years long collaboration of Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective/organization.

This is Come Play With Me Records' first release since the partnership with EMI North has been announced. The compilation 10” is funded by Breed Media and features local Leeds artists Hang Linton, Claudia Fenoglio, Fehlt and Tirikilatops, with the vinyl featuring exclusive spoken word pieces from Jack Collins and Lily Fontaine (English Teacher). Key Quotes: “With summer on the horizon, ‘As Good As This’ possesses a most welcome warmth, its gentle familiarity as intoxicating as it is reassuring.” - God Is In The TV

Zum 30-jährigem Jubiläum erweiterte Neuauflage des nächsten Klassikers der Lemonheads aus dem Jahr 1993, inklusive neuem Cover-Artwork. Die bahnbrechende Platte, die auf It's A Shame About Ray und "Mrs. Robinson" folgte, den amerikanischen Alt-Rock weltweit bekannt machte und Evan Dando in die Herzen einer ganzen Generation katapultierte. Mit einer Fülle von unveröffentlichten Demos, alternativen Versionen und Raritäten - darunter Coverversionen von Victoria Williams, Buddy Holly und den Flying Burrito Brothers sowie The Lemonheads' Interpretation des Cole Porter-Standards "Miss Otis Regrets". In den 90er Jahren produzierten Evan's Lemonheads einen Alternative-Hit nach dem anderen, eine Reihe von wirklich guten Singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time' und 'The Great Big NO'. Pures Genie, das über's Radio ging und die Indie-Herzen eroberte. Heute ist Evan immer noch ein Meister des Songwritings und 'Come On Feel The Lemonheads' klingt nebenbei noch so frisch wie eh und je. Inmitten der Hits der Originalplatte findet sich aber für noch mehr magische Musik, und diese Deluxe-Edition fügt nun eine zweite Disc mit Demos und Akustikversionen hinzu, sowie eine Vielzahl von Tracks aus Sessions und von Compilations, die dem Mythos und seiner Entstehung weitere Farbe verleihen. So covert die Band liebevoll Victoria Williams' "Frying Pan" von ihrem "Sweet Relief"-Album. Dazu gesellen sich eine Reihe von Flipsides und Out-Takes, wie ihre Version des Garagen-Punk-Knüllers "Little Black Egg" von The Nightcrawlers, Evans Hommage an Gram Parsons "Streets Of Baltimore" und Buddy Hollys melancholisches "Learning The Game". Evan erkennt einen guten Song, wenn er ihn hört, und wie 'Come On Feel The Lemonheads' beweist, kann er auch selbst gar keine schlechten schreiben. Unabhängig davon, dass der Vorgänger ,It's A Shame About Ray" als der Klassiker der LEMONHEADS dargestellt wird, hat der Nachfolger ... seine ganz eigene Geschichte. Erneut gab Juliana Hatfield [mit] den Ton an, [...] auch wenn auf diesem Album Nic Dalton hauptsächlich den Bass einspielte. Es geht insgesamt ruhiger zur Sache, orientiert man sich nur an den Singleauskopplungen ,Into your arms", ,The great big no", ,It's about time" oder ,Big gay heart"." - OX 2015 "Dabei hat Evan Dando seine musikalische Palette wieder erweitert: Neben reinen Country-Songs mit Slide-Gitarre und den poppigen Parts, blitzen plötzlich doch wieder nach vorne treibende punkige Tracks auf. Und diese Mischung passt so gut, dass selbst Pop-Göttin Belinda Carlisle (!) mal singen und auch Punk-Ikone Rick James seinen Part beisteuern darf." - Visions 1993

