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"From The Kitchen To Your Ears" is the debut Various Artists release from Home Kitchen Records, a project rooted in the same spirit as cooking: raw ingredients, patience, instinct, and creativity. Like a dish made with care, each track has been shaped and refined to deliver its own sonic identity.

This VA brings together a special selection of artists, including a track from the label’s founder Z-ID, alongside Briki, Ghazi, Ahmet Mecnun, Shkedul & Salma, all connected through a shared passion for music. Each contribution brings its own flavor, forming a diverse yet cohesive journey from the studio to your ears

Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.

The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.

Hey! Cabrera is back at Bordello. Following on from Italo Void, this time he arrives with two friends and fellow countrymen in tow: Marta Paradise, the duo of Paolo Ancona and Davide Pozzovivo. A shared passion for the analogue riches of the 1980s cements this new partnership, a passion fully captured in the bold synth‑lines and heady grooves of Go By Night. Bodies swirl in the fog of “Stasera No.” Glittering melodies float above clean beats, shifts swooping and tucking before the unmistakable vocals of Fred Ventura smoulder. The mood drops from disco to basement as “Go Ahead” takes hold. Those addictive hooks remain central, but now they’re teased by breathy samples, orchestral rinses and thick basslines.

Whistle blasts and cowbell rumbles introduce the flip. Bright and luminous, vocoder verses carry this late‑night rave straight into sunrise. Tempos fall for the close. Fragile drum patterns form a base from which machined and spoken words intertwine with bubbling 303 lines. A record that captures every moment of the night.

STARDUB VA series continues with number 10. This time we have the honor to present a 6 track EP with Dub Techno's finest musicmakers Dreist, Habben, RuMa, Ohm & Lentza, Marco Cassanelli and DIB.
From Dub With Love! Limited to 250 copies.

ICONYC steps into new territory with Traffk, a spellbinding EP from UVITA, Twiins, and Motip White. Built around two deeply immersive compositions, Traffik operates as a threshold rather than a destination — a carefully measured passage into unfamiliar territory where tension is curated, expectations are subverted, and every detail feels deliberately withheld until the right moment.

At the center lies the title track, “Traffik,” a commanding convergence of three distinct creative voices distilled into a singular, unsettling vision. Suspended between austere minimalism and intricate design, the piece unfolds with a forceful rhythmic backbone that plunges into subterranean depths. Twisting brass motifs flicker and bend like fractured light across polished surfaces, creating an atmosphere that is both tactile and elusive. As the groove locks into a hypnotic oscillation, a spectral vocal presence emerges, injecting a sense of weight and foreboding before the track fractures inward, collapsing into a violent release that ejects us from its vortex with uncompromising intensity.

On our B-side, UVITA and Twiins reconvene for “Lucy Tried For It,” a continuation that trades overt drama for a slow-burning psychological pull. Anchored by a prowling low-frequency current and a relentless percussive drive, the track draws us deeper through carefully placed sonic detonations that expand its spatial dimension. Gradually, malfunctioning mechanical textures and distant, almost feral cries seep into the framework, setting the stage for an introspective spoken-word moment that nudges the piece further into the subconscious. As fragmented melodic elements begin to surface, “Lucy Tried For It” reaches a moment of suspended reflection before surging forward once more, closing the EP on an emotionally charged and resolute note.

Few producers age into deep house with this level of ease. From Switzerland, Shaka's latest EP feels authentic and lived-in rather than retro while drawing on 90s jazz-inflected house without leaning on pastiche. The opener main vocal mix drifts in on flutes, soft keys and Eve's voice, setting a loose, late-night mood that favours feel over flash. The instrumental flute version pares things back, letting swing and detail breathe. Flip it and 'As If Eternity Belonged To Us', featuring Cate Acupar, locks into a warmer, early-2000s pulse, while 'Life Is Brighter With You' cools the room with sax, piano and patient restraint. Dancefloor-ready but also nice and reflective.

The fifth transmission in the XTRICTLY ELEKTRO series connects the past and future of the genre in one powerful statement.

Side A channels the sharp, forward-driven pulse of the new school — EC13, Elektrotechnik, and Parand deliver cutting-edge vibes built for the modern floor. Side B pays tribute to the roots with Calagad 13, DJ Overdose, and Motorobot — a legendary alliance between Bass Junkie and Dynamik Bass System, returning for only their second-ever collaboration.

A bridge between eras: classic heritage meets futuristic sound design — timeless, synthetic, and deeply interconnected.

Limited edition of 150 copies.

