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Baka G - G Stands For Groove EP

Baka G follows a string of releases on the likes of Happiness Therapy with a fresh new cut on Plastik People. It's another breezy blend of house styles with authentic soul. 'G Stands For Groove' rolls on a knotted bassline that Louie Vega would love, while 'Jack's Jam' is livelier without losing the buttery smooth bass and vibey chord work. 'Mama Lava' then ups the energy with some heftier kicks and timeless piano chords, which dance next to sultry Spanish vocals. 'Maracaipe' then shuts down with some wispier cosmic energy and lush instrumentation to bring summer warmth to winter dancefloors.

pre-ordina ora27.03.2026

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Last In: 2026 years ago
MASAYOSHI TAKANAKA - Ocean Breeze LP
  • A1: Medley
  • A2: Plastic Tears
  • A3: Thunder Storm
  • B1: Soon
  • B2: Finger Dancin
  • B3: Heartache
  • B4: Tropic Birds

OCEAN BREEZE" (originally released June 1, 1982): 180g clear green vinyl Remastered and cut by Alex Wharton (Abbey Road Studios, London)

Described as “the best take from the best concert” (from the original obi).
This live album captures performances from Takanaka’s 1980–81 "POWER PLAY ’80 & ’81" tour, featuring a medley of classics such as "BELEZA PULA,"
"Tokyo Reggae," "TAJ MAHAL," and "MAMBO NO.5 (DISCO DANGO)," as well as selections from "The Rainbow Goblins" and his debut album "SEYCHELLES."
A dynamic showcase of Takanaka’s
live brilliance.

Musicians: Hirokuni Korekata (guitar), Kiyosumi Ishikawa (keyboards), Mimi Kobayashi (keyboards), Akihiro Tanaka (bass), Masahiro Miyazaki (drums), Hiroki Sugawara
(latin percussion), Makoto Kimura (latin percussion)

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MASAYOSHI TAKANAKA - Saudade LP
  • A1: A Fair Wind
  • A2: Saudade
  • A3: Eona
  • A4: Breakin’ Loose
  • A5: Ride’em High
  • B1: Chill Me Out
  • B2: New York Strut
  • 03: The Forest Of My Heart
  • B4: Manifestation

"SAUDADE" (originally released September 10, 1982): 180g clear salmon pink vinyl Remastered and cut by Alex Wharton (Abbey Road Studios, London)

Produced by Narada Michael Walden and recorded at THE AUTOMATT in San Francisco, featuring T.M. Stevens on bass and Sheila E. on percussion.
A danceable, relaxed masterpiece where Takanaka’s ultimate resort-guitar sound truly comes alive.

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MASAYOSHI TAKANAKA - Can I Sing LP
  • A1: Tokyo...singin' In The City
  • A2: Warera Hoshi No Ko
  • A3: Sail On Fire
  • A4: Straight From Your Heart
  • A5: Jumping Take Off
  • B1: Santiago Bay Rendez-Vous
  • B2: Funk'n'roll Train
  • B3: Cry Baby Cry
  • B4: Noon
  • B5: Can I Sing...for You

"CAN I SING?" (originally released October 5, 1983): 180g clear blue vinyl Remastered and cut by Alex Wharton (Abbey Road Studios, London)

Takanaka’s 10th original studio album, showcasing his signature “singing guitar.”
With guest appearances by Takao Kisugi (vocals), Yuji Toriyama (rhythm guitar), Yoshihiro Naruse (Casiopea; bass), and Daiji Okai (Yonin Bayashi; drums).
Blending techno-based sequencing with Takanaka’s warm, expressive guitar sound, the album radiates energy and melodic joy.

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Jonnnah - What They Left

For his new full-length on Second End Records, Lyon-based artist Jonnnah turns deeply inward. Conceived as a form of therapy, as much as a reflection and a testimony, the record retraces a process of introspection and confrontation with one’s own history, looking back at origins, DNA, and the invisible ties that connect us to our ancestors, while opening paths toward new connections.

The double-sided structure of the album makes this journey tangible. The first side lingers in uncertainty : opaque atmospheres, fragmented rhythms, and restless textures mirror the doubts, questions, and fragile states of self-analysis. The second side, in contrast, embraces clarity and resolution, dense yet luminous soundscapes where reconciliation and acceptance take shape, culminating in The Blue Comet, a piece charged with finality and revelation.

Opening with the multipart suite N-zero, symbolizing the beginning of therapy, and closing with O-one, evoking the soul’s original purity, the record traces a complete emotional and spiritual cycle. Between them, the third edition of Insomnia Never Ends once again portrays the struggle between sleep and the irresistible pull of musical distraction, a fragile tension that runs through the album as a whole.

The record condenses Jonnnah’s language into something rawer and more direct. Layers of dub and dub sonic resonate against ethereal ambient passages, while techno impulses maintain tension and forward motion. Each piece feels at once intimate and expansive, designed as much for solitary listening as for collective experience.

A new chapter in Jonnnah’s trajectory, the album is a document of transformation : from shadow to light, from questioning to acceptance.

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LNS - LNS-ID VOL 2

LNS

LNS-ID VOL 2

12inchERS066
Emotional Response
27.03.2026

Emotional Response presents Volume 2 of the LNS-ID series. Atmospheric, infectious, at times nostalgic, warm yet ghosty, the tension of Laura Sparrow’s music is her exploration in electronic music.

An introduction to DJing and music production has been a natural progression, applying skills in new and fresh formats. Built on the heritage of Chicago and Detroit house, alongside old IDM and electro, her first productions might have been raw, but the creativity was lit.

While her recent productions have explored club orientated, loud cut records, in collaborations with DJ Sotofett, that represent the sound found in her residency on the Globus floor at the Tresor club, LNS’s interest in the solo productions of the LNS-ID recordings and more organic-style explored in the recent Misiats EP burns bright.

LNS-ID 1 and LNS ID 2 are her latest offering. Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Roland TR-606 and TR-808.

Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.

