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2025 Repress

Jim Coles once again turns the tide towards a new horizon and travels further into the echo chamber. Leading on from the much-lauded ‘Secret Location’ mini-album with Seekersinternational, one-offs such as ‘Open Palms dub’ (Dub Stuy) and other teasings, ‘Acid Dub Studies’ is the fully-fledged result of the merging of the calligraphic expression of the 303 Acid bassline with the stern sway of Dub Reggae and the hazier edges of Dub Techno and Ambient music.

For those who have been paying close attention, this project will come as a welcome return to the vulnerability and playfulness of early Om Unit records such as his sub-radar single from 2010 ‘Lightgrids/Lavender’ (All City Records) or the unearthed chugging ambience of ‘Friend of Day’ (Idle Hands) and indeed in some sense draws from similar wellsprings as moments on 2013’s Bass classic ‘Threads’.

Whilst being perhaps an ‘interim project’ this is still a vital and important expression of exploration and playfulness. A study in the true sense and borne out of a subtle but pervasive frustration with the rigidity found in musical words he has up to now been cohabiting, Acid Dub Studies comes from the pressing need to break with perceived expectation and to explore an honest and natural space away from the genre labels and tags that had been often lazily applied to his sizeable catalogue of music.

With no desire to reinvent the wheel, rather to paint pictures in an honest framework, the LP was crafted using a medley of classic analogue mixing techniques inspired as much by the adventurous dubbing of Adrian Sherwood as by the inward-delving haze of Scott Monteith’s Deadbeat project. Created during a period of lonely introspective walks through his home town of Bristol, the cover art is a photograph of some of the iron kerbstones that are found almost exclusively in the characterful and hardy city which were installed in the late 1800’s to protect pavements from cart wheels. Something about the permanence of those iron slabs and cobblestones inspired a sense of comfort and determination.

Acid Dub Studies is due for release as yet another self-released label-free project leading on from recent EP titles ‘Violet’ and ‘Submerged’ both of which hinted at some of the shapes found in this full length album.

Once again Jim has shown a rare convincing adaptability that few electronic artists can embody. Another step on the journey of personal and creative curiosity that fans are sure to appreciate.

12-inchers from Dublin disco messers Fatty Fatty only come along once in a while, but this summer they've got 2 biggies lined up for festival messing, sunset disco joy and eyes-down dirty basement feel...

Pablo and Shoey's 'Raw Human Emotion' EP features 3 tracks never before seen on vinyl and showcases the range of their productions neatly. First up you've got 'Raw Human Emotion Part 2', a track they provided for a Paper Disco compilation many moons ago. Chopping up sections of an old disco-soul stomper and getting deep inside the loops before rising to a joyous hands in the air climax, this is a peak-time winner that brings everyone together.

Flip over for two lost gems from the 'Do It Backwards' EP for Sprechen, which got lost in the chaos of the first Covid lockdown.

'Shoey's Acid Trip' is a peak time, hands aloft, laser reacher - acid preacher style slammer that builds like a bastard, while Pablo's 'Air Raid Dub' of the title track melds a wonky as heck bassline with a wicked boogie breakdown before slamming back in, rave sirens and all. Serious 3am tackle all round...And the likes of Justin Robertson and Severino of Horse Meat Disco agreed at the time, with the latter proclaiming 'Now this is something different...'. The whole EP fits that bill, and should do some serious damage around the place this summer...

Hitting release number three, Slush Records remaster and reissue Spacer IV aka James Zeiter’s sought-after 1997 EP on Pleasure Records. The man behind a slew of lauded records under a variety of different aliases, his sound is one that is cherished for orbiting the spheres of progressive trance and atmospheric dub techno. This four-track EP, however, saw James venture into unchartered territory, exploring a more melodic, house-tinted spectrum, before flipping back into the progressive techno-trance underbelly.

Having started life in 1995, Spacer IV had already gone from the leagues of limited white labels, to being the name stamped on one of Pleasure’s biggest-selling records by the time this EP came out. With only 195 white labels of his first record ARC 1/ARC 2 pressed, a copy was passed to Pete Robinson at Robs Records. ‘ARC 2’ was plucked from that release, supplemented with a new cut ‘ARC 3’ and given a proper pressing on Robs Records offshoot label Pleasure to notable success.

