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Benny Howell (aka DJ Subaru) is a UK based producer, DJ and overall promoter of good times who's undoubtedly propelling a new generation of music appreciation with an honourable respect for the earlier beginnings of club culture. Benny Howell might also be the pioneer of a new post-Brexit Eurodance genre, with "Surrender", a catchy Pop oriented production with strong influences from Italodisco and HiNRG, written and produced entirely from scratch with best friend Bella Quirin who co-wrote the lyrics after a break up with her ex. Innocent and charming lyrics over 120's BPM drum machine and a simple melody that you'll be humming in the back of your mind for days to come. Equipped with a Yamaha TX81Z, a few guitar pedals and a makeshift bedroom studio, "Surrender" is the product of a dear friendship between the two music lovers, as per Benny's recount: "Bella came and sung on the track in my bedroom during one of the gaps between Covid lockdowns after I asked her at the pub if she knew any singers and said me of course, and we went from just friends to best friends."
The remix on the B-side by Castro takes a darker turn into what almost sounds like a Techno version with heavy dubbed out effects taking the "Surrender" theme through an unhinged Ketamine flanger vortex. Full cover artwork and mastered at Manmade mastering in Berlin.

The record ‘Rīgas Elektromašīnbūves Rūpnīca (RER)’ has many distinctive characteristics. I would like to draw listeners’ attention to the fact that the recording was made with 16 microphones in an abandoned factory in Sarkandaugava (Rīga, Latvia). Over two days, KODEK recorded how the music sounds specifically in this vast space – how the window panes vibrate, how the metal lockers rattle, and how the sound waves propagate uniquely. This created a special and unparalleled musical sound. In this record, KODEK not only plays musical instruments but also the space itself, resulting in an added value or a new chapter in the history of world music – The Sound of Sarkandaugava. – Kaspars Rolšteins Artist bio: Musician Raivo Vainovskis, widely known as KODEK represents a narrow nonacademic electronic music genre while having proven his excellence and gained international recognition performing in countless electronic and experimental music festivals like CTM Festival in Berlin, Amsterdam Dance Event in Amsterdam, Cynetart Festival in Dresden, MUTEK festival in Montreal among others. KODEK is a core figure behind the globally acclaimed Latvian electronic music instrument manufacturer Erica Synths and often uses their synthesizers in his work. Since 2011 he co-organizes experimental music mini-festival Brīnumu Nakts in his native city of Madona which is one of the rare occurrences of such events outside the Latvian capital Riga. Since 2005 both in his releases and live performances he challenges his audiences with his unique stage presence and sonic aesthetic that is rooted in the spirit of truly independent music and art. KODEK has been nominated (and has won) The Annual Latvian Music Recording Award in the category ‘’The best electronic music album’’ for his ‘’Flavours From The Future’’ LP in 2012.

Pedro Vian and Merzbow release their first joint work, an unbounded expression of creativity and experimentation. Over the album's forty-minute duration, listeners can experience a blend of field recordings made by Pedro Vian at the DIA Bacon Foundation in NYC, specifically inside Richard Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies characteristic of Vian's work, alongside the piercing and sharp computer frequencies produced by Merzbow, one of the most acclaimed artists in the global noise scene.

"Inside Richard Serra Sculptures" is both a complex and spontaneous piece, an abstract journey into the unconscious that may be difficult to grasp for closed minds. This work stands as a masterpiece of contemporary expressionism, merging ambient sound and noise in a way that challenges and redefines the boundaries of sound art.

The collaboration between Vian and Merzbow is notable not only for its innovation but also for its ability to transport listeners to a space where sound becomes an immersive and visceral experience. The use of Richard Serra's sculptures as a source of inspiration and sonic material adds a unique dimension to the project, emphasizing the interaction between physical space and musical creation. Photo by Alba Ricard

For its 16th instalment, Swiss label CAF? invites DJ duo Charlotte aux Fretz to curate a compilation EP, building bridges between the French and Swiss contemporary club scenes. Ignited while organising and attending free parties, “Rave Alert” covers a whole range of atmospheres one could encounter during these summer nights. From phone-lit forest journeys to sweaty peak-time dance floor moments, all the way to hypnotic sunrises where the first rays of light reshape your surroundings.

Dub-tech master Beatrice M. offers a great opening to the compilation, subtly combining their signature sonic ingredients with your favourite DJ meme. Amor Satyr drastically rises the cruising speed to 175bpm with his d&b infused track, while Lia Catreux follows the pace with a bouncy track that will keep your feet off the floor. The flip side starts with an introspective journey with Spirit Vortex Club’s first recorded appearance, while Israfil keeps the energy high (and mercury retrograde away) with an uncompromising rave track. Yolek and Freeky (both previous CAF? contributors) wrap up the release with a slow but heavy closing burner. Last round of applause and you can finally go to bed (you think).

