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Berlin's eira haul debuts in full on Limousine Dream with a 5 track EP that stands out as one of the deepst in the Limousine Dream catalogue. Lead track Gado2 may seem innocuous at first, but it's propulsive bassline and ever shifting melodies reveal a sleeper bomb that is as timeless as any track we've released. It's complemented by 4 ultra-pliable tools, all driving with a force that belies their depth. It's a true house DJ's disc.

Inexplicably, yet true, Lexx returns to International Feel with a record that lives exactly where his music feels most at home. In Between State is a gentle navigation between memory and motion, between what has passed and what is still quietly unfolding. It is reflective without nostalgia, uplifting without force. A record that trusts the listener to drift.
Another Beach opens as a meditation on time and possibility. It looks back with warmth but keeps its gaze fixed on the horizon. A reminder that nothing is fixed, everything moves, and somewhere ahead there is always another sunset waiting on another shore.
Unison follows as a celebration of togetherness. Open-hearted and weightless, it captures the simple magic of shared moments with friends, music traveling across a room, and the quiet certainty that joy multiplies when experienced collectively.
The title track In Between State settles into that suspended hour where day dissolves into night. Inspired by early 90s electronica yet unmistakably Balearic in spirit, it drifts forward with a subtle psychedelic glow, neither arriving nor
departing, just perfectly hovering in place.
Closing the journey, Durchs Hinterland rolls steadily outward into open space. Born from long rides through backwoods and side roads, it moves with hypnotic momentum and the calm rhythm of forward motion. Endorphins rise, thoughts loosen, and the landscape begins to breathe with you.
Four tracks, quietly luminous. Music for transition, companionship, and the spaces in between. Lexx remains exactly where he should be.

DJ DUCH's debut EP is a sonic time machine that transports listeners straight into the Y2K aesthetic, celebrating the unique optimism and rawness of the turn of the millennium. The Wroc?aw-based digger, publisher, and producer- the era's sound by building the entire production foundation exclusively on samples from Polish tracks of that time, giving the release a distinct local flavor. In doing so, DJ DUCH proves that domestic recordings from the late 90s and early 2000s still possess immense potential to fuel modern dancefloors.
The project is rounded out by a broad and surprising list of guests whose vocals add a multi-dimensional character to the whole. The EP features appearances by Renata Lewandowska, rapper Eldo, Cezary Ostrowski (known as Bexa Lala), as well as Nath and Kacha from the duo Coals.

Released independently and on her 30th birthday, "Water Baby" is Giorgia-May's stunning debut album. Spanning over 8 tracks & recorded live at The Famous Goldwatch Studios in Berlin, Giorgia collaborates with some of Berlin's finest musicians to enhance her craft at putting emotions into songs. Each track highlights something different in her ability to channel pain, desire, lust and heartbreak, all whilst (most of the time) making you want to dance & smile.

Stemming originally from Brighton (UK), Giorgia-May has been pursuing a musical career through the means of travel. Now based in Berlin, she combines sensual lyrics, mesmerising tones and exciting arrangements which draw upon her personal experiences of love, loss and coming into womanhood. Blending soulful melodies with jazzy chords and hints of RnB, she takes influence from writers such as Olivia Dean & Amy Winehouse.

Extensive independent European tour in August & September 2026 through the following cities: Berlin, Paris, Bilbao, Porto, Lisbon, Valencia, Barcelona, Marseille, Cannes, Milan, Lake Como, Zurich, Luxembourg, Brussles, Cologne, Amsterdam and more ...

SUNANDBASS Recordings proudly presents its next release, welcoming rising artist Napes with a brand new single: Hit The Corner / Clamber. This release marks the exciting introduction of a new artist joining the SUNANDBASS Recordings roster, signalling a bright future for both the label and its evolving sound. With previous releases on Shall Not Fade and Alix Perez’s 1985 Music, Napes is a promising name within the modern jungle scene. This release is a clear statement of his pushing boundaries combining grime influences and old school jungle, giving us his fresh sounds and melody-led drum and bass music, reaching new horizons while staying rooted in foundations. On the A-side, Hit The Corner showcases acid-tinged synths that meet a UK grime edge, driven by energetic beats and rolling breaks. In 6:20, Napes lets us travel through all the facets of a SUNANDBASS Recordings journey, with his ever-changing arrangement that evolves from heavy, club-focused energy into a euphoric jungle-inspired middle section, before concluding with driving arpeggiated synths. On the B-side, Clamber offers a deep, darker contrast. Between the atmospheric strings set intro which is dropping into a heavy, bass-driven groove, easily imagined shaking the dancefloor during an Ambra Night indoor session. The track reveals a more introspective side of Napes, blending refined sound selection with classic, weighty basslines built for the dancefloor. We’re honoured to welcome Napes to the SUNANDBASS Recordings family, an artist whose sound reflects our love for all corners of the genre while paying homage to the music that brings us together in Sardinia year after year. SUNANDBASS Recordings continues to push the boundaries of drum & bass, fostering connection through music that transcends borders, unites listeners, and celebrates rhythm, movement, and culture.

2026 REPRESS

Pure, Distilled Dub. Upholding Jamaica's Legacy As Well As Germany's Unequivocally Influential Dub Techno Spirit, Moonshine Recordings Proudly Welcomes Their Next Addition To The Roster. On The Controls For The 9th Full-length Album Release, A True-to-the-roots, All-analogue Musician: Another Channel. Having Put Himself On The Map With Releases On Soukah's Blacksoil Records, Bristol's Transient Audio As Well As On Australian Imprint Modern Hypnosis, It's Now Time For The Album Release, We've All Been Waiting For. No Computer Involved As Impeccable Arrangements And Analogue Reverberations Unfold. Live And Direct In The Original Dub Mixing Fashion, The Augsburg-based Artist Uniquely Transports The Sonic Characteristics Of Rhythm & Sound Into The Present Time.