Easygoing Acid Express, Alive Acid, Blue Acid and Gentle Acid. Get the message. We call it Acid.

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Isao Suzuki & New Family - Mongolian Chant LP
  • A1: Mongolian Chant
  • A2: Misperception
  • A3: Joy
  • B1: Falcon
  • B2: Impressions Of Charles Mingus

Extrem seltene japanische Originalaufnahme des Bassisten Isao Suzuki von 1980. Bei Sammlern sehr begehrt, Originalausgaben erzielen Höchstpreise!

DUSTY GROOVE schreibt: "Eine wirklich originelle kleine Platte des japanischen Bassisten Isao Suzuki – und ein Album, das sich, wie die meisten seiner besten Werke der 70er Jahre, jeder einfachen Kategorisierung entzieht! Suzukis Musik ist von einer wunderbaren Bandbreite an Ideen geprägt – einerseits eine sehr intime und persönliche Interpretation des Basses, die zu wunderschönen Soli führt (darunter auch Piccolo-Bass) – andererseits eine umfassendere Bandvision, bei der die Instrumente auf unerwartete Weise zusammenwirken, mit wirklich kreativen Rhythmen, die für Abwechslung sorgen. Stellenweise schwingt eine gewisse Energie mit, die einigen Stücken Fusionsounds verleiht – jedoch auf eine ganz andere Art und Weise als bei üblichen Fusion-Alben. Auf dem Album sind ferner Gastbeiträge von Shigeharu Mukai an der Posaune und Toshiyuki Honda am Sopransaxophon und an der Flöte zu hören."

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Trancefeld - Love Song

A true hidden gem from the early days of the internet, TRANCEFELD’s “Love Song” finally resurfaces more than twenty years after its creation.



Originally composed in 2002 by the underground German producer, this cult deep house track, defined by its unforgettable bassline, psychedelic vocals, and delicate violins, now receives a long-awaited official re-release. It arrives alongside a brand-new single, “Echoes Within Silence,” a hypnotic tech-house journey that immerses listeners in a world of rhythm and emotion. TRANCEFELD’s timeless, Berlin-infused sound is back.

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CRAYON - HOME SAFE

CRAYON

HOME SAFE

12inchERATPLE175
Erased Tapes
27.03.2026
  • Home Safe (Feat. Yamê, Tora)
  • Procrastination (Feat. Zefire)
  • Strange People (Feat. Rhye)
  • Kill Your Idols (Feat. Lossapardo)
  • Feelings Don't Rest (Feat. Anaiis)
  • &Fly
  • Diamond Miner (Feat. Fkj, Eliza)
  • Midnight Blues (Feat. Zefire)
  • Cristaux Liquides (Feat. Swing)
  • Arthur Et Le Cristal (Feat. Arthur Teboul)
  • Exposed (Feat. Lossapardo)

Mit Home Safe veröffentlicht der Pariser Produzent und Songwriter Crayon am 24. Oktober sein lang erwartetes Debütalbum auf Erased Tapes. Nach Jahren als gefragter Produzent für französische Rap-Größen wie Josman und Dinos tritt Crayon nun selbst ins Rampenlicht - mit einem Werk, das Soul, Folk, Jazz, Hip-Hop und Elektronik zu einem warmen, vielschichtigen Klangkosmos vereint. Die Entstehung des Albums begann in einer Pariser WG, wo Crayon und Jazzpianist Bastien Brison intime Jam-Sessions veranstalteten. Aus dieser kreativen Gemeinschaft entstand ein Sound, der orchestrale Größe mit der Intimität von Bedroom-Produktionen verbindet. Nach einer persönlichen Rückzugsphase in seinem Elternhaus verfeinerte Crayon über drei Jahre die Klangästhetik des Albums - inspiriert von Erinnerungen an das Zuhause und der Frage: Was bedeutet Heimat für dich? Das Ergebnis ist ein zutiefst persönliches, visuell geprägtes Album mit Gästen wie FKJ, ELIZA, Rhye, anaiis, Yamê und Arthur Teboul. Tracks wie Home Safe und Diamond Miner laden ein in eine Welt, in der Sound, Bild und Emotion verschmelzen.

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Bop - Hypnotics (Cassette)

Bop

Hypnotics (Cassette)

CassetteNHS544CASS
Hospital Records
27.03.2026
  • 1: Cravings
  • 2: Siren Eyes
  • 3: Dormant
  • 4: Fungification

Known for his deep, melodic sound and genre- blending approach, Bop enlists the vocal talents of DRIIA and Doktor, alongside a collaboration with bass music specialist Chime. 'Cravings' sets the tone with lush melodies and deep atmospherics and a hypnotic vocal. Minimal yet powerful, this is some of Bop's drum & bass work at its finest. The second track on the EP, 'Siren Eyes', sees DRIIA's ethereal toplines intertwine with Doktor's signature dancehall energy. DRIIA, a rising star in the electronic scene, has been named one of BBC Radio 1's Future Stars for 2024, while Doktor's powerhouse vocals have graced multiple collaborations with the likes of Chase & Status, Sigma, and Friction.

'Dormant' brings a fresh twist with Leeds- based producer Chime who's influence injects a unique blend of melody and weight, crafting an immersive soundscape through mind- boggling sound design. Closing the EP, 'Fungification' dives into Bop's garage influences. Weighty and stepping, expect intricate rhythms, evolving textures and an absolute bouncer of a bassline.

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Various - Electrik Pulse Vol.2

The Marseille-based label run by FaF returns with the second volume of the Electrik Pulse series. Four French producers are at work, brought together on a various artist compilation featuring a wide range of sounds.

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THE PINK SATIN - GREASER MAN EP

The Pink Satin is the Greaser Man. This is a homage to the early sounds of house music. TPS Gears up with his Yamaha PSS-780 and PSS-580 and fires FM basslines to spread the whimsical word of disinformation and minor truths. The world is full of hate today. Try not to take everything so serious.

