Suche:club g

Jaxx Madicine is a jazz-funk inspired house-ish outfit from Milan consisting of Turbojazz (Local Talk, GAMM Records), Parker Madicine (Heist, Bastard Jazz Brooklyn, CT-HI Records) and the talented jazz keyboardist 'Veez_0'.

With an organic and melodic sound collage you can hear influences from classic 70's jazz funk labels and artists like CTI, Mizell Brothers, Kudu and Bob James but also the current sounds of Kaidi Tatham, Byron The Aquarius and Harvey Sutherland.

After their debut EP 'Montreux' they are now ready to drop their full album 'Distant Classic' where the Jaxx crew exit planet earth and treat us to a space music odyssey that is full of surprises.
During the journey they deliver house, jazz, fusion, boogie and jazzy beats from a highly melodic keyboard perspective.
All tracks are made with a genuine love for analogue synthesizers, fender Rhodes, clavinets and some soulful MPC programming.

'Distant Classic' is an album that can be enjoyed both in the club and at home, but we hope you will enjoy their melodic sounds on any platform. Just press go and enjoy the trip...

In recent years Moiré has become an integral figure in re-imagining club music. The enigmatic artist has travelled a note-perfect path and in just a few years has collaborated with fundamental record labels such as R&S, Werk Discs and Rush Hour. After his second and long awaited album "No Future" (Ghostly International, 2017), Moiré's "BBOY EDITS 01" is the first signing on C.E.E. The four track EP is comprised of unreleased material designed for the dance floor and provides continuity to his much prized Neversleep series. Club Excursionista de l'Electrònica (C.E.E.) is a moral, spiritual and cultural entity founded in 1875 in Vall de Camprodon. C.E.E. includes thousands of anonymous members who are organized into subdivisions and enjoy Sunday excursions into nature to end the weekend, where the joys of nightlife give way to clean air and mountain pursuits. C.E.E. can be described as "electronica folklorists", with a select catalogue of sounds from across the continent and beyond that represent an ethnographical journey through the most modern treatments of songs and popular dances practiced in clubs and tents all over the region.

Absolutely stellar proto-disco jam from 1975 on the minute Shield label, Nassau County's Hokis Pokis may not be the most well known of funk / soul outfits but that doesn't mean they groove any less than any of the big guns!

'Nowhere' is a true underground classic, one for the real disco aficionados. One of those grooves that straddles the thin lines between rock, soul and funk. This is a proper club record and in the right hands will keep a dancefloor locked in and moving.
Speaking of 'right hands' this special 12" reissue sees NYC DJ and edit royalty Danny Krivit tastefully extend the original 3.32 7" A-side version into an extended club jam. Never one to utilise tired filters, loops, sweeps and so called laptop 'production methods' Danny turns in a fine extension that is subtle, effective and most of all - funky. A truly glorious slice of uplifting dance music 'Nowhere' is an essential purchase for those of you who dig the real deep stuff.
This reissue is a legit, licensed and proper release. Made by Above Board distribution in conjunction with Henry Stone music and the skills of the legendary Danny Krivit. 2018.

The Blink single is a labour of love spanning over 2 years evolving from Reshape's Live Series. The 'Tunnel mix' takes its title from being road tested at the now closed Tunnel Club in Paris and both tracks are a homage to early UK and Detroit techno which Redshape holds fond memories of from his youth.

In early 2017, Public Release dropped a four-tracker by Brooklyn's Earth Boys, a duo comprisedof Julian Duron and Michael Sherburn, and now it's being followed by a collection of remixes by some formidable names from around the world.
Where the EP of originals fell squarely in the category of vibey, shuffling, laid-back house
grooves, Trail Remix is decidedly made for the after-midnight parts of club sets. The 12-inch begins with a T&P - that's Beats in Space's Tim Sweeney and Phillip Lauer's version of 'Trail Mix'. Acid-flecked and hard-edged, and tongue-in-cheek at heart yet seriously functional, it's the original red-lined and shot down the highway at ninety miles an hour. (Worth noting that this is
the transatlantic unit's first remix to be released.) After that is Earth Boys' own redo of 'Highway
1' a juiced-up re-imagining of the first version, filled out with chunkier kicks and fatter synth washes that completely envelope any sense of direction. The flip leans towards the ethereal, stretchy, abstract, though it, too, is tracky and driven. The B1 slot goes to Canadian wunderkind Khotin, of 1080p and Normals Welcome, who blows some stardust into the tune, enveloping it in a blanket of sharp drums and icy pads. NYC mainstay Mike Simonetti, formerly of Trouble Man and Italians Do It Better, currently of 2MR, caps the record with his beefy overhaul of 'Trail Mix' a compression of industrial percussion, tribal rhythms and sub-bass undulations.