2024 Repress

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to.

Jasper Street Co. is one of the House Music community’s signature artist endeavors. Produced by Baltimore’s legendary production team The Basement Boys, and consisting of a collection of singers who can emote on the highest level of gospel, soulful and peak hour house, this collective has been riding high for years and is now going next level with the recent release of the “Rejoicing” album on Nervous Records. Prior releases from the album have skyrocketed to the top of DJ sales and club charts, with “Praying For You” being nominated for a Grammy for the Louie Vega remix in the Best Remixed Recording (non-classical) category.

Up next is a cover version of a song originally recorded by Teddy Pendergrass. Written and produced by Gamble & Huff, “You’re My Latest, My Greatest Inspiration” was originally released on Philly International Records in 1981. It was a massive R&B & Disco hit back then, and now has been updated by Jasper Street Co. for the house music community. The single package has an outstanding collection of remixers on board who make the project something even more special for the purists but also will launch into the larger worldwide music community. Teddy Douglas produced the original album version, but comes back for another take while adding some serious bass / kick drum juice with his Teddy Douglas Bass Intro Remix. Micfreak and DJ Spen put a highly creative spin on the original with some added effects on the vocal and a piano line that soars into the highest level of peak hour house energy with their Higher Love Remixes. Tensnake also gives it a very distinctive and infectious groove, while Dr. Packer takes all the original elements and uses his great talents and appreciation for soulful house and disco to make this project even more essential for house purists than it already is!

Double Vinyl package on Feb. 5 on Nervous Records. Includes custom jacket and yellow vinyl.

Repress !

Heavy House Society starts 2022 with a high quality EP from Cologne based German artist DJOKO, and this also comes with a remix from the head honcho himself Sidney Charles.

DJOKO’s sound takes influences from funk & soul, garage, deep house and everything else in between that is both underground and raw. He’s released on an impressive selection of underground labels like PIV, Berg Audio, Talman and Rutilence, garnering numerous genre number 1’s on the download stores whilst also accruing over 11 million streams on Spotify alone.

For his debut release on Heavy House Society, we bring you his Rapture EP. The title track to the EP, Rapture is a classy deep and minimal house affair, with his house beats combining with a driving bassline, the cleverly constructed filters organs and pads giving this a sublime journey feel.

The second track is Inside of Me, which has more a skip to the beats, weighty bassline, and well worked samples. Add the lead melody line and this is a great track to get people moving.

The third track is My Crib, a bassline led track with an old school flavour to it which combines atmospheric pads which provide depth, delicate and intricate melodies and leads.

The last track is the Sidney Charles remix of My Crib, for his remix he takes this a little deeper which offers a great alternative to the excellent original mix. A more sub bass groove free’s up frequencies in the mix giving more space for the melodies to breathe in the track and take this on a stunning floating groove.

This is a superb release featuring 2 amazing artists, and for sure this with deliver the goods for Heavy House Society yet again

DJ Mes brings the funk on this new outing on Guesthouse. It draws on samples from some of soulful house's most notable big tunes starting with 'Out of Order' which rolls on deep drums with nice smooth pads and summery vocals adding the charm. 'LGMH' rides on deeper, bigger bass and is a nice loopy and hypnotic jam with classic house vibes and a superb falsetto hooking you in. 'No Memory' is another fat-bottomed and feel-good house groove that rolls deep 'Werkin' Gurl' flips the script with more attitude in the vocals and header drums for some peak time fun but with no less emotion.

2025 Repress

Raffaele Attanasio drops his first EP for two years as he heads to SHDW & Obscure Shape's Mutual Rytm for his 'Quasar' EP.

A product of Naples' rich techno history, Italian DJ, producer and musician Raffaele Attanasio is an artist who represents the city's iconic sound while drawing from influences across the Atlantic and the genre's home of Detroit. Garnering plaudits from artists including Jeff Mills, Len Faki and Ben Sims, while releasing on Mills' Axis alongside Non Series, Third Wave Black, and his own Letter From Jerusalem imprint, Attanasio's eclectic sound now delves into Italian techno of the early 2000s as he makes his label debut on Mutual Rytm - revealing his first EP in over two years and showcasing a new side to his sound with 'Quasar'.

