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10 years ago in 2015, The Golden Lion in Todmorden opened its doors under the guidance of Gig & Waka, Cloudwater brewed their first ever beers, the dance floors of Manchester got introduced to the world of Supernature Disco and from his spare room at home in Bolton Chris Massey started Sprechen.

What followed over the next decade has been a wild ride of amazing people, memorable (though fuzzy!) parties, creativity, art, expression, performance and at the centre of it all of course, the music.
Sprechen has never been one style or sound. A reflection of varied musical tastes without any limitations of style or genres, just a passion to share good music.
Over the last decade, Sprechen has been lucky enough to both work with and meet many like-minded cosmic creatives that share this mindset and that have all played a major role in the story.

Ein Null is a collection of original tracks from some of Sprechen's nearest & dearest who, for the last 10 years, have helped shaped the label via releases, remixes or performing at events.
It's wonky & weird, banging & beautiful, cosmic & consciousness-expanding and it continues to connect the invisible dots of club music and more abstract listening experiences.

From basements & beyond to sunsets & psychedelic socials...we are pleased to present this electronically charged selection of soundscapes courtesy of like-minded musical humans including; The Utopia Strong, A Certain Ratio, Lena C., Gina Breeze, Low Pulse, Psychederek, Lindstrøm, Supernature Disco, PBR Streetgang and of course Chris Massey.

Limited to a run of 300 vinyl with double-sided screen-printed sleeve.

It began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa's Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager/sound engineer/producer/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki's roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE' by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. Born in Minas Gerais but now based in Sao Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadu, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'.

As much inspired by Billie Eilish and Rosalia, as Milton Nascimento and Toninho Horta and not sounding like other records coming out of Brazil, 'INTEIRA' is unique. Though rich in its Brazilian heritage, inspired by samba cancao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. The album led to a nomination in Paulista Association of Art Critics (APCA) award's 'Breakthrough Artist' category, who also listed 'INTEIRA' as one of the 50 best albums of 2024.

It also received support from Bandcamp Weekly and Jamz Supernova on BBC 6 Music. Released digitally by Seloki Records in Brazil in 2024, Mr Bongo in partnership with Seloki Records now present this new, deluxe worldwide edition that includes four additional songs. These comprise the brand-new exquisite 'MANHA', as well as an original twist on Vinicius de Moraes' classic 'Serenata Do Adeus'. Elsewhere you'll find a live recording showcasing Nina's remarkable energy on stage courtesy of 'DE DENTRO' and 'GOSTO MEIO DOCE' with the amazing musician/vocalist Francisca Barreto, where our whole story began. Here at Mr Bongo, we are honoured to release music by such a remarkable new talent - one whose musical trajectory is most certainly about to soar.

Proud to present you our third RETROFUTUR compilation, including 6 tracks by our most regular artists.

Endrik Schroeder opens the ball with the pure warehouse banger “Automated” ! The track’s sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.



With “Happy End,” Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.

With “Eldorado” John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.

“White Light” by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.

Once again, Berlin’s My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. “Don’t Panic” combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.

Club Mayz delivers a masterful closing performance with “Tonight I Have To Hide”, an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.

Step into the emotional landscapes of Saudade’s new EP Expensive Noise, a multi-textured journey where analog machines speak louder than words. Each track captures a different state of mind, blending depth and groove with raw, honest sound design. The EP opens with “Expensive Noise” — direct, grounded, and hypnotic. No detours, no hesitation — just raw analog power locking into a loop with magnetic tension. The groove builds steadily, shifting your state of mind as the rhythm takes hold. “Anyway” brings a dreamy, bittersweet touch. Exclusive to vinyl, this extended version unfolds like a teenage memory you never shared — warm, nostalgic, somewhere between electro and pop, glowing softly from within. “Colored Life” dives into detailed minimal deep house territory. Rounded and generous, its sound design sculpts soft clouds of melodies against crisp, syncopated snares — floating between dream and presence, like a cushion made of rhythm and light. “Porte de la Villette 45” echoes the EP’s birthplace — a raw area near the Parisian périphérique, where engines roar, people hustle, and concrete weighs heavy. Yet within this urban friction stands Studio Villette 45 — a funky, soulful shelter where the machines find their groove. The record closes on “Cœur” (heart in French) — a stripped-down, heartfelt outro. Just a Prophet 5 pad, no tricks. A moment of vulnerability, stillness, and truth — as if the music had finally dropped its armor. Between analog heat and emotional honesty, Expensive Noise is Saudade at his most sincere — building bridges between power and softness, body and soul, sound and silence.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

This audio trip is provided for you by Erika Halliday an artist hailing from Argentinian capital Buenos Aires. She has provided four original cuts for our listening pleasure in her dark flavored signature electro house vibe. The EP is named after a late-night show “El Club de los Desvelados” airing in Argentina in 2017 and has this nocturnal flavor throughout the vinyl as the show did. The four tracks are stylistically gluing together well and are displaying the passage into the artist’s skill and the vision of music. It is an honor to welcome Erika to the label with this masterfully crafted disc absolutely in line with the label’s aesthetic and vision. Let’s all have a conversation together into the late night with loosing track of time in “El Club de los Desvelados” style.

Federation JI is the new project from Icelandic producer Felix Leifur and Japanese artist Daichi Saito. Known for his house, electro, and techno releases, Felix stepped away from the club circuit to challenge himself creatively, diving into live instruments and a wider range of songwriting. Over two years, he explored a palette shaped by ’70s/’80s jazz-funk and ’90s experimental rock, inspired by his dad’s old Japanese pressings and a love for exploratory sounds.

A chance meeting with Daichi in Copenhagen revealed a hidden thread of Japanese infl uence in the music, leading to a close collaboration. Daichi’s shimmering synths and textured keys reshaped the songs, adding a futuristic, dreamlike layer to Felix’s heavy grooves and emotive guitar work.

The album moves through slow-burning funk, cinematic textures, dreamy Rhodes melodies, and bursts of ’90s rock energy, balancing playful moments with deep, nostalgic undertones. From the warped guitar loops of Digital Súpa to the organ-driven drift of Sálmar & Suð, Federation JI is a conversation between two distinct musical worlds.