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DJ Himitsu - Exotic Animals LP

DJ Himitsu

Exotic Animals LP

12inchSWIM18
SWIMS
27.03.2026
  • 01: Cel
  • 02: Imakara
  • 03: Kaminari
  • 04: Sad Vacation
  • 05: Hikari
  • 06: Mint Dance
  • 07: Koe No Hou
  • 08: Strange Party
  • 09: Echo Dub

DJ Himitsu is a Tokyo-born, London-based producer and DJ, known for his understated approach and deep knowledge of Japanese vinyl and book culture. Following a debut EP of acid house on Australian imprint Lunatic Music in 2023, 'Exotic Animals' marks a new waypoint in Himitsu's artistic evolution.

On this debut full length, driving 303 basslines and kickdrums are traded in for obscure recordings and convoluted samples, which spiral and fuse to form shuffling, heady new compositions. Like shattered pottery reassembled into top-heavy sculptures with golden glue, 'Exotic Animals' shapes and juxtaposes opposing forms and fragments, with lolloping aplomb.

When not producing, DJ Himistu runs Caravan - a vintage Japanese record, ceramics and bookshop in London. It's with the same warmth, care and curiosity that he arranges his findings in the plunderous grotto of 'Exotic Animals'. In this way, stepping inside this work is like entering a remote trading post of instruments, memoirs and other sonic curios - as Himitsu stands patiently at the counter.

Recommended for fans of Jon Hassell, Giovanni Venosta, Discrepant.

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Mungo's Hi Fi - Soundsystem Champions 2 LP
  • 1: Uptown Top Ranking With Eva Lazarus
  • 2: Gideon Boot With General Levy
  • 3: Session Haffi Cork With Mr Williamz
  • 4: Indian Sun With Biga Ranx & Ruffian Rugged
  • 5: Jump Around With Cheshire Cat
  • 6: Rainbow Country With Cian Finn
  • 7: Amsterdam (Flight Mode Mix) With Eva Lazarus
  • 8: Bubble N Wine With Solo Banton
  • 9: Searching (Stepper Mix) With Marina P
  • 10: Got The Vibes With Charlie P
  • 11: Ice Cream Gal With Gardna
  • 12: Rise And Gravitate With Kenny Knots

Glasgow reggae collective Mungo’s HiFi celebrate 25 years of pulsating music with a follow-up to game-changing second studio album Soundsystem Champions. Released in 2008, the original Sound System Champions became an instant 21st century classic - thanks to its industrial strength basslines, blazing horns and lineup of scorching microphone talent. To commemorate a quarter century of rocking dances and building rhythms, Mungo’s have created Soundsystem Champions 2. They’ve lovingly assembled some of their biggest dubplates, previously only heard in a soundsystem situation, now available to the world. Fans of the first Sound System Champions will hear musical echoes in the new version. Irrepressible Junglist General Levy rides the Belly Ska riddim that kicked off the 2008 edition, with the militant Gideon Boot. Italy’s Marina P returns to the new record on the expansive Searching, as does Kenny Knots, closing the track list with heartfelt roots anthem Rise and Gravitate. For Soundsystem Champions 2, Mungo’s have invited many more voices from their epic journey. Bristol’s Eva Lazarus revisits Althea and Donna’s immortal Uptown Top Ranking. Reading’s Solo Banton turns his lyrical versatility to hip hop banger Bubble N Wine. The beautiful grainy tones of Ireland’s Cian Finn reimagine the Wailers’ Rainbow Country. With this historic sequel album, Mungo’s look back while going forward, the exclusive becomes the inclusive, and the Sound System comes to you!

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Bim Sherman - Ghetto Dub LP

The long-overdue revival of Bim Sherman’s catalog begins here. These essential recordings will become widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica’s most distinctive voices and representing a major moment for reggae and dub aficionados around the world. This reissue series will not only preserve his legacy but will also offer listeners the chance to experience the depth and timeless resonance of Sherman’s work in its full glory.

Bim Sherman—born Jarret Lloyd Vincent, in Westmoreland, Jamaica—holds a unique place in reggae history. Emerging in the mid 70s, his ethereal, haunting vocal style quickly set him apart from his contemporaries. He was soon collaborating with the top producers and musicians of the era, including Adrian Sherwood and the On-U Sound collective, bridging the gap between roots reggae and experimental dub and laying the groundwork for the fusion of Jamaican sounds with the vibrant underground scene in the UK. His career, from Kingston to London to Mumbai, was marked by an artistic daring and spiritual intensity that has earned him enduring respect across generations.

The centerpiece of this reissue campaign is Ghetto Dub from 1988, a record that distills Sherman’s artistry into its most potent form. Originally released in a limited number, the album embodies the stark yet soulful beauty of dub production. With its reverb-drenched drums, cavernous basslines, and echo-laden atmospherics, Ghetto Dub transforms Sherman’s various tracks into spectral presences that drift in and out of the mix. The arrangement and production—minimal yet profoundly textured—captures both the raw urgency of Jamaican street culture and the forward-looking experimentation of the UK dub scene. Each track unfolds like a meditation, balancing grit with grace, density with space. Ghetto Dub is more than an album; it is an immersive soundscape that reaffirms Bim Sherman as one of reggae’s most otherworldly and visionary figures.

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FRANCE - Good Thoughts, Bad Thoughts

“France absolutely engage the body... but the spectacle is one for your mind, especially as you start to wonder how much of what you’re hearing is really there.” The Quietus

Legendary hurdy-gurdy-powered kraut/psych/folk/drone band France have announced a new album ‘Good Thoughts. Bad Thoughts’ on The state51 Conspiracy label; capturing a wild performance at The state51 Factory in East London - part of their very first tour of England. They played Liverpool Psych Fest as a one off some years back.

Forming 20 years ago as a trio in Valence, France, for this performance, were Jeremie Sauvage on bass, Yann Gourdon on electrified hurdy-gurdy, and Cyril Bondi (of La Tene and Cyril Cyril on drums (stalwart Mathieu Tilly was taking some much needed time off).

