Suche:bla bla bla

Master of the fuzz saz, Turkey's answer to Eric Clapton brings burly axe attacks to the snakey folk melodies of Anatolia. Long proven to cause just the brain-rot you're looking for, here's a Koray collection of tracks taken from singles and LPs for your acid-drenched pleasure. The guitar slinger who was once stabbed for wearing his hair too long around the streets of Istanbul interweaves melodies as old as the ruins of Ephesus with the riffs of Black Sabbath & his own souped-up baglama. Find out why they call him Erkin Baba.

Double LP with extensive liner notes.

originally released in 1990-with Liz Lamere - Never released on vinyl-

Born in Brooklyn, Alan Vega was reared on the rock 'n' roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. But on the occasion of seeing Iggy Pop fronting the Stooges at The Stooges at the New York State Pavilion in 1969 was an epiphany for Vega. It showed me you didn't have to do static artworks, you could create situations,' he said. That show was the first time in my life the audience and the stage merged into one." It was that eradication of barriers between the two that Vega took to heart.

Their first two albums, 1977's Suicide and their 1980 follow-up, remain two of the era's greatest touchstones, beacons for others seeking to transform their worlds with sound. And even during the group's hiatus through the 1980s, Vega continued to pursue his singular vision across an individualistic solo output. From his 1980 self-titled debut and rockabilly-infused albums like Saturn Strip, through bracing albums like Power On to Zero Hour and IT, Vega forged his own singular path.

For all the darkness and despair that encompasses this moment in our world - and despite his work being depicted as bleak and nihilistic - for Vega there was always a sense of hope and a place for dreams to become reality. People have always told me that my music is angry,' he said. To me, it was always just an energy. It was the way I perceived the world. The key Suicide song was 'Dream Baby Dream,' which was about the need to keep our dreams alive. I knew back then that something poisonous was encroaching on our lives, on all our freedoms.' He fought to his very last breath for that freedom.

Having showcased his more experimental on-edge techno design with his first two ASTRAY releases, Discrete Circuit's 'Control Zero EP' marks his most straightforward installment yet. The title track gets down to business without detours by growing into a powerful drum avalanche that combines bone-dry kicks with a frenetic atmosphere - point-blank: peak-time techno for the dance floor. Ed Davenport completes the A-side with a remix from his DJ and production alter ego Inland, who adds more muscle to the lower frequencies in order to retell a darker tale unfolding a cutting groove. Although both tracks on the flip pick up the pace and intensity, they venture out into less dense, more emotional directions. 'Dimensional Equivalent' embodies a no-nonsense rollout that builds an icy groove with a kick drum that, only blended by alerting, dream-like synths, never lets up. 'Conjugate' works with similar vocabulary while repeating bleep sounds, that are buried underneath the pounding grid, shift the focus towards both the varied percussion and the narrative progression.

Plush. Palace.
regularfantasy's music is about as plush as it gets, filling your area with bright melodic blankets for which to throw around your bod. Turning it into a plush palace of sorts, if you will. Half of this record seems designed to sooth you while the other half is all about getting you steppin'. Our pal dj zozi comes in with an absolute heater of a remix, taking you to planets unknown and raves gone by. Without a doubt, the party is gonna be turned out.

Back in stock!

Born in Rio in 1940, Helio won a guitar from his father at age 12.After working in sugar mills or as a sales clerk in record stores, he started performing at Rio nightclubs (like Plaza) and São Paulo.In 1975 he signed to RCA Victor on which he released his first LP, "Matheus Segundo Matheus"With arrangements by Oberdan "Black River" Magalhães, Zé Rodrix and Chiquinho de Moraes with participation of Azymuth as a support band withg a total of 128 musicians involved int he recording.Unfortuanly this much deserved reissue didn't make it to press before Helio Passed last year, but we are most humble and proud to do it justice.One of my favourite Brazilian LP's just to listen to.