Zum 30-jährigem Jubiläum erweiterte Neuauflage des nächsten Klassikers der Lemonheads aus dem Jahr 1993, inklusive neuem Cover-Artwork. Die bahnbrechende Platte, die auf It's A Shame About Ray und "Mrs. Robinson" folgte, den amerikanischen Alt-Rock weltweit bekannt machte und Evan Dando in die Herzen einer ganzen Generation katapultierte. Mit einer Fülle von unveröffentlichten Demos, alternativen Versionen und Raritäten - darunter Coverversionen von Victoria Williams, Buddy Holly und den Flying Burrito Brothers sowie The Lemonheads' Interpretation des Cole Porter-Standards "Miss Otis Regrets". In den 90er Jahren produzierten Evan's Lemonheads einen Alternative-Hit nach dem anderen, eine Reihe von wirklich guten Singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time' und 'The Great Big NO'. Pures Genie, das über's Radio ging und die Indie-Herzen eroberte. Heute ist Evan immer noch ein Meister des Songwritings und 'Come On Feel The Lemonheads' klingt nebenbei noch so frisch wie eh und je. Inmitten der Hits der Originalplatte findet sich aber für noch mehr magische Musik, und diese Deluxe-Edition fügt nun eine zweite Disc mit Demos und Akustikversionen hinzu, sowie eine Vielzahl von Tracks aus Sessions und von Compilations, die dem Mythos und seiner Entstehung weitere Farbe verleihen. So covert die Band liebevoll Victoria Williams' "Frying Pan" von ihrem "Sweet Relief"-Album. Dazu gesellen sich eine Reihe von Flipsides und Out-Takes, wie ihre Version des Garagen-Punk-Knüllers "Little Black Egg" von The Nightcrawlers, Evans Hommage an Gram Parsons "Streets Of Baltimore" und Buddy Hollys melancholisches "Learning The Game". Evan erkennt einen guten Song, wenn er ihn hört, und wie 'Come On Feel The Lemonheads' beweist, kann er auch selbst gar keine schlechten schreiben. Unabhängig davon, dass der Vorgänger ,It's A Shame About Ray" als der Klassiker der LEMONHEADS dargestellt wird, hat der Nachfolger ... seine ganz eigene Geschichte. Erneut gab Juliana Hatfield mit den Ton an, ... auch wenn auf diesem Album Nic Dalton hauptsächlich den Bass einspielte. Es geht insgesamt ruhiger zur Sache, orientiert man sich nur an den Singleauskopplungen ,Into your arms", ,The great big no", ,It's about time" oder ,Big gay heart"." - OX 2015 "Dabei hat Evan Dando seine musikalische Palette wieder erweitert: Neben reinen Country-Songs mit Slide-Gitarre und den poppigen Parts, blitzen plötzlich doch wieder nach vorne treibende punkige Tracks auf. Und diese Mischung passt so gut, dass selbst Pop-Göttin Belinda Carlisle (!) mal singen und auch Punk-Ikone Rick James seinen Part beisteuern darf." - Visions 1993

Dj Jedi delivers his first release on Burning Bush Communications - a 1992 style uplifting piano anthem on the A side and an exclusive remix by Pianoman of "Come On" on the Flip.

First released back in 2014 on Greg Wilson’s Super Weird Substance label, as a limited 12'' vinyl run of 500, ‘Don’t You Worry Baby The Best Is Yet to Come’, has subsequently become a much sought after record with modern soul enthusiasts, copies currently selling at well over £100.

It was soul legend, Colin Curtis, who suggested, at last year’s We Out Here festival, that a 7'' pressing may be timely. Colin’s connection with the track goes back to hallowed Northern soul club, the Blackpool Mecca, in ‘70s, where the Bessie Banks original, never issued in the UK, was a cult-classic.

The Reynolds are Merseyside twins, Carmel and Katherine Reynolds, who worked with Greg across various projects on the label. Katherine takes the lead on this track, and handles it like a veteran, her vocal elegantly gliding the groove – Greg working in collaboration with Wolverhampton DJ/musician Peza, who programmed and co-mixed the track.