This album sees the band plunge into the depths of the human psyche, backed up by Hugo Hyart’s deep, all-over cosmic doodles and an unhidden homage to the Parliafunkadelicment state of mind : Uniting, dancing, staying creative and open minded despite the tribulations of life. Dedicated to the feeling of good (and baby they’re good... at being good).

On the night France were recorded by Hot Chip’s in-house engineer James Crump who subsequently mixed the record at Hot Chip’s studio in East London. The album was mastered by Richy Hughes at Binary Feedback.

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Calibro 35 - Mister Magic / Vitamin C (7")
  • A1: Mister Magic
  • B1: Vitamin C

Italian cinematic funk heroes Calibro 35 announce a limited edition 45 rpm vinyl featuring two previously unreleased singles. The record is pressed on clear orange vinyl, limited to 600 copies, making it a must-have collector’s item.

On the A side, Calibro 35 reimagine Grover Washington Jr.’s jazz-funk classic “Mister Magic” with an ultra-groovy cinematic funk stormer, perfect for DJs and collectors alike. On the B side, the Milan-based combo revitalizes Can’s krautrock anthem “Vitamin C” with a fresh jazz-punk energy, a track recently brought back into the spotlight through Kanye West’s sampling. Both tracks are taken from the Deluxe Edition of their latest studio album Exploration, set for digital worldwide release on February 6th via Record Kicks.

Praised by Rolling Stone as “the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years,” Calibro 35 have built an international reputation as one of the coolest independent bands around. Their music has been sampled by Dr. Dre, Jay-Z, and The Child of Lov (featuring Damon Albarn), and they’ve collaborated with icons such as PJ Harvey, Mike Patton, and Stewart Copeland, continuing to push their cinematic funk universe further.

To celebrate the release, Calibro 35 will hit the road starting mid-October, with two special U.S. shows in Miami and Los Angeles, followed by a European tour including Barcelona, Berlin, Paris, and London.

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Plumbing - Get The Hose

Plumbing

Get The Hose

12inchPLMB001
PLMB001
27.03.2026

Get The Hose is the fabled, long awaited debut release from Montreal duo Plumbing, featuring Martyn Bootyspoon aka Jason Voltaire (Fractal Fantasy/LuckyMe/Fool’s Gold Records) and Stephen Ramsay of Young Galaxy (Paper Bag Records/Smalltown Supersound).

Born in 2018 as a live, analog hardware-based studio project, the duo worked quietly on the periphery of the left-field electro scene, only venturing out to do occasional, legendary winter warehouse DJ sets and a still-vaunted live set at MUTEK in 2021, which was so visceral that it knocked every person present into their seats simultaneously.

As cheeky and playful as it is gritty, relentless and overdriven, Plumbing’s new EP showcases their love of the raw and grimy, bare-bulbed basement aesthetic of underground dance music, where Paranoid London, Drexciya, MMM and Blawan meet to steal your drink and ignite the dancefloor.

It’s getting hot in here, it’s time to Get The Hose…

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Isabel Pine - Fables LP

Isabel Pine

Fables LP

12inchKRANK249LP
Kranky Records
27.03.2026
  • Wolves
  • Winnow
  • Untitled / Kindled / Waxing
  • Never Been Here Before
  • Wandering 6. Fables
  • West
  • Snow
  • A Flickering Light
  • Sun Dog
  • Hollow
  • Moonlight
  • Bare
  • Perennial
  • Butterfly Lands On A Flower
 
2

She studied classical music on viola from the age of 3 through into college where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw beauty of the wilderness there.

She began recording at home using a basic audio setup along with a cello, viola, violin and double bass, and spent time making field recordings of natural sounds in BC. Her next idea was to actually move into nature to record, curious as to “how it would sound if I recorded outside entirely, with the natural reverb and sounds of the environment in the recording from the very beginning. The rustling of the leaves or a raven’s beating wings were as integral to the music as whatever I played.”

Fables is a mix of pieces that were recorded in the fall of 2024, in a small, remote cabin and outside, primarily using stringed instruments. The result is a series of stunning vignettes, meditations patiently unfurling like gentle waves, slowly advancing and retreating.4, in a small, remote cabin and outside, primarily using stringed instruments. The result is a series of stunning vignettes, meditations patiently unfurling like gentle waves, slowly advancing and retreating.

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musclecars & Toribio - Full Circle

Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.

To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!

The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.

Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.

Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.

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Various - Djax-Up-Beats 1990-2005: Volume 1 - The Acid Trip LP 3x12"

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. The compilation also features all-new illustrations from Alan Oldham, the Detroit-rooted visual artist who gave Djax-Up-Beats a distinctive visual identity from very early on, and design by Lost Communication. Each volume of the series also features liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. Volume 1 - The Acid Trip focuses on an area the label is best known for - acid house and techno. After the pioneering breakthroughs Chicago-based producers made with the Roland TB-303 in the late 1980s, acid music creation was starting to become more widespread when Djax-Up started in late 1990. The rebellious, rave-ready sound was an instant draw for label founder Miss Djax, and so her label ended up reflecting the development of acid as it spread from the Chicago roots across the world. Volume 1 - The Acid Trip looks at the diverse approaches to acid taken by artists on Djax-Up. Tracks on the compilation include an early outing from Ludovic 'St Germain' Navarre and Bjorn Torske's Ismistik alias, as well as Dutch pioneers such as Edge Of Motion, Spasms, Random XS and Acid Junkies, and Chicago heavyweights Mike Dearborn and Gene Hunt. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

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STEVE BUG & PORNBUGS - ON THE SWING/BEHIND THE GLASS

Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm.

Unsung House hero, Steve Bug has been there and done it all. Arguably Germany’s most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.

Opening with ‘On The Swing’ we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride.

Next up, ‘Behind The Glass’ takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.