Margie Joseph Recorded Prolifically For Atlantic Records In The 70s. She Worked With Incredible Writers, Arrangers And Producers, Sharing Many With Her Label Mate Aretha Franklin With Whom She Garnered Comparisons. i Can't Move No Mountains' Was Produced By Arif Mardin And Was Originally Released In 1975 (original Pressings Fetch Between £50-£75), While come On Back To Me Lover' Was Produced By Johnny Bristol In 1977 And Holds Similar Value. In June 2018 Margie Comes To The Uk Where She Is Reunited With Lamont Dozier Who Also Wrote And Produced For Her At Atlantic. Both Appear At The Blackpool International Soul Festival.

The first single from Blundetto's forthcoming album sees the French producer collaborate with a true great of Jamaican music, the legendary reggae vocalist Ken Boothe. Enjoy the killer A side on this dinked 7' then flip it over for dub and repeat... Ken 'Everything I Own' Boothe played a significant part in covering Sir Coxsone's Studio One walls with gold - and goodness knows that label fostered its share of legends. Collaborating with the master, Blundetto could have laid it on thick with heavy production; instead alongside his discreet partner Blackjoy, he created a gorgeous production using the purest of Jamaican music, proving yet again that time has nothing on the suave tones of Mr. Rocksteady.

Three original tracks by French tyrant Moteka who continues the exploration of his beloved dark techno territories. The first two tracks more hard hitting, where on the flip, title track Zvezda is more spaced out and comes with a crispy electro rework by none other than Dutch versatile heavyweight Tripeo.

From Hip Hop to Soul, then from Soul to Beatmaking, Sly Johnson never really changed universe. Today, it's immersed in the mechanics with processors and printed circuits that we find him, under the alias of TAGi, producer-beatmaker who, for the occasion, has joined the services of Steven Beatberg. It's together, in artistic autarchy with the only presence of softwares, samplers and sequencers, that they have built their pieces in the light of their computer screens.
.
After three EP dominated by instrumentals, the duo finally chose to realise their dream: to craft a multi-voice album where customized production for each guest would guide the creative process.

Rapper Big Pooh, the former member of the Little Brother group (With Phonte & 9th Wonder), the contemporary soul of Lisa Spada, but also the rapist #madeinfrance Pumpkin (worthy descendant of MC Solaar, Fabe ...), multi-faceted Georgia Anne Muldrow, the MC Finale, the new rising wave of artists of the Hip-Hop scene in Detroit. Tiemoko from Paris, Saga an MC who follows the pure tradition of the New York Hip-Hop, the very smooth-jazzy Elodie Rama and Dilouya, the producer of the previous record of Sly (The Mic Buddah), are of this casting where men and women share the roles and where TAGi as soon as the mic presents itself to him, becomes again Sly Johnson for some refrains, choruses or solo rereading of the sublime "Retrograde" of James Blake.

Guided by Hip Hop since the 90's until today, worked in great detail, YOUARESURROUNDED highlights vintage keyboards on granular rhythms, injecting a lascivious Soul, P-funk, electro futuristic or melancholic in black and white touches on 13 tracks that are as atmospheric as they are emotional.

Vactrol Park are Kyle Martin and Guido Zen. Besides responsible for 2 unforgettable eps on ESP Institute in 2015 & 2016 under this alias, Kyle and Guido are prolific producers, with Kyle being part of Spectral Empire (alongside Black Merlin), as well as half of Land of Light (with Johnny Nash) and more, while Guido has been producing under the alias of Brain Machine amongst others. Since Malka Tuti has been a fan of all of the above, it is no surprise the duo found its way into the ever growing family. With an LP scheduled later in 2018, this EP, self titled, is a door into the sound of Vactrol Park and its evolution - ever deeper, abstract, and mature. Always clear, coherent and flowing, never boring. Expect big things from this duo, as their live show, incorporating self-built modular synths and effects is destined for greatness....

RSD2018 TITLE
London Artist MAL-ONE is releasing a limited edition 7'' single to celebrate everything Punk and as a lead up to his PUNK Art show 'Never Mind The Punk 45' .

The show feautures decallages of the debut singles of the leading names in PUNK,such as Adam and the Ants,The Clash,The Damned all the way to X Ray Spex.
It seemed only fitting to record a single that name checks some of the great record shops that sold these PUNK tunes in this fine city of ours for a Record Store Day release..

