Search:classic remixes

Maduk is back on Liquicity Records with his 8th vinyl release. This special white vinyl contains three all time Liquicity classics and one brand new remix. A must have for every liquid drum and bass collector.

Coyu's remix for 'Natural Blues' was just the prelude for our big hommage to one of the biggest pop and electronic music artists of the 90's, Moby.

We are proud to have this great bunch of remixes of some of the classic Moby's anthems, with different options from Deep House to Techno, for a wide range of DJs and music lovers.

Four awesome artists, Victor Ruiz, Julian Jeweil, Reinier Zonneveld and Oxia deliver seven remixes of tracks like 'Natural Blues', 'Go', 'Porcelain' and 'Why Does My Heart Feel So Bad'. Enjoy the package!

Propelling Down Under techno and house into the world's clubs with classics such as Phreakin', LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the 'godfather of Australian techno'.

Now with more than 30 years experience of transcendentally moving dancefloors - and 20 years with his productions, remixes and edits; djhmc is back with a new label - reflector.

This will be an all new platform to showcase totally remastered versions of his back catalogue as well as to provide a vehicle to bring his current and previously unreleased
work to his already loyal following and to new believers.
Cam Bianchetti is a man of many talents who is very much in demand as a DJ and a producer, and he applies the same meticulous attention to detail and knowledge of what works a dancefloor across both disciplines. Under his djhmc alias, it isa very broad church that covers disco, house and techno, whilst his other monikor, Late Nite Tuff Guy focuses more on his love of Funk & Soul. When it comes to giving a classic sound a new contemporary twist, there is simply no-one better.

With the arrival of the 'reflector' label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc; once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables....the Godfather is back!

GREEN VELVET MAKES HIS CIRCUS RECORDINGS DEBUT WITH BIGGER THAN PRINCE, HIS MOST TALKED ABOUT TRACK IN YEARS...

BIGGER THAN PRINCE WAS BORN OUT OF A CONVERSATION BETWEEN LABEL BOSS YOUSEF AND GREEN VELVET WHEN BOTH PLAYED THE INDONESIAN LEG OF THE ANNUAL CIRCUS TOUR. THE IDEA OF THE CHICAGO LEGEND CONTRIBUTING A BRAND NEW TRACK FOR THE CIRCUS X // PART 1 COMPILATION WAS FLOATED AND SOON HE WAS JOINING NINE OTHER FRIENDS OF CIRCUS WHO WERE ALL TO FEATURE IN CELEBRATION OF TEN YEARS OF EVENTS.

'BIGGER THAN PRINCE' IS A CLASSIC GREEN VELVET VOCAL NUMBER AND SHARPER AND FRESHER THAN ANYTHING WE'VE HEARD THIS SUMMER. QUIRKY AND DRIVING, ITS SET TO BE ONE OF THE TRACKS OF THE SEASON.

TO BACK THE ORIGINAL, YOUSEF HAS DRAFTED IN MORE FRIENDS OF CIRCUS ON REMIX DUTIES, HOT SINCE 82 AND THE MARTINEZ BROTHERS...



DJ FEEDBACK



STEVE MAC - "LOVE THIS RECORD AND THE REMIXES... GREAT RELEASE!!"

TOTALLY ENORMOUS EXTINCT DINOSAURS - "I LOVE THIS RECORD!!! I'LL PLAY THE ORIGINAL!"

MATTHIAS TANZMANN - "BOTH REMIXES REALLY ARE GREAT!! PERFECT FOR ME!"

LEE BURRIDGE - "IT WAS ALWAYS GOING TO BE THE ORIGINAL FOR THIS GREEN VELVET FAN!"

SINDEN - "ORIGINAL WINNING FOR ME!!!! CLASSIC GREENB VELVET... I LOVE IT!"

ZOMBIE DISCO SQUAD - "WOW! I DON'T THINK I NEED TO SAY MORE. THAT COVERS MY ENJOYMENT MARTINEZ BROS. MAYBE MY FAV."

TIEFSCHWARZ (ALI) - "A GREAT GREAT RELEASE FROM GREEN VELVET. SUPPORT!"

AXEL BOMAN - "THIS IS SUCH A COOL TRACK... LOVE THE ORIGINAL FROM GREEN VELVET!"



DANNY HOWELLS - "MEGA PACKAGE... SUPERB ORIGINAL AND STUNNING REMIXES TOO... ALL GOOD!"

DEETRON - "REALLY LIKE THE ORIGINAL AND THE MARTINEZ BROTHERS REMIX AS WELL. I'LL BE PLAYING."

UNER - "THE MARTINEZ BROTHERS REMIX IS SUPERB!! <3"

DRUMS OF DEATH - "I LOVE THIS WHOLE PACKAGE... WILL PROBABLY PLAY THEM ALL ACTUALLY! "

SOUL CLAP - "PURE FUNK, STRAIGHT UP NASTY!! "

MOXIE - "BIG BIG TUNE!!"

RALPH LAWSON - "THE MARTINEZ BROTHERS REMIX IS BEST OF THE PACKAGE FOR ME. GONNA TRY IT OUT AND LET YOU KNOW."

ALEX WOLFENDEN - "CLASSIC GREEN VELVET TRACK WITH GREAT REMIXS! MARTINEZ BROS' THE ONE FOR ME, FULL SUPPORT."

ANNIE NIGHTINGALE - (BBC RADIO 1) - "HOT SINCE 82 SOUNDS QUITE HOT IN 2013!"

LARSE - (KLUBBING, WDR 1LIVE, GERMANY) - "I LIKE THE MARTINEZ BROTHERS REMIX. WELL DONE GUYS!"

WAIFS & STRAYS (AMOS) - "ALL TRACKS ARE KILLER! THE MARTINEZ BROS REMIX IS AMAZING...FULL SUPPORT."

LUKE SOLOMON - "I HATE TO SAY IT AS I AM SUCH A HUGE GV FAN...BUT MB'S MIX KIND OF TIPS IT FOR ME. SORRY CAJ."

&ME - "I DON'T LIKE IT, I LOVE IT!!!!!!!!!!!!!!!"

GERD - GREEN VELVET = BIGGER THAN PRINCE! LOVIN' THE LINNDRUM WINK... GREAT REMIXES TOO!"



ZDAR - "LOVE THIS TUNE!!! CURTIS IS THE BEST AND ALWAYS BE... VERY GOOD MARTINEZ BROS. MIX TOO! LOVE!"

DJ HELL - "AND ANOTHER BIG TUNE FROM THE NEW PRINCE OF DANCE MUSIC! THIS IS GREAT!"