Subtle Vinyl Crackles Gently Introducing Meditative Beats, 'run Dub' Sets The Pace. Keen Listeners Find Themselves Embedded In Lively Echoes And Reverbs, Left To Bask In Smooth, Sonic Contemplation. Engineered To Soothe The Soul, Timeless Foundation Sound. Intensified Groove Meets Low-frequency Pressure In 'amir Dub' Among Haunting Melodica Fragments. '(yes!) Badness' Unsheathes Its Off-kilter Swing, Vocal And Foley Samples Musing In The Distance - Further Showcasing Another Channel's Technical Prowess. Heavy Chord Stabs And Delicate Overdrive Counterpoint The Immense Scope Of Conjured Space In 'ael Na Dub', Concluding A Beautiful A-side.

Lush Chords Lure Us To The Flip-side - 'solid' Kicks Off With A Staccato Bass-line In The Midst Of Lavish White Noise Surges And Minimal Drums. Rooted In Endless Feedback Trails, Steadily Kept In Check. Previously Teased, The Mighty 'ethiopian Dub' Steps Through In Full Glory, Carried By Militant Drum Motion And Forceful Low-end. On A More Spacious Excursion, 'uranus' Takes A Brightly Lit Stroll Through The Analogue Dub Universe, Led On By Another Channel's Signature Groove Propulsion. Pointing Back Towards A-side, Prolific Dub Proponent Babe Roots Presents His Musical Qualities In A Monumental Remix Of 'run'.

This relatively new Stockholm duo have been making waves with their latest vinyl output. This EP conveys their love for the disco house sounds of Chicago, spearheaded by the likes of DJ Sneak. ‘Spoon Bait’ leads the way using an almost dreamlike vocal hook over a deep bass led groove with dub effects to boot. ‘Tuborg Translate’ picks up the tempo, chopping up a Philly style hook, underpinned by crisp beats and otherworldly space effects. Title track ‘Silja Line Superstar’ keeps the peak-time action going utilising warm emotive strings and brass whilst ‘Kenneth Knaster’ bounces along on a sublime disco ride bringing the EP to a close.

Hardt Antoine returns to Crosstown Rebels with emotive new release ‘One More Night’, featuring Charlotte OC. Set for release on 24th April 2026, the French-Jamaican artist links with the UK singer-songwriter, backed by a remix from Echonomist.

A warm, late-night glow pulses through ‘One More Night’, as Hardt Antoine returns to Damian Lazarus’ Crosstown Rebels for his first original release on the label, adding to his captivating remix of Henri Bergmann & Wentink’s ‘Guardian Angel’ in 2024. Anchored by Charlotte OC’s striking delivery, the track draws on the pull of classic disco and modern club sensibilities, balancing introspection with pure dancefloor drive.

On remix duties, Greek DJ/producer Echonomist reshapes the original into a blissful voyage, layering skippy rhythms and shadowy textures for an emotive late-night ride. Rounding out the release, ‘Dreamstate’ offers a complementary original from Hardt Antoine, leaning further into his melodic instincts with a fluid, atmospheric groove.

Hardt Antoine’s output and sound draws on his French and Jamaican heritage, weaving house, techno, soul, and 80s influences into a sonic identity defi ned by rich melodies and groove-led songwriting with recent releases on the likes of Innervisions and KompaktMeanwhile, Charlotte OC brings her distinct vocal talents to Crosstown for the very first time. Following a return to her hometown of Blackburn and a renewed creative focus, her recent work leans into raw, self-assured songwriting, blending vulnerability with strength - qualities that sit at the heart of ‘One More Night’.

Dino Lenny returns to Rekids with the ‘Piano Lessons at Eight’ EP, complete with a Tal Fussman remix. It follows Lenny’s ‘Not About The Volume’ EP, released in December 2025.

London-based DJ, producer, vocalist, and Fine Human Records label owner Dino Lenny returns to Radio Slave’s Rekids with the ‘Piano Lessons at Eight’ EP 24th April 2026, alongside a remix from label regular Tal Fussman. The EP follows Lenny’s ‘Not About The Volume’ EP, which released late 2025, and won support from Laurent Garnier, Chloé Caillet, Catz ‘n Dogz, and more.

‘Piano Lessons at Eight’ centres Lenny’s own vocals over a dark, chugging rhythm that develops steadily, tracing a personal journey from formal piano training to the discovery of electronic music. The biographical thread running through the record gives it an identity that sits apart from purely functional dance music. Rekids regular and Survival Tactics boss Tal Fussman then provides the accompanying remix, a crunchy, percussive rework that brings his characteristic blend of deep house and raw techno to bear, adding melancholic piano stabs that add texture without crowding the arrangement. The outcome is focused, atmospheric, and built for extended play.

With releases on R&S, Diynamic, Innervisions, Crosstown Rebels, Strictly Rhythm, Bedrock, and his own Fine Human Records label, and collaborative work alongside Underworld, Missy Elliott, Wu-Tang Clan, and Madonna, Lenny holds a long-established position within both underground and mainstream electronic contexts. Consistently supported by Pete Tong, Solomun, Carl Cox, and Groove Armada, he maintains a presence that spans scenes without being defi ned by any single one. Since 2021, he has hosted Tomorrowland’s CORE radio show, platforming artists including Nina Kraviz, Ellen Allien, and DJ Tennis.