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NUEVOS RIOS - NUEVOS RIOS

NUEVOS RIOS

NUEVOS RIOS

12inchZZKLP66
ZZK Records
27.03.2026
  • Sumba Ale
  • La Luna
  • Malvada
  • Mi Bombo
  • La Vida Es Un Baile
  • La Memoria De Justino
  • Si Yo Fuera
  • Todo En Vida
  • Ojunjo

Nuevos Ríos ist das neue Projekt, das aus der Zusammenarbeit zwischen der legendären kolumbianischen Band Canalón de Timbiquí, angeführt von der unverwechselbaren Stimme von Nidia Góngora (Quantic, Ondatrópica, The Bongo Hop), und dem in Toulouse ansässigen Trio Reco Reco entstanden ist, das für seine Erkundungen tranceartigen Rhythmen aus Südamerika und darüber hinaus bekannt ist. Als neueste Kreation der pulsierenden kolumbianischen Szene, die sich durch vielfältige Hybridisierungen auszeichnet, bietet Nuevos Ríos einen atemberaubenden Einblick in die afro-kolumbianischen Traditionen der kolumbianischen Pazifikküste, ergänzt durch elektronische und verstärkte Elemente. Das Ergebnis ist beeindruckend: eine Odyssee, die nie von ihrem Kurs abweicht, Grenzen überschreitet und die Zuhörer auf die Entdeckung eines neuen Flusses voller gewundener Pfade mitnimmt. In dieser Musik spüren wir tropische Hitze, die verkörperte Kraft musikalischer Traditionen und den Schweiß europäischer Tanzflächen in einem einzigartigen Cocktail - sofort süchtig machend, manchmal introspektiv und immer unwiderstehlich tanzbar. Das Projekt entstand an den Ufern des Flusses Timbiquí und nahm durch die Begegnung zwischen Canalón de Timbiquí - der Gruppe, die von Maestra Nidia Góngora gegründet wurde, deren faszinierende und sofort erkennbare Stimme Projekte wie Quantic, Ondatrópica und The Bongo Hop geprägt hat - und Reco Reco, leidenschaftlichen Entdeckern tranceartiger Musik, insbesondere aus Südamerika, Gestalt an. Weit abseits der ausgetretenen Pfade, im Herzen der kolumbianischen Pazifikregion, fanden die beiden Gruppen auf natürliche Weise im Dorf Timbiquí zusammen, dem Ursprung der Musik von Canalón und von Nidia Góngora selbst. Durch eine Reihe von improvisierten Jam-Sessions im Erdgeschoss von Nidias Haus wurde die Verschmelzung ihrer Musik zu einem offensichtlichen Weg - geboren aus dem gemeinsamen Wunsch, aufmerksamen Zuhörern die Kraft dieser menschlichen und musikalischen Begegnung zu offenbaren. Dieses erste Kapitel, veröffentlicht bei ZZK Records - einem Label, das dafür bekannt ist, südamerikanische Juwelen zu entdecken (Son Rompe Pera, Nicola Cruz, La Yegros_) - wird von der einzigartigen Komposition und Klangfarbe von Nidia Góngora getragen. In den Tracks findet jedes Element des Ensembles seinen richtigen Platz: Die Kraft der kolumbianischen Pazifik-Percussion und die Poesie der Marimba de Chonta fesseln uns mit einem würzigen Gitarrenriff, das nie weit von Westafrika entfernt ist; die Stärke der Stimmen wird durch elektronische Texturen noch verstärkt, während sich Schlagzeug und Bass zu einem doppelten Motor für das gleichnamige Schiff Nuevos Ríos verbinden. Die Texte erzählen vom Alltag in enger Verbindung mit der Natur, rund um einen Fluss, der sowohl eine zentrale Verkehrsader als auch ein Kanal des Austauschs ist - ohne die harten Realitäten einer Region zu verschleiern, die von den internen Konflikten Kolumbiens gezeichnet ist. Und vielleicht ist diese Musik bereits eine erste Antwort auf einige dieser Wunden, in Form eines Rituals der kollektiven Feier. Das selbstbetitelte Debütalbum bietet eine einzigartige Perspektive auf das afro-stämmige Erbe der kolumbianischen Pazifikküste - ergänzt durch die Kraft verstärkter und elektronischer Musik. Man spürt die Wärme der Tropen, die Kraft der perkussiven und vokalen Traditionen und den Schweiß europäischer Tanzflächen, was zu einem unwiderstehlich hypnotischen und zum Tanzen animierenden Ergebnis führt.

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YUJI OHNO & GALAXY - CAPTAIN FUTURE (ORIGINAL SOUNDTRACK) LP
  • A1: Yume No Funanori
  • A2: Andromeda No Kanata
  • A3: Uzumaku Sargasso
  • A4: Nagareboshi No Dance
  • A5: Toki No Lost World
  • A6: Shinobiyoru Invade
  • A7: Oyasumi Future Men
  • A8: Oira Ha Sabishii Space Man
  • B1: Kirameku Inner Space
  • B2: Toumei Wakusei He Warp
  • B3: Astronaut No Uta
  • B4: Ok! Captain
  • B5: Icarus No Hoshi
  • B6: Youki Na Alien
  • B7: Ijigen No Eden
  • B8: Poplar Doori No Ie

(Vinyl LP with obi strip and 4-page insert, pressed and printed in Japan) The legendary soundtrack of the Captain Future anime is finally getting its long awaited vinyl reissue

Composed by Yuji Ohno, renowned for his work on the Lupin the Third soundtrack, this masterpiece delivers a unique “Space × Jazz × Funk” approach, creating an unparalleled galactic groove. From the fiercely funky slap bass of “Beyond Andromeda”, to the spacey, mellow Rhodes on “Good Night, Future Men”, the iconic tracks that colored this cosmic adventure are back in all their glory

This is a must have for fans of anime, jazz-funk, rare groove, and synth sounds.