TOM FINDLAY (GROOVE ARMADA) - "GREAT EP!! MASSIVE, SUPER FRESH! GREAT CHOICE OF REMIXES TOO, BOTH SMASH IT!"

SHADOW CHILD - "YES! THE HOT SINCE 82 REMIX SOUNDS DOPE!!! "

SKREAM - "SICK RECORD!! MARTINEZ BROTHERS REMIX IS MY FAV ON FIRST LISTEN."

JORIS VOORN - "WAHAAHA CLASSIC GREEN VELVET ATTITUDE! GREAT STUFF GUYS!!"

ALIX ALVAREZ - "GREAT PACKAGE. GREAT MIXES, ESP FROM MY GUYS TMB, BEING MY FAVORITE. GONNA TRY IT OUT THIS WEEKEND."

TAYO - "THE COOLEST MOFO OUT THERE. CLASSIC GREEN VELVET. SLEAZY "CONTROVERSY" STYLE BUSINESS. LOVE."

CATZ N DOGZ (VOITEK) - "FUCK!! YES PLEASE!!! THIS IS FANTASTIC... MARTINEZ BROS. MIX MY FAV TO PLAY ON FIRST LISTEN."

IAN POOLEY - "THE HOT SINCE 82 MIX IS WICKED!! I'LL BE PLAYING THIS OUT FOR SURE!"

JD TWITCH (OPTIMO) - "I REALLY LIKE THE ORIGINAL OF THIS!! SUPPORTING."

MARC ROMBOY - "GREAT SELECTION OF VERSIONS AND GREAT TO HAVE A NEW GREEN VELVET IN THE BOX! HS82 IS MY PICK TO PLAY OUT THOUGH!!!"

DIESEL (X-PRESS 2) - "THE ORIGINAL AND THE HOT SINCE 82 MIXES AT ARE THE BEST FOR ME. WE'LL BE PLAYING THESE!!"

COPYRIGHT (DEFECTED RADIO) - "HARD TO CHOOSE A FAV. WHAT A PACKAGE...LOVE THE BEATS ON THE MARTINEZ BROS MIX...KILLER!"

Originally released in 1989 with the tagline “Bringing house music into the living room,” Fade Out is a landmark Japanese pop/club crossover produced by Haruo Chikada. At the dawn of Japan’s club culture, the track became a staple around Tokyo’s legendary Shibaura GOLD scene, widely embraced as a “danceable kayōkyoku (Japanese pop)” classic.

Today, among European diggers, Japanese techno kayō is undergoing a strong revival and growing reappraisal. Positioned at the heart of this movement, Fade Out now sees its long-awaited official release, featuring previously unreleased remixes with Soichi Terada, Haruo Chikada & OMB.

Performed by Kyoko Koizumi - still evolving as a cultural icon in Japan - Fade Out stands as one of her defining works and a key contribution to the Japanese underground music scene. A timeless piece, ready to be rediscovered in 2026.

1989年、「お茶の間にハウスを」をキャッチコピーに、近田春夫プロデュースのもと日本で発表された、小泉今日子「Fade Out」。

本作は日本のクラブシーン創世記において、芝浦GOLD周辺で「踊れる歌謡曲」として支持を集めた重要作です。

現在ではヨーロッパのディガーたちの間で再評価が進み、リバイバル真っ最中の「和製テクノ歌謡」ムーヴメントの中核を成す楽曲ともいえる本作が、秘蔵リミックスを収録し待望の公式リリース！

現在進行形で日本のカルチャーアイコンとして更なる進化を遂げているキョンキョンこと小泉今日子による、ジャパニーズアンダーグランドシーンでの貴重な功績のひとつであり代表的な国宝級ワークスを是非！

2026年のあなたのお茶の間にお迎えしましょう。

Introducing the second release from Principauté de Bowl-Air — PBAVINYL002

Principauté de Bowl-Air is a label founded by DJ Bowlcut, a key figure in supporting Seoul’s underground scene through Seoul Community Radio. The project presents his vision of deep, glitchy minimal house music, woven with the story of a secret micronation hidden in the heart of Seoul.

Following the debut vinyl release, PBAVINYL002 features an original track by DJ Bowlcut alongside reinterpretations by his friends Slowmouth and Furz.

The cover artwork references one of the first K-pop acts to introduce rave sounds to Korean audiences — Seo Taiji and Boys. Their first techno album featured an image of the top of an aluminum can, and PBAVINYL002 draws from the same visual reference. The track “Dig This” also reworks elements from their song “You in Illusions (Techno Taiji Mix).”

The A-side opens with “Falling”, a hypnotic-groove track built around deep synths and designed for afterhours. It works as a perfect DJ tool for gently guiding the crowd into a subtle trance state, further enhanced by the vocal sample “Everybody Falling, Anybody Feel that Falling?”, which pulls listeners into a slow, spiraling moment.

The second A-side track, “Dig This”, takes direct inspiration from one of the earliest K-pop tracks to feature rave stabs, TB-303, and classic rave elements — “You in Illusions (Techno Taiji Mix)”. DJ Bowlcut reuses many of the same samples that Seo Taiji originally layered, reconstructing them into a deep minimal cut with a distinctive Mentasm stab woven into the minimal house framework.

The B-side features remixes by Slowmouth and Furz.

Slowmouth transforms “Falling” into a brighter, more festive exploration that reveals the hidden layers of the original hypnotic groove.
Furz, meanwhile, turns “Dig This” into a funky, dancefloor-ready banger aimed at a wider crowd.

Two of the most prolific remixers in the world of Disco,Dave 'Love' Lee and John Moraleshave teamed up for one of their biggest projects to date - 'Mixed To The Maxxx'. After gaining access from the legendary original artists, the pair take the multi-track tapes of many classic Disco, Funk & Soul tracks and re-work them...to the Maxxx!

Where Remixed With Love stands as Dave Lee's own gold-standard body of work, Mixed To The Maxxx sets that legacy alongside Morales' own decades-deep M+M body of work: Lee brings his musically dense, groove-first touch to the likes of Harold Melvin, Syreeta, Lenny Williams and The Brand New Heavies, while Morales applies his extended, dancefloor-built M+M treatment and crushes the likes of Barry White, The Temptations and Loleatta Holloway, plus Dennis Coffey's breakbeat classic "Scorpio" for the DJs and collectors alike. Both work from original tapes, surfacing parts barely audible or entirely unheard in the source mixes, and both know when to let a classic breathe rather than bury it under modern production. It's a pairing a long time in the making. Lee and Morales first talked about working together around a decade ago, and getting Mixed To The Maxxx off the ground took five years of patient work: tracking down usable stems, securing approvals, and navigating a licensing landscape where much of the best material is now tied up with major labels increasingly cautious about clearing remixes. What's landed here is the product of that graft as much as the pair's shared ear for a great record, the sound of two people who know exactly what they're looking for and are willing to put in the time to find it.