RAWAX proudly welcomes Mike Dehnert to the artist Family! We are very happy to present
you this great Producer/ DJ from Berlin on the RX Series. Starting with "Freiraum EP" which came out originally on Mike's onw imprint, called Fachwerk in 2008.
You will hear in future also new music from Mike on RAWAX.
Stay tuned!

With his highly accomplished third album If This Is It, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG, and 2000s-tinged trance.

The 12-track LP — featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, “Norwegian pop witch” Moyka, and Barry Can’t Swim affiliate just lil — explores letting go in a world that can often feel overwhelming.

“A million ideas turned into a few, a few turned into no ideas at all, and no ideas eventually turned into one,” says Jakobsson of the album, which he began the week his acclaimed 2021 record Mirrors was released. “Through writing it, I’ve tried to turn long-held anxieties into acceptance, and I hope listeners can take their own meaning from it.”

With his highly accomplished third album If This Is It, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG, and 2000s-tinged trance.

The 12-track LP — featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, “Norwegian pop witch” Moyka, and Barry Can’t Swim affiliate just lil — explores letting go in a world that can often feel overwhelming.

“A million ideas turned into a few, a few turned into no ideas at all, and no ideas eventually turned into one,” says Jakobsson of the album, which he began the week his acclaimed 2021 record Mirrors was released. “Through writing it, I’ve tried to turn long-held anxieties into acceptance, and I hope listeners can take their own meaning from it.”

As with the band’s 2023 release of the same name, Refreshing Part 2 is a decisive and fierce collection of percussive techno that nonetheless travels its path with a heightened level of funkiness.
The Italian duo describe the concept behind this collection as being “not about resetting, but about balancing. Refreshing means reconnecting with the present and with the future…focusing on one’s own way in order to prevent the flow from becoming automatic, uncontrolled, and
without orientation. It is more a direction than a path.”
The four tracks on the 12” are hypnotic dives into a full spectrum of club music: the rhythms and sound design guiding the subconscious into visions of past, present and future intermingled, a reminder that all moments co-exist simultaneously.
Side A passes from the stripped-down intensity of The Way through to Elisir (Elixir), which manages to pull off a trick of feeling light and floaty while maintaining the power of its predecessor. The flip side opens with the forceful drive of Activate before making way to the
percussive elasticity of Family Tree, a track which closes out the EP by recalling, in both name and sound, how that which came before deeply affects the now, though often in ways only subliminally perceived.
Digital-only track Fixed in Flux continues this concept, and the overall themes of Refreshing Part 2, with further evocations of intent and movement; remaining present in change, without resisting it, yet without dissolving into it.

2026 Repress

Foundations Records has landed! A brand new label from the Foundations Series camp. Last year saw their launching F-BOMBS Records, a UK Garage and Bass focused label with a mighty debut from Swankout on the Speed Garage EP. Foundations Records will be a home to Hardcore, Jungle and all things Rave inspired.

Early support from: Pete Cannon, Billy 'Daniel' Bunter, Origin8a & Propa, T-Cuts, Vali NME, Swankout, Jay Cunning, LMajor, Chinese Daughter, Arkyn, Uplift, Drumskull, Andy Foundations.

Vintage hardware junkie, 12bit Jungle Out There (aka Kris Buckle), dusts off the Amiga and the Akai to craft authentic 90s Jungle beats. The Aussie-based Brit boasts a rich musical history that began as the guitarist for Sunscreem, sharing stages with The Prodigy, and continued with a stint alongside Soulwax favorites, Soapstarter. As a session guitarist and musical director for singer-songwriter Liam Bailey, Kris honed his craft on international stages, gaining valuable experience and deepening his musical versatility while touring with drum & bass giants Chase & Status. Recently, he's been sharing his expertise in retro Jungle production through YouTube tutorials and actively contributing to Perth's Jungle/DnB community with the high-energy SUB/Stance events.

DJ Support: Damian Lazarus, James Zabiela, Chloé Caillet, Luke Slater, Solomun, Huxley, Peggy Gou, Alan Fitzpatrick, TSHA, Mat.Joe, Eliza Rose.

It’s been a standout year for X & Ivy following the release of “Let The Bass Kick” on Forever Days. The duo have earned support from heavyweights including Peggy Gou, Todd Edwards and DJ Tennis, with their Chic-sampling club weapon lighting up dancefloors worldwide all summer.

Now, they hand the reins to DJ/producer Jennifer Loveless, who flips “Let The Bass Kick” into a fresh, forward-thinking rework built for the dancefloor.

