Cerca:ca

Ein Album zum Schlafen und Wachen, zum Gehen und Fahren, zum Jagen und Fischen, zum Herumlungern vor einer Raststätte in der verwunschenen Tundra. In Fahrstühlen okay, zum Abendessen nicht so toll. Auf Caveman Wakes Up, dem neuen Album von Friendship und ihrem zweiten für Merge Records, wird die historisch weit gefasste Definition von Country-Musik noch weiter gefasst. Shambolische Gitarren werden durch Flötenpads ausgeglichen, trübe Poesie trifft auf eine Motown-Rhythmusgruppe, ein Song über Jerry Garcia und die First Lady Betty Ford wird mit einem Schlagzeugsolo ausgeblendet, als käme Talk Talk aus einem schmuddeligen Keller in Philadelphia und würde von James Tate gespielt. Der zerklüftete Bariton des Songwriters Dan Wriggins schneidet durch elf düstere, wirbelnde Country-Rock-Songs mit tiefgründiger lyrischer Substanz und Aufrichtigkeit. Wie ein Wecker, der am Rande eines Traums eingebaut ist, gehört "Caveman Wakes Up" gleichermaßen zum bewussten und zum unterbewussten Verstand, voller Hintergründe, durchdrungen von Referenzen und Experimenten, beiläufig und als düstere Warnung vorgetragen und vor allem der kreativen Seele der Musik gewidmet. Im Laufe der Jahre hat sich diese Hingabe ausgezahlt. Friendship ist zu einer Art umgekehrter Supergroup geworden, in der die Band selbst und jedes einzelne Mitglied im Zentrum einer zunehmend prominenten Szene junger Folk- und Country-Musiker und Songwriter steht. Der Schlagzeuger Michael Cormier O'Leary leitet das Instrumentalkollektiv Hour und betreibt zusammen mit dem Bassisten Jon Samuels das Label Dear Life Records, das Freunde und Kollegen beherbergt, die Friendship zu einem wichtigen Einfluss zählen, darunter MJ Lenderman, Florry, und Fust. (Samuels spielt auch die Leadgitarre bei MJ Lenderman and the Wind). Die Band 2nd Grade des Gitarristen Peter Gill ist ebenfalls aktiv und macht zahlreiche Aufnahmen. Wriggins begann mit dem Schreiben der Songs von "Caveman Wakes Up" auf einer verstimmten klassischen Gitarre von Lenderman und beendete es auf einem kaum gestimmten Klavier in einer Wohnung, die er mit G DeGroot von Sadurn teilte. Im Sommer 2023 hatte Wriggins gerade den Iowa Writers' Workshop verlassen, wo seine Liebe zur Poesie und sein Misstrauen gegenüber der akademischen Poesiewelt gleichzeitig wuchsen. Eine Beziehung ging in die Brüche, und Wriggins übernachtete mehrere Wochen in North Carolina im Haus von Lenderman und Karly Hartzman (von Wednesday ), wo er die ersten Demos von "Resident Evil", "All Over the World" und "Love Vape" aufnahm. Wriggins kehrte nach Philadelphia zurück, und die Band machte sich an die Arbeit, um neue Ideen zu entwickeln. Schließlich nahmen sie das Album in fünf Tagen mit Tontechniker Jeff Ziegler (Mary Lattimore, War On Drugs) auf, den Gesang mit Bradford Kreiger, dem Techniker von Love the Stranger. Orgel, Geige (Jason Calhoun) und Flöte (Adelyn Strei) wurden von Lucas Knapp in einer Kirche in West Philadelphia aufgenommen. Textlich bewegt sich "Caveman Wakes Up" auf vertrautem Friendship Terrain - das Heilige wird profaniert und das Profane geheiligt. "Caveman Wakes Up" zeigt Friendships besonderes Genie für visionäre Arrangements, die über Generationen hinweg dem Folk-Rock-Kanon von Neil Young, Joni Mitchell und Emmylou Harris ebenso verpflichtet sind wie Indie-Größen wie Yo La Tengo und den Merge-Labelkollegen Lambchop oder Zeitgenossen wie Lomelda und ML Buch. Mehrere der Songs verwenden Fade-Outs, die im Text von "Love Vape" scherzhaft erwähnt werden, und es gibt andere Elemente, die von Motown und 70er-Jahre-Balladen übernommen wurden: festgefahrene Schlagzeugmuster, Bassintervalle, gefühlvolle Streicherarrangements. Jede Referenz wird über das Genre hinausgeschoben, verwirbelt und wiederholt, zu etwas Neuem, das eindeutig zum Friendship-Sound gehört. Bei "Free Association", "Artex" und "Wildwood in January" ist der Groove so festgelegt, dass andere Klänge nahtlos kommen und gehen können: Mellotron-Flächen, Klavierwirbel und -stiche und klare Gitarrenmelodien, wimmelnde Texturen, die sich als Einheit tarnen. "Caveman Wakes Up" das bisher am weitesten fortgeschrittene Werk von Friendship, ein weiterer Beweis für die Hingabe und Sorgfalt der Band.