The result is something unexpected: Japanese/Icelandic future funk, soaked in atmosphere, groove, and emotion.

Montreal duo Flabbergast—aka Guillaume Coutu Dumont and Vincent Lemieux—return to Circus Company, the label where it all began with their debut EP in 2015. Now seasoned veterans of leftfield club experimentation, they deliver Weirdo Active, a two-track vinyl release that distills their signature
blend of groove, absurdity, and refined weirdness.
On the A-side, “Timecrowave” is a swung, syncopated burner built around fragmented drum programming, warbled synth textures, and subtly detuned atmospheres. It's a tool that thrives in the inbetween moments of a set—unpredictable yet fluid.
On the B-side “Serpentoute,” a slinky groove laced with dubwise processing and modular squelch, maintaining tension through micro-edits and playful FX. Perfect for after-hours transitions or more openminded floors.
Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent. A finely sculpted dose of dancefloor surrealism—just the way Flabbergast likes it.

DAYBREAKERS return with Volume 2 of their Music Station Traxx series, following the success of the first dive into Jeffrey Collins’ revered 90s imprint from Englewood, New Jersey.

This time, they go deeper, repressing the legendary full EP from the Nathaniel X Project — a true holy grail for deep house heads. Originally released in 1994, this four-tracker is a masterclass in soulful, spiritual, and uncompromisingly deep club music, and hasn’t seen a proper reissue until now. Now coming with an essential remaster - this record won’t leave the bag.

Each cut oozes raw grooves, warm chords, and the kind of vocal snippets that made Music Station a staple in the trolleys of US house DJs coast to coast. It’s a slice of East Coast house history, lovingly remastered, repackaged and repressed for today's dancefloors.

Don’t sleep — these are the kind of records that are built for the clubs. Essential gear for DJs and house heads alike.

Buy or cry.

Monologues Records continues its 10th anniversary celebration with a collection of some magical balmy blissed-out Balearic grooves from its catalogue. Label boss Ben Gomori's 'Inside Melody' featuring Daisybelle makes it onto wax after being the lead single from his debut album 'Collapsing Time', Laurence Guy's first ever EP puts in a shift with the hazy 'Sunlite', Gomori remixes Danish prodigy Ghosten's melancholic 'Abandoned Planet' in euphoric piano house style, and Glasgow dons Manakinz (aka Sub Club / Subculture legend Harri and Max Raskin) do their chuggy thing on the spinge-tingling throbber 'Electric Bob'.

DJ Support: Laurent Garnier, Archie Hamilton, Radio Slave, Mark Farina, Horse Meat Disco, Ilario Alicante, DJ Harvey, Harri, Ame, Inland Nights, Massimiliano Pagliara

The Netherlands Dennis Quin makes a welcome return to Kaoz Theory this September with ‘New York To Amsterdam’, featuring one collaboration with the legendary Mr. V and accompanied by remixes from Rotterdam’s underground royalty, Benny Rodrigues. Dutch house maestro Dennis Quin returns to Kerri Chandler’s Kaoz Theory imprint with a brand-new EP, reaffirming his position as one of Europe’s most consistent purveyors of groove-led, rhythm-driven house music. With a career spanning acclaimed releases on PIV, Beeyou, Dungeon Meat and on his own label Eardrums, Quin’s work seamlessly bridges deep house heritage with contemporary dancefloor energy.

Opening the EP, ‘New York Accent’ sets the tone with a classic New York house vibe—raw drums, choppy chords, and snippets of street-level vocal samples. ‘Hard Days Work’ dives deeper into house territory with shimmering piano keys, dreamy chord progressions, and crisp percussion layered with twitchy synths, sax flourishes, and soulful vocal hooks. Dennis Quin - New York to Amsterdam ft. Mr V (Incl. Benny Rodrigues Remix)

Next up, ‘My Amsterdam Legacy ft Mr. V’, Quin tells us “My Amsterdam legacy tells the story from hitting the clubs in the early ’90s as a House music loving teenager to rocking stages worldwide right now. Mr. V captures that journey in a track that’s as soulful as it is raw. It’s my past, present, and future all in one”. Rounding off the release, Benny Rodrigues reworks ‘New York Accent’, retaining its essence while injecting his signature rhythmic grit and intricate dynamism.

From Turin to the World: Neon Reflections Marks 5 Years of Early Reflex with a Genre-Defiant Club Compilation Featuring Pépe, Emily Jeanne, Sonia Calico, Sobolik, & More.

As Early Reflex turns five, the label marks this milestone with a landmark 30th release: a global-minded, rhythm-forward compilation that captures the spirit and evolution of the imprint since its inception. This 12-track release features a cross-section of cutting-edge producers shaping the contours of contemporary club music.

From Seoul to Valencia, New York to Milan, Taipei to London—this collection brings together a constellation of artists whose sonic identities reflect the genre-defying ethos of Early Reflex. Propulsive yet detailed, physical yet intricate, the compilation traverses bass-heavy terrains, syncopated percussive structures, and otherworldly textures, acting as both a retrospective and a projection of what’s next.

Whether you're locked into headphones or immersed in a full club system, these tracks carry the uncompromising, future-facing energy that defines Early Reflex.

Alec Pace said about Neon Reflections:
“It’s incredible to think that six years have passed since our very first Early Reflex event here in Turin—featuring Sonia Calico and Hence Therefore alongside myself—and now we’re celebrating five years of the label with our 30th release. Watching the project evolve from local nights into a platform connecting artists across the globe has been nothing short of surreal. This compilation brings together an outstanding lineup—featuring established names like Pépe, Emily Jeanne, Sonia Calico and Arecibo, longtime collaborators such as Sobolik, Capiuz, Martini, and Ikävä Pii, as well as exciting up-and-coming and new-born talents from across the club spectrum such as Aeery, Biased and Natsumi Hirota. It feels like the perfect way to mark this journey: a milestone release that reflects our identity and community, pressed into a special limited-edition vinyl piece. I couldn’t be more proud.”