DJ Support: Nic Fanciulli, Joe T Vannelli, Danny Tenaglia, Richie Hawtin, Nick Curly, Shiba San, Adam Beyer, Marco Bailey, Boris, Jamie Jones, Markus Schulz, Tom Novy, John Digweed, James Zabiela, Tiesto, Claude VonStroke, Roger Sanchez, Blond:ish, Adriatique, Paul van Dyk, Joris Voorn, Deer Jade, Vintage Culture & Paco Osuna

Few labels can claim true legendary status in dance music - where trends fade as quickly as they emerge and icons are made and broken overnight. Yoshitoshi stands as one of those rare exceptions.

The label makes its return with a statement of intent: a definitive new remix package of Alcatraz’s era-defining “Giv Me Luv”, a dancefloor classic that hasn’t seen fresh interpretations in over a decade. While the original has remained a staple for those who know, it’s now primed for a new generation of club enthusiasts.

“Giv Me Luv” represents everything Yoshitoshi has been standing for: raw energy, unforgettable hooks, and that indefinable magic that makes a track timeless. Bringing it back with new remixes after all these years demanded artists who could match its legacy.

Enter Sébastien Léger, the French maestro whose thirty-year journey has seen him perform everywhere from Coachella to the Great Pyramids of Giza. His interpretation delivers the sophisticated, hypnotic drive that has made him one of electronic music’s most respected tastemakers and the founder of the acclaimed Lost Miracle imprint.

Alongside him, progressive titan Jerome Isma-Ae, whose unique fusion of trance, techno and house has dominated Beatport charts and earned him breakthrough recognition from Armin van Buuren, unleashes his signature sharp, breathtaking power on the classic.

The vinyl also includes the original mix on the B-side, completing a package that marks Yoshitoshi’s triumphant return to form.

All scene-shaking releases deserve their own vinyl pressing, and Dense & Pika's 'Colt EP' is getting it well over a decade after its 2012 release. Containing all of the EP's tracks, from namesake 'Colt' to 'Black Deep', 'Vomee' and 'Airless', this re-release carves the legacy of the U.K. into a must-have, limited-edition vinyl.

WRWTFWW Records is extremely excited to announce Hot-N-Ready Remixes Delivered by Pizza Hotline In 20 Minutes or Less, the brand new remix album from Pizza Hotline, landing hot and fast on a limited edition Neon Arcade Arctic Pearl Colored Vinyl Double LP, cut at 45rpm and housed in a heavyweight sleeve with artwork by Equip Studio.
From the high-octane mind of PIZZA HOTLINE - the man behind cult classics that helped redefine liquid drum & bass through a Y2K, console-era lens - comes a full-throttle remix album that feels like a secret bonus disc unlocked after beating the game, a portal into a parallel universe of rave-powered nostalgia and pixel-perfect bliss. Warp-speed liquid DNB, atmospheric jungle, and dancefloor-crushing remixes of legendary tracks extracted from the greatest video games ever made collide in a sensory overload of pure arcade euphoria. Soaring pads, breakbeats that ricochet like laser fire, deep-space subs, and rhythms that feel like drifting through a cyber-city at 3AM with only a CRT glow to guide you.
The album plays like a late-night arcade run fueled by muscle memory and emotion: PlayStation futurism meets WipeEout velocities, Donkey Kong adventure grit, GoldenEye stealth tension, and Sega Saturn dream-logic. It's fast, melodic, immersive, and deeply cinematic - a love letter to video game soundtracks, club culture, and the spaces where the two collide.
This release marks the fifth Pizza Hotline collaboration with WRWTFWW, following the ultra-classic Level Select, its brilliant follow-up Polygon Island, the collaborative smash Anti Gravity Tournament with Mitch Murder, and the Low Poly Breaks cassette series.

Within the Echosphere, every Signal is a call to be understood. Chasm divides who we were from who we have become, Trace lingers in every step, even when the path is lost and Reverie binds our dreams to reality. We are the echo of our own thoughts, reflected into infinity.

Billus joins the Vessel cadre with a considered expedition through the varied world of deep house. A hot tip for DJs and home listeners alike.

