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new Pressing , new Artwork, new colored Vinyl



2 sided Vinyl in 45 RPM for best Dancefloor Satisfaction



VINYL ONLY as usual

Oulu-based label Elektorni returns with a 12” by Swedish mastermind Daniel Savio.

The EP starts off with Noel Skum, a downtempo scorcher that creeps and crawls into your earhole and activates the body rock. Dubbed out ominous chords haunt the skies as the track squelches on. Next up Savio conjures the force of Mighty Thor to smack some sense into humanity. A classic electro banger infused with funky licks. B-side opens with No A.I, the definitive man-machine manifesto. Crunched out and ominous, an end-of-times underground resistance activator. Last track Reverse Cowgirl is a time-travelling digi-dub transmission carrying a reverberated message of caution from the Great Filter.

For the second vinyl release of GNC Records we got five tracks meant for a dark night at the club, produced straight out of the Patagonia by argentine heavyweight Saigg. This EP has four Electro Techno cuts and it also includes a killer remix by argentine EBM live duo KRSSV. Throughout the release, playful basslines interact with arpeggiated synthesizers generating a fun climate that becomes more and more tense while reverberant atmospheres bring the night to its climax. On the side A, we can appreciate how sharp drums build up intensity on the dancefloor in order to leave everything on point for side B, where breakbeats and diffused vocals transport the listener to an induced psychedelic state, a dystopic void representative of the producer and his sonic quest.

Repress

Luca Olivotto returns to his own Small Great Things with a new four-track EP entitled ‘Let’s Get Deep’.

Luca Olivotto and his Small Great Things imprint has been keeping the house flame burning bright in recent years out of Berlin, regularly dropping soul-infused raw cuts perfectly sculpted for ultimate dance floor delight. Here to mark the label’s tenth release, Olivotto is at the helm once again with ‘Let’s Get Deep’.

Title cut ‘Let’s Get Deep’ leads with saturated drums, an amalgamation of intertwined keys, synth stabs, cinematic strings and vocal chants, underpinned by a weighty, bouncing bass groove. ‘I’m Not With You’ follows and shifts focus towards choppy piano chords, dynamic drums and tension building strings throughout.

On the flip side ‘Don’t Need To Know’, embraces a more dubbed out House feel with fluttering delayed chords, heavily reverberated vocal lines and swinging reduced drums. ‘Givin All My Love’ then rounds out the release with a more disco house tinged aesthetic fusing a snaking bass groove with plucked melodies, funk-infused keys and organic drums.

”Operation Timeframe” is a fusion of styles between two artists who have made waves in their careers: Franco Falsini and Saverio Celestri. On one side, we have a pioneer of electronic music; on the other, the product of years of evolution.

Franco has a rich musical history and a diverse array of influences: starting from progressive rock and arriving at electro-pop, he approached electronic music with a substantial musical background. After founding and participating in various bands across the United States and England, he collaborated with the renowned record label Polydoor. In the early 1990s, he combined his skills as a guitarist and producer, beginning to perform worldwide. In track A2, “A Molecular Affair,” you can clearly hear this blend, which transports us back a few decades and lets us savor a gem deeply rooted in a quality-rich past.

Saverio also had an initial approach to electronic music partly rooted in rock, though more toward alternative rock. Moving to Berlin at a young age, he developed his sense of electronic music in a city teeming with inspiration. Here, he combined his background in electronic, pop, and rock to create brilliant tracks that captivate dance floors worldwide with his Electro, EBM, Synth-Pop, and more. With the B1 track “Veleno,” Saverio follows in the footsteps of his friend Franco, closing the album with “Traveling,” a track structured in Synth Pop, enhanced by the crystal-clear voice of Brazilian artist Lourene.

This is a record that focuses on that frame in which the two artists perfectly align their past and future, projecting it directly into the present, as only two geniuses can.

Repress

Luca Olivotto returns to his own Small Great Things with a new four-track EP entitled ‘Let’s Get Deep’.

Luca Olivotto and his Small Great Things imprint has been keeping the house flame burning bright in recent years out of Berlin, regularly dropping soul-infused raw cuts perfectly sculpted for ultimate dance floor delight. Here to mark the label’s tenth release, Olivotto is at the helm once again with ‘Let’s Get Deep’.