An unmissable pairing of Texan-born soul queens! Ruby Wilson was Memphis based for most of her life whilst Emily spent her formative years in Houston before relocating to Stockton, CA, to raise her family. Both were signed to Malaco Records in Jackson, MS, where these two timeless example of Southern Soul were recorded nearly 30 years apart and now appear on 7” vinyl for the first time.
Ruby Wilson first came to our attention in the mid-70s with two singles on T.K. subsidiary Glades, with Number One In Your Heart and the funkier Sky High both still sounding good today. She signed to Malaco during their most fruitful period, and her self-titled album in 1981, from which this classy below-midpaced selection comes, despite being a typically polished affair never reached the highs with the label that Jewel Bass, Fern Kinney, and of course Dorothy Moore had set over the previous few years. It remained her only outing with them, but she went on to make a further three albums in the late 80s with the Hot Cotton Jazz Band, one with the Climax Jazz Band, and finally back on her own A Song For You (2000 Cadre Ent.) and Show You A Good Time (2005 Unkut Music). She became an accomplished actress and was also known as the Queen Of Beale Street for her many club performances in Memphis. Sadly, Ruby died in 2016, but hopefully this release on Jai Alai will help us remember what a talent she really was.
Not only is Emily David an extraordinary talent, she is a remarkable woman too. Her only album Queen Emily was a direct result of her finishing as a semi-finalist of America’s Got Talent in 2008 at the tender age of 40. She was no stranger to talent shows having won a Sammy Davis Jr award in 1999, but back then, as a single-mother decided to put her singing career on hold to bring up her two daughters. One day her troubled sister arrived to stay but left without taking her two boys with her, so Emily felt she had to bring up her nephews as well. Her dreams of a musical career had evaporated but years later her daughters encouraged her to try once again.
It was almost a year after America’s Got Talent that Malaco boss Tommy Couch Jr. called out of the blue and offered her a contract without meeting her. As Queen Emily, a digital 4-track EP was released in the US, but her eponymous CD album, bizarrely released by Malaco in the UK before the US, is one of the best examples of 21st century Southern Soul, steeped with the label’s trademark live instrumentation by the Muscle Shoals Horns Rhythm Section and contains a number of polished standards such as Use Me, Angel In Your Arms, I Betcha Didn’t Know That and Going Crazy. However, it is the George Jackson-penned ballad Throw Away Me that really stands out and deservedly received critical acclaim in the UK at the time. It now gets a very welcome vinyl debut on Jai Alai and makes for a fabulous pairing.

Berlins ASEC liefert hier vier verschiedene Tracks ab. Seine kreative Kraft wird vom Dancefloor angetrieben, behält aber seine persönliche Perspektive bei. Von universellen Emotionen durchdrungen kam die Inspiration für diese Veröffentlichung aus "der Idee, Entscheidungen zu treffen, die unumkehrbar sind, und dem Gewicht, das damit
einhergehen kann. Die Unentschlossenheit, die Angst und die Endgültigkeit von schwierigen Entscheidungen"

Berlin-based artist ASEC steps up for the latest release from BPitch. A creative force who is driven by the dance floor, while also maintaining his own personal perspective, ASEC delivers four distinct cuts. Swathed in universally relatable emotion, the inspiration for this release came from “the idea of making decisions that are irreversible and the weight that can come with that. The indecision, the fear and the finality of making difficult choices”. ‘Crossing The Rubicon’ sets the EP off to a galloping start with a contagious rhythm and an unsettling melody. It’s dark, yet utterly danceable, striking a delicate balance between beats and atmospherics. The title track follows, with ASEC’s penchant for modular synths giving the cut plenty of flavour and character. Propelled by snub-nosed kicks and shifting percussion, this is a deep dive into the mind of a considered artist. Next up it’s ‘Our Light In Momentary Troubles’, a dense composition with thick solid low end frequencies dancing side by side with a gnarly analogue riff. Finally ‘Bleep Test (Tool Mix)’ closes the EP, utilising the power of repetition to ensnare the listener. An utterly hypnotic cut that will keep you hooked to the very end...