Fast forward to 1997 and James chose to depart the trance-infused techno sound of those first releases. Absorbing elements by osmosis, this EP sees James dipping his toes into fresh waters. Using what limited hardware he had available, including an Akai S950 sampler, Ensoniq ESQ-1 and Novation Bass Station 1, James laid down four distinctive and versatile club cuts.

‘Sirocco’ opens the EP, a tingling hit of endorphins that only the most timeless of tracks can elicit. Echoing pads feed acid murmurings, that sit atop dusty breakbeats and rattling sub-bass. An aural exploration, that is equal parts ethereal and empowering, taking cues from breaks, ambient, chill out and house. It’s one of those rare tracks that has the power to float you away or fuel your buzz, giving a healthy tug on the heartstrings in the process.

‘Mono’ follows, merging heads-down dancefloors with the embrace of warmer climates. It’s deep and Detroit-infused yet bolstered by a dream house bassline straight out of the Italian riviera. A dose of eyes-closed euphoria that hits just right.

The flipside sees James in more familiar territory with ‘Jetson’ and ‘Dust’. The former is a hit of space-age progressive house. Trippy, hypnotising, driving goodness, showcasing James’ ability to lock your body into a groove, yet send your mind to another world. The latter rounds out the EP, serving up an acid-swirling club stomper, forever building in intensity before dropping you into the vacuum of deep space.

Jules Elipse from Paris, Tursio from Australia and Drowncast from West Coast US on the first in a series of collaborative releases.

Three flavours of jungle, from the raw late leanings of WBD to the jump up inspired Wanna Be and the more melodic vibe of Celestial Plain. Something for everyone, assuming everyone is a fan of jungle that sounds like it was made in the mid 90s.

EAT MORE HOUSE presents Rene Rabe aka RR - Bridgetown EP (12")

We are happy about this classy club oriented House Music from this rising artists.

Not to be missed!

Darcoform proudly presents DARCWAX002, a carefully curated four-track vinyl that encapsulates the essence of storytelling within the minimal house and breakbeat realms. Featuring four distinct artists, this release offers a sonic journey through layered textures, deep grooves, and masterful production.

Side A

Vid – Soundscapes

A pioneer of the minimal house genre, Vid delivers a profoundly immersive experience with Soundscapes. The track unfolds like a narrative, weaving intricate rhythms with atmospheric depth, taking the listener on a contemplative yet dynamic journey.

Cim Pian – Visions of Neverland

Cim Pian introduces us to a dreamlike world with Visions of Neverland. The track blends subtle melodic elements with a tight, groovy framework, evoking a sense of wonder and nostalgia that feels both grounded and otherworldly.

Side B

Mtps – Book Of Truth

Mtps crafts a delicate balance of groove and introspection in Book Of Truth. With its textured layers and driving rhythm, the track resonates as a personal yet universal story, making it a standout in any minimal selector's collection.

Durosai – Str8 Chillin

Closing the release is Durosai with Str8 Chillin, a minimal breakbeat track infused with electro influences. Its sharp percussion, intricate breaks, and playful basslines create a laid-back yet punchy vibe, perfect for injecting energy into any set.

DARCWAX002 is a testament to Darcoform’s commitment to showcasing unique voices in the underground music scene. Stay tuned for its release—this is a record not to be missed.

Graphician: Cimpian Mark from FaceToShape Studio
Mastering Engineer: Robin Virag from RV Audio

For the third episode of Komplices, JO SZT welcomes three new friends to the house — the incredibly talented artists Chuwee (US), Seb Hall (US), and Victor Benjamin (FR). Joining them is Atree, who was featured on the label’s very first EP. Komplices has always been driven by two passions: groove and emotion — and this new episode is no exception. You’ll once again find those signature vibes that define the spirit of the label.