A double 12" sampler in summer 2025 previewed the record's range. A bass-driven overhaul ofThe Brothers Johnson's "The Real Thing" and an extended mix of Philly legends Bell & James' "Livin' It Up (Friday Night)" showcased Lee's side, while an anthemic take on Inner Life's "Ain't No Mountain High Enough" and a tempo-lifted Light Of The World"London Town" flew the flag for Morales. Both drew strong early support ahead of the full LP.

Two of the most prolific remixers in the world of Disco,Dave 'Love' Lee and John Moraleshave teamed up for one of their biggest projects to date - 'Mixed To The Maxxx'. After gaining access from the legendary original artists, the pair take the multi-track tapes of many classic Disco, Funk & Soul tracks and re-work them...to the Maxxx!

Where Remixed With Love stands as Dave Lee's own gold-standard body of work, Mixed To The Maxxx sets that legacy alongside Morales' own decades-deep M+M body of work: Lee brings his musically dense, groove-first touch to the likes of Harold Melvin, Syreeta, Lenny Williams and The Brand New Heavies, while Morales applies his extended, dancefloor-built M+M treatment and crushes the likes of Barry White, The Temptations and Loleatta Holloway, plus Dennis Coffey's breakbeat classic "Scorpio" for the DJs and collectors alike. Both work from original tapes, surfacing parts barely audible or entirely unheard in the source mixes, and both know when to let a classic breathe rather than bury it under modern production. It's a pairing a long time in the making. Lee and Morales first talked about working together around a decade ago, and getting Mixed To The Maxxx off the ground took five years of patient work: tracking down usable stems, securing approvals, and navigating a licensing landscape where much of the best material is now tied up with major labels increasingly cautious about clearing remixes. What's landed here is the product of that graft as much as the pair's shared ear for a great record, the sound of two people who know exactly what they're looking for and are willing to put in the time to find it.

A double 12" sampler in summer 2025 previewed the record's range. A bass-driven overhaul ofThe Brothers Johnson's "The Real Thing" and an extended mix of Philly legends Bell & James' "Livin' It Up (Friday Night)" showcased Lee's side, while an anthemic take on Inner Life's "Ain't No Mountain High Enough" and a tempo-lifted Light Of The World"London Town" flew the flag for Morales. Both drew strong early support ahead of the full LP.

Here, two house-style originals meet a pair of remixes that couldn't be more different, and that is precisely what makes this record so exciting. An all-around excellent EP that blends a modern house feel with classic club DNA, offering something for fans of contemporary grooves and old-school vibes alike.

Just featured on BBC6 Music in the CRAIG CHARLES FUNK & SOUL as part of the ODDBALL CREATIVES “Trunk of Funk Mix “ on Saturday 1st August - and already gaining great DJ feedback from the likes of Greg Caz, Laurent Garnier, Chris Bangs, Rocky, Chico Malo, Starla Recordings and many more ….

Another new collaboration on the Echo Labs label - the subsidiary of Echo Chamber Recordings set up to release tracks and remixes from other artists.

This one is a very special hook-up with Daniel Walls & Joseph Malik in Edinburgh with their new project under their “Oddball Creatives” production monicker. It was truly an honour that they reached out to Echo Chamber Recordings to bring this out on a vinyl 45 , fitting in perfectly with the foundation sounds of the label - combining classic timeless funk, jazz , Latin and soul with 21st Century production techniques

They have recruited the vocal talents of Philadelphia’s Kameela Waheed and the instrumental skills of Scottish jazz legend Colin Steele , to bring us the sound of the summer with a huge soul-jazz-funk cut. It combines elements of a classic early 70s groove with a subtle, up-to-date style, built around Joseph’s vocals and Kameela’s spoken rap.

On the flip you get the purely instrumental take - meaning you could extend the hypnotic groove even longer with two copies !

As ever, on Echo Labs there will be just 300 vinyl copies pressed for worldwide distribution

Feelin’ Love returns to Soulfuric Deep with a fresh remix package built around one of house music’s most recognisable vocal anthems, bringing new energy to a timeless dancefloor favourite.

Originally released by Soulsearcher, the track has remained a staple across house and disco sets for decades, celebrated for its uplifting vocal, infectious groove and enduring crossover appeal.

This new edition pairs the original Soulsearcher Club Mix with a selection of contemporary reinterpretations, including brand-new remixes from RUZE & Chesster and Dr Packer, alongside the Ian Carey Main Mix, offering a versatile package for both modern and classic house DJs.

Blending soulful vocals, groove-led rhythms and contemporary production touches, the release bridges generations of house music while retaining the feel-good energy that made the original such a lasting success.

Back on fresh 12" vinyl, Feelin’ Love continues to resonate with both long-time collectors and a new wave of DJs, making it a strong addition to any house-focused record selection.

A highly recognisable and DJ-friendly release for stores supporting house, deep house and soulful dancefloor sounds.

2026 Repress in White Vinyl
There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.

Culoe De Song brings ancestral rhythm to his Crosstown Rebels debut EP, ‘Moonhound’.

The Afro house veteran delivers a three-track excursion, featuring remixes from Manoo. One of South Africa’s most storied house exports, Culoe De Song, lands on Crosstown Rebels for the first time with ‘Moonhound’, a three-track EP fusing organic, electronic textures around a minimal core. His take on deep, Afro-house has carried him from a breakout year in 2008 to an acclaimed run of albums via labels including Innervisions, Mule Musiq and his own De Song Music. With a career spanning more than fi fteen years, he has shared line-ups with the likes of Black Coff ee, Seth Troxler, Louie Vega, Carl Craig, Âme, and, in particular, label boss Damian Lazarus, at some of the world’s most renowned festivals and venues. His arrival this August feels like a natural convergence of two paths that have long run in parallel, less like a debut and more like an overdue reunion that channels percussive rhythms into a stripped-back, hypnotic core.