Title track 'Quasar' brings a tunnelling groove beneath floating melodies and zipping synths, before A2 'Asterion' combines dubby stabs and punchy kicks effortlessly. On the flip, 'Blazar' is a squelchy acid-led trip guided by sharp metallic hats, with 'Axial Inclination' utilising jittering drums and slinking bass to keep the energy levels rolling.

'Clara' shapes up the physical package, a skipping, spirited and classy cut fusing hazy textures and crisp percussion, while digital exclusive 'SGR' sees things return to acid territories, with purchasers able to access a darker impactful take on techno.

Amsterdam's Locked-In imprint continues its hot streak with LKDNV07, a four-track EP by Offenbach's Tom Ries titled "Comeback Kid." This release showcases Ries' talent for crafting immersive, emotionally charged house narratives.

The title track sets a warm, rolling groove with organic percussion and lush synths, creating a hypnotic late-night vibe. "Deepfried Diversion" blends soulful keys with driving rhythms for a true dancefloor odyssey.

On the B-side, "One Eighty" combines classic house sensibilities with modern flair, featuring an undulating bassline and ethereal melodies. The EP concludes with "Rieses Pieces," a transcendent exploration of pure groove with interlocking rhythms and euphoric breakdowns.

New Release "Gypsy Heart / Beautiful Lies SKYLINE RECORDINGS Is proud to be release another OG banger from the wonderful Ms Betty Black "Gyspy Heart" is a driving dancer with sassiness and flair, just how Betty like it. Power vocals with a punching back beat, screaming for the dance floor. Betty goes back to the beginning when Rhythm met the Blues under the watchful eye of Gospel and the African-American Spiritual. It's mystical and cinematic but gutsy, and funky to boot! Roots Revival Soul with a sophisticated twist. On the flip "Beautiful Lies" Perfect song, uptempo dancer - which throws you staright into a story, where Ms Betty Black takes you into another world, but one that so many women, in particular, can relate to - another strong vocal mover, with a motown overtone. Summer fun. SL45030 x400 copies includes paper insert slv "I always expect excellence from her and she's delivered again" - Craig Charles, The Craig Charles Funk & Soul Show, BBC Radio6, 01.06.24...

Anaconga”, the fourth Dome album by Bluey and Citrus Sun, is an homage to jazz and soul greats from back in the day, and is the band’s first to be released as a gatefold 2LP.

The album opens with the gorgeous Maynard Ferguson tune “Mister Mellow” from the Seventies, with backing vocals from Tony Momrelle and Deborah Bond. Bluey and Richard Bull share the production . “Down For The Third Time”, the album’s lead single, is a deliciously funky remake of a classic Bobby Caldwell groove from 1978, with Natalie Duncan on vocals and Dominic Glover and Charlie Allen tearing it up on trumpet and guitar respectively.

“Mystic Brew” was originally written and recorded in the Seventies by funk, soul and jazz keyboard legend Ronnie Foster and Bluey includes it “to say thank you for his massive contribution to the music we love and are inspired by”. Erykah Badu’s “Honey”, also with vocals by Natalie Duncan, features beautiful trumpet and flugelhorn from Kevin Robinson.

The stand-out new songs on the album are “Santiago”, which features the young Indonesian harmonica player Rega Dauna, who starred on the band’s “Hard Boiled” instrumental hit from their last album “Expansions & Visions”, and “In Search of the Blue Note”, with Dominic Glover on flugelhorn and Graham Harvey on keyboards, which Bluey says is “inspired by New York City’s jazz history and nightlife”.

Bluey sums up the mood of the album: “I hope that the rhythms wrap themselves around your consciousness and the music slithers into your soul, whilst you bask in the light of the Citrus Sun! Unconstricted love, Bluey”.

Citrus Sun is the mainly instrumental-oriented side project which runs alongside Incognito and features many of the same musicians. The band released their first Dome album “People Of Tomorrow” in 2014.

EVERLAND
...where music is timeless and tenaciously deep

DRIVETRAIN/Hyperlock
An energy eruption, spewing seismic levels of low frequency turbulence and sound manipulation.

BLAKTONY/Butt Naked
Layers of velvety pads sweep the soundscape of a charismatically deep, enchanted odyssey.

FUNTOM/Wisdom
A tribal tempo controls elegant chord progression with an intelligent succession of acid bleeps.

HUGHES GIBOULAY/Kickin That Feelin
Animated and brimming with character from a spirited vocal hook and a hypnotically commanding solo.

Jaden Thompson returns to Crosstown Rebels with ‘Downtown’, with remixes from HoneyLuv and Ghoulish. Marking his first solo outing on the label following ‘Talking Walls’ alongside Seth Troxler, the fabric resident impresses once more following recent material on Classic Music Company, PIV and his own Midnight Parade imprint.