Artist MAL-ONE emerged at an early age from the Punk scene in West London and now has successfully exhibited alongside such artists as Banksy, Goldie and Peter Blake amongst others.
Inside the 7'' sleeve which is made up of a collage of a 100 PUNK singles you will also find an invite to he exhibition in May in The Herrick Gallery,Piccadilly.

In celebration of 20+ years since their classic debut Uptown Saturday Night, Bronx duo Camp Lo present a special double-album 2XLP with On The Way Uptown & The Get Down Brothers. On The Way Uptown features a collection of demos and unreleased songs made between 94' - 95', leading to their official debut in early 1997. Aside from the early versions of their hits Luchini (AKA This Is It),' Sparkle,' Black Connection,' and Coolie High', other standouts include World Heist', Coolie High Is Life' & A Piece of the Action'.

On The Get Down Brothers, Camp Lo completely pivot away from their 90's nostalgia into a much more futuristic and experimental sound. Although the production is different, their signature tongue-twisting and hype flows remain, creating a unique and seamless fusion packed into 10 dynamic tracks.

Black To Comm's Marc Richter returns under his Jemh Circs guise for a 2nd album of sonic abstractions. In contrast to Black To Comm's analogue tape and vinyl based sound, in Jemh Circs he works with digital sources by primarily sampling modern Pop Music (and various other oddities) on YouTube (et al.) and sending chunks of it through a variety of arcane transformations and mutations.Using similar esoteric methods as on his 2016 debut album but with very different results the record deconstructs the hypermodern sound of Pop Music with a Post Punk attitude, energy and primitivism. Richter's combining disparate elements that shouldn't really work together but somehow all the chaos is making strange sense creating a collection of oddly diverging sonic vignettes with a surreal and anarchic spirit. This is music deeply rooted in the present but still difficult to pinpoint to a certain year or style."(untitled) Kingdom" converts a seemingly one-dimensional concept into a complex puzzle of ideas, sounds and narratives, completely assimilating the original sources and transforming them into novel entities with an unexpected melodic and rhythmic quality.Some press clips for previous releases:The overall effect is quite remarkable. Each track is like a hologram of pop music itself, a tiny part that reflects the whole. You almost feel that you could open them out and re-create entire popular music cultures. We'll be grateful for that when the next solar storm fries all of our hard drives. (Ian Sherred / The Sound Projector) In that way Jemh Circs is a record about process - not just how Richter loops and distorts and mutates his samples, but how the sounds of pop music create a particular sonic signature, one that gets more interesting the farther they're pulled from their original context. (Marc Masters / The Out Door) Recycling random audio off YouTube, Jemh Circs' process couldn't be less sentimental, but the results turn out to be sneakily emotive. (Philip Sherburne / Pitchfork)

Limited edition of 300 copies. Comes with printed sleeve and black innersleeve.

Stepart presents "The Curve": a dark and intense EP which blends influences of UK Bass Music with the assertive sounds of Techno. The Parisian producer demonstrates his skill and versatility, as this EP takes a sharp turn away from his previous style of music production. Featuring his signature combination of lugubrious bass and unpredictable drums, Stepart reveals a late night sound palette which places his music at the heart of the club.

limited double 10"

Using a modular system comprised of Make Noise modules (as well as a Prophet 5 synthesizer), Kaitlyn Aurelia Smith created Abstractions as a live score for the film of the same name by visual artist Harry Everett Smith. Comprised of a single track across the record's two sides, Abstractions presents a unique experimental release within Kaitlyn's stellar catalog of contemporary electronic music. This Make Noise Records release was Digitally Mastered by Shawn Hatfield at Audible Oddities
Pressed to 12" Clear (140gm) vinyl and inserted into a black inner dust sleeve and Matte Jacket featuring artwork by Harry Everett Smith (comprised of film negatives from Abstractions, licensed from the Harry Smith Archives), assembled by Sean Curtis Patrick.