Akio Nagase joins Especial with an EP of global acid tracks. Centred around his heritage, Osaka based Nagase infuses his sounds with a mixture of dub and ethno-dance, wrapped in 303 infused mid-tempo 4/4 grooves.

Making music for over 20 years, as well as running his Makedub parties, Nagase has released for Sound Channel, Darker Than Wax and cult Japanese digital label Chillmountain. It is here, on the latter, that the connection was made and his tracks unearthed.

Rearranged, re-edited and remixed especially for vinyl, Jurassic Shanghai Acid starts, fusing sound effects, dialogue and samples atop squelching acid beats. Following is Mongol 303, as Khoomii throat singing and acid vibrations loop and flow across the Altai Mountains down to Steppe Plains - Madrugada Eterna.

Okinawa Yunta crosses the South China Sea to home, perfectly mixing unique folk song from Taketomi Island reconstructed with Nagase's gentle, wiggling acid accompaniment. The incessant repetitive groove an Acid mantra, flowing through consciousness to move mind and body.

The bpm's rise for the close. Saigon Acid mixes tradition and Acid House for fun, a 3AM basement jam where Dan Nhi meets 808 and Nagase presents his ethno-acid love in.

Yearly compilation series RADAR KEROXEN return with its sixth volume of theme-driven releases, continuing to chart the fractured sonic terrain of the Canary Islands’ undergrowth.

After digging through indie, psychedelia, shoegaze, and site-specific drone, Vol. 6 dives headfirst into the after-hours circuitry of the islas afortunadas, assembling a hand-picked selection of underground club mutations from five long-standing operators within the local electronic ecosystem.

If Vol. 5 was shaped by the cavernous resonance of Santa Cruz’s obsolete gasoline tank, Vol. 6 is fuelled by late-night club aesthetics and mid-90s hardware obsession. Opening the record, Dancelwerk — one of the archipelago’s early modular practitioners — delivers tightly wound structures nodding to Warp-era golden agefuturism and southern Tenerife’s rave boom. Cmos34 follow with their first-ever published material, injecting instability into the system through improvised techno rituals built on friction and feedback.

Jorganes drags the narrative deeper into hypnotic territory, stripping club music down to its skeletal pulse and channeling disciplined repetition and late-90s minimalism into austere, trance-inducing momentum. From Gran Canaria, Sunday German Flowers bends the mood toward cinematic dub: heavy low-end pressure, spoken word, and nocturnal atmospheres stitched into slow-burning club noir.

Closing the circle, Nico Hernández pulls the compilation back to volcanic ground with ambient compositions shaped by Lanzarote’s raw geological landscape — basalt echoes, tectonic silence, and island isolation rendered in sound.

As always, the release is housed in a post-tropical collage artwork by Pura Márquez.

Master by Daniel García
Artwork by Pura Marquéz

Erleben Sie das pulsierende Lebensgefühl der 80er Jahre mit der farbigen 2LP-Compilation „ZYX Italo Disco History 1984“. Diese exklusive Vinyl-Ausgabe entführt Sie direkt in das goldene Zeitalter der Italo Disco und vereint die größten Dancefloor-Hits eines unvergesslichen Jahres.

Freuen Sie sich auf ikonische Tracks von Künstlern wie P. Lion, Scotch und Valerie Dore – Namen, die für eingängige Melodien, treibende Beats und den unverwechselbaren Sound der Italo Disco stehen. Jeder Song dieser Sammlung spiegelt die Energie und den Glamour der internationalen Clubszene von 1984 wider. Ein besonderes Highlight ist der enthaltene 15-minütige Megamix der Italo-Disco-Legende Flemming Dalum. Mit seinem einzigartigen Gespür für Rhythmus und Atmosphäre verbindet er die größten Hits zu einem mitreißenden Mix, der nahtlos durch die Klangwelt der 80er führt. Die farbige Doppel-LP macht diese Compilation nicht nur musikalisch, sondern auch optisch zu einem echten Sammlerstück – perfekt für Vinyl-Liebhaber und Fans elektronischer Klassiker

FOR THE FIRST TIME EVER: THE LONG-LOST RECORDINGS OF BIRMINGHAM ROOTS REGGAE PIONEERS NATRUS Mastered from the original tapes by Guy Davie at Electric Needle Mythology, the label founded by music writer, author and broadcaster Pete Paphides, is thrilled to announce the archival release of newly-discovered recordings by Birmingham reggae band Natrus. Comprising members of the same family – seven in total – Natrus were a ubiquitous presence of the live circuit within and beyond the West Midlands in the late 1970s. Used as an ad hoc “Wrecking Crew” by local producer and promoter Toney Owens, NATRUS frequently provided live accompaniment to visiting Jamaican artists such as Sugar Minott, Johnny Osbourne and Freddie McKay. With an age span ranging from 9 to 25, NATRUS’S live work had to be structured around the educational obligations of their younger members. But when they weren’t playing live, they would frequently hone their own compositions at Owens’ studio in Saltley, Birmingham.