A concentrated four track showcase extending the warm glow of last summer’s album “Cruise Control” into the spring of 2026. Satin Jackets lines up a heavyweight cast and delivers an EP that moves effortlessly between sunlit elegance and late night force.
A1) Satin Jackets & Kimchii – “Bring On Up Our Love” (Flashbaxx Remix)
Flashbaxx transforms the Satin Jackets and Kimchii track into a driving disco house floor weapon with bright chords and classic dancefloor swagger. Guaranteed to get everyone grooving.
A2) Satin Jackets & Erobique & Thunder – “You Get Me So High”
A radiant meeting of Satin Jackets, Erobique and Thunder that sails between disco, Westcoast soul and soft focus glamour. Built around the 2025 vocal, the trio turn it into a warm and irresistibly smooth homage to timeless Yacht Rock.
B1) Satin Jackets & Nazzereene – “Know Me” (Johannes Albert Remix)
The Berlin producer dives deep into Chicago house aesthetics and delivers a crisp, rolling late night tool that lights up any club at peak time.
B2) Satin Jackets feat. Seint Monet – “Control” (Ceci Remix)
Ceci closes the EP with a dreamy, slow burning rework that wraps Seint Monet’s vocal in hazy pads and gentle after hours warmth.
Extra Mile EP is the kind of twelve inch you do not pass on. A tight, potent combination of artists who elevate each other with ease.

With Le Tact, Joseph Schiano di Lombo delivers a work of rare finesse, conceived as a posthumous conversation with photographer Henri Cartier-Bresson. Through seven meditative pieces - whose evocative titles echo the photographer's words when describing the art of creating an image - this album explores the instinctive and delicate relationship that connects music and photography to our everyday lives.

Presented for the first time on stage during the 20th anniversary of the Henri Cartier-Bresson Foundation, Le Tact draws its inspiration from the photographer’s art: a sensitive and respectful approach, capturing the essence of things without altering them. This spirit of discretion and precision is distilled by Joseph into his music, blending composition and improvisation with intuitive elegance. While Joseph composed and performed the piano, organ, synthesizer, clarinet, and guitar himself, he opened his arrangements for the first time to other musicians. Agnes Wasniewska (oboe), Barbara Misiewicz (cello), and Tomasz Baye Zietek (trumpet) bring their sonic textures, enriching this work, which is both intimate and collaborative. The album was recorded between Paris and Sopot (Poland) during a residency organized by the CNM.

The album’s title perfectly encapsulates its essence: Le Tact. This simple word, evoking both the sense of touch and artistic intuition, reflects the way Joseph composes—with respect, humility, and attention to detail. Each note seems to float lightly, as if to preserve the serenity of the moment. Le Tact transcends genre boundaries. Between ambient music and contemporary art, this album invites listeners to slow down and truly listen. It is a tribute to the beauty of the world, captured with the subtlety of a photographer and the sensitivity of a musician.

Incl. Remixes by Red Axes, Roman Flügel & Abe Duque

What does it mean to exist in sound?

It does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it – and in doing so, makes themselves visible.

Roman Flügel stands as a constant in the background. Not as an authority, but as a collective consciousness. Since the 1990s, he has moved through club music like a seeker, never content with the first answer. House, techno, experimentation – these are not genres, but states of being. His remix thinks, hesitates, opens, strikes like a surging acid wave, warping reality and demanding true presence.

New York taught him that club music is never neutral. It is body, friction, attitude. Abe Duque’s remix carries a strangely enchanting relentlessness, a resistance to smoothness – as if the dancefloor were a place where freedom is not claimed, but fought for.

Red Axes do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still.

And then there is Tim Paris. Not at the center, but as a narrator. As someone who knows that the voice is an attitude. “That Boy” is not a pose, but a mirror, ironic, direct, vulnerable. Paris moves between new wave house and club, always aware that identity is never fixed, but formed in the moment.

This remix record is not a gathering of names. It is a situation, four perspectives on the same question:

What does it mean to exist in sound?

Yet sound alone does not tell the full story: like music, the visual is a space to be shaped, felt, and deciphered. The cover of Tim Paris feat. Foremost Poets – That Boy, created by Konstantin Fürchtegott Kipfmüller, a visual artist at the Hochschule für Gestaltung in Offenbach under Heiner Blum, embodies this principle. Drawing inspiration from the urban environment, Kipfmüller transforms traces of decay, weather, and time into abstract narratives that, like the music of Tim Paris, Roman Flügel, Abe Duque and Red Axes, unfold meaning layer by layer. The result is no mere adornment, but a mirror of the sonic landscape: every line, every surface an echo of the question of what it means to exist – fully, in the moment, in sound.