Title cut ‘Let’s Get Deep’ leads with saturated drums, an amalgamation of intertwined keys, synth stabs, cinematic strings and vocal chants, underpinned by a weighty, bouncing bass groove. ‘I’m Not With You’ follows and shifts focus towards choppy piano chords, dynamic drums and tension building strings throughout.

On the flip side ‘Don’t Need To Know’, embraces a more dubbed out House feel with fluttering delayed chords, heavily reverberated vocal lines and swinging reduced drums. ‘Givin All My Love’ then rounds out the release with a more disco house tinged aesthetic fusing a snaking bass groove with plucked melodies, funk-infused keys and organic drums.

No words are needed for tracks and collaborations this bold, but we still decided to give it a short introduction.

Hips don’t lie on the title track “Make A Scene”, which comes with two massive remixes. Dirty Dutch legend Chuckie teams up with Finnish talent Skuwa to deliver some real old-school bubbling beats. Man of the moment, DJ Babatr, completes the A-side with his Raptor House remix—a heavy, drum-driven build-up that erupts into a volcanic dancefloor moment.

Koperblond collaborates with hot new producers AUTOFLOWER and Beau de Wit on “Feel You”, a piano house track with a catchy vocal. It’s all fun—perfect for getting every crowd on their feet.

Closing duties for “Plan B.”, a deeper house groove that captures the bittersweet loneliness of being without your love. Even when everyone assures you it will come, the emptiness can still feel real— and this track captures that emotion perfectly.

Art Of Tones returns to GAMM after the success of his '3 Woman EP' with the '3 Men EP', an record where the male vocals come into focus.

We're starting off with 'International Truth', a huge soulful and uplifting disco/soul jam with big vocals and a large dose of feel-good vibes...a proper peak-time tune!

The B-side offers a rework of a rare and much sought after afro-disco cut and an amazing rework of one of those Stevie Wonder under-the-radar tracks that most of us probably have overlooked.

DJ support from DJ Sneak, Joss Moog, Jason Hodges, Austin Ato and Igor Gonya

From the wine country of Bordeaux, France Suburb Beat of Robsoul and Ondule Recordings fame brings us his first vinyl release titled the ‘Red Eyes EP’ with a bumpin Remix by Nenor! We have MPC magic on our hands with the title track Red Eye spreading vibes on thick! Hot on the heels of massive releases on Razor-N-Tape Reserve & Fossils it’s Nenor’s Bumpin Remix that’s sure to fire up dance floors the world over! We kick off the B Side with a solid groove titled It’s Time, Suburb Beat proves he knows how to D.I.Y. Nottingham style and inspires a shout out to Al Royale. Ain’t Got No Home has got ya chugging from the early morning through those early evening warm-ups. Dig it!

Bunkereeno Kollektiv and ITALIA90 join forces to release the first EP on their new label Anna Records.

On the A side you will find Tools 4 Seduction's Italo infused sound; the known Argentinian artist behind this alias is always ready to deliver, from afternoon sunsets to afterparty daybreaks.

On the B-side, Lachina, emerging talent from our beloved Turin city, gives us metallic and dark sounds, providing weapons able to navigate the most obscure of the basements.

Leng Records’ first album of the year release comes courtesy of two contrasting legends of Italian dance music, Afro-Cosmic pioneer Danielle Baldelli and sometime FPI Project member Marco Fratty (real name Marco Frattini).

Both producers have a wealth of experience. Baldelli first to rose to fame as resident DJ at the near mythical Cosmic Club in the early 1980's, before moving into music production two decades ago. Since then, he’s collaborated with heaps of producers – most notably DJ Rocca, Marco Dionigi and Dario Piana – but “Oil Painting” marks his first collaboration with Frattini, an experienced producer whose bustling discography stretches right back to the Italian house explosion of the late 1980's and early ’90s.

The pair’s debut collaborative release is bold, bubbly, vibrant and funky, with the storied Italian veterans making extensive use of live instrumentation, vintage synthesizers and chugging, floor-friendly grooves. As you’d expect from a Baldelli-related project, the influences are obvious – think funk, dub-disco, cosmic rock, Italo-disco and nu-disco – but the resulting colourful cuts refuse to settle on one specific style.