Title track ‘Moonhound’ eases in slowly, layering organic textures over brooding rhythms as whimsical, drifting elements and soft synth lines pull it into a steady ebb and fl ow. ‘The Spiker’ follows, driven by a punchy bassline and animalistic vocal calls and chants, before crisp percussion builds and breaks down into panning melodies for a blissful close. With releases on MoBlack, Classic Music Company and Deeply Rooted, French house mainstay Manoo brings his instinct for groove to ‘The Spiker’, with his ‘Abstrakt Remix’ showcasing a hypnotic rework that stretches the original’s key elements into a tone-setter for the evening ahead. He then doubles up via his ‘Club Remix’, a digital-only addition that trades the ‘Abstrakt’ interpretation’s slow build for echoing synths and syncopated rhythms, bringing a heads-down, functional cut built squarely for the club.

HYPER PEARL'S ICONIC TRANCE ANTHEM "CAN YOU FEEL THE PAIN" RETURNS WITH NEW REMIXES BY BIESMANS AND ZZINO.

First released in the mid-1990s, Hyper Pearl's cult classic Can You Feel The Pain is set to make a powerful return. Released via Serious Beats Classics, the new package features brand-new remixes from Biesmans and Zzino, alongside remastered versions of the original mixes.

Biesmans: "I grew up with the Serious Beats compilations and started buying my first vinyls around the time "Can You Feel The Pain" got released. Remixing this project really felt like a full circle moment for me."

Joining the release is a brand-new remix from Zzino, one of the pioneers of the Belgian techno movement and a key figure behind Hyper Pearl. His version reconnects directly with the track's roots while bringing fresh energy and perspective.

Together, these remixes celebrate the enduring legacy of "Can You Feel The Pain" while introducing the track to a new generation of listeners. The release highlights the lasting influence of Belgian electronic music and demonstrates how truly great records continue to evolve across decades.

About Biesmans:

Biesmans is a Belgian producer residing in Berlin, composer, and DJ known for his cinematic approach to electronic music. Blending elements of house, techno, synth-pop, and ambient music, his work has earned support from tastemakers and audiences across Europe and beyond.

About Zzino:

Zzino is widely regarded as one of the founding figuresof Belgium's techno scene. As a DJ, producer, label owner, and creative force behind numerous influential projects, he has played a pivotal role in shaping the country's electronic music landscape for more than three decades.

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

5 x LP
60-page hardback book
Black vinyl
Printed labels
Printed inners
Slipcase
A2 poster
Slipmat

Originally released in 1990 by Happy Mondays, Pills ‘n’ Thrills and Bellyaches captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as “Step On” and “Kinky Afro,” the record became both a commercial breakthrough and a cultural snapshot of a generation fuelled by dance culture and Northern nightlife.

More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronic artists alike.

5LP Edition. All original audio remastered from Factory Records master tapes. Includes original album, Hallelujah + Madchester Rave On, Baby Big Head Bootleg Album (Live at Elland Road, 1991), classic and new remixes, 60-page hardback book with brand new essays from James Brown and Central Station designers, fold-out A2 tour poster and Madchester slipmat.

2026 Repress

Celebrating 50 years since the release of the iconic Cathedrals album, U.S. disco legend D.C. LaRue returns with never-before-released remixes of all four original classics—pressed on strictly limited vinyl.
Top contemporary disco producers The Reflex, Dr. Packer, and Mannix breathe new life into LaRue’s 1976 masterpiece:
The Reflex (Stevie Wonder, Cerrone) delivers dancefloor-driven edits using digitized analog multitracks.
Dr. Packer (First Choice, Loleatta Holloway) reinvents one of LaRue’s biggest hits with fresh, soulful energy.
Mannix, head of Dafia Records, adds deep, dubby textures to complete this dynamic remix package.
Each track is respectfully reimagined—maintaining the emotional depth of the originals while enhancing clarity, rhythm, and relevance with modern production.
Bonus: Includes two standout remixes from LaRue’s second LP The Tea Dance—"Overture" (The Reflex) and "O Ba Ba" (Mannix).
These remixes aren’t just nostalgic—they’re timeless. Essential for collectors, DJs, and anyone who lives for disco.
Grab your copy before it’s gone.

2026 Repress

Essential compilation of long lost hard to find Detroit classics! Now & Then features five 90s original tracks and 2 brand new remixes from Detroit In Effect and Terrace. Top that up with 2 unreleased 90's tracks from John and we have the perfect compilation for the true heads, TIP!

Memento Records proudly presents a new single by MAP, a.k.a. Massimino Lippoli, Angelino Albanese and Peonia. We’re talking history of Italo House here: Lippoli and Albanese are part of the Sueño Latino collective that released the eponymous track in 1989 to worldwide acclaim. The track, which samples sounds from Manuel Göttsching’s E2-E4 record, went on to become one of Ibiza’s balearic anthems, thanks to the support of legendary DJ Alfredo Fiorito, and a classic staple on the House circuit in clubs all over the planet, with epic remixes by Derrick May, Carl Craig and Bushwacka cementing its legacy as one of the genre- defining pieces. 2026 sees the duo joined by Peonia do what they do best: melodic ambient House Music infused with catchy grooves and beautiful melodies. Opening with a sexy rhythm and dreamy pads, the crescendo leads the way to voluptuous vocals and a swinging arpeggio, making this a total dancefloor darling, perfect to be enjoyed at sunset, on the beach, at your favourite stylish disco, or at that private villa party where everyone is having their best time. B-side rounds off the EP with a stripped down Dub rendition that again is proof of the immense talent of these artists.

The Nighttripper is back with two new cuts alongside two remixes of his classic track Tone Exploitation. From peak-time techno pressure to raw uptempo Detroit-inspired energy, this release delivers on all fronts with special mention for the title track Sinister World.

A true disco anthem collides with French electronic elegance as Bon Entendeur reimagine the iconic Boys Town Gang classic Can’t Take My Eyes Off You for a new generation.

Originally released in 1981/82, Boys Town Gang’s explosive hi-NRG reinterpretation of the 1967 Frankie Valli original became one of the defining dance records of the era. The track stormed to No.4 in the UK Singles Chart while dominating dancefloors across Europe and beyond, hitting the top of the charts in countries including France, the Netherlands, Belgium, Spain and Japan.

Decades later, its euphoric energy still feels timeless. Now, Parisian duo Bon Entendeur inject the record with a fresh wave of sophisticated French touch cool. Renowned for their seamless fusion of nu-disco, house, funk and nostalgic pop culture references, the duo have become one of France’s most distinctive electronic exports. Bon Entendeur have built an international following, mastering the art of blending retro emotion with modern electronic production.

Their connection to iconic French musical heritage has become a signature. Following the success of their celebrated collaboration with Jeanne Mas on Toute Première Fois, Bon Entendeur now turn their attention to another record deeply woven into France’s club culture DNA. And it makes perfect sense. Bon Entendeur tap directly into that shared musical memory, delivering a remix that feels both nostalgic and effortlessly contemporary.