Your Grandparents sind von der Zeit fasziniert. Sie kann weder erschaffen noch getötet werden; es gibt nie genug von ihr, aber sie kann sich ewig hinziehen. Zeit ist eine Art Währung, die man sparen, ausgeben und verspielen kann. Am Ende macht sie uns alle zu Narren. Das Trio aus Los Angeles - der Produzent Cole Thompson und die Sänger/Rapper DaCosta und Jean Carter - setzen sich auf ihrem Debütalbum "The Dial" intensiv mit diesen unterschiedlichen Ideen auseinander. Die Platte ist eine Meditation über die Zeit, aber sie zeigt, dass man in der Gegenwart verwurzelt bleiben muss, um das Konzept und all seine Qualitäten wirklich zu begreifen. Die Gruppe, die sich in der Schule in Culver City kennengelernt hat und jetzt Mitte/Ende 20 ist, macht seit einem Jahrzehnt Musik und hat geduldig zugesehen, wie sich die Teile ihrer Karriere zusammenfügten. Es scheint, als würden sie ihre genre-agnostischen, aber im Hip-Hop verwurzelten Songs dem Kosmos entreißen, einen Moment der Inspiration aufgreifen - ein Loop hier, eine Textzeile dort - und in einem Bewusstseinsstrom fortfahren. "The Dial" nahm langsamer Gestalt an, mit dem, was DaCosta "fokussierte Intentionalität" nennt. Your Grandparents hackten auf dem Material herum und achteten darauf, kein einziges Element zu überstürzen. Das Ergebnis ist atemberaubend: eine kaleidoskopische Reise durch Herzschmerz und Freude, Momente der Frustration und Hoffnung. Ihr Gesang wechselt mühelos zwischen elastischen Band-Rap-Flows und goldfarbenen Melodien, während die Produktion durch die Zeit reicht und Einflüsse - von House zu G-Funk über Boogie im J Dilla-Timing bis hin zu ESG-informiertem Dance-Punk - zu einem einzigartigen Ganzen verschmilzt.

Risk/Reward is the brainchild of New York based, London-born underground music scene veteran and Archivio Records owner Daniel Dutts.

The label fuses leading contemporary artists, with iconic 90s producers to create a playful yet sophisticated sound, firmly focused on creating dance floor magic!

The first EP showcases rising Philadelphia talents Post Play (Sweater & John Raffaele), whose previous excursion on Small Moves became a much sought after cult classic.

Danger is what’s commonly known by DJs as a “sure thing”, guaranteed to get the most stubborn of crowds moving. A cheeky bass groove, quirky stabs, hip hop breaks and scratched vocals, create a vibe best described as “if DJ Premier made a track for Wiggle in the late 90s”

Go blends vintage Nu Groove style NYC house with progressive and techy elements to create a unique dancefloor monster. warping speed garage style sub bass combines with punchy stabs, lush pads, trippy synth leads and skippy, swinging drums, creating an atmospheric but driving track, that keeps you guessing til the very end.

Bushwacka! channels his Plank-era heyday to create a remix of Danger that delivers multiple “what the f#%k was that?” moments, as he takes you on a breakbeat voyage with crisp percussion, devastating low end, hypnotic ragga vocals and a didgeridoo no less! A reminder of the man’s genius and genre-defining sound.

What I Meant To Tell You merges warm, J Dilla style sampled chords, with punchy 808s, a deep and warm bassline, dreamy pads and enchanting male/female call and response vocals. Perfect for a warm up or deep in the afters.

With heavy support from the likes of Dyed Soundorom, Tini, Harry McCanna and more, the Post Play boys are ready to add another buy on sight record to their growing discography.

Rico Nasty returns with a new studio album, LETHAL due out May 16th on Fueled by Ramen (Atlantic Music Group).

Rico Nasty is known for her own particular brand of rage-rap and for her outrageous on-stage, online, volume-up persona. But as she grew up, she started to feel trapped by the character she created. LETHAL is a reckoning of who Rico is at 27 with the trap-pop teen persona she created more than a decade ago. Executive produced by GRAMMY nominated producer Imad Royal, the album still features all the hallmarks of a Rico Nasty record - female rage, heavy guitars, humor - but there are also notes of femininity,

introspection and a more complex framing of all the angles of Rico - the performer, the mother, the adult.

LETHAL is Rico Nasty’s third studio album following her debut album, Nightmare Vacation and her 2022 follow-up to Las Ruinas.

Yuno's full-length debut, Blest, out May 16 on Sub Pop, finds the enigmatic indie-pop visionary transforming the emo-tinged suburban malaise of his 2018 Moodie EP into more expansive, widescreen pop drama - suited for big moves and bigger stages. The kaleidoscopic sound he devised as a millennial hermit in his childhood bedroom in Florida has since broadened his horizons, taking him on tour with Unknown Mortal Orchestra and Superorganism, and soundtracking various series for Netflix and HBO. Imbued with elements of dream-pop, rock, trap, and psychedelia, his eclectic songs serve as bids for love and connection, which especially in the fractured era of social media, have resonated with many listeners who find solace in his vulnerability. Yuno's superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, "Blest," the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, "True," in which Yuno moderates a lover's quarrel with slick, trap percussion. Amid the breakbeated dream-rock of "Gimme Ocean," he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don't let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to. All songs on Blest were written and performed by Yuno, co-produced by Yuno and Frank Corr (Morning Silk), who also contributed keyboards, drums, and guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (Chairlift) at The CRC in Brooklyn, and Nick Sanborn (Sylvan Esso) at Betty's in Durham, NC. Blest was mixed by Steve Vealey and mastered by Joe La Porta.

Silver Vinyl. Metalhorse is Billy Nomates' third studio release, following 2023's critically acclaimed, CACTI, and her self-titled 2020 debut. A concept album revolving around the image of a dilapidated funfair, representing the tumultuousness of life - risk and pleasure, danger and exhilaration. The 11 new songs here explore blues, folk and pianodriven arrangements that take Billy Nomates' stark punk sound in a more pastoral direction. Metalhorse is the first Billy Nomates album to be made in a studio and with a full band, the line-up inc. bass player Mandy Clarke (KT Tunstall, The Go! Team) and drummer Liam Chapman (Rozi Plain, BMX Bandits) plus a special feature from The Stranglers frontman Hugh Cornwell on "Dark Horse Friend". Metalhorse is a balancing of extremes. Reckoning with loss, material insecurity, and trying to stay true to yourself against an increasingly unpredictable backdrop of global chaos, the scales could easily have tipped towards darkness, but the more Maries has had to weather, the more precious those smaller moments of happiness have become. Metalhorse begs the listener to find their own funfair; there will always be things that feel perilous. At the same time, you have to marvel at the lights while they're still on. Dancing with those feelings of uncertainty and joy, Metalhorse is awash with both pain and perseverance.