Welsh producer Odeko first appeared on Mr. Mitch's forward-looking Gobstopper imprint with the A.I. influenced EP "A History With Samus" in 2016 immediately snagging a "producer to watch" tag from Fact magazine and a premiere at SPIN. In early 2017, his second EP "Digital Botanics / Construct Conduct" arrived confirming his sound and setting the stage for him to start working on this - his debut album "Rose Tinted Vision Implant" that is set in a post-Ballard, post-Gibson, post-Miéville, alternate reality. "Rose Tinted Vision Implant" sees the Bath-based producer creating a cutting edge sonic world inspired by "speculative fiction, time/reality shifting stories and dystopian shit." The entire record is structured around, and expands upon his passion for the "future," underpinning the music via a underlining narrative. "Rose Tinted Vision Implant" starts with "The User" (aka the listener/ protagonist depending on your perspective) of the 'Optic.Rose' going through the process of getting an implant is made by a mega corporation, (think "whatever Elon Musk's legacy will be 200 years from now" says Odeko "not necessarily evil or good, just a world owning superpower."). And then we follow "The User" who has unfortunately received a bad egg through stages of that devices degradation. Sonically we're there to observe. We open ("Anomaly Detection") with a precursory scan and move onto installation ("OpticRose_0_1_Installation")
through to a battery change and a recalibration. From this point, the 'presence' begins to take over the implant and the tracks verge into a more cerebral range. Odeko notes "its a bit of a satire on corporate brands pushing these great products that everyone is obsessed but that are detrimental to both the world, and how we perceive reality. Our relationship with social media and tech could go down a dangerous path if we loose sight of things. I'm going quite far here for the sake of the concept, but things like VR, AR, the want for body tech, mixed with our desire to be connected, emotionally, digitally, physically, wirelessly could lead us to a world where everyone has implants, or some kind of tech built into them." Sonically its a record that explores a post-IDM, post-Grime, post-Ambient, post-Glitch, post-Retro-House, post-Instrumental Grime, take on electronic music, like Gobstopper's Mr. Mitch himself and his label mates Orlando, Lloyd SB, Tarquin, Clu, rAHHH and Loom, Odeko is making a kind of post-genre music. Yes it's a cerebral concept under the music but as popular shows like Black Mirror have shown - critiquing our new future can be fun, unusual and highly rewarding. Welcome to the world of Odeko.

LaRhon is back and the Mastermind behind the label who is The Prince Of Dance aka Elbee Bad, presents with the Black White ep a fulminant return. More to come!

S3A, a fundamental player in the French house scene and resident at Paris' famous Concrete between 2012 and 2016 has been making serious waves with releases on labels such as Gerd's 4lux, Local Talk, Hold Youth, Lazare Hoche, Quintessentials, his very own Sampling As An Art records and in 2016 he debuted with his track "Antois Benime (Austral Parc)" on the second release of Quartet Series. This cut became a major summer hit, played by nearly every house music DJ, including Byron the Aquarius during his wicked set on the Boiler Room stage at Dekmantel in 2017. We decided this greatly deserved a follow up and we're proud to finally present Climax EP with S3A's signature sound written all over it....

Opening on the A side is "Presentiment", a collaboration with Mika Blaster. Starting off with majestic strings then suddenly dropping into a massive beat with haunting samples flourishing over the thriving percussion telling you to dance... THOU SHALT DANCE!! The second track "Something More" picks up where Antois Benime left off. A genius mix of uplifting samples and 909 percussion makes this another club ready weapon, bound to leave smiling faces on the dancefloor.

When flipping the record you'll dive into S3A's deepness with "Wu Impact". Soft and sweet Rhodes chords, an insanely groovy bass line with percussion and those mellifluous strings again. Finishing off the release is a deep slammer that goes by the name of "Influences", again a display of S3A's ability to use a wide array of elements within a single tune, molded together to one coherent, lovable and danceable piece. Boy did we wish we had the sampling skills of this master.

A must have record for any House Music lover. On y va!

As Fabrice Lig has contributed to the Kanzleramt History - we are returning the favour and congratulate with this release to his 25th Stage-Anniversary!
Black Stone is taken from 'Universal Tech EP' of 2003 (ka089 12'' digi). Its powerful sequence was always considered as one of the best ever to be exposed on Kanzleramt. So more than deserving and about damn time 3 new Black Stones emerge: polished into an epic set-starter or the jet-black time-lapsed grinding and compressing in the earth's crust or raw acid washed. Heiko leaves the choice to you.