Eine Entdeckung für Fans von klassischem World- und Folk-Pop a’la Paul Simon, Van Morrison u.a. „Come Back To Me“ ist nach langer Pause das Album-Comeback von Peter One, in den 1980er Jahren
Folk-Pop-Star in Westafrika. Er spielte er in großen Arenen und erreichte mit TV- und Radioshows ein riesiges Publikum. Anfang der 1990er Jahre entschied er sich, in die USA auszuwandern. Unter dem
Eindruck der damaligen Krise des Musikgeschäftes wechselte er in einen Job in der Krankenpflege, schrieb allerdings weiterhin Songs und spielte Gitarre.

Seine Berühmtheit holte ihn in den USA wieder ein, als dort ein Album von 1985 neu aufgelegt wurde und zur Wiederentdeckung seiner Musik führte. „Come Back To Me“ ist jetzt das offizielle Comeback von
Peter One, mit eingängigen neuen Songs in Englisch, Französisch und Peters afrikanischer Muttersprache.

Proper boogie action by Carl Smith! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, have teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul, and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12iinch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (BTBS-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (BTBS-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Must have vinyl edition of this gem!

Italian artist Frhanks inaugurates his NO LOOKN BACK label with "Come l'amor", a two-track EP consisting of an orignal version and a remix by Romanian master Herck.

Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.

Die lang erwartete offizielle Veröffentlichung von "Thy Kingdom Come"! "Thy Kingdom Come", das ursprünglich am 30. Juni 1998 auf Dr. Dre's Aftermath Entertainment veröffentlicht werden sollte, ist das fünfte Studioalbum von King Tee. Zur gleichen Zeit Aufgenommen wie die Multi-Platin-Alben Dr. Dre - "2001" und Eminem - "The Slim Shady LP", enthält "Thy Kingdom Come" Gastauftritte von Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA-Legende Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - um nur einige zu nennen. Für die Produktion des Albums zeichnen sich Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) und Dr. Dre's Aftermath-Produzenten DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor und Fredwreck sowie Ant Banks, Step One und SLJ verantwortlich. Das Album wurde von Dr. Dre gemischt und überwacht. Remastert in hochauflösendem 24-bit 44.1 kHz Audio im Jahr 2022.

Così come sei" is a 1978 film directed by Alberto Lattuada, a sentimental drama starring Marcello Mastroianni and Nastassja Kinski, still very young but already an acclaimed actor
The soundtrack was composed, orchestrated and directed by Ennio Morricone and was infused with romance and ethereal melodies played with wind instruments but set like a symphony. With the contribution of I Cantori Moderni di Alessandro Alessandroni's choir and Oscar Valdambrini's trumpet. Unusually within Morricone's repertoire is the presence of funk-rock and disco songs "Dance
On" and "Space 1999", reflecting the late '70s pop sound.

Originally released in 1978 and subsequently reissued a few times, the
soundtrack of "Così come sei" was not released on vinyl for almost 40 years and is now finally re- released with remastered audio and a new sleeve layout, on 180gr. solid pink vinyl

Paul Kelly, who died in South Carolina in 2012, only ever had one genuine 'hit', ”Stealing In The Name Of The Lord” in 1970, despite a recording career that lasted the best part of three decades. He also had the misfortune in later years to be confused with an Australian singer of the same name.

He was, however, a singer and writer of unusual and undeniable talent, and in the first half of the seventies -a time when his songs were in considerable demand- cut two of the greatest of all soul LPs down in Nashville, “Don't Burn Me” and “Hooked, Hogtied & Collared” with long-time mentor and producer Buddy Killen, on which the two self-penned tracks on this single initially appeared.

It is the first time either of them have been featured on a 45. “Tremble” is a lovely relaxed dance side, bathed in shimmering strings, while “Come With Me” flows effortlessly underneath Paul's sublime aching singing. Enjoy!