This 4 track EP from Ibiza Records in collaboration with our new artist/producer NASTYRCK brings you this NewGen of the orginal sound of Jungle musik with this long awaited Jungle album that's been 5yrs in the making... These trackz are strictly instrumental showcasing that authentic sound system kulture vibez n pulsating synthz n wicked b lines n amen breaks galore..

Isle of Jura teams up with French digger Switch Groove on the next compilation titled ‘Archipelago – Cosmic Fusion Gems from France (1978-1988)’.

Switch Groove explains the concept “When I seriously began to search for and collect records, I was mostly interested in sounds from african-american, afro-latin and UK contemporary scenes. Sounds from distant territories, faraway from my native Massif Central, a highland region in the middle of France. The grass is always greener, I guess however, as I was digging in fleamarkets in the early sunday morning light, as well as spending regular sessions in second hands record shops, I began to discover hidden treasures, underground gems and side-projects of an unknown French musical repertoire.

French music is often reduced to its most famous musical forms, characters and signatures : French songwriting and voices, 60s yéyé, prog rock concept albums and soundtrack explorations, 80’s indie rock scene or more recently electronic French touch. All these sounds have a common feature : a geographical link, forged on mainland French territory, following the contour of the so-called Hexagone, the border that shapes the grounds for an homogeneous cultural expression. But beyond this showcase lie more complex, hybrid and global French productions. From French Caribbean Antilles to Parisian suburbs - especially during the ‘Sono Mondiale’ era -, in French areas outside urban cultural centers, musicians have created fusion and cosmic musical expressions. As the mid-seventies meant a greater freedom to make and record music, a wider use of electronic instruments like synthesizers and drum machines helped to deliver some magical projects you could only find lost in the middle of cheap records during a sunny record digging session. I selected these tracks, in an attempt to shape an ARCHIPELAGO that highlights significative contributions of African diasporas and ultramarine territories into French musical borders. It is the map of a land I have gradually drawn, thanks to deep listening of amazing cosmic and fusion tunes. I hope you enjoy the journey.”

Several Years Ago, the Disco Records Dj Crew Members Got Their Hands on a Couple of Original 70s Obscurities, While These Standout Records Shone Brightly in Their Own Right, the Team Finally Decided to Put Them Out as Those Obscure Old Records Fetch Eye-Wateringly High Prices on the Second-Hand Market. Due to Popular Request & Lovingly Mastered to the Highest Possible Standards, They Are Now Available to Play and Share in Very Special Moments at Parties Around the World. This Will Surely Be One of the Most Keenly Anticipated Disco Release of the Year. for Our First Release, We Are Extremely Proud to Bring You at Last, Three Very Hard to Find Disco Anthems on Sides a & B in Their Glorious Full Extended Versions...

Rocco.fx opens the portal of his new label: Clixx Records. CXX001 - Dub Selvatico is an EP with 4 tracks that border the most complex and dub sides of modern techno. Side A, a direct shot for the dancefloor makes it clear what are the intentions of the Argentinean producer, while Side B, is his more introspective look at techno. The Berlin based label brings us his first appearance, letting us choose between 4 different tracks but with the same conductive thread, the modular synthesizers.

After some chapters, we had time to write about the new histories.

Here our 4th vinyl release, limited copies.

Analog Africa doesn't do anything other than special releases really, but this one tracing the label's origins back to Zimbabwe over 20 years ago is a real standout. A carefully curated collection of 25 tracks with a fine booklet proving plenty of extra context, it captures the birth of the country's modern music scene and brims with the creative sound explosion of the 70s and 80s. Before genres were fully defined, artists blended rock, rumba, soul and traditional rhythms in bold, experimental ways that still stand up and get diggers and dancers excited in 2025. Included are never-before-released tracks from Thomas Mapfumo, Oliver Mtukudzi and more and they all add up to rich and dynamic snapshot of Zimbabwe's peerless musical evolution during what was a transformative era.

De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!

De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!

Headek Records returns with its second release, HDK-2: The Eyes of Goa – Syncrosonix EP.