The result is a dazzling crossover of generations and styles: disco emotion, uplifting grooves and sleek French electronic sophistication wrapped around one of the most instantly recognisable hooks ever recorded.

French touch meets disco immortality. Et voilà.

a A1 Bon Entendeur Remix Ben Liebrand 12" Edit

Now here is a special one. Soul legend Leon Ware makes a posthumous debut on Cataleya Music with For The Rainbow. This beautiful song is an album track from 2019’s Rainbow Deux, which was released two years after his passing. For The Rainbow has been remixed expertly by Coflo and Laroye. Coflo supplies three remixes! His ‘Original Retouch’ is closest to the midtempo original, enhancing the percussive elements slightly housewards and letting those piano keys work to their fullest. The Coflo Remix employs organ keys and has the vibe of classic NYC vocal House ala Blaze etc. His Backside mix is more subtle and spiritual. Laroye closes out the release with a smart broken beat revision, where bouncing drums dance between the positive vocals. A really classy package!

riginally released during the peak of Busta Rhymes' breakthrough era, "Dangerous (Soul Society Remix)" is one of the most sought-after alternative versions of the classic hit taken from the platinum-selling album When Disaster Strikes.... The remix delivers a heavier, club-oriented production while preserving the explosive energy, rapid-fire flow, and unmistakable charisma that established Busta Rhymes as one of hip-hop's most innovative artists of the late 1990s.

The Soul Society Remix became particularly popular among DJs and collectors thanks to its powerful bassline, built around the officially licensed sample of Queen's "Another One Bites the Dust", its undeniable dancefloor appeal, and its distinctive reinterpretation of the original track. Combining hard-hitting beats, a strong soulful chorus performed by Lalomie Washburn, and Busta's commanding vocal delivery, the remix perfectly captures the crossover sound that dominated urban clubs and radio playlists throughout the late '90s. With this newly remastered version, the track sounds fresher and more relevant than ever, proving its timeless appeal for both longtime fans and a new generation of listeners. A standout example of hip-hop remix culture, "Dangerous (Soul Society Remix)" remains a favorite among fans of classic East Coast rap, golden-era club remixes, and collectors of rare Busta Rhymes releases. The track showcases the creative remix approach that helped extend the success of the original single and further cemented Busta Rhymes' reputation as one of hip-hop's most dynamic and influential performers. Exclusive first time release on 7“/45 vinyl.

Jimpster delivered some great releases in 2023, most notably his Natural Child collab EP with Crackazat as well as his Tribute EP featuring South African vocalist Mavhungu and including heavy Osunlade remixes. He also produced some of his best remixes to date including Thakzin’s Don’t Let Me See, Blaze’s Wonderland and Detroit Rising’s Rocket Love.

It’s always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you’re in for a treat! You’re My Ecstasy sets the tone with Jimpster’s trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.

Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player KingCrowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.

Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.

No introduction required for the The legendary No Call From New York EP by the uks cult electro act Transparent Sound, the finally reissued for everybody that missed out previously is finally here.

A long time Favourite of Helena Hauff, stingray and B traits the essential track of the year twice on radio one.

Transparent Sound repress this classics slap of forward thinking electro in its original format including remixes from Sync24, Mr Velcro Fastener and Larry McCormick. Grab it quick before its sells out and prices get crazy on discogs again.

Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm.

Unsung House hero, Steve Bug has been there and done it all. Arguably Germany’s most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.

Opening with ‘On The Swing’ we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride.

Next up, ‘Behind The Glass’ takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.

SELF Distribuzione is proud to present one of the most presgious publicaons dedicated to the
history of Italo Disco: "WHY / MISS YOU – 40th Anniversary Edion," the new double A-side by
STYLÓO®, available in two exclusive collector's versions.
This release will be offered on stunning Transparent Green vinyl, aimed at enthusiasts of the
format, and in a presgious Collector's Edion on Gold-colored vinyl, created to celebrate forty
years of career and designed for the most discerning collectors and lovers of Italo Disco.

"WHY" and "MISS YOU" are two authenc classics that defined an era and helped shape the sound
of Italo Disco worldwide. Forty years later, these producons retain their melodic power and ability
to move listeners, confirming their status as meless tracks to this day.
This special 40th Anniversary Edion does not merely reissue the original versions—fully
remastered for the occasion—but is further enriched by new remixes entrusted to highly
presgious names.
Roberto Tura@ and Carl Fath have craAed a new and elegant interpretaon of "WHY," while A.P.
Mono, one of the most highly regarded names in the contemporary Italo Disco scene, has given
"MISS YOU" a new look, maintaining its original spirit while offering a modern, current sound.
The result is a project capable of bridging the past and the present, demonstrang how great
classics can connue to live on and capvate new generaons without losing their identy.
To complete the project, two evocave, previously unreleased symphonic overtures, "Echoes Of
Why" and "I Sll Miss You," serve as a tribute to the composional quality of these tracks. Both
symphonic composions were conceived, wriFen, arranged, and produced by STYLÓO® (Rino
Facchine@) together with Alessandro Bonsignori, with the intenon of demonstrang how a great
melody can be reinterpreted through different musical languages while maintaining its elegance
and expressive force.
This arsc choice tesfies to how true musical quality can transcend me and style, confirming
that a great song can be "dressed" in different arrangements without losing its soul.
With over forty years of history, STYLÓO® connues to represent one of the most beloved and
recognizable names in the Italo Disco universe. This release is dedicated to all those who lived
through those extraordinary years and to those today who are ready to rediscover two songs that
connue to move and make people dance.
Because true classics do not belong to the past. True classics live on.

Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.

50 years ago, Nancy Spungeon reviewed the Heartbreakers relaunch gig for New York Rocker. They"d hired bassist Billy Rath to replace Richard Hell and written new songs. This was the genesis of the L.A.M.F. story. FOUND IN AN ATTIC - a copy master of the original 1977 Track Records tape, without "mud"! This classic punk album, recorded in London by the band featuring New York Dolls Johnny Thunders and Jerry Nolan, along was universally condemned in the music press for having a "muddy mix" - later found to be a mastering fault. When Track went bust the following year, manager Leee Black Childers burgled the Track Records" Carnaby Street 3rd floor office and liberated the tapes that belonged to him and the band. He found everything - except for the master-tape, which remained undiscovered until last year. Other releases had been from outtakes or remixes. First released for RSD in 2021 with not enough copies, and has been unavailable for three years. Now reissued to satisfy the demand for this latterly discovered, acclaimed recording.