Kelman Duran introduces LA’s Holodec to his Scorpio Red label with a debut album of flickering R&B torchsongs and ambient trap-soul that aches in a very special way. RIYL Dawuna, Burial, Junior Boys, MssingNo, claire rousay, Joy O, Triad God, Sampha…

The smouldering ’All Dogs Come From Wolves’ is a definitive statement by a quietly gifted artist who operates inside the long shadow of late ‘90s US R&B and the space where it intersects ambient, neo-classical, and the weightless bass interzones of contemporary UK club music. Bare boned and bathed in a dusky Californian half-light, the album’s 11 songs feel unnervingly stark yet full of tongue-tip sensuality, making a virtue of negative space and atmosphere with a lo-fi soundtrack-like quality that evokes the idea of nostalgic reflection as the route to the future; “a reminder to look to the past to remember where you’re from, to see where you’re going.”

Holodec's been assembling rugged dancefloor constructions for years now, teetering between 2-step, jungle, nu-rnb, and vaporous ambient forms, but rarely has he been as pointed or full-bodied as he is on ‘All Dogs Come From Wolves’. It's an album that can't possibly be cleaved from the place where it comes from, documenting LA's immigrant experience (Holodec is Asian-American), and finding thematic common ground with Space Afrika's "Honest Labour", absorbing prismatic reflections of footwork, rnb and hip-hop instead of trip-hop and dub techno.

Holodec croons soulfully over muted piano motifs on 'Tiles', evoking the spirit of Sampha or Dawuna, but with a gaseous glamor that's unmistakably Californian. The mood carries into 'The Wild', utilising wistful pads and saturated noise but refusing to let his music sink into the background. If you feel yourself drifting, there's inevitably a voice, a womp, or a stifled drum sound to drag you back into its presence. 'Bounce' is rhythmically heavy, but still somehow smudged around the edges; beats don't so much pump as fray, the closer you listen the more you hear it falling out of time and just out of space. It's more like a memory of neon-hued dance forms than a replication of the thing itself.

Even at the album’s rudest, the flinty jungle drums of ‘Black Market’ still remain desiccated, just out-of-reach, suggesting not telling, in a way that makes the album’s other highlights such as the vaporous R&B voice note of ‘And My Angel Dies Too’ or the shivering baroque figures of ‘Spirit’ so unusually seductive with their nuanced grasp of inference and a reserve of humility.

Come On Die Young, Mogwai’s iconic second album, is to be reissued on coloured vinyl. Presented in a gatefold sleeve with original artwork, the white vinyl will also come with a digital download code.

Side By Side - Volume 2 is the latest in a series of exciting releases from
the much-respected Leeds label Come Play With Me and is the second
edition of Side to Side', a callout to support women, marginalised genders
and LGBTQ+ artists
. The album features a collection of 10 new and eclectic tracks from an
exceptionally talented group of artists including Pleasure Centre, Kindelan and
Naali Collective. With the lead track coming from South Korea native Heju and
further two singles from dreampop soloist Boshe and neo-soul Sunday.
Tracks: Edited People - Understand / Elle Bennett - Good Morning Midnight / Heju
- Sometimes i miss that hotel room / Boshe - Take It / Sunday - With Ease /
Eleanor Cully Boehringer - XIII Bells / NAALI Collective - Satori / Bizarrefae - You /
Kindelan - Know You / Pleasure Centre - Above The Neck (Live at The Nave)

Four heady cuts, mind-bending and bold.
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.

Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev.

Bill Summers is a latin jazz percussionist from New Orleans who ventured in to jazz funk and soul in the 70s and early 80s. He also played with Herbie Hancock’s Headhunters and worked on film scores such as “The Color Purple”. He recorded four albums for the Prestige label from which these two rare groove vocal tracks are taken. The two-stepper “Come Into My Life” was written by Alphonse Mouzon and produced by Skip Scarborough (Earth Wind & Fire). Originals on both songs sell for £50 each, if you can find them, two for price of one here. “Don’t Fade Away” features vocals by Leo Miller and was produced by Ndugu (Chocolate Jam Company/The Crusaders). From The period, Bill Summers had a disco hit with “Straight To The Bank”.