This time, we dive deep into the hypnotic realms of Goa Trance with a truly special EP. Syncrosonix and Goagoa unfold across two tracks, each presented in two versions, making a total of four sonic explorations. Expect a perfect fusion between the raw essence of classic Goa Trance and the futuristic pulse of bleep-infused techno. Pulsating trance basslines intertwine with resonant synths, acid sequences, and shimmering bleeps, creating a mesmerizing vortex of energy. Let yourself be drawn into the infernal spiral of trance and lose all sense of time.

Provoker return with Mausoleum. Refined, ornate and bigger than ever, Mausoleum takes Provoker's shadowy sound to new heights, aided by executive producer Kenny Beats. "Pop on the outside, dark on the inside". Embodied by the garish arcade machine on the cover, the songs on Mausoleum lure listeners in with addictive melodies and slick production, but hold them tight with the tales of heartbreak, loss and revelation within.

With Heilun, Hyldipi makes a stunning debut on ambient powerhouse Past Inside The Present by presenting seven meditative compositions shaped by his native Iceland's raw, introspective beauty. Crafted entirely with guitar and minimal hardware, each track feels like a gentle conversation with nature, ephemeral and soul-soothing. From the delicate strums of 'Opnun' to the deep serenity of 'Hvild,' the album flows like glacial melt, patient and healing. 'Fadmur' blooms with aching emotion, while 'Kyrrd' closes the journey in subaquatic calm. This is ambient music for deep listening-an improvised, transcendental escape into stillness, where the ego dissolves and all that remains is presence and peace.

Heavy support from absolutely nobody as there are no clubs open, and no promos have been given out, but if you like it, buy it quick and be the first to play it. Lots of love, Faris Passion.

All profits to be donated to BLM charities.

Rumoured to be the man behind the Gallery releases.

discotech is back with the 6th of their DTW series with the one and only Paul Rayner - 3 selected cuts from the 90s which have been perfectly restored and mastered. Kepler is on remix duties with a track that has been a main fixture on dancefloors across the world for the past few months.

Support for this release has been huge with artists such as Chris Stussy, Enzo Siragusa, The Trip, Saoirse, Dungeon Meat, Boss Priester, Prunk, Reeshy, Job de Jong, Jamback, Sidney Charles, M-High, Seb Zito, Burnski, Marsolo, Martha (NTS), Chris Gialanze, Rossko, Dennis Quin, Sosa, Ozzie Guven and more

Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.

Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.

Originally released in 2015

To celebrate Molly Nilsson’s most enduring fan-favourite album to date, Night School and Dark Skies
Association are releasing a limited 10th anniversary pressing on Red-Gold vinyl, limited to 500 copies.
Since its release in late summer of 2015, Zenith has come to be considered Nilsson’s greatest album to date. Now
on its 6th pressing, in 2025 Zenith represents the mid-point in the songwriter’s career to date and contains firm fan
favourites in Mountain Time, Happyness and her most popular song, 1995. Zenith sits square between Nilsson’s
original flurry of DIY creativity and her later, outward-looking political material.

A sweeping, cinematic, emotional change is in the air. Molly Nilsson's sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson's big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement

"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.

In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.

"Dame café", originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. The vibrant musical scene of the 1960s in Colombia owes much to a group of versatile accordionists who blended genres such as cumbia, charanga, guaracha, vallenato, and Cuban-influenced rhythms. This group included notable figures like Andrés Landero, Aníbal Velásquez, Lisandro Meza, and Alfredo Gutiérrez, among others. A prime example of their diverse musical styles is the album "Dame café", released in November 1965, which features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats such as paseaíto and pasaje. The album includes six previously released singles composed by José Castro, Policarpo Calle, and others. The album highlights the commercial strategy of Discos Fuentes, which often created short-lived studio bands to meet the tropical music demand of the time. Los Gavilanes de la Costa, the band behind "Dame café", had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. The group's creation was driven by the high demand for tropical music in the 1960s, with many musicians adjusting to market trends. Most of the members, including composers Campillo and Castro, vanished from the scene, while others, like Calle and Zambrano, went on to have notable careers in music. Calle, in particular, became a cumbia legend, later settling in Mexico City. The album "Dame café" has gained cult status due to its rarity and the intrigue surrounding its origins. The album features a remarkable contribution from Colombian jazz legend Justo Almario, who, at just 16 years old, played tenor sax on the track 'Pues no da pa' más'. Over the years, pirate editions and elusive original copies have made it a highly sought-after collector's item. The album's lively sound, combining accordion melodies, deep bass, and vibrant guacharaca rhythms, continues to resonate in the tropical music scene.