RedNilo is an Italian-Moroccan duo composed of Reda Zine and Danilo Mineo, two musicians based in Bologna linked by a deep passion
for world music, particularly African music. Their ongoing and tireless musical exploration has led them to collaborate for over a decade
on numerous artistic and recording projects. Their new album, eponymously titled RedNilo, features six tracks characterized by a sound
reminiscent of Gnawa, Hassani, Tuareg, and experimental rock. The psychedelic, raspy riffs of the electric guitar, the repetitive rhythms
of the percussion, and the rhythmic-melodic lines of the guembri represent and evoke their journey. The resulting sound material is the
culmination of their journey and their encounters with masters, artists, griots, artisans, and instrument makers in the Draa Valley in
southeastern Morocco, bringing together the two musicians' urban and experimental backgrounds and souls. The album's artwork was
designed by Moroccan artist Aali Wica, initiator and mentor of their spiritual and artistic journey to the southern African continent,
across the long black snake.
Réda Zine, a musician and documentary filmmaker born in 1977 in Casablanca, launched his musical career in the 1990s, contributing
to L'Boulevard, Africa's largest independent festival. Raised in the Casablanca medina, he was introduced to Gnawa music by various
Maallems. After studying at the Paris 3 Sorbonne University, he founded Café Mira, a project that has performed at several international
events.
From 2011 to 2014, Zine was artistic director for Creative Commons (Middle East and North Africa), where he won the #CC10 Korea
award in 2012 with the project "It will be Wonderful," which brought together musicians from over 12 countries. He has also been
involved in exhibitions on music and censorship, participating in events in major cities such as Paris, Buenos Aires, and Seoul. In Italy,
he continued his musical research with the Hardonik project and was part of the Afrobeat group Voodoo Sound Club, recording the
album Mamy Wata. Zine collaborates with artists such as Seun Kuti and has initiated educational activities related to Gnawa music,
contributing to initiatives such as the African Symphony Laboratory for improvisers. He is the co-founder of Fawda, a Gnawa-based
project, and is part of the Gnawa Rumi collective, which explores the music of the Moroccan diaspora in Italy. He directed the documentary "The Long Road to the Hall of Fame" about Public Enemy, which won an award at the Pan African Film Festival in 2015.
Danilo Mineo graduated as a national educator from the AMMnationalscholl music academy in Milan, with a thesis entitled "Afro-Cuban
Music and the Rhythm Section." Over the years, he has attended workshops and masterclasses with international artists and masters
of percussion and drums, including Horacio El Negro Hernandez, Airto Moreira, Trilok Gurtu, Luis Agudo, Arto Tuncboyaciyan, Dudu
Tucci, Dom Famularo, Karl Potter, Rodney Barreto, and Eno Zangoun, exploring the rhythmic language of various musical genres and
styles.
In addition to publishing several educational manuals for percussionists, music critics consider him a versatile percussionist, active in
various musical productions and recordings: Mop Mop, Fawda, Guglielmo Pagnozzi "Voodoo Sound Club," Fabrizio Puglisi "Guantanamo," Panaemiliana, The Mixtapers, and many others, with whom he has performed at numerous national and international music festivals (in Europe and Africa). As a percussionist and side man he has recorded numerous albums and collaborated with Italian and
international artists including: Giancarlo Schiaffini, Gianluca Petrella, Roy Paci, Roberto Freak Antoni, Famoudou Konate, Melaku Belay, Baba Sissoko, Kalifa Kone, Jamal Ouassini, Deda, Dj Lugi, Bioshi.

Tripper’s second trip is now ready to shuffle, once again two big rolling house cuts, one x side, crafted by Matteo Floris.

Clubbing oriented as per usual, Matteo keeps blending some acid and old school vibrations on top of his characteristic stripped-down grooves serving a warm and uplifting house course.

Herb Rhythm has long been kicking out brilliantly garage and house sounds and now he is back with something a little deeper on GLBDOM Classic. 'True' is a smooth and soulful garage house sound, but it's not overly produced - there are still some nice frayed edges to the drums while the vocal is an r&b gem. It comes in various mixes from bumping for the club to more cut-up and 2-step from Ease Up George. On the flip is the fresh dub garage delight 'So Many' with plenty of nostalgic throwbacks and liquid chords, then 'You Can Do It' closes with a more direct sound but still plenty of warming pads. A mighty useful EP, for sure.

Berlin's ://about blank club has long been a top hangout for the city's more discerning heads and this year it marks 15 years in the game. It does so with this tenth release on its label arm - a triple EP compilation that brings together 12 exclusive tracks from key artists tied to the venue and who reflect its adventurous musical identity. Kalipo's vocal-driven anthem 'My Heart Is A Hotel' kicks off with cold wave synth energy, then Lawrence's dreamy minimalism casts your mind adrift. There is also Alex.Do and Sylvie Maziarz deliver high-energy techno and rave, deeply cinematic cuts from Inigo Kennedy and Hagen Richter, while Rodmin and Ahu offer lush, hopeful house. The final slab offers moody hypnosis from Anja Zaube, Erik Jaahalli, Irakli and Fragen shuts down on a cosmic note. A great snapshot of ://about blank's sound.

DVS NME is a Colorado-based Electro producer and DJ originally from Southern California. Active since 1999, he crafts stark, machine-driven music rooted in analog hardware and recorded live in single takes. Influenced by Drexciya, AUX88, and Anthony Rother, his sound blends dystopian textures with precise rhythm programming. He’s released music on respected underground labels like Solar One Music, Transient Force, and Ukonx Recordings, and now Future Tones Rcoeds. A key advocate for the genre, he also curates the long-running Dark Science Electro podcast, supporting global Electro since 2010.

1. Beam
A slow-burning opener built around a TR-606 groove, chopped vocal fragments, and delicate string flourishes. At 116 BPM, it's the most restrained cut on the EP—staccato and skeletal, but quietly emotional.

2. Carveout
Driven by a classic four-on-the-floor pulse, "Carveout" rides a surging bassline and tightly layered synths. Functional on the surface, but subtle shifts in tone give it depth beneath the structure.

3. Debt Trap
The most club-oriented track on the record. With a jerky low-end and nimble 606 programming, "Debt Trap" combines dancefloor impact with off-kilter synth work that refuses to settle.