Kalakuta Soul Records joins forces with waf80music to proudly present Kai Niggemann's solo debut, an all original album of outrageous poetically abstract music created live and without overdubs on a Buchla 200e Electric Music Box, one of the rarest and most sought after electronic music instruments. Working on the platform since 2013, Kai Niggemann has become one of Germany's leading artists who perform live with a Buchla 200e. His style is an electro-acoustic storytelling, a clubby dreamscape and a poetically-abstract kraut-infused energetic mix of new Elektronische Musik with contemporary club culture. Nerds love the technology and clubbers love the throbbing drive of the basslines. It's all improvised and recorded live in Berlin — yet it sounds meticulously crafted in a dark basement studio throughout the entire last winters. Kai is a member of the 30-piece kraut-noise-jazz collective "The Dorf" and the electronics duo "The Last Books" (with Achim Zepezauer), performs and records with Mia Zabelka (Vienna) as "Redshift Orchestra", cofounded the internet-computermusic "European Bridges Ensemble" (EBE, e-b-e.eu) and the electroacoustic duo "Resonator". His most recent releases were the CD/vinyl "Lux" (feat. the noise drone artist N), "EviL/EvyL" and the cassette "Made in Österreich" with The Dorf (feat. Caspar Brötzmann & FM Einheit (Ex-Einstürzende Neubauten) or "Thinking Light" by Redshift Orchestra (duo with Mia Zabelka). He performed concerts with Mia Zabelka (Wien), Yoshio Machida (JP), Trap & Zoid (BE), Stian Westerhus or Shahzad Ismaily (with The Dorf) among many others.

Eddie C's Red Motorbike rides again...
Space Glide chops unheard wrong-tempo Cosmic Funk into a 4 minute mouthful of slippery dubwise underwater dancing while Werewolf Invasion takes us to an out-of-the-way Leather Disco in Eastern Europe by motorbike, only to find the club rammed with thirsty man-beasts half cosmonaut half wolf.

Another keeper...

Hand - stamped, 7" vinyl only business

With his 3rd album Dear Stranger, Duesseldorf artist TG Mauss appeared 2013 for the first time on Berlins quality music label Karaoke Kalk. Proving once more his skills in meshing up folk pop with electronic music, he left a big mark at Hans Nieswandt (Whirlpool Productions), who now throws the track Ghosts into the club: a grooving funk bass played by Levent Canseven meets a rattling hi-hat and spacey soundeffects. Mauss voice makes the disco ball and our dancing hearts pause for a moment, just to explode on the dance floor. That's what you call state-of-remix-art.

The Black Pearl is very proud to present a real 80´s futuristic proto club banger from the STRÖER Brothers, with lots of clubby remixes by buddies & friends. The original track "Night Falls" was only released on a very limited hand-spread promo 12inch, which was especially pressed for the Kunstdisko art-project for the 24th Olympic games in 1988 in Seoul / South-Korea. Together with the Goethe Institut they created the "Kunstdisco" project for germany, which was located at the Yoido Ankara Square and took part for the german Seoul Olympic Art Festival. The Ströer Brothers, who were responsible for the video & music sector, invided and encouraged 25 young german composers and producers (among of them was the young DJ West Bam) to produce new music for the Kunstdisco between Rap and new electronic club music from the end of the 80´s. The Ströer Brothers, together with Howard Fine & Nadeen Holloway, were presented  through many DJ´s who played their music that they espacially created for this event. Next to the in-house project Mudegg, the single audio tracks of "Night Falls" were givin to musical buddies like First Touch, Enzo Elia, DJ Rocca, Siggatunes and Manelet to remix them and Black Pearl is more than proud to present a great variety of remixes, styles and visons on the original track. 

Swiss producer Honorée returns to Rekids with 'Marée Haute EP' this January, featuring two intelligently produced deep cuts with a remix from Perlon's Margaret Dygas.
Basel-based artist Honorée's inaugural release 'Marée Basse EP' appeared on Rekids earlier this year and demonstrated a musical understanding acquired from extensive DJ experience within Switzerland's club scene. 'Marée Haute EP' is Honorée's second outing on Rekids and includes a remix from renowned minimal DJ/producer and Panorama Bar regular Margaret Dygas.
'Dorian' delivers crisp drum grooves which underpin mesmerising chord progressions, haunting synthesizer motifs and spacey vocals before '208' provides infectious drum rhythms, glitched vocal cuts and hypnotic melodies which sit on top of a rumbling low-end. Margaret Dygas' take on 'Dorian' offers a pulsating bass hook and sharp percussion which lays the foundation for dubbed-out synths and ethereal atmospheres to close the release.

MW present two classic Minimal Wave tracks which have been on heavy rotation for years now, Computer Bank' and Like I Am, Comme Je Suis' remixed by The Floor (Veronica Vasicka & Karl O'Connor).

Five Times Of Dust was formed in Bristol, U.K. in 1981 by Mark Phillips and Rob Lawrence. Mark had answered an advert that Rob had placed in a local record shop and later that year they went on to record and release their first tape, The Dadacomputer. A standout track from that tape, Computer Bank' is a seminal, proto-techno banger'. The Floor remixed it a while ago to DJ it out and since then have been receiving many requests about where it could be purchased.