WHEN A NIGHT IN SOUNDS LIKE A NIGHT OUT! Eine schillernde 11-Track-Reise durch die handverlesenen Perlen unter Numeros besten. Eccentric verbindet die zeitlose Wärme des klassischen Soul mit einem frischen, modernen Twist: Eccentric Modern Soul präsentiert eine weitläufige Klanglandschaft, die sich sowohl nostalgisch als auch neu anfühlt.

Silver Vinyl. Metalhorse is Billy Nomates' third studio release, following 2023's critically acclaimed, CACTI, and her self-titled 2020 debut. A concept album revolving around the image of a dilapidated funfair, representing the tumultuousness of life - risk and pleasure, danger and exhilaration. The 11 new songs here explore blues, folk and pianodriven arrangements that take Billy Nomates' stark punk sound in a more pastoral direction. Metalhorse is the first Billy Nomates album to be made in a studio and with a full band, the line-up inc. bass player Mandy Clarke (KT Tunstall, The Go! Team) and drummer Liam Chapman (Rozi Plain, BMX Bandits) plus a special feature from The Stranglers frontman Hugh Cornwell on "Dark Horse Friend". Metalhorse is a balancing of extremes. Reckoning with loss, material insecurity, and trying to stay true to yourself against an increasingly unpredictable backdrop of global chaos, the scales could easily have tipped towards darkness, but the more Maries has had to weather, the more precious those smaller moments of happiness have become. Metalhorse begs the listener to find their own funfair; there will always be things that feel perilous. At the same time, you have to marvel at the lights while they're still on. Dancing with those feelings of uncertainty and joy, Metalhorse is awash with both pain and perseverance.

Grails - the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities - returns a mere two years after the lauded Anches En Maat with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, Miracle Music does so with an ascendant melodic power that feels hallowed. The Miracle Music lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion - and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) - Miracle Music unveils an exquisite new horizon for Grails. Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is Miracle Music. In a catalog defined by mercurial departures, this is Grails' most sentimental and high-minded trip yet.

Grails - the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities - returns a mere two years after the lauded Anches En Maat with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, Miracle Music does so with an ascendant melodic power that feels hallowed. The Miracle Music lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion - and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) - Miracle Music unveils an exquisite new horizon for Grails. Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is Miracle Music. In a catalog defined by mercurial departures, this is Grails' most sentimental and high-minded trip yet.

“In May 2024, the Brazilian state of Rio Grande do Sul, where I was born and have lived all my life, faced the worst climate catastrophe in its history. After weeks of relentless, torrential rain, its rivers overflowed, flooding much of the region. Entire cities were submerged. More than 170 people lost their lives, and hundreds of thousands of animals perished. Amid this dystopian and desperate situation, flux was composed and recorded in about a week. Initially, the album was created solely as an exercise to maintain my mental health. But when I finished it, I realized that it had become a kind of “sound portrait” of this dark moment—days filled with pain and suffering. Yet it was also a meditation on the ephemerality and fragility of life, and the struggle to survive.”

2025 Repress.
Originally released in limited formats in 2017 and having since been repressed several times, 2025 sees
a new pressing to acknowledge the enduring legacy of this recording. In 2024, the song Trees & Flowers
became an unexpected hit on Tik Tok and introduced a new generation to these timeless songs.

“1982 4-Piece Demo” is the first official, fully-licensed and unreleased material to be released under the name
Strawberry Switchblade in 30 years. Since disbanding amid major record label acrimony and personal differences
in 1986, the already-cult band have since grown in stature and legend. Trailblazers in many ways, the band’s
mythology justifiably centers around the charismatic duo of Jill Bryson and Rose McDowall, but that isn’t a
complete picture.

Bryson and McDowall’s growing friendship, having met some years earlier on the punk scene, became a creative
partnership: Bryson’s art school background and McDowall’s history in avant-punk group The Poets meant
Strawberry Switchblade was a band pitted against many established norms. The band’s very first incarnation,
an all-female 4 piece, recorded one demo at Glasgow’s Hellfire Club and played a handful of gigs. Friends
Janice Goodlett and Carole McGowan completed the line up on bass and drums respectively. Strawberry
Switchblade would eventually pair down to a duo and go on to chart success but it’s in these raw, passionate
recordings that the songwriting and vocal elements were being hammered out and explored in real time.
“Spanish Song” is a previously unreleased song. With Rose McDowall’s instantly recognizable lead vocal
dovetailing with Bryson’s harmonies and lead guitar, it’s the first glimpse at an alternative history of Strawberry
Switchblade. This incarnation could easily have been featured on a Nuggets compilation or a precursor to the indiepop revolution that would take over British bedrooms a couple of years later. Trees & Flowers is instantly
recognizable, a bona fide classic that would earn the band its first record deal. Here it’s given a more forceful rhythm
section: Goodlett and McGowan’s playing is in fact accomplished and doesn’t hint at the bands’ youth. Go Away
would also surface later on the band’s debut LP but here it is a moody-garage stomper with a psychedelic, haunting
refrain.

These 3 songs point to a tantalizing future of the band that was never realized.
Remastered and restored by Sean Pennycook from the original cassette, with artwork based on a single
photographic contact sheet (the only visual evidence of the band in this form) and with a booklet of photographs and
new text from contemporary Stephen Pastel.



Spanish Song' is a previously unreleased song. With Rose McDowall's instantly recognizable lead vocal dovetailing with Bryson's harmonies and lead guitar, it's the first glimpse at an alternative history of Strawberry Switchblade. This incarnation could easily have been featured on a Nuggets compilation or a precursor to the indie-pop revolution that would take over British bedrooms a couple of years later. "Trees & Flowers" is instantly recognizable, a bona fide classic that would earn the band its first record deal. Here it's given a more forceful rhythm section: Goodlett and McGowan's playing is in fact accomplished and doesn't hint at the bands' youth. "Go Away" would also surface later on the band's debut LP but here it is a moody-garage stomper with a psychedelic, haunting refrain. These 3 songs point to a tantalizing future of the band that was never realized.