4. Ratchet Effect
A standout cut that channels DVS NME's signature sound—sharp, modular arpeggios, machine-funk rhythms, and intricate modulation. At once clinical and soulful, it’s the EP’s most complex and defining moment.

5. Land Reform
TB-303 acid lines coil around melodic string pads and skittering hi-hats in this mid-tempo closer. "Land Reform" balances raw rhythmic motion with introspective synth textures, ending the record on a reflective note.

After careful consideration, Black Angus Records has changed its name to BKA Records – short for ""Beats Kickin' Again."" The label relaunches with an EP that fully reflects its roots: four impactful tracks by Italian artists who are now well established in the international house music scene. The first track comes from DJ Soch, founder of the label. It's marked by a powerful beat, driving bassline, and a flowing synth solo that builds tension and energy, aiming straight for the dancefloor. Next is Issam Dahmani, a young DJ and producer, now also a partner in the label, with a warm, full-bodied track that in some sections recalls the sonic approach of Kerri Chandler. A track that's hard not to play. The third cut is by Manuold, a seasoned producer from Palermo, who delivers a sound inspired by early '90s New York house, dreamy and atmospheric, with a strong groove throughout. Closing the EP is Nicholas (of Aura Safari) with a classic flavored production pulled from his archive: gospel touches, piano house elements, and swinging rhythms come together in a track that perfectly embodies the essence of house music.

On Tuesday 3rd September 1963, the Beatles recorded all eighteen tracks for the last three Pop Go The Beatles shows. The venue was the Aeolian Hall in Mayfair, used by the BBC for the recording and broadcast of concerts and recitals. The standout track here is a very confident sounding Misery with Duane Eddy-style ending.

Along with From Me To You and Till There Was You from that session, we include here the rock’n’roll instrumental version of Pop Goes The Weasel that started and finished each show. Also featured on this EP is a seasonal medley version of Eddy’s Shazam plus some a cappella tunes sung by the boys for Saturday Club on 17th December 1963, including All I Want For Xmas and You Were Made For Me.

Crosstown Rebels reignites Amtrac’s ‘Just’ with fresh remix package, featuring Patrice Bäumel.
Landing 29th August 2025, the emotive 2019 track is reimagined with a powerful take from Bäumel plus a Club Mix from Amtrac himself.

Damian Lazarus welcomes Kentucky-born, Los Angeles-based artist Amtrac to Crosstown Rebels for a special revisit of his much-loved track ‘Just’, originally released in 2019 on his label OPENERS. The 2025 remix package brings fresh interpretations crafted for the dancefloor courtesy of acclaimed German-born, Lisbon-based producer Patrice Bäumel, alongside Amtrac’s own extended Club Mix.
Known for his fearless musical evolution, Amtrac, real name Caleb Cornett, has carved a reputation for bridging genres with emotion-led dance music that resonates both on and off the dancefloor. Revisiting ‘Just’ with Crosstown Rebels marks a new chapter in the track’s journey, opening it up to a new wave of club-ready reinterpretations.

As the original’s shimmering melodies meet fresh layers of rhythm and energy, the result is a record that resonates with both nostalgia and forward motion.
Leading the charge, Patrice Bäumel steps up with a stunning remix that transforms the original into a hypnotic, high-impact dancefloor weapon. Drawing on his storied history of creating euphoric moments on the world’s biggest stages with material on labels such as Kompakt and Cocoon, Patrice infuses his unmistakable, tension-building style, layering driving grooves with cinematic textures. Speaking on the remix,

Rounding out the package, Amtrac himself delivers his own Club Mix, reimagining ‘Just’ with extended energy and a refi ned arrangement built for peak-time sets, highlighting his ever-evolving approach to production and delivering his own vision for the record when transformed for dancefloors.

Experience the magic of a timeless classic reborn: this exclusive 7" vinyl features a brand-new remake of the iconic "I Believe in Miracles", produced by French groove maestro MonsieurWilly and performed by the radiant soul vocalist Natalie Nova. With a perfect balance of vintage disco vibes and fresh production finesse, this release breathes new life into the legendary track, making it both nostalgic and clubready. Adding to its irresistible charm, the remake is infused with a Latin summerinspired rhythm—a driving, syncopated beat that designs the heartbeat of Latin music. Ment to be upbeat and danceable, the track incorporates percussive grooves, rhythmic guitars, and tasteful electronic elements to create a vibrant, sun-soaked atmosphere that feels right at home from beach bars to dancefloors. The collaboration between MonsieurWilly and Natalie Nova delivers a unique blend of soulful warmth, infectious energy, and rhythmic flair. Natalie Nova’s powerful vocals shine with emotion and style, while MonsieurWilly’s production wraps it all in a groove-heavy, analog-inspired soundscape. This 7" is pressed on high-quality vinyl and is ideal for collectors, DJs, and lovers of soul, disco, and feel-good summer anthems. Don't miss this limited edition release - proof that miracles still happen on wax.

'Stronger' sees legendary House and Soul vocalist Peven Everett team up with antipodean beat wizard and rising star Inkswel for this soulful, genre bending single. Peven known for classic vocal house anthems, underground neo soul full lengths, and works with the likes of pop luminaries the Gorillaz.

Inkswel the prolific producer known for Hip Hop to experimental club musings with an extensive list of collaborators from Moodymann to Talib Kweli, Crazy P to Amp Fiddler.

The pair blend harmoniously on 'Stronger'. Inkswel's main Boogie Mix centers around heavy gated drums, prince esque basslines and lofty pads whilst his rework with long time collaborator Leonard Charles takes things into Broken Beat leanings reminiscent of 2000 Black, Bugz In the Attic and IG Culture . The single gets the remix treatment from legendary NYC producer- DJ Spinna with his Intergalactic soul rework and then a genre bending polish from up and coming Aussie House and Techno producer Ed Temple.

It's time for a new compilation in our house and we have some good music to fill it up. This collection of talent is going to be served in two flavours, the physical one a four cut vinyl EP featuring previously only digital tracks and the second one a ten track selection from our back catalogue featuring some of the best producers in our family.