Portuguese techno force Lewis Fautzi debuts under his own name on Mutual Rytm with ‘Beneath The Surface’. Hailing from Barcelos, Portuguese maestro Lewis Fautzi has carved out a formidable reputation through a run of uncompromising releases and a sound rooted in tension, precision and raw power - exemplified by his recent outing on the agenda-setting Hayes Collective. He has previously established his fierce, potent sound on Soma, PoleGroup, Mord, and a number of other influential labels, while also heading up Faut Section. Having previously appeared on Mutual Rytm’s Federation Of Rytm III compilation under his Non Cyclic alias, he now steps out on SHDW’s label with a six-tracker busting full of impactful techno cuts. The heavily-requested ‘Beneath The Surface’ opens the EP with menacing low-end and tightly coiled pressure that's released through simmering valves and hissing synths. ‘The Hollow Cycle’ brings a loopy, tunnelling groove with a snaking lead and snaking metallic percussion, while ‘Inner Mechanism’ keeps things dark, deep and driving with a backlit glow that pulls you in. ‘Nonlinear Form’ is streamlined deep techno that fizzes with texture, spraying chords and a rumbling sub-bass, while closer ‘Anamorph’ rides meticulously designed broken beats with an ever-present sense of bass-driven foreboding. For digital purchasers, sparse and eerie bonus ‘Surface’ slams down with industrial weight and real warehouse grit, shaping up another weighty offering for the label.

The Greek artist comes back with a fully realized EP this time, that goes deeper into his personal world. This is not pointless or flashy music. It has soul and character.

It is music that you can listen the personality of the artist beneath the layers and sound design.
Another strong statement from a producer who is quietly building his own language.

A warehouse find of 100 copies, 747's Paleo gets a second chance at the hands it deserves. One of Aquaregia's most essential records, with lost copies finally back in circulation. Originally released in 2018, the Canadian producer's first long-player spans eight tracks of diverse acid on a time-travelling trip through geological history, spanning prehistoric landscapes, roiling subaquatic vulcanism and the deep pull of ancient seas. A vinyl-exclusive D side closes out the journey.

If you like the sound of Millennium hardcore then this vinyl can’t be missed!

Budapest-based concept label, Blue Sun is launching their new line of vinyl focused releases, aimed primarily on DJs and collectors: the Blue Series. A counterpart to the Orange Series launched last year that showcases a more upbeat side of the label, the new collection presents a darker, more experimental, and introspective musical vision.

The first release in the Blue Series is a six-track EP by Budapest based multimedia artist, Virág Réti. Choosing her legal name as her artist persona (“Flower of the Meadow" in Hungarian) also with the track titles capturing the folk names of local fauna, Peremidő evokes the artist's innate connection to nature as a place of refuge from the noise of Eastern European urban life.

The EP’s motifs point back to early memories of sitting by a river, simply observing time flowing by. The arc of the songs follow the passage of a day, beginning with the hesitant sounds of early morning, gradually moving on toward more defined, rhythm-driven forms. As the airy textures slowly give way to structure and percussion comes to the forefront, the sense of direction becomes clearer, letting moments of gentle disorder and unexpected sounds to surface.

Virág previously appeared on the label’s Blue Sun VA II compilation with her track Bíbic. Since launching her ambient music project in the fall of 2024, she has become one of the promising newcomers in the Hungarian experimental electronic music scene. Her debut EP, Minden Ami Megmaradt (All That Remains), was released last November as the final offering of temporary nites label (2023–2025). She is also the founder and organizer of the Budapest-based experimental electronic event series Still Places.

VA – Memories. Untold is a delicate and emotionally rich compilation from TAMIZDAT, capturing the subtle beauty of deep and tech house with a gentle, melancholic twist. Thoughtfully curated for sunset sessions and introspective moments, this four-track vinyl release drifts between ambient textures, melodic phrasing, and dubby undertones—crafted for open-air environments and graceful transitions.

A1. Joshua Pendergrass – The Leopard (Frederick Ansgar Remix) opens the record with an ambient-infused deep house piece—warm, slow-moving, and deeply involving. It invites the listener into a calm, curious, and emotionally attentive state.
A2. Dubsud – Memories (BarBQ Remix) follows with a more upbeat, melodic character. Playful yet refined, it offers a bright continuation of the journey, carrying momentum without losing its emotional depth.
On the flip, B1. Heward, Kirill Matveev – Your Gentle Breath emerges like a breeze—floaty, nuanced, and ideal for that golden-hour moment. It’s an elegant piece full of space, subtlety, and feeling.
B2. Nj Helder – Gazi closes the release with dubby warmth and light breakbeat elements, a soothing yet rhythmically engaging finale—like the last light fading over a distant horizon.