A new school talent whose sound takes cues from Chicago while pointing to the future with forward-thinking allure and energy, Jaden Thompson’s ascent is well-documented, having been tipped by an endless list of industry heavyweights and global media outlets from an early age. Releasing on labels such as Cuttin’ Headz and Classic Music Company, amongst others, plus his own Midnight Parade imprint, Thompson’s sound and dynamic sets have seen the UK talent become a favourite for many while also hosting his ongoing Rinse FM show and curating mixes for the likes of Circoloco and Keinemusik through to Nike for it’s annual Air Max Day. Having made his label debut on Crosstown Rebels in 2022 with his standout collaboration ‘Talking Walls’ with Seth Troxler, Thompson now returns to Damian Lazarus’ legendary imprint as he serves up his first solo record on the label ‘Downtown’ - backed by remixes from surging US DJ/producer HoneyLuv and emerging UK talent Ghoulish, who makes his debut on the imprint.

Merging various shades and sounds from across the electronic sphere, ‘Downtown’ brings vibrant vocals, energy-charged synths, and sharp metallic percussion, all balanced perfectly, to the fore. HoneyLuv’s remix brings jacking drums while warping the original’s vocals todeliver a peak-time interpretation before Ghoulish flips the script, utilising off-kilter drums and spiralling lasers amongst heavy low-ends.

Situated at the heart of the Mediterranean Sea, Corsica and its inhabitants are surrounded by the abundance and cultural diversity of the region. In celebrating this richness, we have curated a collection that embraces the eclectic musical styles and creative spirit that characterize this historic geographic area. With 6 producers hailing from Aiacciu, Bastia, and Sicilia, prepare yourself for a journey full of surprises.


Discover the spacey and epic electro beats from Jimmy Batt's secret mind, then delve into the medieval chiptune-infused vibes of Human_Aventura, before being carried away by the romantic dark disco of Pasqua.



Explore the B-side of the EP and be enchanted by the schizophrenic and haunting house of Blinkduus Dischetto, Monica Venturella's acidic electro with special triple-blade effect, before finally getting lost in the powerful and sensory anarchy of Ørsø. The choice is yours: unleash the Mediterranean power on the dancefloor or immerse yourself in our underground culture with ease at home. Oh yeah, as Aiaccini, we put our name big in the title. That's why we're Bastardi.

URIN one of the most sought after arcana bands in Berlin, having broke barriers down and represent hard with a core so unyielding for the true punk anima. SZYBCIEJ (SPEEDY) showcases the outrageous rapture and SAMA CHĘĆ NIE WYSTARCZY equalize the EP with guitar thrashed out beyond the curtain call fuckery.

S.A.T.I.N, the new project by Infinity Division & Ireen Amnes, brings doom-electronics, squeezing out post rock sensibilities in the short form is no mean feat but the duo all chemicalize for a creation of experiential motifs. 'Dirt' leads the charge with perpetual drum programming sliced beside thashed vox, 'Nothing is real' blows the walls off with complex ambienta and doom metal.

ART by Stachu Szumski & Ash Luk

GEMiNii Family is grooving and is very happy to welcome new internationals members like OHM HOURANI, Luc Ringeisen & GEMiNii LTD.

Ohm Hourani is a boundary-pushing artist known for weaving intricate sonic landscapes that defy genre conventions. With a background in both classical and electronic music, Hourani's soundscapes transport listeners to otherworldly realms where organic and synthetic elements intertwine harmoniously.

Luc Ringeisen, known for his groundbreaking contributions to the legendary Club der Visionär, skill-fully navigates the realms of electronic music with his innovative sounds. Immerse yourself in his latest work to witness the mesmerising fusion of beats and textures that characterise his distinctive sonic landscape.

GEMiNii LTD, also known as BioN and Berten De Beukelaer, along with Arisha, are visionary artists whose work transcends boundaries. Their creations, rooted in the depths of imagination, blend intricate patterns with vivid colors to evoke emotions and spark contemplation. They deliver a very sophisticated and ambient piece, intertwining analog pad voices and flute, taking us on a journey in celebration for music lovers.

Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.

Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.

From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.

No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.

No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.

2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.

2024 repress.

Dive into the spiritual depths of Carnatic Music (Southern Indian classical music) - An enchanting journey of devotion and transcendence pulsates with raw sincerity and profound spirituality, casting a spell that transcends boundaries of belief.

Originally released on CD in 2000 from South Indian Carnatic music label and reissued on vinyl and digital first time in 2019 by Time Capsule. New 2024 repress vinyl has different tracks on the B side and it still remains as the reverse cut as the 2019 version.