Asier Morillas ( A4 ) is probably one of the most original sci fi specialists out there and he's been part of our sound since his first steps into production. His track Kynosoura is a perfect example of hi tech jazz.

David Reina is also a science fiction specialist, also featured with a full length work in our catalogue, our pick for this collection is Autoscopy, a mental and complex sonic voyage into the best outer space techno.

From Mod 21 we have selected one of his most played tools, Escalation of Violence, the perfect hypnotic drill to boost your mixes properly.

Vertical Spectrum brings us to hyperspace in BALN006 combining a distorted groove with floating alien bleeps in a sci-fi techno masterpiece.

This four cuts will be pressed on wax, let's talk about the next eight:

From his Idle Ep we have chosen Temudo's Spiritual Song, a merciless floor weapon heavily tested on the best clubs and big stages out there.

Next comes BiiBii by Null Forms approaching a more abstract and sci-fi terrain, maintaining the danceable pulse and well-managed distortion. The result is more mental and synthetic. A kind of controlled chaos.

Axial Rotation from Translate starts with a fast paced groove, heavily bass fuelled with a continuous synth line moving across the basement. All sound elements are constantly mutating and evolving although the mood is linear and loopy.

Eight cut comes from Dutch veteran Dimi Angelis, the third from his
A Journal of Impossible Things EP from 2023. The hypnotic bleep penetrates your mind while the dirty sound of the old drum machine sets the pace for your feet. Special mention to the occasional resonant sweep that appears from time to time creating the required tension.

On the ninth, Ruman's Lizard from Where The Ring Ends LP, mental and hypnotic, perfect for adding tension to a mix, again heavily tested on the best dancefloors extensively.

Closing the release, CONCEPTUAL with Red Sun a magnificent closing anthem, no more words needed here.

With this collection you get a tiny snapshot of the sonic palette of Warm Up Recordings sound. Check our full catalogue to get the proper picture.

2025 Repress

In 2022, Daniele “Shield” Contrini of Rebirth Records proposed Paraíso to the great man himself, a compilation honouring Alfredo’s legacy. After Alfredo’s passing in December 2024, the project was final; with artists rallying to honour his vision and memory.

Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.

In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.

British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.

Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.

But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.

Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.

Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.

Bushbaby's mixtape, 'EVERY TIME', is a statement piece from one of the UK's most exciting club producers.

Known for blending UKG, house, and raw rave energy, this 10-track project showcases the full scope of his sound.

The mixtape lands off the back of a huge 12 months. 'Shake and Slide' went viral on socials, 'Feel The Rush' showed his melodic side, and his DJ sets have lit up dancefloors across the UK, Europe, USA and Australia. With major support from Four Tet, Disclosure, Danny Howard, Chris Stussy, bullet tooth, DJ Seinfeld, NOTION, Y U QT, Ben UFO, Diffrent, Hamdi, Interplanetary Criminal and Sammy Virji, Bushbaby is leading a new wave.

Pressed to vinyl and backed by a full world tour, 'EVERY TIME' marks the start of a new chapter.

Back in the early 1990s as Acid Jazz began a period of extraordinary commercial success where acts like the Brand New Heavies and Jamiroquai sold millions of records, and US groups such as A Tribe Called Quest, The Roots and Digable Planets were actively influenced by what was being played in London, the whole scene was being fuelled by a small number of clubs, led by Gilles Peterson’s Sunday afternoons at Dingwalls but taking in nights in Leeds, Bari, Munich, Tokyo, Stockholm and New York. In those clubs funky jazz, latin boogaloo and 70s soul soundracks competed for time on the dance floor with import records from New York, and the latest sounds coming out of bedrooms and makeshift basement studios that created contemporary sounds out of the past.

Acid Jazz’s Eddie Piller and Dean Rudland have put together this compilation of the sort of sounds that we were playing at the time. They are releases on Acid Jazz and other label’s that surrounded the scene and they were mainly made by people we knew from either around the club scene, behind the counters of our favourite record shops, or from trips to New York or Europe. They range from The Ballistic Brother anthem ‘Blacker’ to the jazz house of A-Zel - a Roger Sanchez mix that still sounds fresh today. We have the Humble Soul’s instrumental version of ‘Beads Things And Flowers’ which at the time was only available as a DJ special on Acetate. There is the presence of A Man Called Adam before they went to Ibiza, and the early Mo’ Wax (before they went Trip Hop) single by Marden Hill ‘Come On’.

These records could fill a dance floor in seconds and we feel that they are today largely forgotten, as they were non-album, underground club records. It’s time to celebrate them!

2025 Repress

After a short hiatus Deep In Dis intl. is back in the game. This time bringing you a split EP by two young prolific producers who have been in our radar for quite sometime now, Eric OS and Lewis. With both artists being based in Sweden and each one of them with a characteristic sound, we thought it would be a good idea to split our next release between these two cutting edge talents and that's how the Timebomb EP came to life.

We first discovered Eric tunes through a Binh set last year at the Nostromo Festival and we instantly knew we had to get Eric on board for a future project with us and here we are. With releases on System Error, Eya Records and his own imprint Space Trace, Eric brings to the table all those elements that made us get up off the back stage sofa and lose it on the floor. Flipping the record we have the Data Flow head label Lewis bringing us another two special club cuts. Having released a digital EP with us before, we couldn't wait to press some of Lewis analog soundscapes.

A1. 'Eden' is a true dance floor filler , endless groove and quirky sounds penetrating your brain while taking you in a break with some dreamy pads and even stranger synth lines. A2. 'Timebomb' keeps the vibe going, even higher this time. The formula seems to be timeless. Progry melodies, wonky bassline, and solid drum patterns.B1. 'Project Mayhem' invites us to close our eyes and travel without moving with its hypnotic groove, the feeling of pleasure, energy and empathy increases and floats the dancefloor in a never ending way. Closing the EP 'Acid44' spills a lysergic groove on the floor with no possibility of escape or return. Infected synth lines, snappy snares and some serious bassline are the powerful potion of the track.