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FUMIO ITABASHI - NATURE (1979)

FUMIO ITABASHI

NATURE (1979)

12inchHMJY-227
NIPPON COLUMBIA JAPAN
27.03.2026

(Vinyl LP with obi strip and 4-page insert, pressed and printed in Japan) The legendary soundtrack of the Captain Future anime is finally getting its long awaited vinyl reissue

Composed by Yuji Ohno, renowned for his work on the Lupin the Third soundtrack, this masterpiece delivers a unique “Space × Jazz × Funk” approach, creating an unparalleled galactic groove. From the fiercely funky slap bass of “Beyond Andromeda”, to the spacey, mellow Rhodes on “Good Night, Future Men”, the iconic tracks that colored this cosmic adventure are back in all their glory

This is a must have for fans of anime, jazz-funk, rare groove, and synth sounds.

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Byard Lancaster - Us

'At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.
'In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

'Us, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender… Lancaster?) and the evergreen Steve McCall on drums.
'On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music!'

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Byard Lancaster - Mother Africa

'A few months after recording Us, Lancaster recorded Mother Africa along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.
On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of We The Blessed, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.
When Gilson’s composition Mother Africa begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking… Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims… The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. We the blessed, is apt listening to this again today!'

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SY3 - 梦游 Sleepwalker

SY3 (pronounced ‘sigh’) is a new project from LA-based Chinese-American artists Kelly Guan, Alex Ho, and Phil Cho. The trio started working on music together in 2023 after connecting over a shared love of Hong Kong New Wave cinema, Cantonese pop songs, r&b, and melody-driven dance music. Singer Kelly Guan aka Jia Pet has been independently releasing ‘bubbly’ pop music since 2022, and recently toured with the genre-bending indie artist Sasami. Multi-instrumentalists Ho (keyboards, saxophone) and Cho (guitar, bass) have collaborated frequently over the past decade, most notably on Ho’s 2021 debut album 'Move Through It' for Music From Memory.

Lead single ‘Tell Me,’ the track that initially caught the ears of MFM's Jamie Tiller and Tako, nods to the hazy downtempo explored by Chinese pop stars like Faye Wong and Zhou Xun in the ‘00s, while also recalling Japanese producer Yoshinori Sunahara’s iconic album 'Lovebeat'. Beyond musical influences, SY3’s neon-drenched pop songs draw from a cinematic language, particularly y2k-era films like Made in Hong Kong and Suzhou River, which speak to a generation of disillusioned youth in an increasingly fast-paced world. Guan’s lyrics depict characters caught in bittersweet love affairs (‘dial tone, when I’m alone, you promised we’ll be in touch') forever looking towards an escape from their current realities (‘I know the walls are high, these graceless hands are slipping’). Title track ‘梦游 Sleepwalker’ features a Cantonese spoken-word story about a sleepwalking young girl who sits alone on a balcony wondering where she might have gone the night before. The drifting ambient production loosely references a traditional Chinese folk melody, and closes out the EP with a delicate, layered saxophone solo from Ho.

Balancing intimacy with a wider emotional and visual language, SY3’s debut unfolds as a series of nocturnal pop vignettes shaped by memory, cinema, and place. Released digitally and on vinyl through Music From Memory on March 25th. Sleeve art and design by Michael Willis.

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Rifle - Rifle LP

Rifle

Rifle LP

12inchYR0213LP
YEAR0001
27.03.2026
  • 1: Rifle
  • 2: No King
  • 3: Soldier Doll
  • 4: The Flag
  • 5: Protest
  • 6: Cease And Desist
  • 7: Worthless
  • 8: Cut Me Loose
  • 9: Bastards
  • 10: United State
  • 11: Gauntlet Of Hate
  • 12: Pray For All
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ZENA - TEMESGEN

ZENA

TEMESGEN

12inchBWOOD440EP
Brownswood Recordings
27.03.2026

ZENA, the contemporary ethio-jazz duo from London comprised of producer, keyboardist

and synth player Yohan Kebede and bassist/producer Menelik, have announced the forthcoming release of their debut EP ‘TEMESGEN’; is a six-track aural odyssey that balances uncompromising experimentation with a deep sense of home, comfort, and exploration. In accordance with the duo’s mission, the project is seeking to redefine and reimagine Ethiopian music for a new generation.

Speaking on the inspiration behind the EP’s title, Yohan said: “‘TEMESGEN’ means “Thank God” in Amharic, and for me, I never heard my mother receive good news without saying it aloud. After the first couple gigs we did as ZENA, we saw how people reacted to our music and how it resonated with them. It spurred in us a feeling of overwhelming gratitude, after which the EP kind of named itself”

Born out of a mutual love and respect for the music of their shared Ethiopian heritage, ZENA are charting a new endeavour where Ethiopian musical traditions meet the future. Building upon the roots and foundations laid by legendary Ethiopian musicians Haliu Mergia, Alemayehu Eshete and Mulatu Astatke, ZENA fuses the haunting spirituality and earthiness of the ethio-jazz tradition with a modernity, sensuality and sense of disruption that is distinctly London.

Following three sold-out London headline shows, plus appearances at We Out Here Festival and on NTS Radio, ZENA arrive on Brownswood Recordings with a bold debut that’s equally at home across jazz-minded selectors and leftfield crate-diggers. The duo’s momentum is fuelled by Yohan Kebede’s landmark year with Kokoroko; from the release of Tuff Times Never Last to an NPR Tiny Desk, a North American tour, and their biggest headline show yet at O2 Academy Brixton, alongside Menelik’s quietly formidable reputation in London’s inner circle, shaped by time on the road and in the studio with Muva Of Earth and Bill Laurance.






d B1 IT'S YOU (ANTE NEH) ft. Meron T




d B1 IT'S YOU (ANTE NEH) [ft. Meron T]




[d] B1 IT'S YOU (ANTE NEH) [ft. Meron T]

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DJ Eprom - We Are The Biobots LP
  • 01: We Are The Biobots
  • 02: Skratching Terminators (Feat. Dj D-Styles &Amp; Prime Cuts)
  • 03: Coffeecuts (Feat. Dj Ben, Krootki &Amp; Pan Jaras)
  • 04: Electrode (Feat. Dj Flip Flop &Amp; Prolifix)
  • 05: Priority (Feat. Dj Tigerstyle &Amp; Dj Iq)
  • 06: Supersonics (Feat. Dj Melo-D)
  • 07: Jam Of A Borg (Feat. Daniel Drumz)
  • 08: Cybots Patrol (Feat. Pan Jaras, Miyajima &Amp; Ken One)
  • 09: Digital Human
  • 10: 8 Bit Overheat (Feat. Mr Krime)

There are two versions of the vinyl edition: classic 140g black record or limited (Universe Edition) 140g black + 7" black vinyl with two bonus tracks.