2024 new vinyl repress with different track list on the side B. Reverse Cut Vinyl - This record plays from the inner groove to the outer groove. Comes with a hype sticker.

Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi.

Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms – her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Keshvaya Namaha is an invocation to Lord Vishnu, the protector of creation and one of the other major deities of the Hindu tradition, while Raghavam recites the names and attributes of two of his most popular avatars: the heroic Rama and the playful, loving Krishna.

One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”

As professor of cultural and political theory in Universicty of East London, Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

Two years after her debut on SPFDJ's Intrepid Skin, Valerie Ace is already counted as a quickly rising voice in techno, her work featuring on Anetha's Mama Told Ya, Mala Adh, Haven, and more. In 2023 she founded her own Hardwon imprint, now on its 8th release and featuring established and upcoming names like Ryan James Ford, WTCHCRFT, and others. Now Rant & Rave offers her third vinyl full EP, Givers & Takers, confirming her premier place in contemporary techno. The title track starts ominous, pensively drawing tension over a slow breakbeat as busy percussion patterns interlock, leading into its intense second half, where heavy bass doubles down and pushes to a bruising climax. 'Eat Dirt' takes after its title, grinding faces into grit as it switches between breaks and straight sections while pounding the floor into submission. 'A Moment Lost' loses no time charging out of the gates, ratcheting tension with quickly evolving snares, the filtered bass punches driving the track over steadier, atmospheric background sounds. The afternoon or afterhours vibe of '3PM' is accentuated by seasick synth layers contrasted against malignant drums, unsure if the drugs are wearing off or kicking back in for another trip.

This original crossover dance and chart hit from 2005 gets two standout reworks from Hannah Wants and Jakkob which will set it up to be huge this summer all over again. The original is a Tik Tok staple with over 4000 creations and has catapulted this classic to the next generation. Hannah’s new rework has already been spun at the Ibiza openings, with constant pressure over the summer planned. The new Jakkob reworks is hot off the press, and if flipped with the updated original and never before released Sunrise mix.

The video will be shot at Amnesia Ibiza with a full release pending, however these limited promo copies are your first chance to snap up this monster!

Der Nachfolger ihres von allen Seiten gefeierten selbstbetitelten Debüts von 2014, das Minimal Techno mit orchestralen Schnörkeln und schwereloser Produktion neu interpretierte - ist endlich da. "II" ist lebendiger, aber es behält immer noch den charakteristischen Kiasmos-Stil des Übergangs von einer flüsternden, ruhigen Atmosphäre zu einem explosiven Dance-Beat, der aus den Socken haut. Kiasmos - sind weiterhin der isländische Komponist Olafur Arnalds und der färöische Musiker Janus Rasmussen - haben sich diesmal zehn Jahr Zeit genommen für ihr Nachfolgewer und die Entstehung von "II" war eine Bewährungsprobe für ihre Freundschaft, aber auch ein Beweis dafür, dass eine großartige musikalische Chemie immer noch genauso gut sein kann, wie sie einmal war. Kiasmos hatten schon immer ein beneidenswertes Gespür dafür, komplexe Emotionen und eindrucksvolle Bilder mit Instrumentalmusik zu vermitteln. Die gesammelte Erfahrung als Produzenten, auf die sie zurückgreifen können, die Filmmusikarbeiten von Olafur Arnalds als Grammy-nomminierter Komponist für Film und Fernsehen sorgen für ein reifes elektronisches Album. Sie verlagerten ihre Melodien subtil von Four-to-the-Floor auf die frenetischen gebrochenen Beats der britischen Tanzmusik, indem sie mehr mit BPMs experimentiert haben, was an Janus" Zeit als DJ in den großen Venues weltweit erinnert. Es gibt immer noch die schmerzenden Melodien, die die Fans kennen und lieben, aber sie sind auch eingängiger.