Come Play With Me continue their journey to support emerging artists
with the 21st edition in their singles club which has previously featured
artists including Harkin, Team Picture, Fizzy Blood, Cinerama (The
Wedding Present) and more
After supporting both Fuzz Lightyear and Josephine Sillars with standalone
digital singles, they were selected to feature on the split 7 € release.

A crazy Hardcore EP !

JKLL open the EP with a Frenchcore killer ! Rock'n'roll baby !
The Unit brings a big corrida fucker. Collab between UNIT and JKLL
Flip the record and go for 2 Face Mask dancefloor hardcore lickerz ! Pityless kick and non-stop kick-changer. Radium style ^^

BIG up and welcome to this new french Hardcore label !!

Carla dal Forno resurfaces with the release of her third album, Come Around, via her own Kallista Records

2022 Repress

Trip Recordings follows the huge success of its first three releases with a third double-vinyl album, once more curated by label owner Nina Kraviz and featuring gatefold artwork by in-house artist Tombo. The release draws on contributions from established Trip members Kraviz, Population One and Nikita Zabelin, in addition to new artists added to its expending roster including K-Hand, Philipp Gorbachev, Vladimir Dubyshkin and Roma Zuckerman.As established with the label's first three releases, TRP004 will function as a soundtrack to a scenario and its accompanying artwork from Kraviz and Tombo. The title 'Ivan, Come On! Unlock The Box!' (, ! !) is inspired by the track contributed by Philipp Gorbachev (Comeme/PG Tunes), from which Kraviz has extrapolated a story of a rule-defying Russian maverick who is 'searching for the key to the future'.Set for release in mid-November, TRP004's two twelve-inches orbit around a nucleus of talent drawn from label boss Nina Kraviz's homeland of Russia. In addition to 'I Believe I Can Fly (KLM Delayed Flight Version) - one of her own 'road tracks' produced during the producer's hectic global touring schedule - Kraviz has enlisted a quartet of her countrymen for this latest collection. Philipp Gorbachev contributes his most uncompromisingly techno track yet, while Moscow's Nikita Zabelin follows his label debut on TRP003 ('De Niro Is Concerned') with the sinister minimalism of 'Bells'. In addition, TRP003 marks the label debuts of Vladimir Dubyshkin and Roma Zuckerman, both of whom were recommended to Kraviz by Zabelin. The former - a true outsider, just 17 years of age and based in the remote Russian town of Tambov - follows an early 2015 LP for SUB-AMP Records with the disorienting off-kilter techno of 'Lose Yourself', while the latter marks his first ever release despite years of producing with the unsettling 'Geburt Part 2'.

Completing TRP004 are two defiantly individual international artists: K-HAND makes her Trip debut following a two-decade career that's seen her become on of Detroit's true underground, and relatively unsung, heroes. Her contribution, 'The Box', finds her clipping effortlessly within Trip's aesthetic, with a heady textured acid potboiler. Two more Barcode Population tracks, excavated from a mine of undiscovered Nineties-made rarities, complete the release with furiously paced techno rollers which will remain strictly vinyl-only.

CHIARA CIVELLO'S NEW SINGLE ADDS NEAPOLITAN VIBES TO BRAZILIAN FUNK TO CELEBRATE DIVERSITY AND INCLUSION

Four Flies is proud to present a new, exciting single by internationally acclaimed Italian singer, multi-instrumentalist and songwriter Chiara Civello. Co-produced with Neapolitan pianist, beatmaker and producer Dario Bassolino and with lyrics by Civello and Sicilian artist Kaballà, "Sono Come Sono" is the first Italian adaptation of the Brazilian song "Olhos Coloridos", a celebration of diversity, mixed roots and inclusion written by Macau and made famous by singer Sandra de Sa. To respect the spirit of the original and its soul-funk sound, Civello decided to produce the song in Naples, a city with many similarities to Rio de Janeiro, including its multicultural history. The result is an irresistible eighties-inspired boogie-funk track brimming with positivity and joy.