After the great success of the 9 volumes, FullTime Production returns with a new vinyl in the "FullTime Factory" series!

Four gems from our catalogue by Rainbow Team, Michael Baker, Say When! and MA.GI.C. remixed by our artists Da Lukas, Massimo Berardi, Souls
Groove and Black Truffle, who revolutionise big hits through their musical experience with current sounds disco, nu-disco and funk! This vinyl can't miss into the collection!

Limited 2025 Repress
Black Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O'Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O'Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo's Super Deluxe in March 2013, the set begins as a duet for Ishibashi's flute and Gray's upright bass. Calmly melodic yet harmonically inventive, with shades of 'spiritual jazz', the pair's acoustic ruminations are gradually joined by Ishibashi's lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray's bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O'Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for this release, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music.

With the reissue of ''Magic" the circle of the works originally published by Eyes Records and composed in the earliest 80s by Celso Valli is completed: Future State, Blue Gas and now precisely Five Sinners !!! Best Record thus creates ''the triplet'' of the Italo-Disco operas made by the immense musician from Bologna, who used various nicknames at that time - as the trend of the main Italian arrangers - feeling 'a certain shame' in making commercial pieces, songs that were danced in the discos. He hid under dozens of pseudonyms (Adal-Scandy, Azoto, Bulldog Lama, Sandon, Super Band....) ''Magic'' and ''Precious Lies'' kept hidden, almost buried for over 40 years (but with many followers abroad) now shine their own light! Indeed. To further enrich this latest vinyl production by Claudio Casalini there is - in addition to the successful artwork of graphic designer Nerina Fernandez - the new captivating version of ''Magic'' (timing 6'20'') skillfully remixed by the talented Italian-Australian DJ-producer Dave Mathmos. In short, a 12-inch reissue not to be missed for both collectors and club DJs.

Limbo Tapes boss Titus XII returns with a sample-rich album of feral beats, degraded meditations, and graphic dubwise. Blurring hip-hop and dub techniques with a taste for the melancholy, this is cinematic armchair listening with its own corner of moody nostalgia, macabre humour, and the menace of sound system culture.

New World returns to Riotvan, and—no surprise—he nails it. Three tracks that pick up right where his last EPs left off, without ever repeating themselves. Romantic 80s disco, but with bite. A knowing smirk instead of
full-blown nostalgia. Playful, a touch of cheese, but always sharp enough to stay cool. No gimmicks, no empty retro worship—just pure vibe. New World does what he does best. And he’s doing good!

2025 Repress

Sonic shamans Feral and Spekki Webu team up for the third release on Aube Rouge. Straddling the boundaries between IDM and Techno, the duo traces their roots back to the forests of the Mo.Dem Festival, where they performed their debut live set in 2022. "Kentaga" is an invitation to embark on a mental journey infused with tribal rites and lysergic visions.

RAWAX proudly presents Swayzak - Lokal/ Yardam from 1998!
We are very happy to re-issue this beauty with a new mastering,
Don't feed the Discogs Sharks!

Brazilian talent Rafael Cancian has grown in stature thanks to solid outings on the tasteful likes of Razor-N-Tape and Hot Pot Records. Now with that profile established, he heads out with a new label of his own in the form of About Disco. He inaugurates it with a quartet of edits that he has already been deploying to great effect on various dancefloors around the world. 'Sounds Chicago' does indeed with raw drums and great keys dancing over the beats. 'Ti Amo' has a more funky undercarriage and disco percussion, 'D'Afrique' again brings a funky bass riff to the fore with some psyched-out sounds for company and 'Opera' shuts down with some late-night and soul-drenched synths over intimate and stripped back house drums.

Mad Professor is a dub legend. We can't say much more about this release other than it's two dubs of a beautiful record and all time classic and there will be more to follow...