Buscar:ben p

Edward O’Sullivan Lee “but my friends call me Bunny or Striker Lee” was born in Kingston, Jamaica on 23rd August 1941. He started in the music business plugging records for Duke Reid at Treasure Isle, Coxsone Dodd at Studio One and Leslie Kong at Beverley’s. “I used to do plugging… when I say plugging I used to get their records played on ‘Teenage Dance Party’ and we’d dance so if you had a record to plug you’d put it on and dance to it and show the latest moves”.

Panther Veil is the debut release on Dublin based Apartment Records. Over the 3 tracks London producer NCW explores various avenues of house music in a stripped back, unique fashion. Opening with the slowburning, Detroit-tinged swing of Veil, the flip serves up the bent out of shape jack of My Braindead Acid, while Panther's relentless late night groove rounds things off in a blurry haze.

Tuba's inaugural release features Antiserum's dark, forceful, hip hop focused banger, Mofo. This A side has been supported by Benga, Babylon System, Sukh Knight, Tes La Rok, Nicon, 12th Planet, DJG, Excision, Datsik, and 16BIT, getting plays around the world. Neighborhood Lasersniper, on the flip, is a dubstep interpretation of a hip hop classic.

Tracks: Side A
1
2 ECM
The Bends feat. Niko

Side B
3
4
5 Best Kept Secret (I Guess) feat. Rusty P's
Until You're Dead
Trouble Ahead

Side C
6
7
8 Brand New feat. Mikey D.O.N.
Lard feat. Kwasi
Suck Up TV feat. Kwasi

Side D
9
10
11 Maniaco
Super 8-Bit Disco
Headshot feat. Kwasi

we are so proud of introducing an old friend of ours'label in discograph roaster... Here comes REINCARNATION. It's the joint project of Luca Benini's SLAM JAM and Enrico Crivellaro's NEROLI to release quality records and more.

first copies as limited transparent vinyl

keine schlechte Nummer..... auf geht's in den Sommer.

!!! bangin release !!!

Breakcore attack in the aera ! Dancefloor Trauma ! This is a Toolbox Co-Production. We apologize again to the label for the big delay it tooks to issue this record.

Over the past fifteen years, Florida-based multi-instrumentalist Eric Lanham has quietly generated a diverse and remarkable body of work both as a solo artist and in group settings. From the disorienting drone/collage ecstasies of Caboladies, his trio with Christopher Bush (Flanger Magazine) and Ben Zoeller, to wildly divergent solo flights under both his own name and as Carl Calm, Lanham’s carefully meted out recordings display the talents of a chameleonic composer who is as capable a sound designer as he is unconcerned with trend in experimental electronic music or notions of prolificness. “Objet Dirt” arrives ten years after “The Sincere Interruption,” his excellent longplayer for the now defunct Spectrum Spools imprint. Captured live, these compositions are brimming with kinetic, elastic, off-grid rhythms, an articulate and enigmatic language that restlessly darts around the stereo field. Of the collection, Lanham says "I haven't made a single piece of music that sounds like this since and it is hard to imagine doing so again.” If this is the case, the 20+ minute closer is a formidable final document. At once chaotic and tightly controlled, it is a torrent of coiling low-end, submerged and stretched rhythms, and seething high-end filigree that is as indebted to the hungry ghosts of free improvisation as it is anything resembling techno.