"Sono Come Sono" comes out on 21 October 2022 as a 12" VINYL MAXI SINGLE containing the song plus three fantastic remixes by eclectic Neapolitan DJ/producer Whodamanny that add groovy and tribal influences to the mix and further enhance its dancefloor potential.

Civello's adaptation has been praised by the writer and singer of the original, as well as by another great name in Brasilian popular music:

"Cada Qual com seu Cada Qual, e muito Respeito pra Liberar Geral…" Chiara has expressed this idea truthfully, beautifully and with dignity. I'm very excited, proud and happy! This is a fantastic version of "Olhos Coloridos". "Limitar…, é humilhar o Infinito…" Thank you, sister" – Sandra de Sá

"Chiara, I couldn't contain my emotion when I listened to your Italian version of "Olhos Coloridos". Beautiful vocals… a beautiful brass arrangement… pure black-Rio! You put colors into my eyes and light into my soul with your magical performance, I have no words. I must really thank you for the joy you gave me. "somos o que somos", Olhos Coloridos, Sarará Crioulo"" – Macau

"Another smooth and super groovy creation by Chiara Civello, this is a perfect Italian version of the classic Rio de Janeiro soul-funk song, "Olhos Coloridos", made famous by Sandra de Sá. It respects the spirit of Black pride contained in the original lyrics but adds to it new sounds and meanings. Well done, Chiara!" – Nelson Motta

On the 28th October, Come Home The Kids Miss You, the hit sophomore album from Jack Harlow will be available on Vinyl. The record features the massive singles, ‘Nail Tech’, ‘Dua Lipa’ & the infectious global hit ‘First Class’ alongside album features Drake, Lil Wayne, Justin Timberlake & Pharrell.

Hailed as the “hitmaker of tomorrow” by Variety, Jack Harlow is one of music’s greatest new stars. The Louisville, KY native boasts three GRAMMY Award nominations, two #1 singles, 12 RIAA platinum certifications, and over 5 billion career streams to date. Harlow released his critically acclaimed, RIAA platinum certified debut album, THATS WHAT THEY ALL SAY in December 2020, which featured the 7x Platinum worldwide hit, “WHATS POPPIN,” which peaked at #2 on the Billboard Hot 100 chart and earned the 24-year-old his first GRAMMY nomination for “Best Rap Performance,” along with a wide array of other award nominations.

The Generation Now/Atlantic Records star has graced the covers of Rolling Stone, Forbes, Variety, Complex, SPIN, Footwear News and XXL’s coveted Freshman Class Issue, and brought his captivating live show to TV with performances on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, the 2021 MTV Video Music Awards, and the 2022 Kids Choice Awards, to name a few.

Barbara, die Frau ohne Gedächtnis, irrt durch die malerischen Straßen Hamburgs. Eine zwielichtige Hypnosesitzung und ein nichts ahnender Liebhaber bringen ans Licht, was sich hinter ihrer unschuldigen Schönheit verbirgt. Die Erlösung scheint in greifbarer Nähe, doch der Drang, weiteres Unheil anzurichten, ist unwiderstehlich... Erst der Tag entblößt das wahre Grauen: GIALLO COME IL GIORNO, das fünfte Genre-Album von MONDO SANGUE setzt dort an, wo die vielbeachtete Giallo-LP ROSSO COME LA NOTTE (2021) endete. MONDO SANGUE und ihre Leidenschaft für die Musik und das Kino der italienischen 1960/70er ziehen Kreise. Auf GIALLO COME IL GIORNO sind die Genreliebhaber und Italien(Be)kenner Bela B, Eric Pfeil, Dirk von Lowtzow und Rocko Schamoni auf schwarzem Gold vereint. Die Vinyl 10"-EPs, von Adrian Keindorf illustriert, sind inkl. farbigem Beileger, Texte und Downloadcode auf 444 Stück limitiert und handnummeriert. Über MONDO SANGUE Das Stuttgarter Duo MONDO SANGUE (Christian Bluthardt & Yvy Pop), gegründet 2015, produziert Cinematic Pop in Anlehnung an das italienische Genrekino der 1960/70er. Nach einem Ausflug in den Dschungel (L"ISOLA DEI DANNATI - Die Insel der Verdammten; Soundtrack zu einem fiktiven Kannibalenfilm, 2016), einem Ritt durch den Spaghettiwestern (NO PLACE FOR A MAN - Il Villaggio delle Donne, 2018) und einer Reise ins All mit dem Science?Fiction-Abenteuer VEGA-5 (Avventure nel Cosmo, 2020) feiern MONDO SANGUE das legendärste Italo-Genre, den Giallo, gleich zweifach: mit ROSSO COME LA NOTTE (2021) und GIALLO COME IL GIORNO (2022).