WE ARE THE BIOBOTS is an album by Michal Baj (DJ Eprom), who has ties to Silesia. It will be released on 21th January 2026, by the legendary Polish label JuNouMi Records (est. 2002). WE ARE THE BIOBOTS is an album that not only talks about technological progress, but also touches on the digitization of human consciousness in the 21st century. Although it discusses the dangers of AI development, no artificial intelligence was used in its creation.

The album features legendary hip hop DJs, including the art of scratching. The album will feature the most outstanding DJs from Poland, England, the USA, and Japan. Thanks to this, the album has a chance to gain a broader, international context. Eprom's professional experience to date has allowed him to bring together such a wide range of artists and bring them together on the album, including:

DJ D-Styles – a legend of scratching from the USA. A pioneer of the genre. Member of groups such as The Beat Junkies and Invisibl Skratch Piklz, creator of many scratching techniques still used today.
DJ Prime Cuts – founder of the legendary Scratch Perverts from London, multiple world champion and creator of unique scratching techniques.
DJ Flip Flop, Prolifix – representatives of the DJ community from the US coast.
DJ Tigerstyle – a leading representative of the DJ community in England, multiple world champion in scratching.
DJ IQ – the most successful scratching champion in the world.
DJ Miyajima – the unrivaled master and creator of the Japanese school of scratching.
DJ Melo-d – co-founder of The Beat Junkies collective, multiple DJ champion hosting a legendary show on Radio HOT 97 in the US.
DJ Ben, Krootki – co-founders of the Modulators group from Poland, World Champions in scratching.
Daniel Drumz – Polish DJ and music producer known worldwide.
Mr Krime – pioneer of DJing and turntablism in Poland.


Michal Baj is a multi-talented musician, artist, and music producer born in Jastrzebie-Zdroj, as well as the owner of the analog Eprom Sounds Studio, where tracks based on mixing and mastering are produced and gain worldwide recognition.

The inspiration for the album is Eprom's connection to Silesia. His work at the KWK Borynia mine, surrounded by heavy equipment and mining technology, became a direct inspiration for creating a musical story about people, machines, as well as the directions of technological development and the impact they have on society.

The album is released by JuNouMi Records, a label specializing in vinyl records, founded in 2002. Your wax supplier.

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The Kanpai Quartet - Sguardo Celestiale / Five Days (7")

Second release from London based jazz quartet and recorded at Abbey Road Studios. Sguardo Celestiale kicks things off with some heavy jazz funk vibes for the dancers. Five Days slows things down a little and veers more towards the bands library influence. Limited to 250 copies.

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HIP HORNS BRASS COLLECTIVE - BRASSVILLAIN
  • A1: Brassvillain - Vocal Version
  • A2: Brassvillain - Instrumental Version
  • B1: Figaro Feat Las Ninyas Del Corro
  • B2: Accordion Feat. Ana Tijoux
  • B3: Bistro Feat. Escandaloso Xpósito
  • B4: Raid Feat. Rodrigo Laviña

Hip Horns Brass Collective presents Brassvillain, a tribute to the cult album Madvillany by MF DOOM and Madlib with the collaboration of Las Ninyas del Corro, Ana Tijoux, Escandaloso Xpósito and Rodrigo Laviña. The catalan brass band covers iconic songs like Figaro, Meat Grinder or All Caps, with the metallic explosion that characterizes them and the voices of some of the best artists on the current rap scene. Daniel Dumile, aka, MF DOOM is not only a musical reference, but also the illustrations that accompanied his project have a great role in the history of hip hop. For this reason, Brassvillain is also a great graphic epic where the versatile artist Hermes LeBleu displays all his versatility. In the featurings appears HO$$$ Benítez, one of the most renowned drummers on the hip hop scene, who has already accompanied them on their previous releases, “The Dream” and “Thunder”. The production is by Hip Horns together with one of the best bassists and musicians in our country, Tito Bonacera, making this tribute a multidisciplinary meeting point between artists who grew up with the masked hero. On the B side we have two new singles from the band, BRAM! and Mulligan, in which they unleash their full potential both in composition and in execution to prove once again that they are one of the leading brass bands of the moment.

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Various - Volume One

Various

Volume One

12inchDEH001
Deyjavoo
27.03.2026

Presenting Deyjavoo Volume One - A compilation of neverheard-before tracks from four iconic artists/collaborations.

These tracks were pulled from old computers, long-lost hard drives and DAT tapes almost forgotten. A very special collection indeed. The music comes from the legendary Lance DeSardi & JT Donaldson, Audio Soul Project (Mazi), Jacob London and Ilija Rudman & Richard Littler. A reminder of the timeless magic of music and its refusal to never grow old. This project is brought to you by Bizarre Trax.

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VARIOUS - 20 YEARS LA MUSIQUE DU BEAU MONDE 2/5

"Caliente" by Jay Santos — a massive top-3 summer hit from 2012; huge in Spain, France, Italy, Benelux. Never before released on 12" record.
"Troubles In My Head" by Antwerp-based DJ/producer Merdan Taplak — a European club hit from 2014, now available for the first time on 12" record.
"Remady" – No Superstar — Gold in France and Denmark, Platinum in Switzerland, a club hit across Europe and #2 in Ultratop Wallonia. First time on 12" record.
DJ Antoine – "This Time" — not DJ Antoine’s biggest commercial single but a massive club hit across Europe with chart positions in Switzerland, Germany, Belgium. First time on 12" record.