Featuring label mastermind Kirill Matveev, MixCult regulars Heward, Joshua Pendergrass, BarBQ, and Dubsud, the record is further elevated by South African talent Nj Helder, whose presence brings a soulful character to its closing chapter.
Memories. Untold is evocative, chilled, and designed for those who seek emotional connection through sound—a graceful companion for deep listening and open skies.
TAMIZDAT is a division of MixCult Records

Following their recent appearance covering Sylvester and Patrick Cowley's 'I Need Somebody to Love Tonight' on Rocksteady Disco, the enigmatic cosmic pairing of Glenn Echo & Daniel Meinecke channel deep, shimmering disco and nu-disco vibes while calling on ethereal, cosmic textures. The throbbing 'Home Rule' opens with a warm, hypnotic pulse and well-worked vocals that deliver recognisable rhymes, while 'Love Letter' slows down to a heavyweight crawl with warped and twisted pads and plenty of texture. Both tunes here highlight the duo's skill at blending dancefloor immediacy with atmospheric nuance and feel like a journey through mirrored lights and late-night reverie.

More unknown artist business from the Only Music Matters crew and it's a case of more essential minimal across three fresh cuts. The first manages to pair the sort of drive you need to keep you locked with some swirling, heady pads that encourage letting your mind wander. After that full-sided odyssey, 'BBB001B' stars the flip with tighter, more rubbery drums and bass and alien sounds weaving in and out. 'BBB002B' shuts down with some tech-y loops and a little more menace and mischief in the clipped vocals and wispy synth modulations.

Kerrie makes a welcome return to Sync 24's CE camp, with "Waves of Reverie PT1" dropping in March on Cultivated Electronics. It follows her two part "We Continue" vinyl 12"s, on sister-label Cultivated Electronics Ltd back in 2021. Irish-born, Manchester-based Kerrie is a multidisciplinary artist and resident DJ at Tresor Berlin. She performs live sets, produces music, DJs and runs her own label, Dark Machine Funk, as well as an extensive discography on the likes of Tresor, Blueprint Records, Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism. On her new EP, "Waves of Reverie PT1" Kerrie once again channels a distinctive electro aesthetic rooted in acid and electro traditions but filtered through her own raw, industrial-leaning production style. A staple for fans of analogue hardware-driven electro and forward-thinking electronic music.

The mysterious Gluten People return to the fold, handing over their next vinyl-only transmission. For this second helping of "glutenous" dancefloor heat, the duo has paired up with Giacomo XL, following the massive demand for their debut EP.

Expect more of the same raw, rhythmic energy that made their first outing a must-have for heads and selectors alike. This is essential, no-nonsense club material built specifically for the wax-only connoisseur.

Early Support from: Archie Hamilton, Liquid Earth, Enzo Siragusa, Huxley, La Fleur, Sean Johnston, Make A Dance, Baby Rollen, Ysanne, Eliza Rose, Bartolomeo, Ryan Clover, AGELESS, Alec Falconer, Call Super, Bas Ibellini, ADMNTi, Gearmaster (fka Abdul Raeva), Timo Maas, Christopher Ledger, Moodymanc, Nathan Colinet, Gabski, Greogorio Soave, and many more.

Originally released on CD in 2006, It's A Feedelity Affair marked a formative moment in Hans Peter Lindstrøm's early career, compiling key tracks from his first wave of 12-inch releases between 2003 and 2006. Now, twenty years after the founding of his Feedelity label, the album is presented for the first time as a newly remastered vinyl edition.

"Listening back now, I hear an artist still figuring things out, but with a clear instinct for where I wanted to go. It was a period defined by freedom - no rules, no expectations." - Hans-Peter Lindstrøm

Released at a time when electronic music was shaped by extended runtimes and physical formats, It's A Feedelity Affair captured a club culture rooted in patience, atmosphere, and spatial awareness rather than immediacy. Its long-form approach remains central to the album's lasting appeal and resonates strongly with today's renewed focus on vinyl and immersive listening experiences. The album stands as a document of an era marked by experimentation, expansive club tracks, and an open-ended vision of electronic music.

Upon its original release, the album received widespread international attention, including a Best New Music rating (8.4) from Pitchfork. The track I Feel Space has since become one of Lindstrøm's most enduring and recognizable works. The album also documents some of his earliest collaborations with Prins Thomas and Christabelle, resulting in tracks such as Boney M Down and Lovesick.

Lindstrøm relaunched Feedelity in 2024, with the label returning in 2025 alongside his most recent album Sirius Syntoms and the single Cirkl, marking a full-circle moment for the imprint. A new studio album is currently in progress and expected in autumn 2026.