LIMITED Quantity. Deep dive into the realm of electro music. Hypnotic multi-layered baselines, unpredicted drops and bursting beats would make precise, nevertheless not full definition of this EP. Following the
debut of the sequel with an exhibition showcasing artwork’s creation and conceptualization, we face SEQ002: False Destination, a new chapter where the story continues in an unexpected way. It holds the question, to which unknown territory did the agent headed from his collapsed dimention? – Side A takes you on a journey that echoes the spirit of interdimensional travel, a recurring theme in electro music. Impact One throws you into a captivating sonic environment, grabbing your attention with distinct sonic events, all layered over a foundation of subtly shifting rhythmic patterns. A2 is another mention of wrong dimention, hard alterations on early 90s Rave revivalism with peculiar artifacts and touch of blue note with breakbeat burst out conclusion. –
On the flip, a couple of heavyweights. Thick kicks jumping from 4 tothe-floor to broken beat, uncertain breakdowns and unexpected amen breaks driving audience on the edge. Hypnotic bassline for B1 was characterized as Giorgio Moroder on steroids. Last track is a calm blend in ending on a hybrid cosmic breaks combined with Yamaha DX7. – ABOUT ARTWORK This time comic-like backside artwork has an insert accompaniment to immerse within the world created by the artist behind the record. AI has been used to create artwork, generating imagery as a way to bring ideas to life. It offers a cryptic clue, a fragmented piece of the puzzle that complements the music to tell the story

Yu is in charge of the 9th release on Discarded gems. His unique and recognisable style defines these 4 cuts, each of it is ready to drive the dance floor!

Originally released in 1990, Same Place The Fly Got Smashed was Guided By Voices’ fourth album in as many years. Roughly a concept album about an alcoholic named Joker Bob who goes on a bender, someone dies, and Bob gets the chair (“the electrifying conclusion”). From the moment the needle drops, the listener is served notice that this isn’t going to be an easy listen, as an argument taped off of a TV cuts to a basement recording of a lone, blaring electric guitar with someone yelling over the top. But for those brave enough to pass the opening hazards, there are wonders within. This particular album has come to be held in higher and higher regard by fans, and they are correct to consider it a top-tier release. The story and sequence have a flow, and consideration for approachability is optional. Many of the crudest tracks reveal themselves as necessary stitches in the album’s tapestry. Yet it also contains all time greats like “Drinker’s Peace,” “Mammoth Cave,” the epic “Local Mix-Up/ Murder Charge,” and of course “Pendulum” with its immortal opening line: “Come on over tonight, we’ll put on some Cat Butt and do it up right!”—a rare break in the clouds on one of the band’s darkest albums. This reissue, like the previous ones in this series, is a mostly faithful reproduction of the original pressing of 500 on the band’s own Rocket #9 label. And like the others, the virgin RTI vinyl is housed in a thick tip-on jacket, and includes Robert Pollard’s original handwritten lyric insert.

Die in Los Angeles ansässige Dark-Melodic-Metal-Band Witherfall präsentiert ihr viertes Album über DeathWave Records. Der Vorgänger 'Curse Of Autumn' konnte großes Lob in der relevanten Fachpresse sowie die # 20 in den deutschen Album-Charts als auch US-BILLBOARD-Charts verbuchen.
Das neue Album wird von einem ehrgeizigen Zeitplan mit sieben Singles begleitet, von denen jede ein offizielles Video enthält, das die Geschichte des Albums voller Herzschmerz, Wut und Hartnäckigkeit erzählt. Das sind Witherfall, immer bereit, die Extrameile zu gehen, um endlich zur Speerspitze der internationalen Metal-Szene vorzudringen. Witherfall wurde 2013 in Los Angeles gegründet. Seitdem hat die Gruppe drei vielbeachtete Alben veröffentlicht. Die band macht keine Abstriche und engagierte für 'Curse Of Autumn' u.a. den international anerkannten Top-Drummer Marco Minnemann (The Aristocrats, Steven Wilson, Jordan Rudess). Die Band engagierte erneut den Produzenten/Studio-Zauberer Chris "Zeuss" Harris (Rob Zombie, Queensrÿche, Shadows Fall) als Ingenieur/Co-Produzent sowie für Mix und Master
Das Cover von Blake Armstrong (In Flames, Megadeth, Kataklysm, Harry Potter) bietet einen visuellen Gegenpol zur Musik auf dem Album sowie zu Michaels kompromissloser Text-Offenheit.
Neben der CD gibt es schwarzes Vinyl sowie zwei limitierte farbige Versionen!

June 11, 2024 — Today, techno titan Charlotte de Witte announces her latest electrifying single, “How You Move”. The dynamic production is the second revelation from her highly-anticipated “Roar” EP, set to be released on vinyl June 20th. In sync with her latest offering, de Witte will captivate New York City once again with a monumental takeover inclusive of an Extra Butter Merchandise pop-up and a massive KNTXT show at Brooklyn Storehouse, marking a significant moment as one of the first headliners to conquer the new venue.

“How You Move” is a testament to de Witte’s signature style of pushing boundaries and encapsulating the raw essence of the techno genre. The release boasts a fusion of pulsating acid and a mesmerizing energy that promises to resonate deeply with listeners, mirroring the intense, adrenaline-fueled experiences of her live performances.