Her Majesty's Ship is proud to present 'This Never Happened', the latest album from hugely talented French-American singer and producer Yan Wagner.

This always inventive and off kilter artist has had many top releases on labels like Kitsune and has worked with the likes of the legendary Arnaud Rebotini and Etienne Daho. He also has a side project, The Populists, is producing the first album of Calypso Valois and wrote the soundtrack for the short film 'Victoria' by Mathilde Marc. Someone who plays events like SXSW and Montreux Jazz Festival, Wagner's playful disco-pop tunes always find their way into the emotions of those who hear them.

For his second album, the artist wondered what to do: surprise everyone with a selection of ballads or serve up the electronic sounds that defined his last effort Forty Eight Hours. The answer lies somewhere in between, with covers of Frank Sinatra and Lee Hazlewood mixed in with fresh and catchy disco production. Unlike the last record produced by Arnaud Rebotini, this record is producer by Yan himself with a triple objective: to favour the first takes, the heat of the sound and to reduce the post- production to a minimum. It makes for something authentic and real, and is an album of artistic self-questioning, tenacious dreaming and overcoming doubt.

Says the artist, "The songs on this record are a series of lies; views of the mind. 'This Never Happened' is a collection of stories that never happened. Ten tracks talking of vain loves, of nocturnal experiences and of life and truth, which are all so short.'

Starting with the retro synths and shiny arpeggios of the title track, ensuing cuts like 'Blacker' are real chuggers with almost de-humanised vocals over the robot beats. 'SlamDunk Cha-Cha' is descended from Bowie with its camp synth wiggles and sung- spoken vocals. Switching up the tempo, slower tracks like 'Grenades' are perfectly glowing and frazzled with their pixelated melodies and cold chords. More upbeat affairs like 'No Love' are like lighter and cheerier versions of Depeche Mode, and the Sinatra cover 'It Was A Very Good Year' is a stirring, synth heavy version that is every bit as tender as the original.

This is a fantastic album of timeless electronic songs and is sure to be one of the standout releases of the year.

First production undername of Dub Master Clash. Party organisers since 2016, with a core compsoed with Pilah (Kaly Live Dub Addict), Roots Raid and Fabasstone (Hight Tone) and... Dub Sheperds with Anti Bypass from Dub Addict.... Nevertheless !! Echo Minott, from Jamaica purely sing his song over that solid musical base. And here comes the point : release party take place on 7th of april... and will be a Dub Master Clash !! in Pérignat Les Sarlièves (63). BLASTER !!!

Big Big one here again ! Ragga Jungle and ragga Drum & bass dancefloor... Flavour number one !

Tint is the first new solo recording from Joe Talia in over a decade. Australian-born but now based in Tokyo, Talia is known to many listeners as a drummer (frequently collaborating both live and in the studio with artists such as Oren Ambarchi and Jim O'Rourke) and as a recording and mixing engineer responsible for dozens of releases across the fields of contemporary experimental music, wayward pop, and jazz. Alongside James Rushford, he is also responsible for one of the most legendary releases in the Kye records catalogue, the creaking electronic morass of Manhunter (2013).

Lovingly crafted over many months in his tiny Tokyo studio, Tint is an album-length electroacoustic suite that brings together Talia's expertise as percussionist, studio engineer, and performer on analogue electronic instruments (primarily modular synth and Revox tape machine). Ranging from minimalist austerity to kosmische lushness, Tint refreshingly refuses the dark and moody sonic palette of much contemporary electroacoustic music in favour of an airy, at times almost weightless sound-world of gliding tones, skittering percussion, and burbling field recordings. Drawing inspiration from Jean-Claude Eloy's epic concrète love letter to Tokyo, Gaku-No-Michi, Talia makes extensive use of his own recordings of his new home, but removes any sense of audio verite, abstracting them into transparent glosses of outdoor ambience or unidentifiable chimes and creaks. Flowing seamlessly between distinct episodes, Tint is compositionally controlled while retaining a sense of played spontaneity, eventually building to a maelstrom of analogue synth zaps and tape manipulated percussion that reflects Talia's deep engagement with the relentless yet constantly shifting dynamics of free jazz.