A new Memory Remains journey on Wax: A Four-Track Vinyl That Captivated Dancefloors

After months of exclusive testing across diverse club spaces and underground venues, this much-anticipated vinyl release is finally available for all. Four tracks, each carrying its energy and narrative, come together to form a singular listening experience—crafted for dance floors, yet timeless in their emotional depth.

A1: Unknown – Naha Naha

A vibrant, hypnotic opener that merges the ethereal with the rhythmic. The vocal, a fusion of Bambara influences, drifts over the playful pulse of bongo-driven percussion, while the sitar weaves an entrancing melody. The result? A high-spirited, kinetic groove that invites movement and joy.

A2: Unknown – Haciéndome Drogado

A deep, sun-kissed journey infused with the warmth of Spanish vocals and a breezy, immersive vibe. This track captures the essence of carefree summer nights, where music, movement, and emotion become one. A deep house gem with a magnetic pull.

B1: Unknown – Mom, You Make Everything Beautiful

No words are needed—only feeling—a heartfelt tribute to the transformative love of mothers, where every touch brings beauty. Melodic, evocative, and steeped in emotion, this track resonates deeply with the soul, making it a standout moment on the record.

B2: Unknown – Whispers

Closing the journey is an enchanting, introspective piece featuring a haunting female vocal and a spellbinding solo guitar. Drifting between melancholy and warmth, this deep house masterpiece leaves a lasting imprint, wrapping the record in an aura of mystery and elegance.

Now pressed on vinyl, this collection is ready to be discovered, shared, and cherished. The wait is over—the music is yours.

Music by Kirik

We are excited to announce the return of the iconic Totally Wired series with a brand new collection on LP and CD. The first 50 orders will include a special art print of the artwork. We are also doing a limited edition T-shirt to celebrate this milestone!

In 1988 Acid Jazz released its first compilation album ‘Totally Wired: A Collection From Acid Jazz Records’. Compiled by Eddie Piller and Gilles Peterson it collated 11 tracks that summed up the early days of our scene, mixing new label signings, cool new records being played in our clubs and a couple of oldies. It sold well to the then small scene and set the template for a series, that in the wake of the international success of The Brand New Heavies, Jamiroquai, The James Taylor Quartet and others exploded. By the time that Volume 5 appeared, we were selling tens of thousands of copies, with major label artists vying for inclusion.

By that point ‘Totally Wired’ was a phenomenon, that sign-posted changes in both the directions of new music, but of the oldies that were played on the scene. It gave DJs new tunes to play and soundtracked 1000s of Cafés and bars the world over in the age of the CD. It was largely retired at the end of the 90s and as times changed.

Over the years we have been asked to return to the scene of the crime, but it has never quite felt right, until now. With vinyl back, and the need for easy to digest compilations becoming neccessary in the chaos of streaming’s ‘I can listen to anything I want, but can’t think what that might be’ is evident, but also we are feeling excited about where Acid Jazz is right now. New artists on the label are making great records, Matt Berry has a Top thirty album, and The Brand New Heavies are headlining the Royal Albert Hall. It’s easy to make an exciting album when that is happening.

So we are releasing “Totally Wired: A New Collection From Acid Jazz” and treating it like the important milestone that it is. From the Acid Jazz sid we have new and exclusive recordings by Matt Berry, Chris Bangs and new signings Earth-o-Naut and Quiet Fire, there is also a recent white label only 45 cut by the Soul Revivers – released ahead of their new album due this Autumn and featuring Kokoroko’s Shiela Maurice-Grey and Anoushka Nanguy. For the oldies we have dug deep into our own archives to bring you the Acid Jazz Orchestra’s version of Corduroy’s ‘Something In My Eye’ and The Brand New Heavies astounding funk take of Aretha Franklin’s ‘Rock Steady’. These are all joined by recent scene records by Carmy Love – one of the greatest voices in the UK – The Romero Brothers, and BDQ, carrying the series onwards at last.

Berlin-based musician and media artist Michael Vorfeld celebrates the 20th anniversary of his unique sonic explorations with a new volume of his Glühlampenmusic (Light Bulb Music). Mastered by Rashad Becker.

Michael Vorfeld is a musician and media artist, plays percussion and self-designed string instruments, and realizes electroacoustic sound pieces. He works in the field of experimental, improvised music and sound art, realizing installations and performances with light and sound, and working with photography and film. In addition to his solo activities, he is a member of various ensembles and collaborates with artists who work in many different art forms, e.g. Burkhard Beins, Mazen Kerbaj, Ute Wassermann, Reinhold Friedl, to name a few. Based in Berlin, his list of activities includes numerous concerts, performances and exhibitions in Europe, America, Asia and Australia. Michael Vorfeld participated in the documenta 8, Kassel with the sound performance group "Heinrich Mucken".

Since the mid-1980s, Vorfeld has been realizing a multiplicity of partly site-specific light works (most of which also included sound) and where the incandescent lamp played an essential role. He conducted many tests to research the interplay of light and sound, experimented with all kinds of incandescent lamps in relation to various light-controlling devices and used many different types of microphones and pickups to "eavesdrop" into the acoustic potential of the various light events. The result of this research is Glühlampenmusik (Light Bulb Music), an electro-acoustic and audio-visual performance where sounds are generated through the use of different light bulbs and actuating electric devices. The incorporation of different analog light controllers such as switches, dimmers, relays, flashers and various others leads to diverse variations within the light event, made audible with the help of various microphones and pickups. The changes in the light intensity, the incandescence of the filaments and the rhythmic variety of the flickering and pulsing lights is directly transformed into a comprehensive and microcosmic electro-acoustic world of sound. First performed publicly under the titleGlühlampenmusikin the Labor Sonor series at Kule, Berlin in January 2005, and released in 2010, this new volume of Glühlampenmusik celebrates its 20th of these sonic adventures that can range from sparse abstractionism to almost "clubby" pulsations.

Der Kult-Track ist zurück – und schöner denn je!

Elisir (Your Love), einer der hypnotischsten und eingängigsten Dance-Hits von Gigi D‘Agostino, erscheint endlich als farbige 12“ Maxi-Single – in einer streng limitierten Sammlerauflage.
Der im Jahr 1998 veröffentlichte Track gilt als Meilenstein des Italo Dance und ist bis heute ein fester Bestandteil auf Retro-Partys, in Clubs und in den Herzen der Fans. Diese Sonderedition enthält mehrere Mixe, darunter rare Versionen und Club Edits, die lange Zeit nur auf CD oder in digitalen Formaten verfügbar waren.