Firmly focused on the dancefloor, “Oil Painting” is a gleeful, celebratory and excitable as anything either producer has released to date. For proof, check the surging arpeggio style synth-bass, kaleidoscopic synthesizer lines and eyes-closed rock guitar solos of “Automatic Amplitude”, the flute-laden dub disco shuffle of “Jasmine Flavour”, the organ-laden cosmic funk chug of “Oil Painting” and the lolloping disco-funk exuberance of “Steam Engine”, where crunchy guitar licks and Meters style organ stabs wrap themselves around a vintage disco bassline and head-nodding, toe-tapping drums.

The highlights don’t step there, either. Check the percussion and delay-laden Afro-Cosmic funk fusion of “Slinky Funk”, a veritably tropical excursion that repurposes the bassline and incessant cowbells from Cymande classic “Bra”, and the Clavinet-heavy stomp of “Positive Flow”, whose snaking, constantly-changing saxophone solo and flash-fried guitar riffs help create a thrillingly excitable mood.

From start to finish, “Oil Painting” is an album full to bursting with musical joy and umpteen giddy calls towards the dancefloor. From producers of Baledlli and Frattini’s experience, we’d expect nothing less.

Burnski's high-quality Constant Black is back with more essential club-ready sounds. Donnie Cosmo and Pascal Benjamin step up for one side of action each. Cosmo's 'Holo Glitch' is first and pairs balmy synth work that is colourful and silky with some punchy tech drums and rolling bass that pulls you in deep. 'Echo Drift' is another lithe and lively one to get you on your toes while the groove flows and 'Airplane Mode' is another stylish mix of lush synth design and great rhythm. Benjamin's trio on the flip is a little more gritty with industrial-space-tech many the most fitting way to describe these curious cosmic cuts.

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

Sciahri and Sublunar are proud to present Kameliia's first solo EP on the label, Dont Be Naive. After debuting on Sublunar with the various artists release Veil of Echoes I, she now returns with a record that fully embodies her artistic identity. With a distinct sound shaped by releases on SK11, Token, and Unterwegs Records, Kameliia continues to carve her own path.The journey begins with "MM6", a hypnotic and forceful track driven by sweeping strings that expand and contract like a living entity. "Aspects" follows, a piece of refined minimalism where every element feels meticulously placed.

On the B-side, the title track "Dont Be Naive" sets a relentless pace, steadily building tension with masterful restraint. "Eventide" introduces eerie, spellbinding vocals that weave through the track like an incantation. Closing the EP, "Keepers of the Secret" slows the tempo, its haunting female vocal etching itself into the subconscious.

One of the most iconic labels in house music made a major return in 2024. King Street Sounds is celebrating its legacy with a series of re-releases that dive into its extensive back catalogue, showcasing some of its biggest releases. One of these being Dennis Ferrer’s iconic debut solo album The World As I See It from 2006. A body of work that sounds as good today as it did 19 years ago and, in that time, has gone on to become one of the greatest house music albums of the last 25 years. This release will be the first time all ten tracks from the album have been included in one vinyl package, and will include a frameable, double sided record sleeve sized poster. With copies of previous editions of the album costing close to £100 on the second-hand market, this limited sky blue vinyl edition will give a new generation of house & electronic music fans an opportunity to own this piece of dance music history.

New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

Nanel 008 marks another solid release for the label, packed with two stunning tracks that will speak to both DJs and listeners alike. On the A-side, "Farfor" offers an infectious blend of groovy basslines and punchy breakbeats, creating a track that’s both energetic and deep. The smooth, atmospheric pads intertwine seamlessly with a catchy piano melody, giving the track an uplifting vibe that’s perfect for those dancefloor moments when the energy needs to rise. It’s a perfect combination of classic and contemporary elements, with a sound that feels both fresh and timeless.


Flipping the record over, "Ready" takes things in a more dubby direction, featuring a deep bassline that rolls smoothly beneath crisp percussion and atmospheric elements. The track’s vocal shots add an extra layer of texture, cutting through the mix and pulling you into its hypnotic groove. The percussion is tight and purposeful, adding a rhythmic complexity that draws you in and keeps you moving. With its dub influence and a steady, captivating groove, "Ready" creates an immersive listening experience that showcases a different side of your production style. Together, these two tracks offer a diverse yet cohesive sound that exemplifies the signature style of Nanel.