XPRESS Singles Vol.2 is here, and its a certified dance floor weapon. Here at TDE we're stoked to welcome back mystery London duo Dirty Supercar with a brand new cut, Nothing But The Music.

Powered by the deep, soulful vocal of Elliot Chapman, it’s a direct call to the floor. Lush, emotive strings glide over choppy 70s guitar licks, all driven by a throbbing house kick and bouncing bassline combination that hits with precision. It’s a confident, fully-formed house record that speaks to both classic and contemporary sensibilities.

On remix duties, Italian house music heavyweight Angelo Ferreri steps in with a fresh rework that’s already slamming our worldwide parties. A consistent force in the global house scene for over a decade, Ferreri’s catalogue spans chart-topping releases, millions of streams, and support from the scene’s most respected selectors. Regularly ranking among Beatport’s top-selling artists, his signature blend of groove-led, feel-good house is unmistakable. Here he delivers a version that’s primed for peak-time impact. Tested, refined, and truly defined house heat.

Fesh off strong support from Purple Disco Machine, DE SOFFER returns to TDE in fine form. The nu-disco specialist delivers two standout remixes, reworking 20 Buck Funk by Bustin’ Loose and Hot by La Felix. The latter was one of our label’s biggest records of 2025 and gets a slick extended treatment. Meanwhile, 20 Buck Funk is reimagined with a sharp, modern nu-disco edge. Both featuring West Coast's Relaye on the rap, these're both tight, energetic, and fiery Nu Disco bangers ready to cause club carnage.

A seriously strong vinyl package from front to back. Pressed on a limited run of 300, this is one for the collectors and the selectors alike.

Hector Lavoe's "Alejate" (Joe Claussell Mix) Extremely Limited yellow Vinyl repress 12” of the timeless Joe Claussell remixes of the Fania Records masterpiece.

Legendary New York DJ, producer and soul magician Joe Claussell delivers yet another of his stunning reworks of one of Hector Lavoe's Iconic Songs the classic "Alejate." Taken from him universally praised Hammock House Remix produced for the Iconic Fania Records Label. As usual, he brings his signature touch while honoring the original's spirit and with great respect for its Latin roots. Claussell still manages to breathe new life into the track by mixing up organic rhythms and
percussive flair to create a version tailor-made for any dance floor. There is a Dance Dub with a heavier low end and plenty of jazzy expression before the Alt instrumental shuts down. This is a 12" that bridges tradition and modernity with care and creativity.

Moondata’s little-known sole single, 1984’s decidedly Balearic, jazz-funk/boogie fusion gem ‘Let The Moonshine In’, is a very important record to the Rotation Sound System crew. It has become a familiar favourite at their annual Rotation Garden Party micro-festival and formed the centrepiece of their first compilation, summer 2025’s superb Everything You’re About To Hear Is True Volume 1. It’s increasingly rare these days for an artist from the 80s to still have their master tapes but even rarer still for them to have the multitrack tapes too. This is something of the holy grail when it comes to licensing old music so when it happens the opportunity to remix and create new versions needs to be grabbed with both hands.

The original record, a genuine rarity beloved of synth-loving crate-diggers, had an unusual gestation. Originally recorded in demo form by musician Jean-Marie Gogniat, it was turned into a finished single by a group of German musicians with a little help from lyricist and vocalist Joe Mwenda, and a crew of backing vocalists whose number included a locally based American singer – a pre-fame Jennifer Rush. Fittingly, the pre-vocal instrumental mix, which has sat unreleased since 1984, is included as a bonus track on the digital edition of this new remix package. The Rotation Sound System crew’s mixes, headed up by long-serving producer Dean Meredith, sprinkle 21st century magic across Gogniat’s one-off masterpiece while retaining core elements of the original and offering nods aplenty to club-focused sounds of the 1980s. They are, in effect, the versions the track deserved – but never got – back in the mid 1980s.

To begin, Meredith reunites with long-time production partner Andrew Meecham for the pair’s first remix as Chicken Lips in three years – a typically sparse and spaced-out ‘Malfunction Dub’ with delay-laden synths, vocals and guitar snippets sit over a sparse post-electro beat and bass guitar. Meredith then joins forces with fellow Rotation Sound System member Ben Shenton for takes under their two bestknown aliases. First, they don the T-Kutt guise for some dubbed out, funky bass guitar-propelled boogie-meets-proto house action that rocks out a killer, Clavinet-expanded groove while spinning in talkbox and backing vocals.

The pair then re-emerge as Mind Fair, famed for their releases on Golf Channel Recordings and their own Rogue Cat Sounds, and deliver a warmer, deeper and more organic-sounding take that’s as languid and tactile as it is warm and saucereyed. To round off the vinyl version of the EP, Rotation Sound System’s other core members – Rob J, Rich Hall and Stuart Robinson – don the now-familiar Wrekin Havoc guise and re-invent the track as a raw, analogue-rich shuffle through 1980s electro – all squelchy synth-bass, stabbing, cut-up vocal samples, chiming synth melodies and echoing beats. The expanded digital download edition of the EP contains a trio of additional bonus rubs. Alongside instrumental versions of the T-Kutt and Mind Fair mixes, we also get a full vocal T-Kutt rework that adds back in Joe Mwenda’s beautifully delivered verses. These additional DJ tools round off a beautifully rendered set of re-imaginations of a genuine cult classic. Gogniat, the man who started it all way back in the summer of 1984, certainly approves.

London DJ/producer WILL B. and singer/songwriter YEUKAI fuse diverse influences to birth a truly special debut. Thick, soulful organ & ethereal vocals take this one so deep it should come with a lifeguard. Remixes from GLENN UNDERGROUND & ORLANDO VOORN make this an instant classic.

Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 11 & 12, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 12

A1) Borai & Denham Audio - Make Me (original release 2023)

Released in 2023 on the British label Room Two Records (catalogue R212001) on twelve inch vinyl, Make Me combines breakbeat, house and speed garage with high energy, featuring clear use of Amen breaks, rumbling sub bass and sharp rave sounds. At the heart of the track lies an instantly recognisable vocal hook from the mid eighties, a sample taken from Donna Allen - Serious (1986). The result feels like a long forgotten rave anthem from the nineties wrapped in a modern sound.

The original twelve inch pressing quickly became a highly sought after collector's item and received a limited pink vinyl repress in 2025. This track, first issued only on orange vinyl in 2023, was officially re released once all samples were cleared. It has every ingredient of a future classic, a true underground anthem for fans of modern UK rave and jungle energy.