Fradinho (Rui Fradinho) is Lisbon born Portuguese, having lived in London for 12 years and returning to Portugal in 2020.

Rui's musical base stems from a diverse range of music: rock to pop, house to techno, through jazz, soul, funk, world music, hip hop, drum and bass and from breakbeat to his main passion and current music production focus, broken beat / bruk / nu jazz.

Rui runs his own record label, Eclectic Beats Music, with 6 vinyl releases, and has released remixes for artists like Sentinel793 (Universal Magnetic), Deborah Jordan (Futuristica Music), Str4ta (Colin Curtis Presents), David Borsu (Broadcite) amongst other artists and labels.

Highlights of his DJ career so far (other than his 6-year residency at Sociedade Anonima), are the Bicaense Cafe and Lux club in Lisbon. Earlier in 2017, he did a stint on London’s Back2BackFM, playing at Dalston’s Club Makossa, the BBE Store in East London, closing the Chill Out Gardens stage in Portugal’s Boom Festival 2018, DJ’ed at Gilles Peterson’s first edition of We Out Here festival in 2019, played Lisb-On festival in 2022 and currently guests at Birmingham’s BrukUp broken beat night (having played there 5 times with Adam Rock, Laura Crossley, Bruk Boogie Kru, Marcia Carr & Kwai and Yoofee).

Phantasy are delighted to introduce Greek duo Boys' Shorts for their debut EP on the label, ‘Athena’. The project of music obsessives Vangelis and Tareq, the Boys’ Shorts sound has helped redefine timeless strains of disco, house and Italo for Europe’s queer club underground, with similar charisma spilling into their collaborative productions on labels including Live at Robert Johnson, Permanent Vacation and Polari.

Boys' Shorts appearance on Phantasy is coupled with their most ambitious and fulfilling songwriting to date. Featuring a rare vocal performance from beloved selector and cosmic disco expert Budino, appearing alongside Elisa Paradiso, the instantaneous lead cut ‘Summer’s Here and Summer’s Missing’ recounts a sun-drenched romance cut short. The duo’s soft, bittersweet synthesis mingles with Budino’s Italian-language lyrics, gently pulsing to find closure, or at least further pleasure, while up late in a Balearic discoteque.

Under those same hot lights, Boys' Shorts go deeper still with the leading oscillations of ‘Stereo on Acid’, in which classic, wobbly-hearted 808 sounds flirt playfully with a bassline that bumps like downtown traffic on a sweltering Athens afternoon. Reflecting the hidden pleasures and true underground culture of the city after nightfall, title track ‘Athena’ is a sensual and sophisticated groove with an epic yet understated touch, that one can imagine soundtracking a future soiree or centuries of ancient history alike.

It was the 90s. Paris had the blues, French rap was beginning its slow rise, and a new musical genre was emerging: Acid Jazz. Imported from England by DJ Gilles Peterson, this groovy style blended 70s funk with a certain idea of jazz tailored for the dancefloor. Its heroes were Galliano, Brand New Heavies, Incognito, and the James Taylor Quartet. Jamiroquai topped the charts, MC Solaar recorded with Urban Species, and suddenly, France was swept up in the swing whirlwind. Starting in 1993, Parisian clubs embraced this union of jazz and groove, and in 1994, a compilation was released: Paris Groove Up. Around ten groups delivered the French version of this British style: Mellowman, Mad In Paris, Vercoquin, Ready Made... and Dis Bonjour À La Dame. The band wasn’t new—their roots went back to the late 80s, when bassist Marc Israël brought together a brass section and some seasoned musicians. But the real beginning of DBALD came in 1992 with the arrival of singer Sital. "Christophe Denis joined on guitar and songwriting. In 1993, we opened for Jamiroquai and Maceo Parker, and that’s when the major labels interested in the acid jazz market started noticing us," recalls Marc. Their track Chris’tal, the centerpiece of the compilation, was released as a single, and Dis Bonjour À La Dame's album began production in late 1994 in London, at Roundhouse Studio. “We must’ve been among the last sessions there—it was demolished shortly after. It was a very 70s studio, with old gear, a Fender Rhodes, everything was vintage! We recorded for a month, all playing together live, then added the brass and finally Sital’s vocals. We were lucky to have two exceptional backing singers, Sarah Brown and Mark Anthoni, who worked with Incognito and Urban Species.” The self-titled album came out in early 1995, and it had all the ingredients of a hidden funky gem from the 90s: Hey Mama with its ironclad groove, the irresistible instrumental Sheherazade Groove opening the record, Soul Body with its R\&B sensuality... The hip-hop touch came courtesy of Lee Rick’s, the MC from Mellowman, who laid down rhymes on Hall Blues. The brass section was on fire, the bass went wild, and Sital added a sensual spark to the whole thing. In short, a solid album produced by Fred Versailles (producer of NTM’s first album) and mixed by Paul Borg (Urban Species, UFO, -M-, Mory Kanté), a testament to a time when big funky bands made Paris groove—with Dis Bonjour À La Dame leading the charge. Nearly thirty years later, it’s time to (re)discover DBALD.

Mr. Fiel returns with a new collection of introspective sounds on his own label, Faith In Truth. The release — available soon on vinyl and digitally — marks the imprint’s second vinyl outing, exploring deep house and ambient textures beyond the club floor. Dreamy, meditative and emotionally rich, these tracks invite the listener into a gentle inward journey.