The flip side features Unovidual & Tara Cross' Like I Am Comme Je Suis'. It appeared on our first compilation entitled V/A The Lost Tapes LP, in 2006. Unovidual was a Belgian producer involved with the Micrart Group (Autumn, Linear Movement, Twilight Ritual) and Tara Cross, a long lost girl from Brooklyn' who used to play in small NYC downlown clubs alongside Madonna during the early 1980s when she was still an unknown. Unovidual and Tara collaborated on several tracks through the mail during this time as well as in the studio. Like I Am Comme Je Suis' was recorded in a studio in Ghent, Belgium in 1985.

We find both of these tracks prime examples of innovative and pioneering synth wave tracks that work on and off the dance floor. And through these mixes, The Floor aim to stay true to the artists' original intentions whilst making the songs more dance floor oriented.

Featured alongside these remixes, are two unreleased tracks. Rob Lawrence's Armoured Car' which at one point was released on a compilation CD as Robert (not to be confused with Rob Doran from Hard Corps) and Unovidual's Imponative', a beautiful minimal synth track which has remained unreleased to this day.

The Five Times of Dust / Unovidual & Tara Cross EP is pressed on standard weight royal blue clear vinyl and housed in a hand stamped disco sleeve. Limited to 600 numbered copies.

Throughout its nearly 20­year heroic label's journey, Turbo Recordings has fulfilled its pledge to 'keep on lookin' for the music' no matter where it takes them, working with artists from cultures as diverse as Sweden, Finland, England, Spain, Scotland, Mexico, Australia, France, Argentina, Switzerland, Germany, Belgium, Italy, the United States, Israel, Denmark and Toronto. We realize that certain parts of the world are still underrepresented, and are working hard to correct this. Our Antarctic A&R guy has been asleep at the wheel for far too long, and can expect a sternly­worded e­mail any day now.All of which brings us to our newest core artist, Russia's Dimitri Veimar. We'd like to tell you we discovered him when he and his friends shot down our Eurasian Outreach Ableton Tutorial Helicopter for being 'too condescending,' but the truth is actually much simpler. Veimar is merely fluent in the universal language of floor­filling, one that transcends borders and skin­crawling descriptions alike. It is a primal tongue describing a future where all communication is elevated to an endless loop of sweat­drenched club­goers pressed tightly against the front of the stage, smiling at everything you do.

Southern Italian sociologist, DJ and electronic music producer Simone Gatto is about to release his second album, 'Heaven Inside Your Frequencies', in November 2017.

Gatto's second album represents a complete excursus of his personal and professional paths, into which he combines music, words, studies, researches and experiments. Along with the album, split in two parts and to be released on both his labels Out-ER and Pregnant Void, the artist is also releasing his first essay, named as the album; the latter offers a theoretical and practical analysis on the use of sounds and frequencies in diverse areas of interest, dedicating space to music therapy and primordial techniques as well as their application in the current digital and virtual era.

Both the album and the essay result from Gatto's personal experiences as well as his ten-year's artistic career: the love of his motherland and his parents, the first approach to clubs, the studies about the potentiality of frequencies, the electroacoustic experimentation and last but not least, the aesthetic sonorous research.

The the first part of the album showcases Gatto's experimental inclination for electronic and electroacoustic music; as such, the upcoming on his label Pregnant Void, has been created to enhance the sounds of the environment and personal panoramas by agglomerating artists, projects and publications. The second part definitely focusses on Gatto's dance personality and club vision, even so, it stays strongly connected to its first part as complementary for the artist's objective.

Ranging in between his favourite club niches, and collaborating with producers with whom he has shared embryonic projects, DJ booths or vinyl releases, Gatto prepares the audience for a complete journey into his idea of club music and grooves, featuring wide aesthetics and emotional resonance. It goes from the gentle tidiness of ambient and deep techno - 'No Te Olvides De Acordarte', 'Today Will Be Tomorrow ft. Kaelan', 'When I Was With You' and 'Limbo' to the intrinsic vitality of break beat, dub and funk tracks 'Caronte' and 'Holographic Drama' continuing with the dynamism of a typical Detroit techno brand of sound reinterpreted in a modern context, like in 'Forbidden Area' and 'Amazonia ft. Aubrey', and finishing with the joyful wildness of distorted sounds, in 'Jamming On The Couch ft. The Analogue Cops, OL047' in collaboration with long-time friends OL047 and The Analogue Cops; the last track, 'Il Canto Dell'Anima', is a partial excursion into the electroacoustic sound, articulated by ethereal soundscapes and piano arpeggios. The whole work is enriched by samples, field recordings and filtered vocals, sound elements which have been deeply explored in the first part of the album, confirming Gatto's aesthetical aptitude as for the club's universe as for the aesthetic sonorous research dimension.