Die Reise von MUNA war schon immer davon geprägt, Raum für die komplexen, chaotischen und ekstatischen Realitäten des Lebens zu schaffen, und mit ihrem vierten Album "Dancing On The Wall" sind sie so prägnant, düster und mitreißend wie nie zuvor. Ausgehend von den funkelnden, mit Konfetti übersäten Höhen ihres selbstbetitelten Albums aus dem Jahr 2022 kanalisieren sie nun die ängstliche, unsichere Energie des Lebens in einem Los Angeles, das von politischen Spannungen, Umweltzerstörung und dem stillen Druck der Prekarität der Millennials geprägt ist. Das Ergebnis ist ein Album, das sich sowohl intim als auch spektakulär anfühlt, eine Popwelt, die mit Biss, Witz und emotionaler Resonanz aufgebaut ist, ein Soundtrack für Herzen, die gleichzeitig in Flammen stehen und das Chaos um sie herum beobachten. Auf dem gesamten Album erkundet MUNA Sehnsucht, Intimität und Verbundenheit vor dem Hintergrund einer Welt im Wandel. Es gibt eine stille Auseinandersetzung damit, wie man weiterleben, lieben und sich gegenseitig erreichen kann, während man Zeuge politischer Brutalität und systemischer Gewalt wird, und wie Freude ohne Verleugnung überleben kann. Tracks wie "Wannabeher" fangen den schwindelerregenden Nervenkitzel ein, sich vollständig in die Fantasie eines anderen zu begeben, während "Why Do I Get A Good Feeling" noch lange nach dem Ende des Beats nachhallt, eine Meditation über flüchtige Freude und ausgesetzte Möglichkeiten. Das Album schließt mit "Buzzkiller", einer schonungslosen Auseinandersetzung mit Sehnsüchten und ihren Folgen, dem Schmerz, etwas erreicht zu haben, nur um festzustellen, dass neue Fragen, Zweifel und Sehnsüchte zurückbleiben. "Dancing On The Wall" wurde von Naomi McPherson produziert, wobei ihre charakteristische Liebe zum Detail mühelos mit der ausgefeilten Pop-Technik ihrer Bandkollegin Josette Maskin hinter den Kulissen verschmilzt, um lebendige, atmende Welten für die prägnanten Texte und die unverwechselbare Stimme der Leadsängerin Katie Gavin zu schaffen. "Dancing On The Wall" verbindet euphorische Klanglandschaften mit prägnanten, menschlichen Geschichten. Das Album spiegelt einen intensiven, selbstgesteuerten kreativen Prozess wider, der von Instinkt, Vertrauen und vollständiger künstlerischer Kontrolle geprägt ist. Es wirkt lebendig, eindringlich und filmisch und spiegelt eine Generation wider, die sich durch Unsicherheit navigiert und sich dennoch nicht von ihrer Freude abbringen lässt. Mit diesem Album beweisen MUNA erneut, dass Pop gewagt, intim und sozialbewusst zugleich sein kann: ein Album, das nicht nur den Moment einfängt, sondern ihn zu einer Welt destilliert, in der man leben möchte.