Peaceful mind - a warm deep house journey built on deep bass, soft rhodes, and subtle background chords. Peaceful and immersive – a perfect track to slow down and reflect.
No life without dreams - driven by a heavy bassline and hypnotic synths and congas, this track is mainly made for the dancefloor. A surprising flute outro adds a delicate, uplifting twist to the groove.
Beautiful day - emotional deep house with a nostalgic touch, like flipping through old photographs. Warm textures and soft melodies evoke memories of brighter days.
Into the Galaxy - ambient meets electro in a cosmic exploration of NASA-inspired sounds and samples. A spacious and otherworldly piece – are you ready for a sonic spaceflight?
Eternal sunrise - slow-burning at 110 BPM, this track unfolds with deep basslines, ambient pads, and layered synths. Perfect for quiet moments or watching the sunrise in a reflective state of mind.
Echoes of the divine - thick pads and trippy acid tones collide with slow breakbeats and textured drums. A surreal ride into another dimension – hypnotic and unpredictable.

All tracks were written, produced, and mixed by Mr. Fiel between the summer of 2024 and the spring of 2025.

Just when you thought every holy grail must have been unearthed by now, here come Basic Unit with their deep cover late 90s masterpiece Timeline, the dankest darkcore-electronica-tech step album you've likely never heard.

Ben England and Rick Dallaway formed Basic Unit and debuted on Moving Shadow in 1997. They also moved on Nocturnal, a cult label that reached beyond D&B to platform some more experimental sounds. It was a short-lived label with some ominous footnotes — 'Several people involved with Nocturnal have vanished or are dead' reads the label's Discogs description. But in 1998 Nocturnal put out Timeline, a CD-only album from Basic Unit that cut a sharp, scathing figure against most D&B of the era. England and Dallaway embraced the album format as a chance to go deep, inhaling their inspiration from early days Autechre as much as Source Direct and boiling down the results to a steely, minimalist framework.

The likes of 'Resolution' are desolate, stark workouts that feel fractured and raw enough to align with early grime, complete with the strings, but the rhythms move in mysterious formations designed to confound like the most bloody minded electronica artists of the late 90s. Blown out bass and scattered flurries of machine gun breaks, squashed tundra drones that sound like they were pulled from 10th generation VHS b-movies and bit-crushed animal grunts fit for a Mega Drive beat 'em up. The sonics are redolent of the times, but Basic Unit chisel them mercilessly into their spartan vision, deploying brain-frying beat science with a stern restraint.

It's the kind of record that gives so much while holding so much back — a deadly tease that has flown under the radar for too long. This is the sort of shock reissue material that gets us gassed at Sneaker, and we're proud to be giving it a re-boost and a first ever outing on wax, all the better to shock you out.

CLUB U NITE RECORDS PRESENTS: OUT OF THE BLUE E.P.
This EP starts with infinite depth and warmth - "All That Matters" by Black Chunes Productions has everything that makes a bouncy club track.

"Don't Stop" appears in new splendor and serves up a lot of drive on the dance floor in the "NYC Deep Mix" with percussive organ sounds and a jazzy touch.

Manhattan Project's "Do U Wanna Dance" - no question! No one can resist the rough and pumping shuffle beats on this track with a lot of old school feel.

The second track on the B-side "Time 2 Scat" puts a big end to this EP: pumping drums, dope piano samples, organs and a lot of jazz!

Club Squisito is an electronic band formed in 2005 by Valerio Semplici, who dominated the scene for a decade as a member of Black Box. Here he joins up with Marina Santelli for a blissful new house groove, 'Come Into My Life,' which has a striking falsetto vocal and mournful horns unfurling over soulful drums. The From P60 pairs it back to late night depths for intimate clubs and an Infradisco remixes it into a downtempo and dubbed out delight. The Rudi'Kasti remix is awash with sultry synth work and jazz romance to close out a wonderful, heartfelt EP.

Makhunik Records Presents: "Withdrawals" - A Bold New Vinyl Release by RAKANS Withdrawals, the highly anticipated follow-up to Emergence EP and Deep State (Midnight Stallion) EP, marks a bold new chapter in RAKANS's ever-evolving sonic journey.

Set for release on I Makhunik Records, Withdrawals explores the tension between desire and detachment, featuring five tracks that blur the lines between electronic, experimental, and club sounds. Available on vinyl, Withdrawals invites listeners to experience the raw and intimate emotions that inspired its creation. Following the success of Emergence EP (Gently Leftfield Techno from a Core Dresden Artist - Resident Advisor/Single Review by Andrew Ryce) and Deep State (Midnight Stallion) EP on Boudica, which gained recognition for their atmospheric intricacies and deep, immersive textures, Withdrawals delves deeper into personal and societal themes, paired with the artist's signature ethereal soundscapes and captivating beats. Each track carries a narrative, from late-night reflection to hedonistic encounters, with a pulsating intensity that mirrors the artist's own process of creative and emotional release. With Withdrawals, RAKANS continues to push boundaries, creating a profound listening experience that resonates both in its melancholy and its intensity.

Description of the Title: The title Withdrawals reflects a state of emotional and mental transition, where one is caught between the craving for connection and the unsettling effects of isolation. It symbolizes the artist's inner turmoil and process of reclaiming personal agency after experiences of burnout and separation. The tracks are an expression of that journey-tracking the highs and lows of life in a world that constantly demands more. Through these melodies, RAKANS has captured the intensity of longing and the aftermath of desire, inviting listeners to confront their own internal conflicts. The narrative is personal yet universally relatable, and the title speaks to the often painful but necessary process of letting go, detoxifying from past habits, and learning to be at peace with oneself. "With Withdrawals, He wanted to channel the emotions that often come from the struggle between desire and self-preservation, between the drive to connect and the need to retreat. he's journey, both as an artist and as an individual, has been filled with moments of intense reflection, self-discovery, and sometimes, disconnection.

These tracks are the culmination of that inner conflict, a raw exploration of what it means to both lose oneself and find a deeper, often painful, form of clarity. Like the music he's created before, the sound of Withdrawals speaks to the space between tension and release, the liminal space where truth is often revealed in its most vulnerable form. He's always believed that music is a mirror to the soul, and in this EP, He's tried to reflect that feeling of being both pulled in and out of something greater. It's a raw and intimate look at the way we navigate modern life, often feeling like we're running toward something that we can't quite reach, yet constantly pulled back into our own personal truths.

This EP is personal, but it's also for anyone who's ever felt caught between two worlds, the one they want and the one they need. I hope it resonates with listeners who are experiencing their own form of withdrawal, whether it's from people, places, or even from themselves.