'Heaven Inside Your Frequencies', recorded and produced between his motherland and other significant spaces and cities - the Ionian coast and natural parks of Lecce, his second home Berlin, the Whitney Museum in New York City and other significant places - 'Heaven Inside Your Frequencies' combines Gatto's theoretical background with personal and artistic maturity, achieved in the last decade. Simone Gatto's life, culture and emotions translate into a sonorous and written project, among sounds, frequencies and attempts to achieve empathetic communication with people. Specifically, the second part of the album in meant to increase the sensibility about potential interaction between performer and audience as for club contexts. The album listening and the essay reading are therefore complementary and equally functional to the achievement of the artist's goal: the empathetic communication through sounds.

Betonkust immediately blended in with the 9300 family and it felt like we've been knowing each other for years and years. After his characteristic remix on Innershades' latest EP (AAL006), it was only a matter of time before he would deliver his own release on our label. With varied percussions, hard kicks and dark synths, the 0% swing EP brings you back to a time when Belgian highways were still lavisly flanked by discotheques and afterhours clubs. An era that counts as one of the most beatiful pages in Belgian dance history and of which Betonkust probably has more knowledge than most of our fellow-countrymen. All four tracks on this proper release produce a thrilling energy that will bring those sleepy ravers, from the 90's, back to life.

The third instalment of the Bodybuilder Quartet has arrived, and once again label boss Nachtbraker adds an exciting name to the Quartet Series manifesto. Moscow native Kuzma Palkin previously released a double 10' and a double 12' on quality Russian imprint Gost Zvuk, but is also known for his productions under his Audiocad (Between Us) and Kausto (Shanti Records) noms de guerre. Make sure to check those out if you haven't already. Here, Kuzma serves up an EP as deep as they come, with greasy, industrial and glitchy sounds floating on steady beats. Title tune 'Macho Culture' is a peaktime roller for darker club spaces with its deep melodic stabs, slapping snares and a haunting synth. Also on the A is 'Muscle Mass Increase', which is cut from the same haunting cloth but comes with an edgy saw synth that will have the punters reach for the lazers. Flip over for 'Proper Sauna Chill', which comes with a thumping kick, beautifully crafted sound design details and an undeniable groove. Closing Kuzma's Quartet Series debut EP is 'Krepkiye Bitsepsky', another showcase of amazing sound design and warped stabs floating over a steady break beat and groovy bass line to round things off nicely.

Argentinian producer CementO delivers four uncompromising techno cuts on Norwegian label PLOINK this December.
Now based in Norway, the South American DJ has spent well over a decade honing his craft both on the dance floor, organising his own club nights and in the studio, producing records for the likes of Antarctic, Primitive State and Diligentia.
After the release of his first full length album on Faarikaal Records earlier this year, CementO now delivers an EP on Bergen-based imprint PLOINK.
'Fjordens Vei' provides noisy ambiences underpinned by a pulsating low-end and a series of arpeggiated synthesisers which evolve with the tracks sharp percussion before 'Trolls Reise' grips us with enticing chord progressions, gloomy atmospheres and crisp drum fills floating above a powerful and grooved bass line.
'Forekomsten' hits hard with a heavyweight kick, rolling hi-hats and thick dissonant drones whilst haunting motifs develop with dubbed out effects. Remixed by enigmatic producer Twinspeaker, the Speaker Extended Mix of 'Trolls Reise' demonstrates an intricate structure of intertwining melodies with acidic overtones to close out the release.

Melodies International proudly moves forward with an elusive piece of mid-tempo Chicago soul originally performed by Gloria J. Jennings in 1977.

Gloria was signed to Stage Productions as a gospel singer with pure and raw talent she had developed in the choir of her father's Southern Baptist Church. She was 16 years old at the time. To tutor her for R&B vocals, Willie C. Nance of Stage Productions spent 3 months taking the artist back and forth for vocal training 25 miles each way, 3 days per week.

At the time, Mr. Nance had made plans to work with singer and songwriter Theresa Eagins to record Know What You Want'. However, two days before the recording was set to begin, Ms. Eagins refused to move forward with the recording as she chose to take her religious faith more seriously and forgo the singing of secular music. Hence, Stage Productions turned to Gloria Jay to perform a song that would go on to move people thousands of miles away, many years later.

One of them was Patrick Forge: Back around 1990 I had a residency upstairs at the Wag Club on a Friday night alongside Paul Martin (he was Gilles P's A&R right hand man at Talkin Loud), the night was called Respect and we played mainly Soul, Boogie and Jazz-Funk. Many years later I bumped into Paul at a record shop and he quizzed me about a tune I used to play at the end of the night at Respect. Hhe described it as being an independent Soul seven inch on a red label, slow to mid tempo... and more to the point a bullet of a record. It piqued my curiosity so much I burrowed through my seven inches and even made Paul a compilation of likely contenders, his response was lovely selection, but it's not on there!'. Damn, a mystery! Many moons later whilst I was living in Japan, my tenant in my London flat said she'd found an old mixtape I'd done for her way back when and was desperate to know the identity of something she was calling the choo choo song'. Eventually when I was back in London she played the mixtape and I quickly identified her tune as Fabrica' by Cesar Mariano, however letting the tape play some time later a familiar descending chord sequence catapulted me back to those Friday nights at The Wag, and Gloria Jay's plaintive vocals reminded me of a record that had been absent from my life for far too long. I've no idea what happened to my original copy, I hunted another one down straight away, and I've kept it close ever since. Know What You Want' is a song that goes deep in such a simple, unaffected, almost naive way, Gloria's voice is both sweet and raw, it's built on simple chords and obvious instrumentation, but it's so much greater than the sum of its parts.