First release on Saucy Lady’s own new label Dippin’ Records features double sider smashers. Starting with the A side, cover of Carly Simon’s Why, a classic funk tune produced by Nile Rogers that got a fresh new boogie revamp, produced by Saucy Lady herself and Yuki “U-KEY” Kanesaka.

With a more dance-floor friendly up-tempo treatment, it will guarantee hands up in the air and hips moving round & round ‘n side to side.

Flip side is another heater, a cover of the 80s hit slow jam One More Time by Phil Collins but sped up and turned into broken beats flyness, followed with a deep house remix produced by Daisuke Miyamoto, member of Orienta-Rhythm who’s had numerous notable releases with King Street Sound.

B side ends with an acappella version so you too can play with your own creative version of the classic. With limited vinyl copies, you don’t want to sleep on this.

Early DJ support so far from AtJazz, Dave Lee, Yam Who?, DJ Spinna, and Star Creature label.

Orion Records is all about freedom. Techno freedom. The Milan based label is an open space for club and non-club music.

The second release from label owner Orion explores the darker side of the project.

Arpeggios, reverberated pads and repetitive chords are the main elements of the deep and melancholia-infused EP.

Black Vinyl Repress

We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.


Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.

Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.

On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.

Artwork by Jose Alvarez


Early support by Gescu, Sepp, Nu Zau, Mihai Pol, Sublee, Charlie, Lumieux, Tania Vulcano, Costin RP, Iuly.B, Crihan, Primãrie, Zenk and more..

LKDNV 10 EP - Various Artists

More than a year after its last compilation, Amsterdam’s Locked-in returns with a glistening selection of club-ready tracks further anchoring the label’s progressive groove while opening avenues to different sounds and scenes.
Blending minimal techno and ambient aesthetics, Hamburg’s Rupert Marnie opens up the A-side with “Half-Baked Spel”, a mysterious yet dancefloor-ready cut elegantly setting the tone. Norwegian house and techno DJ and producer A:G (Asgeir Giskegjerde) follows up with an escape into trance influenced sounds, delivering a playful, ambitious and infectious bopper. On the flip-side, Barcelona-based Aniano takes things one notch deeper offering a dimmed light minimal groover. With its moody atmosphere and catchy samples, the track gracefully hints at Perlon's catalogue. To close the journey, Frog Dog Records crew member Slacks from Philadelphia takes the listener apart with a very subtle emotional break composition, crafting an intricate and moving piece of music reminiscing of good times.
With four tracks stemming from different parts of the world, Locked-In once again showcases the quality of its curation and the consistency of its sound and vision. This release is dimmed to resonate on both dark and sun-drenched dancefloors.

After years of silence dedicated to side projects, DJENA makes a triumphant return with his solo EP, In Motion. A testament to his passion for eclecticism, this release seamlessly bridges house and breakbeat, enriched by a stunning remix from the legendary French producer DJ W!LD.

The journey begins with the title track, In Motion, a hypnotic breakbeat composition where deep pads intertwine with tribal vocal elements, evoking raw emotion and sonic depth. This track is designed to captivate both the ears and the heart. DJ W!LD then takes the reins, transforming In Motion into an irresistible dancefloor anthem. His remix injects a house-driven groove, elevating the track into an emotive yet club-ready masterpiece.

Flipping to the B-side, Thrust propels listeners into a deep tech-driven rhythm, gradually intensifying into a peak-time energy surge. Rounded arps, subtle vocal textures, and celestial pads craft an immersive, ethereal adventure—blurring the lines between introspection and movement.

Closing out the EP, Veer is a sublime after-hours gem. Its bouncy bassline and tech-house rhythm are complemented by atmospheric pads and haunting vocals, leading the listener into a space where both mind and soul find fulfillment

In Motion EP is a refined sonic exploration, balancing depth and energy in perfect harmony. DJENA’s return marks a powerful statement—one that will undoubtedly resonate on dancefloors and beyond.

The A-side puts the fun in a funky psychedelic disco stomper complete with sing-along chants and breakbeats. Imagine an overlooked KID CREOLE garage dub cut. The B-side is a fresh take on classic Italo disco with analog percussion, vintage synths and his own guitar and bass.