Remastered and restored by Sean Pennycook from the original cassette, with artwork based on a single photographic contact sheet (the only visual evidence of the band in this form) and with a booklet of photographs and new text. Pa

"Songs To Fan The Flames Of Discontent" was first released in 1996 and catapulted the band Refused from Umea in northern Sweden into the hardcore punk premier league. The Scandinavians, who were known for their hard, uncompromising sound, provocative performances and irreverent lyrics, followed the album with extensive tours all over the world, for example with Kristofer Aström"s Fireside, Madball and Entombed.

"Songs To Fan The Flames Of Discontent" was first released in 1996 and catapulted the band Refused from Umea in northern Sweden into the hardcore punk premier league. The Scandinavians, who were known for their hard, uncompromising sound, provocative performances and irreverent lyrics, followed the album with extensive tours all over the world, for example with Kristofer Aström"s Fireside, Madball and Entombed.

A double LP package from Bardo Pond, combining two of their super rare jam volumes on vinyl for the first time. A further edition in this celebrated series, ‘Volume 4’ and ‘Volume 5’ feature more freeform improvisational pieces from the hypnotic Philadelphia outfit.

Capturing the raw essence of the band, whose fearless exploration blurs the lines between structure, chaos, melody and noise. Bardo Pond's music traverses space rock, acid rock, post-rock, shoegaze, noise, Krautrock and psychedelia.

‘Volume 4’ hails from self-released sessions recorded in January 2002, its five tracks include the supremely tripped out heaviness of ‘K2’ and the balance-shifting ‘New Drunks (Revisited)’ with Isobel Sollenberger’s exquisite and, frankly, quite disturbing vocal. They’re shorter interrogations of sound by Bardo terms, almost succinct in their mesmerising riffage and off-kilter arrangements.

By contrast, ‘Volume 5’ consists of two lengthy mantras recorded between 2000 and 2004 and released as the tape spool spiralled out. ‘FUFO’ sounds like Cluster unravelling with Merzbow mixing, a post-industrial slew of hypnotic proportions, while ‘Monarch’ begins as a Current 93-like neo-folk mood piece before evolving into a wailing slice of drone-drenched Americana by way of a Velvets’ jam.

“We were pushing improvisations as far as we could. It was glorious having the studio. The more that our heads were spinning after a session, the better we knew that session would sound when we listened back. We were getting together two nights a week, usually three or four hours working on material and songs and the other half the time letting loose. Volumes 4 and 5 gather together some of these improvisations, and one early song that we felt like doing.” Adds Michael Gibbons of Bardo Pond.

Die kompromisslose Fusionen aus klassischem Death Metal und Melodie, sowie kraftvolle Riffs, die an die alte Göteburger Schule erinnern, treffen auf mitreißende Grooves, die direkt zum Head bangen einladen. Stellt euch vor, At the Gates, Dark Tranquillity, Morbid Angel, Obituary, Death und Carcass vereinen ihre Kräfte - schnell, melodiös, präzise und gleichzeitig tödlich! Dennoch be halten Helldrifter ein sehr gutes Maß zwischen Härte und Melodie, sowie Geschwindigkeit und Groove. Alle Lieder überzeugen mit Abwechslung und geschickt gewählte Kompositionen. Teilwei se erinnert "Helldrifter - Shell Of Inexsistence" an Klassiker wie Death's Symbolic oder The Sound of Perseverance - aber frisch und nicht als eingestaubte Kopie!

Lyrisch befasst sich "Shell Of Inex sistence" mit düsteren und existenzbedrohenden Themen: Vom atomaren Ende der Menschheit, über die Psychoanalyse der menschlichen Seele, bis hin zu sozialkritischen Themen, wie Kriegen und Suizid. "Shell of Inexistence" ist nicht nur ein kraftvolles musikalisches Statement, sondern auch ein intensives lyrisches Werk, das tief in die Abgründe der Psyche und Gesellschaft eintaucht.

"Shell Of Inexsistence" wurde unter der Leitung von Roland Böffgen und Helldrifter, in den Hard Drive Sound Studios in Stuttgart aufgenommen, produziert und gemixt. Die Gitarren- und Bassspu ren wurden unter der Leitung von Vasilis Monopoulos in dem bandeigenen Studios aufgenommen. Der finale Feinschliff und das Mastering wurde von Kai Stahlenberg, im Kohlekeller Studio in See heim-Jugenheim, durchgeführt. Für die visuelle Umsetzung wurde Giannis Nakos (Remedy Design) beauftragt, der unter anderem bereits die Artworks für Suffocation, Morbid Angel, Cryptopsy oder The Crown realisierte.

"Shell of Inexistence" ist ein kraftvolles Statement im Death Metal, das Fans des Genres genauso fesseln wird wie Neulinge!