Know What You Want' is soul music, pure and unadulterated, there's nothing getting in the way of the feeling, it's straight from the heart.' Carefully re-mastered from the tapes, MEL008 comes forth in its original 7' format with a 14'x14' poster.

Bugsy hails from Milan where he is resident and co-host of the brilliant Take It Easy club night which brings many of the finest house DJ's to the city and remains packed week in and week out. With his featured producers Astroloop at his side Bugsy has come up with a quality debut loaded with fat, low-slung deep beats and Detroit-inspired grooves for Freerange entitled the Svegsy EP. The lead track sets the mood with mid-tempo loping beats that have 'Freerange' written all over them. We can't get enough of the simple yet satisfying warm-up vibe which oozes from this track. Understated, warm and relaxed yet with a bump and grunt which calls you to the dancefloor.
A2 is a track entitled New Vision where we find a straighter groove underpinned by a restless, pulsing, analogue bass and shifting block chords. With it's heads down attitude and simple, rolling arrangement this is Jimpster's personal favourite for banging on a big system. Flip over for the aptly titled Ghost Song. Here we get off-kilter vocals and fleeting glimpses of a melody which then disappear into the ether. All in all a slightly surreal yet groove-heavy track which has a charm of it's own.
Rounding off the EP we have Chicago house legend Boo Williams on the remix of Ghost Song, where he takes a minimal approach with a hint of acid but keeping his soulful touch. Enjoy!

Second release of Nathan Melja on his own imprint Dream Real, this is not a Techno EP, this is not a Bass EP, this is simply a music record. Four tracks going from Ambient to Club music to a weird and slowed down rap by himself on the Eponymous title «Raindrops» Enjoy and much love to y'all.

Enrico Mantini's 12 unreleased tracks recorded and performed live at Tresor Club in Berlin on last 8th of April 2017.

(180gr) An incredible album from Lo Borges - one of the best singer/songwriters on the Brazilian scene of the 70s!

An incredible album from Lo Borges - one of the best singer/songwriters on the Brazilian scene of the 70s! Borges first burst into the spotlight for his work on the Club Da Esquina album by Milton Nascimento - and his work as part of Milton's "corner club" really helped shape the style of the more famous singer. Yet Borges is almost an equally great talent on his own - with a soaring, soulful approach that's every bit as great as the best Nascimento material from the period - and recorded in a wonderfully similar spirit! The sound here is completely sublime right from the start - music that moves us, even if we can't understand the language of the lyrics - like some of the best work by Caetano Veloso and Gilberto Gil. There's maybe a bit more guitar than on some of the Milton Nascimento work of the period - but used in a fuzzy way that slides in nicely with some of the jazzy phrasing of the instrumentation - which is delivered with help from key contemporaries who include Beto Guedes, Nelson Angelo, Toninho Horta, and Tenorio Jr. The songwriting is amazing - and titles include "Cancao Postal", "Voce Fica Melhor Assim", "Nao Foi Nada", "Calibre", "Faca Seu Jogo", "Toda Essa Agua", "Pensa Voce", "Como O Machando", and "Aos Baroes".

So, after a little break we're back with a new release. This time we're joined by the multi-talented production powerhouse that is Swarm Intelligence (aka Simon Hayes). Landing heavy with four bruising techno cuts that each find their own unique way of taking your head off, EAR017 is a bumpy journey through darker club flavours. 'Flatlands' opens things up, reminiscent of the type of marching, granite-heavy Brum techno of old - this is minimal in construction but maximum in its impact. Move forward to 'Ground Up' where demonic, dissonant keys take the lead above a rattling midrange that sounds like a corrugated roof ready to fly off. Opting for cleaner, elastic drum patterns on 'Tingla', Hayes swaps tense for dense, with a LOUD take on steppy techno, that'll please fans of some of Blawan's earlier work. 'Skitz' starts out an a more dub tip with a wailing, paranoia inducing hook and snaking rhythms, eventually joined by more hard-hitting broken kicks, leading us comfortably into oblivion.

Nordische Minimal Electronica, gefühlvoll instrumentiert. Inkl. Tale Of Us Remix. Nach ihrer "Looped EP", die zum Record Store Day im April 2015 veröffentlicht wurde, bringen sich Kiasmos kurz vor Jahresende noch einmal mit drei neuen Titeln und einem Remix von Tale Of Us in Erinnerung. Kiasmos besteht aus dem isländischen Komponisten Ólafur Arnalds, der für seine Mischung aus minimalistischen Klavier- und Streicher-Kompositionen und elektronischen Sounds bekannt ist, und dem Färöer Janus Rasmussen, zugleich Kopf des Elektro-Pop-Projekts Bloodgroup. Die EP wird vom vierminütigen Track "Drawn" eröffnet, einem perkussiven Titel mit seichten Klavier-Motiven.