Banging Hard techno, full bass sound for real... A bloody pearl coming from Gelstat and L'Iguane... Legendary producer of the Chronobrain 16 ! Road Creator.

Due to a misspress the records is not Blue, but Black...

Falcon Black Ops Drops 4 Deep Hard Hitting Techno Club Tools On Uttu. Heads Down / Eyes Closed Bizness For Speaker Dancers Worldwide.

Following the completely sold out 'Imagine - A - Nation' and 'Le Fusion' reissues, Anotherday brings you a very special release from the vault of the enigma that is Spencer Kincy, AKA Gemini - we are very proud, and extremely excited to present Gemini's first 4 releases, lovingly re-mastered and packaged together in a very limited box set!

Originally released on Relief Records; the Chicago techno label headed up by Cajmere, these releases were Gemini's introduction into the worlds of house and techno, and contain some of his most vital works.

As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

As before, this album has been licensed directly from the man himself, and the money made from its exploitation will go directly to him.

This box set is limited to 500 UNITS ONLY - the last Gemini reissues sold out 4 x that amount in weeks, so put in your pre orders before they're gone forever.

Coco finally available on double vinyl for the first time. With his unmistakable sound-mix of Jazzand Swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music.

The double vinyl starts off where his former successful LP's ended. On the other hand he is consequently developing his established jazzy sound, by adding new stylistic elements to his tunes. Also his dancefloor-productions, which

have been published only as singles, now find a debut to a greater extent on this album. They meet with Stelar's melancholic-melodious trademark-sound, which is well known from his earlier albums, but now also spiced up with Hip-

Hop beats and synthpads. An electrifying album to fall for. The two vinyls are originally thought of as one with tracks that can be danced to and one with tracks just for listening. Nevertheless the line between those two approaches becomes blurred in Parov Stelar's newer compositions. The

album makes your feet tap more and more with every track. The musician himself sees the LP as a 'book for musical readers' which is classically defined in introduction, middle part and end. Because of streaming hit singles the

consumer behaviour changed, people don't listen to albums the same way they used to. The whole experience that includes refelecting on less prominent tracks somehow got lost. Parov Stelar sets 'Coco' as a statement against this habit.

After a period of hibernation, aperture records awakens with a bang and a compelling program in the pipeline.
Following their first album released on aperture at the tail end of 2015 'no.3.obliate', the Italian duo T.e.s.o. bring us their second full-length album 'costruzione 04'.
As the title suggests, the album centres around an underlying theme of construction, inspired by radical architecture, brutalism and collages from Superstudio. The concept and title evolved from the nature of the album and the process of building up tracks from a number of separate samples, much like the singular elemental materials used to assemble a structure.
Alongside their music production, the duo have previously created a multimedia installation that investigated the geometric studies of Le Corbusier in parallel to the musical production of Erik Saite and Matteo Castiglioni continues to create impressive audiovisual installations such as the recent 'Freddo Flusso' and 'neon(i)', as well as a collaboration with Danilo Randazzo. T.e.s.o also continue to perform absorbing live sets of their own inimitable range of musical perspective and vision.
Intense, visual and structured, 'costruzione 04' again showcases T.e.s.o.'s complex, obscure and dominant beats and their oblique and sometimes challenging style.

The third release on Blanksheet. Two originals by Hedrome accompanied by a classic Skudge remix.

Far Out Monster Disco Orchestra returns with Black Sun, its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering Brazilian jazz-funk trio Azymuth, a full orchestra with arrangements split between Arthur Verocai and Azymuth's late maestro Jose Roberto Bertrami, plus members of the legendary Rio funk group Banda Black Rio.Since its critically acclaimed self-titled debut album in 2014, the FOMDO imprint has released a string of remixes by some all-time greats of dance music, including John Morales, Theo Parrish, Mark Pritchard, Marcellus Pittman, Andres, Dego, Volcov, Kirk Degiorgio and Al Kent. To huge effect in clubs and festivals around the globe, some of the more recent remixes teased the new album material, which for the first time, is presented in its original, soul-heavy incarnation, alongside instrumental versions highlighting the album's stunning arrangements and compositional brilliance.Far from a throw-back - with disco music firmly entrenched in the modern club vernacular - Black Sun is ecstatic dance music at its finest.