During their collective lifetime, NATRUS released one very limited edition single Mash It, with a stellar guest vocal from deejay Ranking Glad(Stone). Featured alongside Mash It on this release are a selection of recordings previously thought lost by the group who laid them down. They were only discovered after Toney Owens’ alerted Needle Mythology’s Pete Paphides to the existence of some 60 quarter-inch reels featuring all the music recorded by Owens over a period of ten years or so. When Paphides finally tracked down NATRUS rhythm guitarist Owen Taylor, he was stunned to hear of their existence. After a meeting with Taylor and his siblings, Needle Mythology collaborated with NATRUS on the restoration and remastering of the tracks featured on this, their very belated debut album. As well as Mash It and its original flipside Come From Africa, highlights on ‘NATRUS’ include a superb version of Slim Smith’s The Time Has Come and the deep roots entreaties of Freedom Inna Babylon, both showcasing the soulful vocal of lead singer Fitzdonald “Fitz” English and the almost psychic sense of musical attunement that percolates right down the the formidable rhythm section of Beverley Stewart (bass) and Clinton Gordon (drums).

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city’s burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.

Their 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to “let me take you back, it was the start of something...” before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. In a tribute to lifelong friendship, the album also reunites the dream team behind their 2009 breakout album Fantasies at Electric Lady Studios in New York. All at once a heartfelt reflection on their history, a celebratory gift to those who have been along for the ride, and an outstretched hand to new fans, Romanticize The Dive is another testament to the band’s unwavering love for each other and their insatiable desire to push themselves as artists.

On their seventh studio album, Lost Cause Lover Fool (due April 24th on Far Cry/Thirty Tigers), The Milk Carton Kids deliver 9 songs that, more than ever, invite listeners to lean in close and hover in the small moments the album magnifies. Much has changed since The Milk Carton Kids — Los Angeles-based singer-songwriters Kenneth Pattengale and Joey Ryan — burst on the Folk scene in 2011. And The Milk Carton Kids have changed too. But at least one constant remains. Pattengale and Ryan continue to make music that entices us turn down the volume on a chaotic world and dwell as long as possible on what matters most. With rootsy arrangements, Lost Cause Lover Fool expands on the duo’s signature minimalist sound their fans love while also, somehow, making it even smaller. Lost Cause Lover Fool begins with the lonesome pluck and strum of the banjo on “Blue Water.”

Often employed either for lightning-speed or rhythm, here the banjo is handled carefully, with reticence, so that it feels more like light cast across a stretch of grass than a whole bluegrass instrument. Lyrically, this album-opener zooms in on a snapshot of a man walking along a riverside, remembering the child that used to lay on his chest who has now grown to share his worried mind. It’s a moment so small it might easily have been dismissed, except that it holds an emotion as universal as it is fleeting. Lost Cause Lover Fool magnifies many such small moments, turns them into mesmerizing worlds, and reminds us — pleads with us — to pay attention to them as they go by.

Made in Hell is Hell Boulevard's new studio album, due for release in 2026. The band remains true to its distinctive style, combining dark gothic rock with cinematic orchestral arrangements and electronic elements to create a powerful, atmospheric sound. For the first time in the band's history, a Hell Boulevard album was mixed by Bengt Jaeschke at Chameleon Studios in Hamburg. The final mastering was done by Stefan Brown at the legendary Abbey Road Studios in London. This high-quality production chain marks an important step in the band's sonic evolution and gives the album a particularly striking and powerful sound aesthetic.

The Amity Affliction return with one of the most personal and devastating records of their career. Following a decade-plus run as one of Australia’s most influential heavy bands, marked by ARIA chart-topping albums, platinum certifications, and global touring off landmark releases like Let The Ocean Take Me and This Could Be Heartbreak, the new album turns inward with unflinching honesty. Largely written about frontman Joel Birch’s relationship with his late mother, the record explores grief, trauma, faith, and self-reckoning through a series of deeply connected songs. “I’ll Break These Chains” confronts the confusion surrounding her death, “Afterlife” questions belief beyond this life, while the closing track “Eternal War” captures the ongoing internal struggle and the hope for change that never came. Musically massive and emotionally raw, this album stands as The Amity Affliction at their most vulnerable, cathartic, and fully realized.

DYING VICTIMS PRODUCTIONS is proud to present WHIRLWIND’s highly anticipated second album, 1640, on CD and vinyl LP formats. WHIRLWIND was originally conceived as a studio-project by Mark Wild, from Körgull The Exterminator among other extreme metal bands, to satisfy his will to make a classic heavy metal album, a style that changed his life during his childhood – influenced mostly by ‘80s German metal bands like early Running Wild, early Helloween, Accept, Heaven’s Gate, Gravestone, Tyrant, Grave Digger, Steeler, and Stormwitch among others, but also all kinds of classic heavy metal like Mercyful Fate, Manowar, Iron Maiden, and Judas Priest. In 2022, WHIRLWIND released their debut album, 1714, marking the band’s beginning. WHIRLWIND also established a live lineup to bring their songs to life onstage, with musicians from other known bands, like Redshark, joining as permanent members of the band. The album immediately generated a big buzz in the underground scene and led them to perform at some of the best-known festivals in Spain like Pounding Metal Fest and Skulls of Metal, alongside such bands as Visigoth, Attic, Omen, Tentation, Mindless Sinner, Witchtower, IRON CURTAIN, and Phantom Spell. Now arrives WHIRLWIND’s second album, 1640. Like its predecessor, the album is focused on historical and epic episodes of their homeland; specifically, this album revolves around the Thirty Years War that took place around Europe and the inner conflicts within Spain.