From Charlotte de Witte:
"This has been such a fun track to make. It's a high energy track containing all of the ingredients that I love the most: straightforward, engaging vocals and a powerful acid line. Show me how you move, how you get down!"

It’s a sonic exploration of motion and intensity, syncing with the heartbeat of the city that never sleeps. Coinciding with the release, de Witte’s forthcoming KNTXT takeover at the Brooklyn Storehouse is poised to be a highlight of the summer, aligning with the visceral energy of the “Roar” EP. Situated in the heart of the Brooklyn Navy Yard, The Brooklyn Storehouse is the first US-based venture from Broadrick Live – Drumsheds, and former Printworks operator – brought to fruition in partnership with Teksupport. The venue has been designed to host up to 6,000 attendees, setting the stage for an unforgettable experience.

Following her takeover last year that electrified New York City, de Witte returns to the city that never sleeps with an even bigger spectacle. Last May, de Witte kicked off an electrifying campaign and tour for her “Overdrive” EP which featured a pop-up store at Extra Butter, two sold out shows at Brooklyn Mirage and a guerilla-style surprise performance that closed down Orchard Street in NYC. This June, de Witte will deliver a high-octane immersion for New Yorkers once again with her second consecutive KNTXT pop-up shop at Extra Butter. Opening on Friday, June 21, the KNTXT pop-up at Extra Butter Lower East Side will offer exclusive merchandise, limited-run apparel and unexpected live music experiences at every turn, uniting loyal fans and new audiences alike.

If we think about italo disco the first hits we remember are “Charlie -
Spacer Woman”, all the productions of “International Music System”,
“Nexus - Stand Up”, italo disco classics released on Mr. Disc
Organization and now the producer Maurizio Cavalieri gave us a new
single, a romantic but powerful song with this voice reminiscent of the
80's “Ready To Believe” is added to the great catalog “International
Music System”!

The vinyl to be released on June 20th is the conjunction of past and
future, the most famous tracks “Nonline”, “Dancing Therapy” and “An
English '93” from International Music System have been remixed by three
great producers and deejays of the current scene “Fabrizio Mammarella”,
“Italo Deviance” and “Franz Scala”!

No need to add more, a powerful club vinyl!

CEP Records is ready to release its first various artists compilation. This collection features six tracks with a wide range of groovy, funky and driving techno.

On the A-side, Alec Dienaar kicks things off with a gripping atmospheric tune, introducing top-notch groove elements and catchy vocal shots. Cult’s track ‘Big Pimpin‘’ displays his signature, featuring snappy filter cuts, driving drums, and a dogged energy. Closing out the A-side, KAIPE takes a funkier side with a leading bassline and a memorable melody that exacts attention. Next up, Marcos Fagoagas delivers ‘Surreal Awake’, a track with a uniquely structured low-end and self-sung vocals that retain the rhythm organic. ‘Feel So Alive’ by SOURCE CODE embodies a full-on summer vibe with infectious vocals and tuneful high-pitched stab elements. Bringing this release to a close is THD+N's dub techno gem ‘Voicemail’, characterized by a winding synth line and timeless vocals that captivate throughout.

DJ Support: David Penn, DJ Mes, Kevin McKay, Sebb Junior, Art Of Tones, Robbie Rivera, Moon Rocket, Peter Brown, Hatiras, Johnick, Dam Swindle, Jimpster, Disclosure, Ricardo Villalobos, Luke Solomon, Nightmares On Wax, Laurent Garnier, Louie Vega, Steve "Silk" Hurley, Terry Hunter, DJ Sneak

A1 – Vinyl opens on serious anthem by one of Chicago’s greatest also known Stacy Kidd. 'Music For You – MF Mix' encaptures the soulful power of music and the silly energy of garage house dancefloor. This already classic banger track got some little twist for 2024 re-release, and we are honored to be able to release such a nice House track on wax eventually, almost 18 years after Original release (2007)

A2 – Fouk is serving some powerful deep house disco driven music, with a clear inspiration taken from the Garage house spirit of the 90’s-2000 golden era. The result is Cobalt, an impressive dancefloor weapon delivered by the acclaimed duo from Netherlands.

A3 – We are honored to welcome Michele Chiavarini into closing A side on a deeper touch – Vibe We Share. If michele is known for its musicianship and craft capacity that brought him to work all around in the music, he delivers here an interestingly deep house track, with beautiful vocal addition that bring a modern flare to the classic soulful house sound.