"Metalhorse" ist das dritte Studioalbum von Billy Nomates, nach dem von der Kritik hochgelobten "Cacti" von 2023 und ihrem selbstbetitelten Debüt von 2020. Ein Konzeptalbum, das sich um das Bild eines verfallenen Jahrmarkts dreht und für die Turbulenzen des Lebens steht - Risiko und Vergnügen, Gefahr und Rausch. Die 11 neuen Songs erkunden Blues, Folk und pianobetonte Arrangements, die Billy Nomates' starken Punk-Sound in eine pastoralere Richtung lenken. "Metalhorse" ist das erste Billy Nomates-Album, das in einem Studio und mit kompletter Band aufgenommen wurde. Zur Besetzung gehören die Bassistin Mandy Clarke (KT Tunstall, The Go! Team) und der Schlagzeuger Liam Chapman (Rozi Plain, BMX Bandits), dazu gab es einen speziellen Gastbeitrag von The Stranglers-Frontmann Hugh Cornwell zu dem Song "Dark Horse Friend". "Metalhorse" ist eine Balance der Extreme. Verlust, materielle Unsicherheit und der Versuch, sich selbst treu zu bleiben, vor dem Hintergrund eines zunehmend unvorhersehbaren globalen Chaos - die Waage hätte leicht in Richtung Dunkelheit kippen können, aber je mehr Tor Maries durchmachen musste, desto wertvoller wurden die kleinen Momente des Glücks. "Metalhorse" fordert den Hörer auf, seinen eigenen Rummelplatz zu finden; es wird immer Dinge geben, die sich gefährlich anfühlen. Gleichzeitig muss man die Lichter bestaunen, solange sie noch brennen. "Metalhorse" tanzt mit diesen Gefühlen von Ungewissheit und Freude und ist von Schmerz und Ausdauer durchdrungen.

LINKIN PARK—Mike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong of critically acclaimed band Dead Sara as co-vocalist and Colin Brittain songwriter/producer for G Flip, Illenium, One OK Rock as drummer—share their first brand new music in seven years.

The iconic band shared a new single “The Emptiness Machine,” which is also the herald for the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.

About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”

Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.

Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun.

First solo EP on vinyl format for Seclusion label head,Elyas offers a ghetto-tech oriented release, full of old-school and sexy vocals.To complete the EP, he called upon two Spanish techno legends, namely Aitor Ronda and Horacio Cruz.

Katagory V sind eine Progressive-Power-Metal-Band aus Salt Lake City in Utah. Anfang 1999 gegründet, sind bis dato fünf Studioalben erschienen: Auf "Present Day"(2001) folgten "A New Breed Of Rebellion" (2004), "The Rising Anger" (2006), "Hymns Of Dissension" (2007) und schließlich "Resurrect The Insurgence" (2015). Nun hat die Gruppe einen Vertrag mit High Roller Records unterschrieben, dessen erstes Resultat das brandneue Werk "Awaken A New Age Of Chaos" ist. Die Platte wurde von Dustin Mitchell (Bass), Curtis Morrell (Gitarre) und Matt Suiter (Schlagzeug) eingespielt, allesamt Teil der Originalbesetzung, plus Sänger Albert Rybka sowie Neuzugang Dan Coxey an der zweiten Gitarre. Das Album ist im Streamline Studio in Salt Lake City aufgenommen und von der Band selbst produziert worden. Für das Mastering zeichnete Alan Douches (Fates Warning, Cannibal Corpse) verantwortlich. Mit Riffmonstern wie "Empire Of Ignorance" und "Blood Siphon" oder melodischen Stücken wie "Absolute Divide" oder "Through Fate's Eyes" entpuppt sich "Awaken A New Age Of Chaos" als Meisterwerk des modernen Progressive Power Metal. In der Vergangenheit wurden Katagory V gerne mit Fates Warning, Queensryche, Hades, Sanctuary und Lethal verglichen. Laut Bassist und Gründungsmitglied Dustin Mitchell durchaus zutreffend: "Die genannten Bands haben uns ganz ohne Zweifel beeinflusst. Aber auch eine Menge Speed-, Thrash- und Doom-Bands der späten Achtziger und frühen Neunziger. Dazu Thrash-Metal-Gruppen der alten Schule - Realm, Death Angel, Helstar, Flotsam & Jetsam sowie Atrophy - und ferner auch härtere Melodic-Hardrock-Formationen, speziell aus Deutschland, da denke ich an Bonfire oder Jaded Heart." Das sollte all denjenigen, die mit Katagory V noch nicht vertraut sind, einen guten Eindruck davon geben, wie die Band klingt. Alles in allem ist das neue Werk "Awaken A New Age Of Chaos" von einer überraschend dunklen Grundstimmung geprägt: "Oh ja, dem stimme ich ausdrücklich zu", bestätigt Dustin Mitchell. "Diese Platte ist viel düsterer und auch zorniger als alles, was wir in der Vergangenheit gemacht haben, vielleicht mit Ausnahme unseres zweiten Albums. Im Verlauf unserer Karriere haben wir einige Tiefschläge einstecken müssen, weswegen die Band die letzten zehn Jahre auf Eis gelegen hat. Es ist also nur natürlich, dass sich die Wut darüber auch in unser neuen Musik Ausdruck verschafft hat."