At this point, Southern Italy's Giovanni Damico is basically an honorary Windy City Native. I don't think he's ever been to Chicago
but he certainly has status on all sides of the City. Damico's collaborations with Chicago's Star Creature kicked have spanned the
better part of the last decade with just as many vinyl releases during that time spanning 2 LPs, 2 EPs, a handful of 7's and an appearance on the 2020's Star Creature Vibes label compilation not to mention the over 20+ 12's and a dozen appearances on labels ranging from MCDE, Lumberjacks in Hell to Kalakuta Soul, Bordelllo A Parigi, his own White Rabbit Recordings and more.
That perfect blend of Tracky Italo Early Drum Machine, Bang the Box type of Proto House Electro Soul with adventurous and ambitious beats and melody combos pulled from a range of global influencers, mixing of electronic and acoustic instruments giving some of the most full body unique compositions in dance music, each being accomplished, evolving and truly unique.

The Deep Series imprint operated as a sub-label of Diaphan Music, both of which released material between 2009 and 2014, as can often be the way for many artists family life and other responsibilities stepped up on the priority list and the label was put on hiatus.

Now back to reboot things with a fresh perspective and a focus on Georgios’ music and music from artists he admires, Deep Series begins its new chapter for 2022, bringing fresh deep and dynamic cuts and an uncompromising approach with its future direction. Leading the release and following on from his recent debut album on Dial is XDB with his ‘Back To The Roots Mix’, the title tells all as this Greek Techno aficionado delivers a classic groove fuelled by loose, bumpy drums, chugging synth stab sequences and twisted resonant loops.

‘Dark Path’ follows next, edging into dubby house territory with skippy percussion, expansive chords, choppy bass stabs and hypnotic vocal chants. Opening the b-side is ‘Distorted DRMS’, as the name suggest laying focus on raw, crunchy drums throughout while dreamy synth lines and heavy sub bass swells ebb and flow within. Lastly the original mix of ‘GR2’ rounds things out, stripping things back to hazy, ethereal textures, robust, low-slung drums and acid-tinged bass stabs.

Rhythm By Nature, the latest addition to Berlin's vibrant music scene, proudly unveils its inaugural release featuring none other than Nottingham's seasoned virtuoso, Nail. "Shake Two EP" is a testament to his enduring prowess, promises a distinctive auditory experience that transcends boundaries. The tracks showcase Nail's mastery with a distinctive sound that encompasses proper deep house excursions, Detroit and Chicago vibes, with dubby elements.

The A1 track, "Thoughts," takes listeners on a deep house excursion with mystic undertones, deep percussion, spheric vocals, and a euphoric after-hours feel, creating a truly distinctive ambiance.
On the B-side, Nail's groovy craftsmanship continues with "Ribs," offering his typical quirky minimal groove, influenced by funk and housed within a danceable, swirling soundscape. Additionally, label head SaPu contributes to a more dubby approach on the original B1, a spacey filtered infused groove excursion, with old school sample-based elements, phat basslines and deep atmospheric synths.

Opening the EP is ‘Synapse’, a murky dub-tinged techno excursion employing choppy bass stabs, subtly unfurling stab sequences, textural synth tones and a robust rhythm section. ‘Amygdala’ follows and leans into deeper realms with ethereal pads, twitchy acid bass and crisp organic percussion. Opening the B-side is ‘Receptor’, retaining a similarly hypnotic aesthetic via a dynamic bass groove, billowing atmospherics and stripped down drums. Title-cut. ‘Lucid Dreams’ then concludes the EP on a more cinematic tip, bringing bright celestial pads, delicate synth melodies and oscillating bass to the forefront, all underpinned by a raw, reduced and swing drum groove.

ML performs the most romantic, hypnotic guitar loop - live from under the sink! On the B-side, a coffee machine imitates a cyborg’s cleaning organ.

“Babyyyyyy, where r uuuuuu?”

Comes with special handmade design and two speed options! Very low business risk.

Mastered by Maximilian Schweizer at SMS™.

Second radioactive blast of previously unreleased techno from the 90s and 2000s on the vinyl only label Kilotoni. Peak time acid techno with minimal funkiness on the flip side.

At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.

Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”

Renowned for his masterful reworks, Dr Packer delivers another essential disco floor-filler, breathing new life into T-Connection’s 1979 classic Saturday Night. Having previously tackled the group’s iconic At Midnight, Dr Packer now turns his expert touch to this funk-driven gem, injecting it with his signature modern disco magic.