Musically, WHIRLWIND deliver a masterclass in cruising, classy Teutonic metal, running from more traditional-minded mid-tempo stompers to surging, up-tempo gallops of glory. Riff and lead form a lethal tandem, balancing both energy and color, while the rhythm section stays locked in no matter the dynamic. The production, too, of 1640 honors the mid ‘80s with authenticity – underground in spirit, Big League in execution. All told, the album is true heavy metal for true heavy metal people: no more, but definitely no less. By the blood in their veins, WHIRLWIND are marching to victory, ready to explode!

The mysterious Witness of Venus takes command of the Zazù spacecraft and continues his cosmic exploration. With Lost & Found, he drifts into a dreamlike sound world inspired by a specific sound of the trance and techno of the 1990s — the one that evokes wonder without excess.

As the label’s second release, Lost & Found is a gentle tribute to a timeless spirit of dance music, where the dancefloor becomes a place not only to move, but to dream.

Limited run of cassettes, full on body print & double sided J-card, design by Ciaran Birch, 49m30s each side.

Marylou is a French DJ and sound artist based in Berlin, known for her boundary-free, anything-goes approach to DJing. Previously affiliated with Morphine Records, YOUTH, and Ominira, she’s also part of the Wheel of Fortune collective alongside rRoxymore, CCL, and Nono Gigsta.

Her tape for Accidental Meetings drifts effortlessly through dub, noise, traditional folk, improv jazz, footwork, and breakcore—never sitting still for long. The tape clocks in at just under 100 minutes, packed with offbeat selections that give a deeper glimpse into her ever-shifting sonic world.

Making his first appearance on Flat White Records, NYC’s Malik Hendricks arrives with Stretching, a four-track EP that leans comfortably into the grey space between Deep House and Techno. Across three original cuts, Hendricks delivers warm, hypnotic, and quietly confident sounds that are unmistakably his own.

Rounding out the release is a remix from London-based, Spain-born producer Beringei. Known for his broken-beat excursions, Beringei with a 4x4 workout that still carries his unmistakable percussive touch, proving that even when stepping outside his usual lane, his identity remains firmly intact.

With previous releases on respected imprints like Eglo, Darker Than Wax, and Phuture Shock Muzik, Hendricks arrives in trusted company, thus making it an easy call to hand him the reins for our 15th release.

Born in the ’80s and raised in the ’90s, Malik Hendricks is a product of transatlantic club culture, drawing inspiration from Detroit’s futurism, New York’s grit, and the UK’s rhythmic experimentation. A DJ for over a decade, he approaches music with an almost academic curiosity, seeing the dancefloor as a shared space for cultural exchange.

Recently, his work has caught the attention of heavyweights like Eli Escobar, Byron the Aquarius, James Bangura, and Roy Vision, all stepping in to remix his material. With Stretching, Hendricks continues to prove that subtlety, craft, and groove still go a very long way.

Early DJ Support from: Shy One, LDLDN, Louise Chen, Dam Swindle, LTJ Bukem, Christophe Salin, Franck Roger, Jazzanova, Mr Redley, Last Nubian, Glenn Davis, Seven Davis Jr, Stonie Blue, Stu Clark (WOLF), Adriatique, Marco Weibel, Mr Ties, Tereza, Cottam, Joyce Muniz + MORE

Loftsoul a.k.a. DJ Uchikawa revisits and remixes three tracks from the Loftsoul Recordings catalogue for 2026.

Dear Friend featuring Lisa Millett was the first release on the label in 2010 and instantly became a highly collectable classic. Uchikawa refreshes the track with his customary deep and soulful yet driving energy, maintaining all the musical elements that define his unique fusion of the organic with the electronic.
Wait For You featuring Carla Prather gets retouched with a deep rolling groove and riding hammond organ melody creating a smooth bed for Carla’s haunting vocal.
Uchikawa’s cover version of the Grover Washington classic Mr Magic first appeared under his Rhythm Of Elements guise in 2008. It features the great pianist Makoto Kuriya laying down a sublime solo over the infectious groove and Hideki Ikeuchi killing it on guitar. The 2026 Remix comes with a full-on laid-back jazz double-bass line as the background for the exquisite solo performances.

From the subterranean grooves of deep techno to the cosmic pulse of electro and IDM, Deep Space Protocol sees Japanese legend DJ Compufunk navigate a vast sonic universe with precision and feeling. A veteran of Osaka’s celebrated Compufunk Records scene — where he’s sold and spun cuts for nearly three decades — Compufunk seamlessly weaves together influences that span Detroit-infused machine rhythms, hypnotic electro textures, and the thoughtful intricacies of left-field IDM.
Pressed as a limited vinyl release, Deep Space Protocol feels like both a nod to classic techno lineage and a forward-thinking exploration of sound — perfect for listeners who cherish the raw pulse of the dancefloor as much as the cerebral depths of an immersive listening session. With roots that include releases on Detroit’s Motech and connections to Underground Resistance figures, this is an album that bridges cultures and decades while leaving plenty of room for the future.

We're kicking off the new year in fine style with another set of Belters by none other than Dominik Marz. Some have been tried and tested - with HURT appearing on vinyl for the first time. Others are unheard, until now.

Golden Seconds has arrived — a brand-new Disco label brought to you by Johannes Albert.

In the 1990s, Disco House records became dancefloor anthems, drawing on the nostalgia of disco's golden era while incorporating modern production techniques like sampling. Pioneered by influential producers like JohNick or DJ Sneak, Disco House revitalized the uplifting spirit of Disco while infusing it with the infectious rhythms of House Music. A young Johannes became addicted to this happy music in a heartbeat. Fast forward two decades, and he’s crafted his own updated take on the genre, guided by one simple philosophy: "Sometimes all it takes to make a room go bang is a beat and a sample."
Golden Seconds Vol. I opens the vaults and delivers a selection of tracks straight from the stash — timeless grooves, dancefloor heat, and that unmistakable disco glow. Sexy cover included.