"Gaunt" begeistert mit Ambient-Synthies, einem Drum Loop und langsam sich bewegenden Akkorden. Der Titelsong "Swept", den das Duo bereits bei Konzerten als Überraschungsgeschenk in Form von Download-Karten an Fans verteilte, stellt eine clubtaugliche Beat-Struktur in den Vordergrund - einhergehend mit der von Kiasmos bekannten gefühlvollen Instrumentierung. Abgeschlossen wird die EP durch einen Remix des in Berlin ansässigen Duos Tale Of Us.

Dieses stattet den Downbeat-Charakter des Titelsongs mit einer sehr dunklen Ästhetik aus. Pulsierende Hi-Hats und ein treibender Bass-Loop geben dem Track mehr Tempo, während er sich zu einem epischen Ende auftürmt.

Keeno's third full length album, 'All The Shimmering Things', is a gorgeous body of work that truly transcends the dancefloor, offering maturity and depth far beyond his years.

From the majestic flutterings of 'Light Cascading' to the breathtaking euphoria of 'Cosmic Creeper', the album elevates into a world of brilliantly constructed sonics, arrangements and melodies, seemlessly crafted with care and precision.

The journey is made complete by guest vocalists Becca Grey, Abbie Rosie and Katya, whose exquisite lyrics perfectly fuse the album's themes with notable sophistication. Such a finely balanced combination creates a collection that is guaranteed to charm loyal fans and new comers alike.

Keeno's debut album 'Life Cycle' turned drum & bass on its head with its fresh approach to compositon and instrumentation, receiving universal praise from fans and artists across drum & bass and beyond. This pinnacle moment was the start of a continuous rise for Keeno, leading him to take his music from UK festival stages to club shows in Australia and New Zealand.

'All The Shimmering Things' expands and improves on everything that we love about Keeno's music and is sure to be one of the finest drum & bass albums in 2017.

This November will see Elia Perrone launch his new Jun'Ai imprint with his very own 'Flowers' EP, accompanied by a remix from Romanian minimal powerhouse Vid.

Tuscan producer and DJ Elia Perrone has long been one of the most respected figures in Italy's underground electronic music scene having co-founded the Klang Club in Arezzo which has seen him play alongside the likes of Simoncino, Juju & Jordash and Move D. Amongst this Elia, alongside brother and production partner heads up Unclear Records which plays host to their collaborative works as Easy To Remember as well as material from the likes of Baby Ford, Roman Fluegel, Christopher Rau and Dandy Jack amongst others.

Here though we see Elia turning a new chapter with the launch of his Jun'Ai imprint and taking the lead on the inaugural release is 'Flowers', a mind-altering slice of micro house fueled by pops, whirrs, clicks and sample cuts while fluttering atmospherics and bright string plucks ebb and flow throughout the murky depths of the composition. Vid aka Egal 3 steps up on remix duties to follow, delivering a straight edged take on things via crunchy organic percussion, billowing echoes of the original's atmospherics and a robust sub driven bass line.

Opening the flip side is 'Rain Smell', a slow brooding, hypnotic number employing dynamic string licks, modulating synth drones and bumpy 4/4 drums before 'Moshishi' closes out the package with airy ethereal textures, glitched out off-kilter percussion and rumbling low end tones.

Debuting under his given name for Maddjazz Recordings' second offering, is DJ, producer and synth enthusiast Henry Keen.

Henry's music was discovered after a long night of online digging, and after several exchanges, it was apparent that Henry was making music that defined exactly what Maddjazz is striving to achieve; honest music that's free of form and not constrained by any genre or tempo.

Henry has been making music as Soundspecies alongside brother Olly since 1998 and the duo are also members of London-based experimental Gnawa band, Electric Jalaba. He also produces solo under the alias, The Room Below, initially reworking close friend Paul White's 'Rapping With' album but more recently exploring dance floor territories with releases on UK imprint 'Don't Be Afraid'.

70's Baby is a raw and honest record. A collection of uptempo grooves written in various locations around hectic inner London. It's spirit is born out of the freedom of the CDR sessions at the now defunct club Plastic People, where many of Henry's productions were first shared, and where tempo and genre were irrelevant. It references Henry's love for the instrumentation, recording techniques and sounds of the 1970s, the decade of his birth. Featuring a tasteful blend of worldly and otherworldly sounds, It owes itself to modern and ancient dance themes alike.

We are so pleased and honored to be presenting this mini LP to the world!