Belgian dance label La Musique Du Beau Monde celebrates its 20th anniversary with a 5-vinyl series. This is Vol. 2 of 5 and it’s packed with international hits.

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VARIOUS ARTISTS - 20 YEARS LA MUSIQUE DU BEAU MONDE BOX (12"+7") BOXSET

BOX + 12” + 7” (shrink-wrapped)

12”s in the box:

"Cakiente" by Jay Santos — a massive top-3 summer hit from 2012 in Spain, France, Italy, the Benelux, etc.; never before released on 12” vinyl.
"Troubles In My Mind" by Antwerp-based DJ/producer Merdan Taplak — a European club hit from 2014, available for the first time on 12” vinyl.
Remady "No Superstar" — gold in France and Denmark, platinum in Switzerland, a club hit across Europe and number 2 in Ultratop Wallonia. First time on 12” vinyl.
DJ Antoine "This Time" — not DJ Antoine’s biggest commercial hit but a huge club hit across Europe with chart positions in Switzerland, Germany, Belgium, etc. First time on 12” vinyl.

The 7” in the box features four tracks close to the heart of La Musique Du Beau Monde founder Hansbert Vanhove:

DJ Peter Project’s “2 New York” was a track he A&R’d and promoted in the early days of his career as a junior A&R/label manager at BYTE Records.
Dirrrty Dirk – “Organ Seduction” was produced by Hansbert Vanhove and became his biggest solo record under the alias Dirrrty Dirk.
Out Of Grace’s “Anglia” was the first record he signed as A&R for the commercial imprints of Bonzai Records.
“Hey Hey Hey (Pop Another Bottle)” by Laurent Wery feat. Swift K.I.D. & Dev is the biggest hit in La Musique Du Beau Monde’s catalog, originating from Belgium. The track went five times platinum in Australia, gold in the Benelux, reached No. 1 in Poland and Spain, No. 11 in Germany, and hit the top 40 in a dozen countries

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Dastgâmachine - Bâzsâzi

“Bâzsâzi” sees the group rearranging their oeuvre for the dancefloor, starting with a raw excerpt of Zolfonoon, taken from their first ever show in August 2023, before they had a name. Caleb dons his Wavemap alias to rework it into a tunnelling, heads-down groover, in the lineage of Mike Dehnert and Luke Hess. Raf Reza (as Raf Rizzla) sends Parisa shapeshifting through the hardcore continuum with a nod to UK Drill, in continuation from his recent debut Ekbar Telephone Explosion. Jason (as Neonlichter) turns Delkash into a jungle montage – all mutant bass and vocal tessellations.

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M.a.n.d.y. Vs Booka Shade Feat. Laurie Anderson - O Superman 2025

Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get Physical 12” in late July with a digital release following in the Autumn.

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Front Bench - Fractal Boundary

Front Bench

Fractal Boundary

12inch199-001
199
27.03.2026

199’s co-founder Front Bench delivers four sparkling dancefloor cuts on ‘Fractal Boundary’, the label’s debut vinyl offering. The London-based producer, who has emerged in glimpses throughout 199’s digital release series, raises hairs from the outset with ‘Standing Still In A Waking Dream’. A thundering kick/clap pattern beats along purposefully under a string-like riff that twangs like an elastic band, the track rising and falling with operatic intensity, before ‘Fractal Boundary’ - the EP’s title track - restores some order. A slight syncopation gives the drums a laidback shrug while looping synth melodies dance in wistful circles.

On the other side, ‘Drawing Contact’ is a rolling cascade of layered synth lines, crashing softly over one another and creating a broody, melancholic tension above warbling bass tones and warm, fuzzy percussion. ‘Something’ brings the EP to a cozy end. A cluster of sparse, crisp drum sounds go to work with a metronomic vocal chop keeping the pace, while an urgent bassline pushes and pulls between lullaby-soft synth hooks.

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GRAND THEFT - GRAND THEFT
  • Scream (It's Eating Me Alive)
  • Closer To Herfy's
  • Log Rhythms / Meat Midgets
  • Depression City Rfd
  • Ohms / Closer To Hery's Reprise

Grand Theft war eine einmalige Explosion von Heavy-Rock-Wahnsinn aus Seattle im Jahr 1972. Was als augenzwinkernder Seitenhieb auf die Bombastik von Bands wie Grand Funk Railroad begann, entwickelte sich schnell zu etwas Rohes, Echtem und ganz Eigenem. Dave Barohs knurrende Gitarrenriffs, Kevin Marins donnernder Bass und Phil Klitgaards ursprüngliches, aber präzises Schlagzeugspiel schnitten wie eine knallende Peitsche in einer stürmischen Nacht durch die Luft. Ihre einzige LP, die in einer einzigen chaotischen Session aufgenommen wurde, fängt einen Moment ungefilterter Energie ein. Tracks wie ,Scream (It's Eating Me Alive)" und ,Closer to Herfy's" entstanden aus koffeinreichen langen Nächten, Insiderwitzen, scharfem Verstand und einer neuen Hingabe an die Aggressivität. Mit Radio-DJ/Manager Burl Barer, der das Chaos lenkte, erlangte das Album regionale Bekanntheit, einen ,Dream Date"-Promo-Wettbewerb und sogar Lob von Lester Bangs. Live-Auftritte waren selten - spontane, ohrenbetäubende Blitzauftritte -, aber die Legende von Grand Theft wuchs noch lange nach der Auflösung der Band weiter. Was als flüchtiger Scherz begann, wurde zu einer Proto-Metal-Kuriosität, einer Wildcard im Deck des frühen 70er-Jahre-Rock. Grand Theft bleibt ein Zeugnis des ungezähmten Geistes des Rock und ein Urschrei angesichts der Konvention.

pre-ordina ora27.03.2026

dovrebbe essere pubblicato su 27.03.2026


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