The Dr Packer Extended Mix is a high-energy update tailored for today’s dance floors, driven by a wicked rolling bassline. With an ear for detail, Dr Packer teases out Chic-like scratch guitars, soaring strings, and punchy horn stabs, creating an electrifying groove that pays homage to the original while delivering undeniable up to date appeal.

On the flip side, the Dr Packer Dubstrumental Mix strips back the vocals, allowing the rhythm section to take center stage. Packed with pure club energy, this version delivers with bass, beats, and funk-fueled fire—perfect for DJs and dancefloor devotees alike.

Get ready to turn up the volume, Saturday Night is back, and it’s bigger than ever!

Colemine Records is excited to put out their first 45 with The Charities, a sweet-soul band out of sunny California. The group's sound is a melting pot of cultures, exhibiting a mix of soul, r&b, rock, and funk. The A-side of this 45, 'Fatal Attraction,' explores just that. In some relationships, the very qualities that draw you in can also lead to your destruction. She's captivating_beautiful, intelligent, and charming_but beneath the surface, she's narcissistic and self-centered, with no regard for the pain she causes. When you're lost in the intensity of love, it's easy to overlook these darker traits. But when the time comes for her to move on, she'll strike without hesitation, delivering a blow that cuts deep. Her words, sharp as a knife, tear through your heart with cold precision. As you bleed out, she offers nothing but a final, indifferent goodbye...."It's Not Our Time," on the B, tells the story of two lovers who find themselves at a crossroads, torn apart by the struggles they face in this chapter of their lives. Perhaps in the future, they'll rekindle their love and spark a new flame_one that burns even brighter then before. It's a bittersweet goodbye, with the belief that the distance and time apart will only strengthen their bond when the moment is right.The tracks are produced by Anthony Masino and were recorded at Penrose Recordings in Riverside, CA.

'Intertwined', the first collaborative EP by Paraiso founders Maria Amor & Shcuro, is up next on the decade-old Lisbon label. This pair of syncopated, energized, immersive techno tracks comes with remixes by Tresor residents Fireground and DC's own Black Rave Culture, a trio composed of James Bangura, Amal, and Nativesun. 'Waves of Hope' opens the record in full force with a relentless beat that combines early 90s euphoric energy and jacked-up snares over a fat bassline, soulful pad progressions, technoid bleeps, dubby washes, and Maria Amor's own soothing cut-up vocals, elegantly touching several foundational club music sounds through an inspired lens. On the A2, 'Hotspring Love' brings levitating, airy textures and mixes them with subtle acid arpeggios, pure-hearted vocal melodies, and bouncy percussive accents. The rolling subwoofers of a proper techno party can practically be seen, the fast-paced kick perfectly perforating the bassline. Two remixes can be found on the B-side: first up is Berlin-based duo Fireground, who flip the original 'Waves of Hope' into a more concise take, exploring its dub influences and adding in cinematic, ravey chord progressions to a hypnotizing, ecstatic effect. The italian duo add a distinct dose of Neapolitan techno, carrying the textured intensity of that unmistakable sound. Black Rave Culture pick up 'Hotspring Love' and turn it into an ode to junglism, reappropriating the original pads in a classic DnB workframe with crisp breakbeats and an absolutely nasty bassline that no words can do justice to.

Synaptic Cliffs is committed to discovering unknown and unreleased music in the future, testing it in the past, and selling it in the present. This is the only way to ensure that art is timeless. The recordings on this cassette, however, were purchased in 2073 from a beautiful woman named pdqb at the Marché aux Puces in Paris for only 0.0000000000000000001 Bitcoin, but on the condition that all the material is distributed on one cassette, namely exactly as described hereinafter: The short tracks from the years 1984 to 1989 are on the A-side, and one of these recordings must be supplemented with vocals by Max Müller, the singer of the infamous Berlin band Mutter. On the B-side, there will be a binaural 16.7-tone music composition from the year 2047. Furthermore, all recordings must be mastered by Mike Grinser. Last but not least, only high-quality chrome tape may be used for production. In August 2027, the music magazine Melody Maker, which will be published again from 2026, will write: " ' Vor dem Punkt ist nach dem Punkt' is a surprisingly singular work with a creative force of near-unprecedented degree. It is one of the most beautiful and best-sounding post-punk albums of the last 40 years, and it is certainly the main reason why we are currently experiencing a huge comeback of post-punk, shoegaze, and goth rock."