Katagory V sind eine Progressive-Power-Metal-Band aus Salt Lake City in Utah. Anfang 1999 gegründet, sind bis dato fünf Studioalben erschienen: Auf "Present Day"(2001) folgten "A New Breed Of Rebellion" (2004), "The Rising Anger" (2006), "Hymns Of Dissension" (2007) und schließlich "Resurrect The Insurgence" (2015). Nun hat die Gruppe einen Vertrag mit High Roller Records unterschrieben, dessen erstes Resultat das brandneue Werk "Awaken A New Age Of Chaos" ist. Die Platte wurde von Dustin Mitchell (Bass), Curtis Morrell (Gitarre) und Matt Suiter (Schlagzeug) eingespielt, allesamt Teil der Originalbesetzung, plus Sänger Albert Rybka sowie Neuzugang Dan Coxey an der zweiten Gitarre. Das Album ist im Streamline Studio in Salt Lake City aufgenommen und von der Band selbst produziert worden. Für das Mastering zeichnete Alan Douches (Fates Warning, Cannibal Corpse) verantwortlich. Mit Riffmonstern wie "Empire Of Ignorance" und "Blood Siphon" oder melodischen Stücken wie "Absolute Divide" oder "Through Fate's Eyes" entpuppt sich "Awaken A New Age Of Chaos" als Meisterwerk des modernen Progressive Power Metal. In der Vergangenheit wurden Katagory V gerne mit Fates Warning, Queensryche, Hades, Sanctuary und Lethal verglichen. Laut Bassist und Gründungsmitglied Dustin Mitchell durchaus zutreffend: "Die genannten Bands haben uns ganz ohne Zweifel beeinflusst. Aber auch eine Menge Speed-, Thrash- und Doom-Bands der späten Achtziger und frühen Neunziger. Dazu Thrash-Metal-Gruppen der alten Schule - Realm, Death Angel, Helstar, Flotsam & Jetsam sowie Atrophy - und ferner auch härtere Melodic-Hardrock-Formationen, speziell aus Deutschland, da denke ich an Bonfire oder Jaded Heart." Das sollte all denjenigen, die mit Katagory V noch nicht vertraut sind, einen guten Eindruck davon geben, wie die Band klingt. Alles in allem ist das neue Werk "Awaken A New Age Of Chaos" von einer überraschend dunklen Grundstimmung geprägt: "Oh ja, dem stimme ich ausdrücklich zu", bestätigt Dustin Mitchell. "Diese Platte ist viel düsterer und auch zorniger als alles, was wir in der Vergangenheit gemacht haben, vielleicht mit Ausnahme unseres zweiten Albums. Im Verlauf unserer Karriere haben wir einige Tiefschläge einstecken müssen, weswegen die Band die letzten zehn Jahre auf Eis gelegen hat. Es ist also nur natürlich, dass sich die Wut darüber auch in unser neuen Musik Ausdruck verschafft hat."

Revered as one of London’s ‘leading disco labels’, The Disco Express slows no signs of slowing down. Steaming in HOT with with seven Summer sizzlers, the much loved label serves up certified dance floor heat ahead of the sunny season.

Oozing in top tier quality, the Summer Heatwave vinyl compilation encompasses the best new music forthcoming on The Disco Express. Including superb remixes by the scintillating Bosq and Dr Packer, Summer Heatwave features 100% original music by label regulars Magnolia, Maryag, Rayowa, Third Attempt and label boss Bustin’ Loose.

Pulsating with pure infectious Summer grooves, this compilation is truly essential for Disco, Nu-Disco and House music lovers worldwide

"The recordings Contained herein are contained here after many years on the shelf..." So begin Michael Hurley's notes to these unbelievably great recordings from 1964...never before heard. Recorded by Fred Ramsey as part of the same sessions that resulted in Michael's First Songs LP on Folkways. Side A starts with What'llya Do, What'llya Say?, a pretty psychedelic classic that can very well put you into some kinda trance. After that we hear The Blues Had Gone Away - a sad drifty little tune, then Pretty Girl On Rollerskates, with a rare Hurley harmonica solo & hallucinatory lyrics worthy of some examination, and then a beautiful alternate take on one of Michael's all time greats - The Tea Song. Side B starts up with yet more alternate takes of songs from the Folkways LP - this time of Intersoular Blues & I Like My Wine. After that we get to hear two great compositions for the first time, & man oh man are they pretty - Hey Hey Hey Hey & I Love You Babe. Real great stuff all around that we recommend for deep into it Hurley fans & newcomers to his art alike. Michael Hurley is a great American song writer with his own unique way of seeing the world & this LP is a great testament to his vision. Co-release with our friends Nero's Neptune.

A full LP of never before released Hurley recordings from 1972-73! Great early versions of classic Hurley songs such as Automatic Slim & The Fatboys, Drivin' Wheel, Ghost Woman Blues, Watchin' The Show and The Portland Water that come off for the most part better than later releases of these songs.Hurley is backed up by ''The Fatboys'' - not the rotund hip hop crew from the film ''Disorderlies'' but rather a bunch of not so fat nice guys in Vermont who played mostly for the local dairy farmers (Later they were known as ''Sheriff Mocus & the Deranged Cowboys'').A laid back countryish album sure to please the hard core Hurley fan & casual listener too. Deep & breezy. Cover painting by Michael. A co-release with our friends label in San Francisco - Secret Seven.

The Tower is the third studio album by Norwegian hard rock band Vulture Industries. Originally released by Season of Mist on February 24, 2017, the vinyl edition has been sold out for years and sought after by many fans. Known for their mix of progressive metal, dark rock, and theatrical elements, the album continues the band's exploration of complex and atmospheric soundscapes. It combines intricate, sometimes dissonant riffs with elements of black metal, post-punk, and art rock, often switching between atmospheric, melodic sections and more aggressive, intense passages. Lyrically, the album delves into themes of personal conflict, societal decay, and existential despair. The title track, "The Tower," captures the essence of the album with its metaphorical exploration of isolation and oppression. The lyrics are abstract and poetic, inviting listeners to reflect on the human condition and the psychological weight of modern life. The album's concept is built around these dark, thought-provoking themes, creating an immersive experience. Critically, The Tower was praised for its ambitious and multi-faceted approach, with many highlighting its blend of progressive structures and emotional depth. It marked a progression for Vulture Industries in terms of musical maturity, as they refined their sound and further distanced themselves from traditional metal tropes. The album resonated with fans of avant-garde metal, drawing attention for its blend of challenging music and poetic, introspective lyricism.