A2) Smoke City - Mr. Gorgeous (and Miss Curvaceous) (Mood II Swing Vocal Mix) (original release 1997)

Originally released in 1997 on the album Flying Away by Smoke City. The Mood II Swing Remix, produced by New York house duo John Ciafone and Lem Springsteen (also the producers behind Ultra Naté - Free), takes the song straight to the dance floor with a smooth groove, soulful vocals and a deep, hypnotic flow.

The iconic line "Cool and calm, Mr Gorgeous..." remains untouched, while the remix enriches the original Latin and trip hop influences of the band with that distinctive late nineties house atmosphere. The result is a timeless club favourite, almost nine minutes of pure vibe (the Mood II Swing Vocal Mix runs 9minutes and 20 seconds), adored by DJs who like to bring a touch of soul to their house sets.

Released on Jive Records, the track received great praise. Music Week highlighted its "tight ay ay ay hook" and noted that the Mood II Swing and Hyperspace mixes made it a real standout. The original version reached number one in Italy in 1997, and the Mood II Swing Remix has since gained cult status in the Belgian club scene and beyond as the perfect marriage between soul and dance floor energy.

B1) Chris Raven - I Know You Love Me Too (Bruce Norris Remix) (original release 1997)

Christian Raabe, better known as Chris Raven, is a German producer who made his name in the late nineties progressive trance scene.

The Bruce Norris Remix of I Know You Love Me Too (Additive Records, catalogue 12AD 027) first appeared in late 1997 and was officially released in early 1998. The remix builds an euphoric atmosphere witha beautiful melody, dreamy pads and powerful drums, all typical of the progressive trance sound of that period.

The track gained extra attention when it appeared on Northern Exposure 3: Expeditions by Sasha and John Digweed in 1999. Many fans first discovered it there (especially the Van Bellen Remix version), helping to cement the cult status of I Know You Love Me Too within the progressive and trance community.

B2) Grooveyard - Mary Go Wild (original release 1996)

One of the most recognisable and iconic club tracks in Belgian and Dutch underground house history is without a doubt Mary Go Wild, released in 1996 on EC Records. The track quickly became the defining anthem of the rave scene in the Low Countries.

With a raw groove around 133 BPM, pumping four to the floor drums and the hypnotic vocal sample "Mary... go wild!", the record set dance floors ablaze in the nineties. Producer Jeroen Verheij, also known as Secret Cinema (from the classic Timeless Attitude), perfectly captured the raw energy of the European house movement of that era.

To this day Mary Go Wild stands as a symbol of pure rave power, a timeless anthem that, as one Discogs collector put it, "still works on any dance floor." Original twelve inch pressings on EC Records and later issues on Blanco Y Negro are highly sought after, and the track remains a staple in retro house and classic DJ sets.

C1) Dave Swayze - Last Flight To Paris (original release 2000)

Dave Swayze, best known for his classic Goldwave, has several hidden gems to his name, and Last Flight To Paris is certainly one of them. Released in November 2000 on the Belgian label Yeti Records, the track is a subtle blend of trance and progressive house. It is known for its emotional melody, dreamy build up and strong percussion, built on the foundation of progressive trance but with thewarmth and groove of house.

At the time, Last Flight To Paris was frequently played by progressive trance DJs and soon became a cult favourite among vinyl collectors within the genre. Original pressings on Yeti Records are now extremely rare and much sought after. The mix of emotion, euphoria and timeless club energy makes Last Flight To Paris a hidden treasure from the late trance era of 1999 and 2000.

C2) Joe Goddard - Music Is The Answer (Hot Since 82 Remix) (original release 2017)

This remix by Hot Since 82 (Daley Padley, from Barnsley in the north of England) for Music Is The Answer by Joe Goddard is partly based on the original classic Celeda - Music Is The Answer (in the Danny Tenaglia Remix). It was released in February 2017 as a digital exclusive through Domino Records.

Hot Since 82 reworked the original, a vocal house track by Hot Chip member Joe Goddard, into a deep, grooving house track with a warm rolling bass line. The soulful vocals of Joe Goddard (featuring SLO) take on a subtle melancholic tone in his remix, creating a modern house classic filled with emotion and drive.

The remix became a major club favourite in 2017 and 2018, supported by leading names in the tech house scene and heard at festivals around the world. Interestingly, this popular version had never been released on vinyl, which only increased its cult status among collectors. Music Is The Answer (Hot Since 82 Remix) remained a digital classic for years, until now, finally available in this long awaited vinyl edition.

D1) Just A Man - I'm Sorry (Original Club Mix) (original release early 2000s)

The French project Just A Man consists of brothers Hervé and Nicolas Subrechicot. Their track I'm Sorry is an emotionally charged house record that perfectly captures the early 2000s club atmosphere.

Released in 2003, the song combines soulful male vocals with a warm, rhythmic production that blends UK garage and classic club house influences. The Original Club Mix (6 minutes and 14 seconds) builds gradually towards a powerful, uplifting climax, carried by rich chords and an irresistible groove.

Although I'm Sorry stayed somewhat under the radar at the time, it is regarded by connoisseurs as a hidden gem, a perfect balance of melody and groove. The twelve inch vinyl release (on RKG / Motor Music, 2003) is now hard to find and highly prized among vinyl and house collectors, which only adds to its appeal.

I'm Sorry embodies the pure sound of early 2000s vocal house: sincere, funky and danceable, with that unmistakable UK garage touch, even more evident in the G Box Garage Club Remix on the same EP. An unfairly overlooked track that has always remained a true timeless classic since the very beginning of 12 Inch Lovers.

D2) Teddy Pendergrass -Life Is A Song Worth Singing (Jamie Jones Remix) (original release 2019)

In 2019 Jamie Jones breathed new life into the classic soul song by Teddy Pendergrass with a contemporary house rework. The remix was released in March 2019 as part of the digital EP Mixmag Presents: Teddy Pendergrass - The Remixes, issued in honour of the documentary If You Don't Know Me, a film about the rise of Teddy Pendergrass, the first African American male artist to achieve five consecutive platinum albums in the United States during the seventies.

Jamie Jones stayed true to the feel good essence of the 1978 original but wrapped it in a modern club sound, with pulsing synths, a warm rolling groove and a tight four to the floor beat providing the perfect base for Teddy's powerful and instantly recognisable voice.

The result is a captivating, soulful house track that effortlessly bridges past and present without losing the emotional power of Pendergrass's vocal delivery.