The Cure are to release the 1986 mix of Boys Don’t Cry, making it available digitally for the first time ever in line with its 40th Anniversary. Initially released as a standalone single in the summer of 1979, Boys Don’t Cry became the title track of the US edition of the band’s debut album, Three Imaginary Boys.



The song went on to become one of the band’s signature tracks and achieved international success in 1986, when Robert Smith re-recorded the vocal and remixed the backing track. Although this new version was created to promote the best of collection Staring At The Sea – The Singles, the LP itself featured the original recording, and the 7-inch version of Boys Don’t Cry (New Voice – New Mix), now retitled Boys Don’t Cry (86 Mix), is being released on vinyl for the first time in 40 years.



Boys Don’t Cry (86 Mix), the 12” mix, and the B-Sides, Plastic Passion, Pillbox Tales, and Do The Hansa have been remastered by Matt Colton.

Limited 12" sampler for the forthcoming Curses compilation: As much musical memoir as compilation of often impossible-to-find tracks, 'Next Wave Acid Punx TROIS' has joined the dots between industrial, post punk and EBM from the 70s and 80s with the emerging rave scene of the 90s and proven that this spirit is still alive by unearthing some of the best unreleased dark disco, techno and electro produced today. Extended versions only!

Jason Aldean schlägt mit der Veröffentlichung seines zwölften Studioalbums ein neues Kapitel auf. Das
Album ist ein Meilenstein mit 20 brandneuen Songs, die die ganze Bandbreite seines künstlerischen Schaffens zeigen – von mitreißenden Bühnenhymnen bis hin zu den ehrlichen, authentischen Geschichten, die
seine Karriere geprägt haben. Diese umfangreiche Sammlung unterstreicht Aldeans anhaltende Popularität
und seine kreative Weiterentwicklung und bestätigt einmal mehr, warum er zu den einflussreichsten und
prägendsten Stimmen der Country-Musik zählt. Mit über 25 Millionen Followern in den sozialen Medien
und einer Karriere, die die moderne Country-Musik maßgeblich beeinflusst hat, gilt Jason Aldean als einer
der größten Superstars und erfolgreichsten Hitgaranten des Genres. Bekannt für seine einzigartige Mischung aus stadiontauglichen Country-Hymnen und gefühlvollen Balladen, ist Aldean zu einer kulturellen
Größe geworden und verbindet sich mit seinen Fans durch Hymnen, die sowohl die Härte als auch die Seele
des amerikanischen Lebens einfangen. Die New York Times lobte seinen Sound als den des „Hardrockers
von nebenan“, während der Rolling Stone ihn als „einen der mutigsten Wagemutigen der Country-Musik“
bezeichnete.
Aldeans Vermächtnis ist durch eine Reihe von Auszeichnungen, darunter drei ACM-Awards als „Entertainer
des Jahres“, unzählige Platin-Schallplatten und ein umfangreiches Repertoire, das den Erfolg in Nashville
neu definiert hat, untermauert. Im Laufe seiner Karriere hat Aldean epochenprägende Songs wie „Big
Green Tractor“, „Dirt Road Anthem“, „Burnin’ It Down“, „You Make It Easy“ und „Try That in a Small
Town“ veröffentlicht, die allesamt sein Talent unter Beweis stellen, die Charts zu erobern und gleichzeitig
seinen Wurzeln treu zu bleiben.

Noah Kahan kehrt mit seinem vierten Studioalbum ”The Great Divide” zurück!
Der US-amerikanische Singer-Songwriter zeichnet sich durch seinen besonderen und gefühlvollen Indie-Folk
Stil aus!
Sein im Jahr 2022 veröffentlichtes Studioalbum ”Stick Season” und die gleichnamige Hit-Single erzeugten
einen viralen Moment in den sozialen Netzwerken, verhalfen Noah in Deutschland zum Gold-Status für die
Single und machten den 2-fachen Grammy-Nominee zum globalen Superstar!
Noah Kahan thematisiert in seiner Musik wichtige und nachempfindbare Themen wie Heimat, mentale
Gesundheit, das Erwachsenwerden und Alleinsein.
Mit seinem neuen Album ”The Great Divide” vereint Noah Kahan erneut seinen unverkennbaren Sound
und einzigartiges Storytelling mit ansteckenden Melodien und leidenschaftlichen Gitarrensounds!
”The Great Divide” ist eine Reflexion über Noahs Vergangenheit, seine mittlerweile komplizierte Beziehung
zu seiner Familie, seinen Freund*innen, seiner Heimat Vermont sowie über die Entfremdung und Distanz,
das Schweigen und die unausgesprochenen Wahrheiten zwischen Menschen.
Noah Kahans viertes Studioalbum ”The Great Divide” welches von Aaron Dessner (Florence + The Machine, Taylor Swift, Gracie Abrams, Bon Iver uvm.) & Gabe Simon produziert wurde, erscheint auf Vinyl
& CD.