Finally the long-awaited second series of 'Invisible Family' outings has arrived. Label boss and compiler GK Machine has this to say: 'Beyond ecstatic to get these tracks out. The Gazeebo track I've been playing in my sets for years. Digital only but SO great it definitely needed to get pressed onto wax!! I would DJ with it using Ableton and speed it up a lot so for the vinyl I asked Jon (Nedza) who I've been a huge fan of since his Community Recordings releases on Grayhound and Imperial Dub, whether he could speed it up a little bit before we pressed it up. Now it's 100% perfect: a Moroder-esque cosmic stomper that's sure to set any dancefloor alight. The Apiento track is another one that's been gestating for a long time...first appearing around the time the original "E.S.P." 12' appeared on the wonderful Golf Channel Recordings in 2014. Secret Circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (IMO) is one of his best yet. Utterly gorgeous!!
Then there's the boy-girl retro-future duo Der Kundalini coming from the wonderful Lectric Sands stable in NY who gave us Zoovox. This one's also been hiding on my hard drive way too long! Finally relative newcomers Konzel (of Junto Club/Optimo Music fame) & Natural Sugars (Pardon My French) round off the package just perfectly. The former so distinct that I felt it was a perfect opener for the A side. So, I hope you dig it...and keep an eye out for the super limited 12-track cassette too!!!'
Limited to 300 hand-numbered copies.

2 track EP produced by Benales. Follow up of Elements EP released back in 2016 Raw, straight techno tools inspired by the likes of Robert Hood, Jeff Mills, Surgeon. BIO: Born in Normandy (France), and now based in Paris, Benales has been honing his craft since the end of the 90s. An avid record collector and enthusiast of Techno and House - his DJ sets and tracks combine the raw, dark and deep elements of these musical forms with a firm nod in the direction of Detroit. He already played at Concrete, La Machine du Moulin Rouge, Rex Club, Batofar, 101.

Ten Years Behind the Scenes - An Anniversary Celebration Keeping anything alive for a decade is worthy of a kudos-but when it comes to club culture and dance music, 10 years is an admirable milestone indeed. For Indigo Raw, it represents another opportunity to bring in the left-field, high-grade dance inducers. And this time, the raison d'etre of the labels tenth anniversary release is a certain infamous duo known as Midnight Operator. Centered around the eponymous creation by Nathan and Mathew Jonson, Behind the Scenes EP is an ode to the kind of off-kilter, moody techno the pair have become infamous for. And on this particular occasion, we're taken for a journey in more than one sense. Equipped with a classic Jonson bass line and a scant little phrase that carries the track all the way through the end, Behind the Scenes is a lesson in transmutation. Sombre beginnings undergo a gradual shift into dancier, sunnier territory-until we are left with the impression that we've tuned into a channel that runs all the way through hills and past Martian wildlife. From dark to light, the brothers lift a veil to reveal a resolutely ecstatic piece of work. One that, in arriving at a very different place from where it sets out, earns all eight minutes of its wandering. In continuation of the jubilee excursion for this anniversary release, reworks of the flagship track have come in from across the globe. From south of the equator, AtomTM delivers an assertive piece that takes the darkest aspects of the Midnight Operator original and, with the help of a relentless stream of stabs and a sped-up beat, brings them into the spotlight. Meanwhile, Nerosky-as in Nerone(indigo Raw label partner) & Fosky-makes their debut with a piece collaborated in the confines of a smoky Catalan studio.

Arvid Wretman once again dresses up as everyone's favourite rave crooner Your Planet Is Next, delivering a stripped down, club-optimized follow-up to last year's Studio Barnhus debut. Focusing on minimal elements with maximal impact, the Laid Back EP ranges from rainy-day acid blues to Bill Hicks-channeling breakbeat choons, all perfected for modern soundsystems by inhouse mixmaster Pedrodollar and presented in a gorgeous full colour sleeve designed YPIN himself.

Does this need an explanation My two favourite DJ sides from Stark reality catalog, for Say Brother I fixed the eq and made it a bit more club friendly also editing the crazy tripped out ending out which maybe controversial but always freaked the dance floor out so I cut that out to gain some extra volume and bass. On the flip we got Bustin' Out of Doors which has always been a favourite warm-up record again without the random ending. To make it extra cute I used the o.g Hoagy Carmichael's Music shop illustration.. 500 only, no repress.

Tessellate is a South London party that has been running for the last four years predominantly at Corsica Studios in Elephant and Castle. The label is a natural progression of their events, featuring artists and friends they have booked and met over the years.
The debut release comes from a new alias of a regular guest to their nights. Firmin crafts two tracks for the club - La Selva for the sunrise and Energetic Solution for the peak time.
Brassica (Feel My Bicep) and Tel Aviv's Moscoman both deliver with two different takes of La Selva on the B-side.

Legendary Swedish production unit FRAK debut on UTTU with 4 jackin club tracks. The Börft Records founders deliver a wide array of dancefloor focused analogue mayhem! TIP!

Side A:
Exclusive track by The Orb - Suspected Hippies in Transit. Written and produced by Alex Paterson and Thomas Fehlmann at Lab, Berlin 2017.

Side B:
Exclusive mixed track - Fenin + Bus (w Dabrye) - Adeto + What is Paris - mixed together by Alex Paterson, at Lab, Berlin 2017

Single (12" vinyl, digital) will be released on the same day as the mix cd The Orb Chronicles (20 Years Shitkatapult) to celebrate the Berlin label that debuted artists like T.Raumschmiere, Apparat or Phon.o.