Wie in einer Szene aus einem Traum stand Thor Harris auf einer überfüllten Bühne mit 13 Musikern: Er klopfte, zupfte, verbeugte sich und blies lyriklose Liebeslieder in ein großes Auditorium von 325 leuchtend roten Sitzen - ohne dass auch nur eine Seele darauf saß. Dies war die Entstehung von "Heathen Spirituals", das fünfte aufgenommene Werk von Harris' abenteuerlichem Ambient-Ensemble Thor & Friends und das erste, das einer himmlischen Wiederholung der Live-Auftritte der Gruppe aus Austin ähnelt. Es ist ein jahrhundertealtes Konzept: eine Platte in einer leeren Musikhalle aufzunehmen. Geleitet von Craig Ross (Patty Griffin, Spoon), einem unerschrockenen Produzenten und lebenslangen Mitarbeiter von Harris, wurde Thor & Friends zwei Tage lang verkabelt, um frei fließende meditative Stücke auf unverstärkten Orchesterinstrumenten im Jessen Auditorium, einem atemberaubenden Art-Déco-Relikt aus den frühen Tagen der Butler School of Music der University of Texas, einzuspielen. Thor Harris ist ein Handwerker, künstlerisch und anderweitig: Er ist Klempner-, Tischler- und Holzarbeiter. In musikalischen Zusammenhängen taucht sein Name oft in Verbindung mit den fünf Worten ,bekannt für seine Arbeit mit" auf, er war Mitglied der Avant-Rock-Götter SWANS und den Indie-Lieblingen Shearwater, aber auch an wichtigen Aufnahmen von Bill Callahan, Amanda Palmer, Devendra Banhart und Shahzad Ismaily beteiligt. In vielen Kreisen ist Harris auch dafür bekannt, dass er ein offenherziger Verfechter der psychischen Gesundheit ist mit einem teuflischen Sinn für Humor und einer Vorliebe für unterhaltsame soziale Kommentare (sein Lehrvideo ,How to Punch a Nazi" führte dazu, dass er im Jahr 2017 von Twitter verbannt wurde). "Heathen Spirituals", das am 16. Mai 2025 auf Joyful Noise Recordings erscheint, enthält drei Originalstücke mit einer Laufzeit von 35 Minuten. Die rhythmische Wiederholung der Eröffnungsséance ,Anne Sexton's Glasses" evoziert ein kognitives Crescendo, während das bezaubernde "Christmas Eve at the Wizard's House" ein Gefühl der Schwerelosigkeit hervorruft. Das krachende, von Chören begleitete ,Heathen Spiritual" rührt derweil ein wunderschönes Requiem für einen sterbenden Planeten an. In glorreicher Treue fangen die Sessions die instinktive Reinheit der Live-Auftritte von Thor & Friends ein.

Necro State dives deep into emotional liminality — a space where anxiety, disconnection and introspection merge into a dark, immersive soundscape.

Across six tracks, NOAMM crafts a narrative that moves between restrained tension and cathartic release, drawing the listener into an inner journey that lingers long after the signal fades.

Mastering: Boris Divider

Based in São Paulo and formed in 2017, TaguaTaguais lead by songwriter and producer FelipePuperi. Felipe, having fronted space groove rock band WannabeJalvafor several years, has an extensive indie resume. Having played at Lollapalooza Brazil, supported shows for Pearl Jam and Jack White. He's also been featured on KCRW, NY Times, Stereogum, Brooklyn Vegan and WFUV.

Tagua Tagua's 3rd full length LP and 3rd release on Wonderwheel following 2024's Todo Tempo EP and 2023's Tanto LP

Upcoming tour plans include SXSW and Lollapalooza Brasil in March 2025

Lead singleLado a Ladofeatures James Petralli frontman of the Austin, TX based rock band White Denim

White Denim were founded in 2008 and have shifted through genres like post-punk, soul, garage, and psychedelic rock and have released music on labels such as Bella Union, City Slang, and Downtown

2024 was a big year at radio as Tagua Tagua filmed and recorded a live sessions for NPR's World Cafe (US) and Gilles Peterson's Brownswood Basement on Worldwide FM (UK)

Embarked on a 10 date Brazilian tour in Spring of 2024 playing to capacity crowds each night in 400-500 cap rooms

Recent tour history includes two stints in the US for New Colossus Festival in NYC and SXSW March 2024 and November of 2024 in Miami, New York, and Philadelphia as well as a headline tour throughout Europe in September and October of 2024

Significant press coverage from publications like NPR Alt Latino, Remezcla, FIP, Bandcamp, and Sounds & Colours to name a few

Huge worldwide radio support from stations like KEXP, KCRW, KUTX (US) Inter, FIP, Nova (FR), RinseFM, Soho Radio, Worldwide FM (UK), 3RRR, 2SER, RTR (AU), RTP Antena 3, TSF Rádio Notícias, Rádio Oxigénio (PT) iCat, Radio 3 (ES) RBB Radioeins (DE) and many more

Rama Parwata and Adam Halliwell unite together with their love of the freer sides of jazz and improvised music, alla Peter Brötzmann and Ganelin Trio to the more funk laden music of Bitches Brew and Herbie Hancock"s Mwandishi. It"s when musicians find a synergy together, be it through sound conversations, be it through mouth conversation s, or be it through the love of what other musicians have said before them, then they can go forth and collaborate freely. As is the case for this duo. Rama and Adam play from different worlds but find a synergy amongst the humanity of sound.

Three LPs packed in a trifold jacket. Pressed on Deep Ocean Pearl, Gold & Dark Green Vinyl. Take up your sword, channel your magic or board your Mech. Chained Echoes is a 16-bit style RPG set in a fantasy world where dragons are as common as piloted mechanical suits. The game is set on the continent of Valandis during the time of a multi-generational war between three kingdoms, Taryn, Gravos and Escanya. After a great catastrophe caused by Grand Grimoire shakes the continent, the kingdoms agree to sign a peace treaty. One year later, an unknown force strives to begin a new war. A group of unlikely heroes joins forces and eventually becomes the clan of Crimson Wings in order to stop it. The outstanding soundtrack for Chained Echoes was passionately composed, arranged and recorded over four years by Eddie Marianukroh as well as many other musicians who worked under his direction. It includes 50 tracks at two hours in length. Even the game has been out for a while, Marianukroh's admiration and enthusiasm for the game and his addition to it remain undiminished: "It has been over two years now since the release of Chained Echoes, which is rather difficult for me to believe. Time really flies, and it's honestly a bit frightening when I think about it. But, despite that, when I listen to the music I've written for this game, I still very much remain proud of what I composed. I really did give my all for this soundtrack. I will forever be grateful to Matthias for trusting me with the music for his game. I can vividly remember how I felt when I first came across his project, and how I nervously reached out to him about the composer position. I truly, truly cannot thank him enough for giving me this memorable experience that I will always hold dear. Thank you, my friend."