Long Long Road, das brandneue Album von Ringo Starr, wurde gemeinsam mit T Bone Burnett, Daniel
Tashian und Bruce Sugar geschrieben und von Burnett produziert.
Das Album umfasst 10 Songs und enthält Kollaborationen mit Billy Strings, Sheryl Crow und St. Vincent.
Es ist der mit Spannung erwartete Nachfolger des letztjährigen Chart-Erfolgs Look Up.
Mit starken Wurzeln im Country verbindet Long Long Road eine entspannte Americana-Atmosphäre mit
Ringos klassischen Rock-Einflüssen. Die Songs erzählen von den vielen Wegen des Lebens und davon,
unterwegs die Liebe zu finden.

VERVE ACOUSTIC SOUNDS SERIE: komplett analog von Ryan K. Smith bei Sterling Sound von den
Originalbändern gemastert, QPR-Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing), wattierte Innenhülle.
“Africa/Brass”, im September 1961 veröffentlicht, war Coltranes erstes Album für das noch junge Label Impulse! Records. Das Werk markierte einen Wendepunkt in der Karriere des Saxofonisten und gilt laut dem
“AllMusic Guide to Jazz” als “Schlüsselwerk für das Verständnis des Weges, den John Coltrane in seiner
letzten Schaffensphase mit seiner Musik einschlug”. Für das im Studio von Rudy Van Gelder aufgenommene
und von Creed Taylor produzierte Album erweiterte Coltrane sein Quartett zu einem großen Ensemble mit
bis zu sechzehn Musikern. Coltranes leidenschaftliche, freie Improvisationen auf dem Tenor- und Sopransaxofon stehen dabei in reizvollem Kontrast zu dem kompakten, rhythmischen Sound des Blechbläser-lastigen
Orchesters unter der Leitung von Cal Massey. Die Arrangements für die Big Band wurden von Eric Dolphy
und McCoy Tyner erst während der Proben im Studio angefertigt

“‘Round About Midnight At The Cafe Bohemia” von Kenny Dorham ist ein Blue-Note-Klassiker. Jetzt
erscheint der Konzertmitschnitt erstmals als Deluxe-LP in voller Länge auf Vinyl – in audiophiler Qualität!
Als Gründungsmitglied der Jazz Messengers war der Trompeter im November 1955 dabei, als Schlagzeuger
Art Blakey mit der Band im Café Bohemia bahnbrechende Live-Aufnahmen für Blue Note machte. Nur
sechs Monate später kehrte Dorham mit seinem eigenen Sextett in den berühmten New Yorker Jazzclub
zurück, um dort sein erstes eigenes Live-Album für das Label einzuspielen. Von dem über zweistündigen
Auftritt veröffentlichte Blue Note 1956 nur ein Album mit sechs Stücken. Elf weitere Titel erschienen erst
1984 auf zwei separaten LPs in Japan, die kompletten Aufnahmen gab es bislang nur auf einer im Jahr
2002 erschienenen vergriffenen Doppel-CD.
Jetzt erfüllt sich für Blue-Note-Fans ein Herzenswunsch: die Aufnahmen kommen erstmals komplett auf
Vinyl heraus - im Rahmen der audiophilen Blue Note Tone Poet Serie auf drei 180g-LPs im Deluxe-Tipon-Trifold-Sleeve, abgerundet durch ein großformatiges Booklet mit bisher unveröffentlichten Fotos von
Francis Wolff sowie einem ausführlichen Essay und einer Track-by-Track-Analyse von Syd Schwartz.
Parallel erscheint das komplette Konzert auch als remastertes 2-CD-Set in Jewelbox mit Booklet.

Als Global Kryner 2004 die erste CD präsentierte, stand die Musikwelt Kopf. Es war Liebe auf den ersten
Blick. Die Idee war genauso einfach wie genial: man nehme den legendären Oberkrainer-Sound eines Slavko
Avsenik, verschmelze ihn mit Welthits, nehme eine Prise Jazz und jede Menge Spielwitz dazu und fertig
ist die Rezeptur. Die Süddeutsche Zeitung machte Luftsprünge und fabulierte gar von einer „eierlegenden
Wollmilchsau“ in Sachen Musik. Und mit „verkrynern“ war obendrein ein neues Zeitwort geschaffen. Was
folgte war ein Ritt durch alle Radio- und TV-Formate, wie er selten gesehen wurde. Hunderte Konzerte in
Deutschland, Österreich, Schweiz, Benelux, Frankreich, Italien, Slowenien, Kroatien, Serbien, Ukraine bis
nach Mexiko. Nach heißen und durchaus fordernden Jahren des Tourlebens verabschiedete sich die Band
2013 von der Bühne.
Doch die Liebe ist nie erloschen. Im Gegenteil. Jetzt kommt: Global Kryner „2nd Love“! Bereits
im Sommer 2024 beschlossen die Global Kryner rund um Musikkabarettisten und Klarinettisten Christof
Spörk und Oberkrainer-Akkordeon-Urgestein Anton Sauprügl, neu durchzustarten. Posaunist und NeoFischzüchter Martin Temmel musste nicht zweimal gefragt werden. Markus Pechmann, mittlerweile einer
der gefragtesten Jazztrompeter des Landes, engagierte mit Sängerin Miriam Kulmer ein veritables Stimmwunder. Neu zur Band gesellte sich außerdem „Mister Groove“, Jazzgitarrist und Liedermacher Andreas
Haidecker. Aber Obacht: es wird kein Abnudeln alter Hits geben. Die Band bereitet sich in akribischer Kleinarbeit auf ihr Comeback vor. Neue typische „Verkrynerungen“ müssen dabei sein, ja, natürlich!
Aber diesmal gibt es eben auch eigens komponierte Songs zu hören. Man darf gespannt sein. Alles mit
viel Liebe zubereitet, nur eben nicht zum ersten Mal, sondern quasi „2nd Love“!