Verdant Recordings 3rd EP is a collaboration between the rising talent Aos and Sonitus Eco. A debut release on vinyl for Aos who has previously released digitally on Blankstairs with the enchanting 90 East minialbum. Sonitus Eco should be well know for his own Harr label and for his majestic ambient and dub techno projects with Silent Season. On this release both bring their love of deep atmospheric and melodic techno for two original works which are then reconstructed by each other. Its fascinating to hear how these tracks reshape the original signatures. An EP that reaches for the stars and yet is subtly introspective and melancholy. 180g pressing an once again the artwork features the beautiful colours of Sophie O'Leary.

Berlin-based Pascal Hetzel returns to Caduceus Records with a new slice of gritty industrial-tinged techno and finely tuned sound design. "Noxious Stimulus", the EP's title track, is a heavy peak-time filler with a mesmerizing bleepy modular sequence on top of rough monochrome beats. On her remix, rising talent Denise Rabe cranks up the paranoia and turns "Noxious Stimulus" into an unrelenting pitch black grinder. "Pain Tolerance Threshold" starts off as hefty with yet another dose of metallic atmospheres and crushing modular sequences, until a bright pad appears out of the dark. Proper techno goodness for the wee hours in your favorite warehouse.

J Dilla's protégé Guilty Simpson first collaborated with Madlib's protégé MED on the hard hitting 'Jungle Love' track off J Dillas 'The Shining' LP. They continued to reunite on several tracks after and now offer us the Loyalty EP. With beats by Black Milk, MNDSGN, Exile and Preme, the duo have no choice but to come correct with the lyrics and they do. From Cali to Detroit, MED and Guilty Simpson deliver a 10 track EP to get you ready for the album dropping later this year on Bang Ya Head Entertainment.

Black & Orange Mixed Vinyl

Rundfunk records presents: 'Kill Gear', the debut album by The Eichler Brothers.

Inspired by European and American cinematic music, 'Kill Gear' honors the many great composers and compositions that characterise a bygone era in the history of cinema. The Eichler Brothers have re-imagined the late 60's and early 70's sound, creating an astonishing motion picture soundtrack that generates imagery which goes beyond an exploitation classic.

Original copies of this beautiful Chain Reaction 7 inch have been changing hands for £500, so this is a true digger's delight.
Exceptional soul from the late 70's which hundreds before have attempted to license to no avail. Lack of trust was a key issue in these pursuits, after 'Say Yeah' was used in a B grade Hollywood movie without permission, alongside record collectors cleaning producer Harold Sargent out of his original 45s before upping them on Ebay for $1000 apiece.Cue the good people at Rain & Shine, a non-profit organisation based out of New Zealand, who have worked with Chain Reaction directly to license this incredible record properly - returning all net profits to the artists involved.It really doesn't get much better than this - spiritual stuff! Comes complete with picture sleeve , pressed on black vinyl with a large dinked centre hole.

Includes Air's hand picked favourite Late Night musical gems including The Cure, Black Sabath, Scott Walker, Sebastien Tellier, Robert Wyatt and many more...

Double Vinyl edition of 300 copies w/ download code and etched d-side.

Breaching is the debut album from Leeds-based, 6-piece, post-metallers Hundred Year Old Man. Hot on the heels of recent EP Rei, Breaching emitsthe same heaving intensity and unforgiving, wall of sound approach. Dense and billowing riffs are intertwined with field recordings and spoken word passages to form an unyielding, sprawling piece of work that delivers the bands artistic vision perfectly. The more ambient, drone sections of the record compliment and allow the real songs to take flight. Debut single Black Fire is reworked to give the track a new lease of life, whilst the other heavy hitters here; The Forest, Long Wall, Disconnect and Ascension are a continuation of the excellent work found on the Rei EP. Breaching contains masses of atmosphere and is a ferocious and immersive listening experience. An epic, monolithic voyage full of texture, depth, aggression and emotion. This is an album that should be approached as a whole, with patience and attention. The rewards will deliver a unique, crushing and quite simply superb record.