Grammy-nominated blues, soul and Americana singer is revered
worldwide for her defiant music and fire-breathing performances
' Done Come Too Far' continues Shemekia's riveting, clear-eyed testimony about
our troubled world while celebrating the blessings that keep hope alive. The new
album, available in Clear Vinyl and CD, is again produced by Will Kimbrough, and
an all-star supporting cast includes slide guitar whiz Sonny Landreth, Hill Country
blues great Cedric Burnside and Hi Rhythm Section organist Charles Hodges.
'Done Come Too Far' is another exhilarating Shemekia Copeland showcase, as
her rousing vocals bring the heat in an infectious array of muscular rockers,
stomping blues, swampy soul and heartbreaking ballads. Intense, topical new
originals make up most of the tracks and spirited versions of songs by Ray Wylie
Hubbard and her father, Johnny Copeland, fit right into the mix.
MOJO - September review
BLUES MATTERS - upcoming review
BLUES MATTERS - upcoming feature with interview
BLUES IN BRITAIN - upcoming review
BLUES IN THE SOUTH - upcoming review
BLUES' BLUES - upcoming review
BLUES BYTES - upcoming review

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

Having released 3 critically acclaimed albums under the moniker A Fine Frenzy
(EMI) during which she toured with Rufus Wainwright & opened for The Stooges
at SXSW, Sudol has released music under her own name since 2017. 'Still Come
The Night' is her debut album as Alison Sudol. Her acting credits include the
Fantastic Beasts And Where To Find Them franchise, plus TV series Dig &
Transparent

To wit, if you think you know already what you’ll be getting into here heady, Television-esque multi-guitar jams played with motorik precision and a fiercely American intensity: you know, a Forsyth record well, go ahead and think that. I won’t stop you. Only . . . maybe the pulsing bass, curiously lurching drumbeat, and lunar synth squiggling of Sun Ra Arkestra maestro Marshall Allen that opens “Experimental & Professional” will set you back on your heels. But just for a moment, before Ryan Jewell’s drums and Tortoise alum Douglas McCombs’s bass twine into perfect alignment and then guitars played by Forsyth and Tom Malach (of Garcia Peoples) start chipping and hammering, twittering and sparring, the whole thing managing to evoke Remain in Light without sounding remotely like it.

Tracks : 1 Experimental & Professional 2 Heaven For A Few 3 Bad Moon Risen 4 You're Going To Need Somebody 5 Hey, Evolution 6 Long Beach Idyll 7 Robot Energy Machine

After numerous EPs and split releases, Come To Grief (featuring
members of the legendary Grief) present their highly anticipated debut
full length record 'When The World Dies'
Recorded and mixed at Godcity Studios by Kurt Ballou (Converge, Nails) and
featuring the amazing artwork of Paolo Girardi (Power Trip, Vastum, Chthe'ilist,
Lycus),'When The World Dies' captures seven tracks of crushing sludge and doom
from the godfathers of the genre. Features guest appearance by Jacob Bannon
(Converge / Wear Your Wounds).