Die Reise von MUNA war schon immer davon geprägt, Raum für die komplexen, chaotischen und ekstatischen Realitäten des Lebens zu schaffen, und mit ihrem vierten Album "Dancing On The Wall" sind sie so prägnant, düster und mitreißend wie nie zuvor. Ausgehend von den funkelnden, mit Konfetti übersäten Höhen ihres selbstbetitelten Albums aus dem Jahr 2022 kanalisieren sie nun die ängstliche, unsichere Energie des Lebens in einem Los Angeles, das von politischen Spannungen, Umweltzerstörung und dem stillen Druck der Prekarität der Millennials geprägt ist. Das Ergebnis ist ein Album, das sich sowohl intim als auch spektakulär anfühlt, eine Popwelt, die mit Biss, Witz und emotionaler Resonanz aufgebaut ist, ein Soundtrack für Herzen, die gleichzeitig in Flammen stehen und das Chaos um sie herum beobachten. Auf dem gesamten Album erkundet MUNA Sehnsucht, Intimität und Verbundenheit vor dem Hintergrund einer Welt im Wandel. Es gibt eine stille Auseinandersetzung damit, wie man weiterleben, lieben und sich gegenseitig erreichen kann, während man Zeuge politischer Brutalität und systemischer Gewalt wird, und wie Freude ohne Verleugnung überleben kann. Tracks wie "Wannabeher" fangen den schwindelerregenden Nervenkitzel ein, sich vollständig in die Fantasie eines anderen zu begeben, während "Why Do I Get A Good Feeling" noch lange nach dem Ende des Beats nachhallt, eine Meditation über flüchtige Freude und ausgesetzte Möglichkeiten. Das Album schließt mit "Buzzkiller", einer schonungslosen Auseinandersetzung mit Sehnsüchten und ihren Folgen, dem Schmerz, etwas erreicht zu haben, nur um festzustellen, dass neue Fragen, Zweifel und Sehnsüchte zurückbleiben. "Dancing On The Wall" wurde von Naomi McPherson produziert, wobei ihre charakteristische Liebe zum Detail mühelos mit der ausgefeilten Pop-Technik ihrer Bandkollegin Josette Maskin hinter den Kulissen verschmilzt, um lebendige, atmende Welten für die prägnanten Texte und die unverwechselbare Stimme der Leadsängerin Katie Gavin zu schaffen. "Dancing On The Wall" verbindet euphorische Klanglandschaften mit prägnanten, menschlichen Geschichten. Das Album spiegelt einen intensiven, selbstgesteuerten kreativen Prozess wider, der von Instinkt, Vertrauen und vollständiger künstlerischer Kontrolle geprägt ist. Es wirkt lebendig, eindringlich und filmisch und spiegelt eine Generation wider, die sich durch Unsicherheit navigiert und sich dennoch nicht von ihrer Freude abbringen lässt. Mit diesem Album beweisen MUNA erneut, dass Pop gewagt, intim und sozialbewusst zugleich sein kann: ein Album, das nicht nur den Moment einfängt, sondern ihn zu einer Welt destilliert, in der man leben möchte.

2026 Repress

KiNK & Raredub launch new sub-label Raw on SHDW's Mutual Rytm with bold two-tracker 'You And Me', backed by a VIP remix of 'Time To Change' from Paul Woolford aka Special Request.

Following their standout debut on Spectra with 'Time To Change', Bulgaria's finest dance music export KiNK & Raredub return to the Mutual Rytm universe to launch the label's new sub-series: Mutual Rytm Raw. Their latest release, 'You And Me', marks the next step in their collaboration - two stripped-back yet anthemic cuts that embody their signature sound: "Rude Boy Techno", a fusion of techno's drive with the swing and grit of UK Garage. Both versions of 'You And Me' are built for the floor, combining sharp percussion, catchy vocal hooks, and powerful low-end pressure - minimal in structure but rich in character and groove.

Rounding off the release is a standout VIP remix from Paul Woolford aka Special Request - one of his infamous 'Variation in Production' versions - offering a stripped yet high-impact reinterpretation of KiNK & Raredub's previous single 'Time To Change'. Raw, rolling, and unmistakably shaped by his UK Garage-influenced style.

Swedish alt-pop icon Lykke Li, whose career spans the haunting intimacy of Youth Novels to the widescreen ambition of So Sad So Sexy, returns with her most uncompromising statement yet. Signed to Crush Management and already confirmed for Coachella 2026 and a run of South American festivals, her forthcoming album The Afterparty strips things back to raw truth and artist dogma. Built on a shoestring budget but led by high-fashion meets candid, meme-ready visuals, the world of The Afterparty channels early Tumblr and i-D magazine energy—real, raw, and distinctly Lykke Li.

Swedish alt-pop icon Lykke Li, whose career spans the haunting intimacy of Youth Novels to the widescreen ambition of So Sad So Sexy, returns with her most uncompromising statement yet. Signed to Crush Management and already confirmed for Coachella 2026 and a run of South American festivals, her forthcoming album The Afterparty strips things back to raw truth and artist dogma. Built on a shoestring budget but led by high-fashion meets candid, meme-ready visuals, the world of The Afterparty channels early Tumblr and i-D magazine energy—real, raw, and distinctly Lykke Li.

PISS in collaboration with The state51 Conspiracy is excited to release a limited 7” pressing of “three demos”.
In the span of two years, PISS has gone from a complete unknown in the Vancouver underground scene to an international touring act. The noise punk quartet has never released a full-length record; their reputation grew from their frenetic, intimate live show and three self-produced demos.
These demos were recorded in Paterson’s basement apartment. For the vocal tracks, Paterson and Zantingh drove an old camper van to an industrial neighborhood of Vancouver to avoid disturbing their neighbors. They were mixed by Paterson, with drums for two of three tracks engineered and tracked by Chris Bede.