The single carries catalogue number 165 and features the kick off Mix-Track on B-Side and an exclusive Club track by the Orb on A Side.

First Word Records are very proud to present an EP by Manchester's finest Hip Hop and Soul exports, Children of Zeus. This is 'The Story So Far...'

Konny Kon & Tyler Daley met back in 2005, after both performing a show near Paris in their respective crews, Broke'N'£nglish and Body Roq. The duo met up back home in Manchester, spurred on initially by a mutual admiration of each others music, and produced their first track together, aptly entitled 'Coming Home To You'.

A few years later, Tyler approached Konny about producing a full EP together. These sessions included the creation of a track called 'Still Standing', which ultimately saw the light of day last Summer on First Word. Still a highlight in their live sets, the Lenzman rub won "Best Remix" at the 2016 Drum & Bass Awards. The original has become somewhat of a British Soul anthem since its release, with people that missed it first time round still clamouring for it on wax. So we've included it on this EP.

As they've grown within the family of Manchester's music scene, they've provided a tonic to the city's bass-orientated club scene, breathing Soul back into the city, whilst maintaining their heritage of Hip Hop swagger. As an MC, Konny takes no prisoners, whilst Tyler (a prolific MC in his own right) has gained a rep as one of the UK's strongest Soul voices. Both artists have been blessed with the talent of beat-making. A combined craftsmanship upon the boards and in the booth.

From building a grassroots following of fans, they've since travelled the globe, sharing stages with giants and catching the ear of peers far and wide, from Pete Rock to Zed Bias. As well as hosting their own monthly radio show on NTS, they've collaborated with numerous Hip Hop acts, both sides of the Atlantic, as well as Soul royalty in the form of Caron Wheeler and Drum'n'Bass legends, such as Goldie (Tyler featuring heavily across his latest album).

Children of Zeus have finally begun the process of crafting together their debut album. This EP is a compilation of the creations the duo have produced themselves over the past decade, put together to appease their loyal followers thus far, and as an introduction to those yet to discover their talents. A snapshot of what has been, and a mere taster of what's to come. It features brand new tracks such as 'Smoke With Me' and (vinyl-only cut) 'Tonight', the anthemic 'Crown' (featured on First Word's 'Two Syllables' compilation previously) and fan favourites such as 'No Sunshine Tomorrow' and 'Push On'. A collection of raw, gritty, Hip Hop Soul music.

The debut album will drop in 2018.
This collection signals the end of the first chapter. A prologue even.
Get on board now. The time is right. This is the story so far...

After a triumphant return to Batu's Timedance label with 'Intrigued By The Drum' Ploy keeps the pressure high on his new EP for Hemlock.

Unruly exposes further light on the workings of his now signature style. Waves of metallic percussion tessellate around a thumping central bassline. Pneumatic flashes of noise seal a dense atmosphere full of equal parts euphoria and dread.

Garys is Ploy's most stripped back and potent club tool yet, striding into 'proper techno' territory, equipped and optimised for the highest yield.

Lost Hours drops the beats and pumps out a thick fog of hazy chords and bellowing subs. Perfect for after hours listening.

A rather fruity Brazilian, French spoken erotic version f Painel De Controle single we put out a couple of years ago that sits somewhere between euro disco and the original track. Always enjoyed playing this one out in the club as an answer record to the O.G so its good to have this one at 45rpm as well.

Moullinex is back with his finest album up to date, HYPERSEX, a collective love letter to club culture and its celebration of difference, freedom and love. In his third length, Moullinex reached out to several guest singers: Fritz Helder (Azari & III), Georgia Anne Muldrow (Flying Lotus, Mos Def), Iwona Skwarek (Rebeka), Best Youth, Marta Ren, Da Chick, UhAhUh and Tee Flowers, crafting a uniquely fresh piece that combines many of his musical influences, from the funk, groove and sunshine of his debut "Flora" to the psychedelia and tropicalia of 'Elsewhere'. Moullinex is the alter ego of the Portuguese producer and multiinstrumentalist Luis Clara Gomes. He's established himself as one of the leading artists in the modern disco scene, with several singles such as 'Take My Pain Away' and 'Maniac' ft. Peaches, and remixes of acts like Røyksopp, Cut Copy, Two Door Cinema Club and Grammyawarded artist RAC. The road to HYPERSEX has been paved by various singles and videos in 2017, expanding the spirit of collaboration to directors and visual artists, and gathered wide support from international tastemakers across the globe, including Vice, NPR, KCRW, Triple J, Majestic Casual, Les Inrockuptibles and Tsugi Mag. HYPERSEX is like Hypertext between humans, a system designed to multiply ideas and connections between people. The dance floor is the perfect medium.

CHIWAX welcomes Daniela La Luz! We've had already the honour to present this outstanding Lady on
RAWAX & HOUSEWAX. Now it's time for some Acid House on CHIWAX. Come Into My Land is a very
promising EP including 4 club tracks with the remarkeble touch of Daniela.