Despite its widespread popularity in the international club scene, where it became a favourite among DJs who love to blend soul with house, this remix never had a physical vinyl release. Until now, with its long awaited appearance on 12 Inch Lovers Sampler 12.

Space Ghost returns with Dance Planet – Be Free Edition, a remastered, recut and expanded edition of his beloved 2022 album. Featuring refreshed artwork, newly remastered audio, and a brand-new digital remix package from not even noticed, RAMZi, Crystalline Reality, and Space Ghost himself, this is the definitive version of a modern house classic.

Rooted in uplifting, soulful 4/4 traditions inspired by forebears like Larry Heard and Blaze, Dance Planet flows effortlessly between ambient reflection and warm, driving club cuts. The remaster brings added depth and clarity — from the lush swells of “Afterglow” and the tripped-out breaks of “Dream Weaver” to the R&B-tinged groove of “UFO. ” Dancefloor staples like “Back To The Source” and “Soul Shower” retain their warmth and punch, while “Emotional Healer” and “Be Yourself (Motivational Mix)” continue to deliver Space Ghost’s signature affirmation: don’t be afraid to be yourself, don’t be afraid to let go.

Pressed on 140g black vinyl with new artwork and including a download code for the full extended album + remixes. A timeless, feel-good house LP — restored and expanded for collectors and selectors alike

The new label R.I.T.M.O. launches its journey with a clear statement of intent: VOID RIFT QUANTUM, a six-episode cosmic voyage by WHITE SOLAR DOG, complemented by two premium remixes from UNIVAC and PROMISING YOUNGSTER. The EP opens with “VOID RIFT QUANTUM” a dark, expansive electro exercise where crushing basslines, syncopated rhythms, and a dialogue between vocoders and acid lines evoke an interplanetary landscape. On “I.N.S.I.D.E.” the intensity ramps up through driving percussion, tribal voices, razor-sharp breaks, and an almost ritual force that propels the body into physical and mental trance.

UNIVAC’s reinterpretation of the title track unleashes his full arsenal: a steely remix of relentless energy that pushes the original into a hard-edged industrial realm, stamped with the unmistakable signature of the Catalan producer. “MOVE YOUR BODY” showcases WHITE SOLAR DOG’s most direct side: classic electro with heavy bass, pads, and bright melodies, where the machine calls the dancefloor to action without compromise. The journey reaches its most ethereal point with “SING TO ME” where a female vocal intertwines with broken rhythms, crystalline atmospheres, and fresh acid incursions—cementing WSD’s personal hallmark: equal parts intensity and spirituality. The release closes with Promising Youngster’s remix, which takes the vocal elements of “SING TO ME” and guides them into a hypnotic state, suspended between the dreamlike and the club. With VOID RIFT QUANTUM, R.I.T.M.O. presents its inaugural catalog, distilling the power of contemporary electro and the otherworldly vision of WHITE SOLAR DOG. A debut that clearly establishes its coordinates: impact, exploration, and progressiveness, introduces itself to the world through an inaugural catalogue that distills the present and future of electro: mysticism, power, and precision.

All covers are handmade. They feature a fluorescent strip along the sides for easy identification, and under black light, the Spanish version of the cover is visible. Each disc contains three handmade inserts: a pop-up of R.I.T.M.O., a template, and a paper synthesizer model based on the actual synthesizers used to create the album (a different one on each disc). Each disc comes in a plastic sleeve.

All covers are handmade. They feature a fluorescent strip along the sides for easy identification, and under black light, the Spanish version of the cover is visible. Each disc contains three handmade inserts: a pop-up of R.I.T.M.O., a template, and a paper synthesizer model based on the actual synthesizers used to create the album (a different one on each disc). Each disc comes in a plastic sleeve.

Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.

"Rising talent Baka G delivers an outstanding classic house EP on SEVEN. The French-Swiss artist, currently based in Brussels, draws inspiration from intimate house parties, blending their warmth with a deep understanding of classical music. Driven by uplifting piano riffs, thoughtful arrangements and an overall positive energy.

The EP is complemented by a series of remixes on the B-side, featuring Retromigration and Zombies in Miami, with an additional remix by Andre Zimmer included as a digital bonus"

Red Axes step into the fabric presents series with a release that feels both inevitable and deeply personal. Known for their hypnotic, psychedelic approach to club music, the Tel Aviv–based duo bring a narrative-driven sensibility that aligns seamlessly with fabric’s legacy of long-form storytelling and forward-thinking curation.

Across years of performances at fabric and other key global institutions, Red Axes have developed a reputation for sets that unfold patiently and unpredictably, drawing dancers into a world where groove, tension, and atmosphere take precedence over genre or trend. Their contribution to the fabric presents series reflects this ethos: a carefully sculpted journey that prioritises mood, momentum, and emotional depth, while remaining firmly rooted in the physical language of the dancefloor.

Formed by Dori Sadovnik and Niv Arzi, Red Axes emerged from Tel Aviv’s underground with a sound shaped by post-punk, acid, krautrock, and cosmic disco influences. Over the past decade, they have built a catalogue defined by raw textures, twisted melodies, and a distinctly human looseness, qualities that translate as powerfully in the club as they do on record. Their releases and remixes for labels such as Phantasy, Correspondant, Running Back, Dark Entries, and Permanent Vacation have established them as artists who consistently operate just outside the expected.

As DJs, Red Axes are celebrated for their ability to stretch time on the dancefloor, weaving obscure selections, unreleased material, and leftfield classics into slow-burning, trance-inducing narratives. This approach has seen them invited to venues and festivals including Panorama Bar, De School, Bassiani, Dekmantel, Sonar, and Primavera Sound, where their sets are defined not by peaks alone, but by the tension built between them.

With the forthcoming fabric presents Red Axes release, the duo deliver a statement that captures years of shared musical intuition and a deep respect for the club as a communal, transformative space. It is a mix that rewards close listening as much as physical immersion, a snapshot of Red Axes at their most focused, expressive, and uncompromising.

To mark the launch of their forthcoming fabric presents album, the duo unveil the lead single, “Hot Rod To Hell”, a bold reworking of Man Parrish and Roy Garrett’s 14-minute spoken-word electro epic, reimagined through Red Axes’ signature psychedelic lens.

Stripped back and refocused, the original’s narrative tension is transformed into a hypnotic, downtempo house track built for late-night immersion. A rolling, elastic groove anchors the track, while pulsing low-end, subtly warped synth lines, and tightly controlled percussion create a sense of slow, smouldering momentum. The spoken vocal elements drift through the mix like fragments of memory, lending the track a ritualistic, cinematic quality without overwhelming the dancefloor.

Repress!

Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.