B1 – B Side open on a disco banging track, and who better than the jackin house hero Angelo Ferreri to get ourselves shaking heavy on another disco cut ? All Time Disco is probably a track that will have a strong connection with hectic dancefloor. What a delight

B2 – Some very delicious vibes follow on with Marc Cotterell addition to the compilation – Paris By Night. Here goes a journey to soulful house and organ ride with many garage house hints & breaks, Marc brings here a very musical track that might fit easy listening session and dancing hours both with ease and elegance.

B3 – Last of the list comes Teuteu with Kong. Emerging artist and newer to the scene than most of the previous artists, teuteu is noneless bringing some awefully interesting vibes on his B3 closing with a heavy Jazz House track. Organ jazz solo, deep chords, broken house patterns, all you needed to wrap up our Gravity compilation with adequate taste and charm.

The vinyl express keeps rolling. After celebrating Ten years JEAHMON! we are back with label head Marc DePulse who presents his new series “Fingerprint”. Nasty beats. Low drums. Tireless drops. Rolling basslines. Tremendous subs. Tape emulators. Heavy guitars. Acid pots. Dark percussions. Snare rolls. 4/4 time. Headbangers. Attack and release. Fully charged energy. Trippy breaks. Weird breakbeats. Crazy rhythms. Mystic pads. Heartbreaking leads. Squeaky synths. Vocal snippets. Memorable phrases. Powerful speeches. Industrial charm. Metal bangers. Slowed down. Speeded up. Retro vibes. Modern wave. Disco elements. Same same but different. Peak time. No limits. Out of the box. A box full of colours. Painted arrangements. Equalized. Compressed. Limited. Signature sounds. Electronic earworms. Handscript. Fingerprint. Play. Rave. Repeat. Hugs & kisses. Spread the word. Share the vibes. Peace, love and freedom to everyone on the planet!

In 2021, we welcomed Endrik Schroeder to the Bordello family with his Second Breath 12”. The memorable hooks and attention to detail that characterised his first appearance run deep in his latest. The Hope sees the French producer accompanied by a true legend of electronics, Caroline Hervé aka Kittin. Hervé’s penchant for combining brighter tones with darker shades is evident from the needle. Industrial hiss pierces swirling vocals. Clean claps, warm bass and crystalline chords give way to woe-streaked lyrics, lyrics that ascend into an arc of pulsating synthwave pain. Schroeder takes the reins on the flip. A beam of light is cast over throbbing arpeggios and a slicing snare, notes drifting ever higher as “The Dogs” takes hold. Strings swim as a spread of sounds grow, a palpable energy building under Schroeder’s watchful ear and hand in this seven minute plus odyssey into his

Classic South African house / Kwaito album on vinyl for the first time.

Originally released on CD in 1995, this album which is associated with the birth of South African street music genre – ‘Kwaito’ and dance/dress style ‘Pantsula’ is now remastered for vinyl from the original tapes – resulting in the best sounding version of the recording to date.


Regarded as one of the earliest full length Kwaito albums, ‘Sigiya Ngengoma’ was released just one year into South Africa’s new democracy in 1995. Characterised by ‘mid-tempo’ beats, heavy bass hooks, adapted breakdancing and vocals in informal Zulu and other South African languages; ‘Sigiya Ngengoma’ would form a critical part of the South African street music movement that now has its own fashion, crews and dance style.

It helped post-democratic South Africa define its own musical identity and would pave the way for other Kwaito releases that ultimately led to the emergence of Amapiano years later.

Frankie from Atlanta has released an EP showcasing two tracks characterized by deeply profound synths and the elegant signature style typical of this producer. “The Operator” radiates energy and mysticism, propelled by a solid bassline that imbues the track with dynamism and virtuosity. In the remix, Detroit legend Gari Romalis lends his genuine touch, emblematic of his artistry. This release seamlessly merges the finest elements of both musical realms, expertly capturing the essence of each producer. It’s a testament to their skill and creativity, delivering an immersive musical experience.

The label's first EP is by Yu, a great Italian artist who gives us 4 tracks with his unique and unmistakable style, with an energetic and natural flow.
Fruit of experimentation and research dominated by strong kicks and basses accompanied by hypnotic and captivating sounds.
Characterized by the rhythmic energy of club music.

2024 Repress

top 3 charts in the new groove!

Amotik returns with 3 tracks of raw/heavy/atmospheric techno on the vinyl only label.

Support from: Pfirter, Markus Suckut, Truncate, Ben Sims, DJ Pete, Boris, Oliver Deutschmann, Cleric, Jeroen Search, Francois X, Norman Nodge, Spencer Parker, Slam, Dustin Zahn, Tommy Four Seven, Kwartz, and more.