MMOTTORR is a new collaborative project between Tr One and New Jackson and the 1st EP marks an exciting fusion of both artists' sounds combined with a fresh take on machine music, blending influences from Chicago and ghetto house, deeper acid textures, techno and use of classic samplers and voice modulation to create 4 dancefloor orientated tracks.

EP 1 features four tracks from the Irish artists that push the boundaries of hardware based production, offering a captivating exploration of sound and influences from both artists.

The lead track U LIKE IT RAW (RED HOT) offers a ghetto house influenced track with a booming low end and persistent bassline containing a dual pitched vocal to devastate dancefloors.

Following that is RED EYE DRIVE a high tempo 4/4 drum machine and tom driven track with hints of hi tech soul and classic acid.

On the B side we have WANNADO - A booming 808 and snare combination contains a powerful yet melodic acid line which ups the heat and energy with a crescendo of sampled sound and fizzing low end.

Finally on a deeper level HEADZ VOL.3 takes it back to a classic "plus 8" and Detroit influenced track with a recurrent wave of sound and synthesis building and weaving towards the end of the record.


The EP will be available on limited vinyl and digital starting exclusively with bandcamp. Thanks for supporting underground music. "

Limited to 200 Copies

The debut release from Tensegrity Records brings together five tracks, each capturing a unique mood while staying grounded in the label’s philosophy.

"Tensegrity" introduces the label’s concept with sounds that intertwine to create a subtle yet strong balance. "Érase una vez" blends electro and new wave with a nostalgic touch, while "Meritocracia" shifts gears, offering lush melodies and reflective tones.
On the B-side, "Romi" takes a darker turn, with tribal rhythms and minimal grooves that resonate on the dancefloor. "Structural Stress" closes the release with a raw, personal energy, drawing from a challenging moment to deliver a track that feels direct and real.

Side A’s “Intergalactic Love Song” by the Diddys & featuring Paige Douglas is a vocal version of the Charles Earland's instrumental classic (who also produced the track) & is a disco-tinge jazz-funk groover that you will want in your bag. It glides across the dancefllor with a breezy ease & pulls you in.

B. side
On the flip, we have“Searching The Circle” by Barbara & Ernie from the classic psyche-folk soul album “Prelude To …” (Ctollion - SD 9044), produced by Joel Thorn. It’s a wonderfully weird little record that has a sound that's unlike anything else I can think of.

This trippy early-70s folk-jazz-soul nugget featured here from guitarist Ernie Calabria & singer/keyboardist Barbara Massey (back-up for Cat Stevens, amongst others). Arrangements are by the pair, but Deodato also had a hand in the record too along w/ Grady Tate on drums, Ralph McDonald on percussion, & Sam Brown on guitar.

It holds a righteous groove undercurrent that recalls Richard Evans or Charles Stepney. Massey’s vocals have a flanged-out quality that's clearly overdubbed, creating a double-voiced sound that's almost a bit like Brasil 66! Completely

Welcome to Hypnodose, a new vinyl-only project focused on hypnotic minimalist grooves, curated by Vek Neirbo, based in Denver USA.

The first Hypnodose record arrives courtesy of Chicago's Max Jacobson, featuring three deeply hypnotic and groovy original cuts.

Romania's Lizz supplies a chunky rendition of the title track on the B-Side, a groove suited for the peak hours.

For this 4th release, Bazdesur records welcomes nothing less than its founder, Basile de Suresnes with the EP “Hush Money”, his really first appearance on the label. A collaborative work with the artist The Social Fugazi who was noticed a few months earlier on Frappé records. The two producers deliver a work that is surprising to say the least, as it contrasts with the universe that we knew from them. Here, no glitter or disco ball, no groovy bass line, but a sound made of machines, samples and broken rhythms. We find UK inspirations, Electronica, and a touch of house. A raw coloring totally assumed by the artists and enriched with their French “touch”. We like that. This EP reminds us of the richness and diversity of electronic music, and how good it is to mix styles! Bazdesur records promotes electronic music in the broad sense.