Diese erweiterte Ausgabe von „From A Page“ enthält die beiden CDs in einer Klappbox mit einem 16-
seitigen Booklet mit Liner Notes von Oliver Wakeman, einem Faltposter und fünf Kunstkarten.
und die erweiterte Ausgabe der 2LP von „From A Page“ wurde auf Halfspeedmastered 180-GrammSchwarzvinyl gepresst.
„From A Page“ ist ein Album mit Aufnahmen der Yes-Besetzung von „In The Present“ mit Chris Squire
(Bass), Steve Howe (Gitarren), Alan White (Schlagzeug & Percussion), Benoit David (Gesang) und Oliver
Wakeman (Keyboards). Die Songs wurden während der Sessions aufgenommen, aus denen schließlich das
Album „Fly From Here“ von 2011 hervorging, auf dem Geoff Downes nach Wakemans Ausstieg aus der
Band am Keyboard zu hören ist. Die 4-Song-Mini-LP „From A Page“ wurde 2019 veröffentlicht und enthält
Songs, die nicht auf „Fly From Here“ verwendet wurden.
Die 2-CD-Version von „From A Page“ enthält die ursprünglichen vier Songs sowie alternative Versionen von drei Songs aus „Fly From Here“ mit Oliver Wakemans Keyboard-Parts aus den ursprünglichen
Songwriting-Sessions und eine Studioversion des von Chris Squire geschriebenen Songs „Aliens“, der auf
der Tour 2008 gespielt wurde, auf Disc 1. Disc 2 enthält Demoversionen vieler Songs, darunter „Updraft“,
das die Grundlage für den Abschnitt „Army of Angels“ von „Into The Storm“ bildete, „Don’t Take No For
An Answer“, das nicht auf dem Originalalbum enthalten war, aber während der Sessions bearbeitet wurde,
und den Single-Mix von „To The Moment“, der zuvor nur auf Vinyl erhältlich war.

Los Angeles alt-punks Death Lens return with What"s Left Now?, an album that feels like a jolt of clarity after a year that never seemed to slow down. Fresh off touring with Militarie Gun, they dove into the studio with producer mixer Zach Tuch (Knocked Loose, Touché Amoré) to craft their first new music since 2024"s Cold World. The result is a set of songs that coil hooky guitar lines around lyrics about taking stock of what you have, what"s been taken from you, and confronting what remains without any sugar coating. Death Lens have always played with contrast: ferocity disguised by swagger, volatility wrapped in melody. Onstage, they transform that tension into something communal-cathartic enough to leave rooms wrecked, connective enough to leave people changed. Once a crew of partydriven garage punks, they"ve sharpened their voice into something broader and more urgent, speaking on life in heavily policed neighborhoods, immigration reform, and the responsibility to lift up the communities that raised them. What"s Left Now? pushes that vision forward, framing resilience not as a slogan but as a lived philosophy: one world, one community, one band refusing to stand still. Death Lens is comprised of Bryan Torres (vocals), Jhon Reyes (guitar, backing vocals), Tony Rangel (drums), and Ernie Gutierrez (guitar).

Your favorite weed sludgers are ready to come back with their fourth studio album, the aptly titled "Stoned Villains," out in April on your beloved Heavy Psych Sounds Records. The band's distinctive sound emerges immediately after the first listen: seven tracks of heavy, sulfurous doom-sludge, with influences ranging from the '90s to Turin-inspired hardcore punk, the scene in which our "villains" were formed and raised. Heavy and cutting guitars, a seismic rhythm section, and Gingerzilla's voice barking out ungraceful tales of weed abuse and uncontrolled eating. The song titles perfectly describe Tons: a band that doesn't take itself too seriously and uses irony as its strong point.

Dancing Waters is a musical fusion where the Mediterranean soul meets the deep-rooted mysticism of Cental Asia. Inspired by the surprising resonance between the work melodies of Balearic Islands and Pitiüses Islands and the haunting beauty of Persian and Byzantine melodies. QANAT weaves together the rich traditions of the Mediterranean, Mesopotamia, and Persia. The project blends old Balearic work songs with the modal textures of Middle Eastern and Central Asian music -including influences from Iran, Turkey, Tajikistan, and the ancient region of Khorasan. At the heart of the project is the remarkable melodic kinship between Balearic field songs-once sung during rural labor-and the ancient echoes of Byzantine chant. QANAT bridges these traditions, crafting new musical landscapes through original compositions, instrumental dialogues, and vocal ornamentations that celebrate the shared soul of these distant-yet-connected cultures.

"Nitrito" is the new album by renowned Italian singer-songwriter Nada. The Italian word Nitrito refers both to the chemical compound and to the sound horses make to communicate, the album was released last June just in Italy and is now set to be released in other European countries such as Germany, Austria, Switzerland, France and in the UK. The album was recorded in Bristol in 2024, with Nada once again entrusting its production to John Parish (PJ Harvey, Eels, Aldous Harding, Tracy Chapman, Giant Sand, Sparklehorse), who also plays most of the instruments on the record. This continues the collaboration that began with "Tutto l"amore che mi manca" (All the Love I Miss) (2004), recently remastered and released for the first time on vinyl and in a new CD edition, and continued with "E un momento difficile tesoro" (It"s a Difficult Time, Darling) (2019) and "La paura va via da sé se i pensieri brillano" (Fear Goes Away on Its Own If Thoughts Shine) (2022). "Nitrito" received an excellent four star review from the influential British magazine Mojo.