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Last In: 11 years ago
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Debut EP of the mysterious Ex-Pylon. Studio Barnhus (the young Swedish label run by Axel Boman, Kornel Kovacs and Petter) is bringing som hot forward thinking dance tracks that will create this special energy on any dance floor. Two powerful tracks with otherworldly melodies and rugged beats plus a more dreamy beatless piece on this intense and effective release. Check!!
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When we heard Pompeya for the first time and were told they were from Moscow, we were like: - What! Are you kidding This is probably the first Russian band singing in English with such a classy Brit touch and male vocal being very strong and sophisticated at the same time.
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Kameezol 2 repress... A picture at a nice price !!! One of the very first hardfloor records... A dry medium kick, changing all the time during the tracks... Loads of fun in da mix... Lots of eyeblink and cheezy cook.... And what a beautyfull Picture Disc ! Woutcha ! You might have noticed that for the 10th years anniversary of Toolbox we decided to produce real loads of special things this year... Expect more soon !
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dovrebbe essere pubblicato su 23.07.2010
Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.
Dubsided continue to release bass heavy electro house, and we welcome the follow up EP to Sticky K's previous Dubsided release. 'California EP' is a wonky 4 tracker stacked with all the right elements and surprising hooks.
Check out the mad vocal drops in 4 minutes into 'California', cheeky and a little barmy
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New Signature on Rosboul Recordings with M.in aka Markus Ferdinand & Bastian Schuster ever seen on Off Recordings, Get Physical & Weplayminimal. They Delivery a solid release between Jackin & Modern House ! Check this one !
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Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.
Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.
Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.
Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.
With releases on Moon Harbour, Curl Curl, Railyard and his Poker Flat debut "The Whisper Had It" last year, Simon Flower is one of New Zealand's top exports. Now he's back with two more slabs of irrepressible dancefloor action, complete with a slow burning deep-techno remix by Berlin's own Efdemin. "Phosphenes" is a pacy, chemically induced affair into the darker eschews of Flower's production techniques.
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10 years on and still going strong, Dessous makes its mark once again with the release of three exclusive remixes of classic tracks, on a brand new off-shoot project: Dessous Classics.
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Here we go. The second "Home Sweet Home Sessions" lies upon the table! That means: Upon You is celebrating its second anniversary and is looking back on another successful year. Again- this fine compilation puts together a selection of the members of the inner circle of production, with whom they've been sharing the nightlife and the love to electronic dance-music.
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Australia-based musician Mark Gomes presents the debut full length under his own name for Soda Gong. “Alphane Moods” finds Gomes employing strategies that will be familiar to listeners of his work as Blue Chemise – elegiac, loop-based modes of composition and a predilection for concise etude forms – that manifest here with a strikingly different scope and intent, shifting from expressive abstraction into more conceptual terrain. Over the course of fourteen widescreen tracks, he navigates the gap between nostalgic and futurist sensibilities, concocting elusive, romantic, and sanguine settings that feel both plucked from the past and beamed in from a time still to come. Gomes describes his approach on the record as a “practice of ‘constructed ambience’, deploying sounds and track titles with pop-psychological associations of escape.” The result is a vivid, cinematic album that splits the difference between the worldbuilding retrofuturism of the best vaporwave music and the shadowy, homespun tape vignettes for which Gomes has become well known.
Written and produced by Mark Gomes
Master + cut by Kassian Troyer at D&M
Artwork by Alex McCullough
dovrebbe essere pubblicato su 01.01.0307
“Trash Can Lamb” is a new solo album from Akron, OH-based multi instrumentalist Keith Freund. For the better part of twenty years, Freund has been producing intimate, shape-shifting music on his own and as part of collaborative projects such as Trouble Books, Lemon Quartet, and Aqueduct Ensemble. Here, he concocts a heady, homespun broth of analog synthesis, bit-reduced sampling, piano, standup bass, saxophone, and location recordings, arriving at a loose and evocative set of songs. Throughout the album, we hear 8-bit experimental delays mangling airy acoustic materials, denaturalizing them into primitive loop structures while retaining their golden-hued, melodic cores. The sputters, hisses, and croaks of handmade electronics nuzzle up to wistful piano and saxophone ruminations; the pure pandemonium of chaotic triangle wave patching and filtered noise settles into the serenity of a backyard dusk full of spring peepers (or maybe they’re crickets…). It’s in the space between the ragtag and rough-hewn and the romantic and yearning that Freund situates these compositions; it’s a peek inside a workshop that sits atop the trees, branches scraping on the windows, bluejays who just won’t knock it off, a table fan spinning slower and slower, its cheap blades covered in dust.
All music by Keith Freund, with contributions by Linda Lejsovka, G.S. Schray, Steve Clements, and Corey Farrow.
Mastered by Kassian Troyer at D&M.
Art/design by Alex McCullough and Felix Luke.
dovrebbe essere pubblicato su 01.01.0307