On June 13th 2024, Joakim, along with six guest musicians performed Terry Riley"s renowned piece "In C" at a sold-out Philharmonie de Paris. This is the recording of their live performance. The guest musicians were Amosphere, Apollo Noir, Canblaster, Narumi Herisson, Joseph Schiano di Lombo, and Frederic Soulard.

Clear Vinyl. Holt Eure Spandex raus, der Glam kommt JETZT in Euer Leben. Eine super warme Dusche aus Australien, mit Leuten von CLOWNS und CABLE TIES. Es gibt 11 zuckersüsse PopPunk Perlen, die mit Twin Leads auch den Hardrockfan an den richtigen Stellen abholt. Stellt Euch eine Melange aus The Exploding Hearts, The Shivvers, Thin Lizzy und Judas Priest vor... Und bums: da stehen Leatherman vor Euch. Qualitativ hochwertig hauen die 5 fünf Australier Hit nach Hit raus, der Gesang von Annabel Brown trifft genau den richtigen Ton zwischen rotzig, unschuldig und aggressiv...

2023, past and future merge into one. Stripped of temporal markers, today's artists unabashedly draw from the past while boldly gazing into the future. Amid revivals and

innovations, trends and undercurrents, the game is intricate, the nuances abundant. Orphia's music is no exception. Behind the synthesizers, the Genevan weaves a musical tapestry on a tightrope. Cold wave, synth-pop, post-punk, eurodance, Indochine, Depeche Mode, Boards of Canada, Eurythmics... it all blends in a grand synthetic ritual where the festivities happily don't stop at the first light of dawn. Charging forward, swiftly, strongly, into an uncertain future, no questions asked but with a quick glance in the rearview mirror, just to be sure.

"L'Aventure des Gens Modernes" resides in this retro-futuristic melancholy, between nostalgia and a thirst for tomorrow. Without ever falling into foolish nostalgia or soulless revival, the EP reflects an absolute urgency. Urgency to produce, first and foremost, as studio work has become a true raison d'être for Orphia. Urgency to also shout out a certain rage against a world devoid of hope, and this on stage where the artist performs alone, synths in hand and sharp beats for the dancefloor. In an era where the past enables facing the future, the 5 tracks of "L'Aventure des Gens Modernes" breathe a breath of fresh air into a scene in ruins. Cyberpunk or punk in general, Orphia wants to go fast and take everything in its path.

Sex Mask is a 3 piece post-punk/alternative rock band based in Melbourne, Australia, drawing members who hail from various parts of the globe.

The self-contained writing/production unit comprises Vicente Moncada on drums/production, Ry Gray on vocals and lyrics, and Kaya Martin on guitars and synths.

Their music is described as "vague pop instilled with the ancient genius of your own blood," suggesting a blend of introspective lyrics, innovative soundscapes, in a context of absurdist punk.

Sex Mask has released several tracks, including "Tv Movie," "How To Be Cool At Parties," and "Birds." They have a growing organic base of listeners on streaming platforms.

Their captivating live show in 2024-25 has seen them support Fcukers, Big Special, Fat White Family and festival stages around Australia.
Following an exciting Bigsound Brisbane and SXSW Sydney in late 2024, the chaotic trio will embark on their first UK tour this spring, covering stages at Dot To Dot, Great Escape, Get Together as well as their debut headline show in London.

Mutant, in partnership with Back Lot Music, are proud to present the premiere physical release of Grammy-and Emmy-nominated composer Benjamin Wallfisch's score to the hit film Twisters.

Not to be confused with  Twisters: The Album - the various artists, country pop compilation - the original motion picture soundtrack to Twisters exclusively features Benjamin Wallfisch's beautiful, romantic and action packed score.

From the opening notes of the first track "Nature's Masterpiece" the tone is set for a score that marvels in awe of the beauty of the American landscape, and the powers that mother nature contains.

“It was such a thrill and joy to work with director Lee Isaac Chung on Twisters. Even in the most intense and powerful action pieces he still manages to always make it feel personal and about the characters." says composer Wallfisch. "The sheer power and majesty of the storms is always grounded in us rooting for Kate, Tyler, Javi and all the others, and finding a way to capture that balance and tone was the main starting point for the score. As a huge fan of the 1996 movie, it was an honor to have been invited to be a part of this incredible film.”

For its latest release, Last Year in Marienbad welcomes back French producer Moonee, who delivers an EP brimming with his signature blend of euphoric and emotive grooves.

One of François Lefevre’s main aliases, Moonee explores the airier side of dance music, crafting deeply immersive sonic experiences that evoke introspection and escapism. While initially focused on deep house, his sound has evolved across recent releases, particularly on his Sandquest LP for OATH. His finely curated approach highlights fluid, intuitive soundscapes that invite repeat listens.

His new EP, Brotherhood, is perhaps his most refined and carefully poised work to date. The title track’s Glitched version opens with a sense of urgency, combining a stepping garage beat, lo-fi vocal snippets, and deep basslines. Existenzfollows, elevating four-on- the-floor energy with intricate rhythmic textures and a rich, orchestral-like melodic palette. Panorama rounds off the EP’s initial arc with playful vocal samples and an uplifting bassline—perfect for late-night city wanderings.

Closing out the release, Oath affiliate Moomin reinterprets the title track with an electro-infused remix. More understated than the original, his version builds gradually, offering a masterclass in energy control.For those seeking enriching grooves, entrancing melodies, and warmth, Brotherhood delivers. It’s a journey through electronic currents, shifting effortlessly between moments of calm and surging energy—press play and dive in.

ULTRA LIMITED EDITION - WHITE VINYL - 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!