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Recruiting some of his closest friends–who also happen to be some of rap's biggest stars–to help realize his vision, Scheme shares FAMILY, his debut album. Recent single "Soda" (over 2.5 million Spotify streams) connects unlikely kindred spirits Cordae and Ski Mask The Slump God over a stomping piano-led beat by Scheme and Take A Daytrip. Scheme also finds new angles for artists who share similar styles, creating a smoothed-out West Coast riders' anthem for Lil Mosey & Ty Dolla $ign ("Bussin' Out") and reuniting Ski Mask, Lil Yachty, and Danny Towers for "E-ER," a spirited sequel to their Gold-selling collab "How You Feel" (which also appears on the project). An ambitious debut for the multi-talented DJ/Producer/Artist, FAMILY establishes Scheme as a tastemaker with a distinct aesthetic and a wide musical range. Featuring additional appearances from Skrillex, Zacari, Lil Gnar, Shakewell, TheHxliday, Tes-X, and more.

Peace of mind after the book release and the long awaited drop of the 5 tunes we were expecting from the pressing plant. While Escai is finalising the cover of Jay Nemor’s album, now it's time for me to go back to work with Yann, the London member of our Funk Investigators little patrol.
Hailin' from Houston TX, Leroy Allen started his career in ‘69 with the group “THE SYMPHONICS “, that later became GOD’S GIFT TO WOMEN, which in 1972 recorded “Let Your Heart Be The Judge“, which still gets air play more than thirty years later. In the early 80’s Leroy started the group ”
The Perfect Timin' Band”, which backed BO WILLIAMS, while touring with Cameo, and Gerald Levert. Perfect Timin' also opened for New Edition, Baby Face, Roger Troutman & Zapp, just to name a few. In 2013, Leroy Allen has started a solo project with the new hit single “I WANT IT “, receiving heavy rotation in the Southern United States and European Markets. Mr. Allen recently formed “Orion The Band” which consists of top musicians from the Houston area, creating the foundation for the “I Want It” Project, of which both songs included in this release are a natural developement. Catchy, extremely soulful, just perfect for this mid summer rainy day!

First time on vinyl
10th Anniversary of the Breaking Bad TV Series
5 x 10' vinyl in 5 different jackets, 1 relating to each season
Each 10' is the same colour, Strictly Limited Edition Albuquerque Crystal Coloured (transparent with a hint of turquoise) Vinyl!
Lift off box-set with Breaking Bad logo on front with special drip-off varnish
Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge
Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad
One run only of this very exclusive BOX-SET
Individually numbered the manufacturing qty for Worldwide is est 4000 with 800 for the UK - we could get some more
PLEASE ORDER BY 12.00 TUESDAY 25 SEPT TO BE GUARANTEED YOUR QTY
Available worldwide
Weight ESTIMATED 950g
All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others
Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more
This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).

MOV proudly presents the OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) 5 x 10' BOX-SET!

A TOP PRIORITY RELEASE with WORLDWIDE RIGHTS!

So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl!

Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.

The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!

This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

OST - BREAKING BAD (MUSIC FROM THE ORIGINAL SERIES) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10' records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10' records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. The box-set is a ONE-RUN-ONLY and is STRICTLY LIMITED!

Breaking Bad is an American neo-western crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008 to September 29, 2013. The series tells the story of Walter White (Bryan Cranston), a struggling and depressed high school chemistry teacher diagnosed with lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime by producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title comes from the Southern colloquialism "breaking bad", meaning to "raise hell" or turn toward crime. Breaking Bad is set and filmed in Albuquerque, New Mexico.

Walter's family consists of his wife Skyler (Anna Gunn) and children, Walter, Jr. (RJ Mitte) and Holly (Elanor Anne Wenrich). The show also features Skyler's sister Marie Schrader (Betsy Brandt), and her husband Hank (Dean Norris), a Drug Enforcement Administration (DEA) agent. Walter hires lawyer Saul Goodman (Bob Odenkirk), who connects him with private investigator and fixer Mike Ehrmantraut (Jonathan Banks) and in turn Mike's employer, drug kingpin Gus Fring (Giancarlo Esposito). The final season introduces the characters Todd Alquist (Jesse Plemons) and Lydia Rodarte-Quayle (Laura Fraser).

Breaking Bad is widely regarded as one of the greatest television series of all time. By the time the series finale aired, it was among the most-watched cable shows on American television. The show received numerous awards, including 16 Primetime Emmy Awards, eight Satellite Awards, two Golden Globe Awards, two Peabody Awards, two Critics' Choice Awards and four Television Critics Association Awards. For his leading performance, Cranston won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series four times, while Aaron Paul won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series three times; Anna Gunn won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series twice. In 2013, Breaking Bad entered the Guinness World Records as the most critically acclaimed show of all time.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

Das brandneue Studioalbum des brasilianisch-dänischen Garage-Rock-Duos! The Courettes präsentieren stolz ihr drittes Album, Back In Mono. Es ist ein Meilenstein in ihrer bisherigen Karriere. "Spit 'n'Snarl Garage Rumble-meets-Phil Spector Pop", der die Band in Bestform zeigt - großartiges Songwriting, Spector-esque Arrangements, mit weiteren Nuancen, Einflüssen und Produktionsqualitäten, die ihr Garagenrock-Rezept ergänzen. Vierzehn wagnerianische Teenie-Tragödien-Meisterwerke - es ist, als wären The Ronettes und The Ramones zu einer wilden Party in die Echokammer der Gold Star Studios eingeladen worden. Fuzz-Gitarren, laute Drums, trashige Pianos, Jingle Bells, Tamburine und dreiminütige Dancefloor-Garagenkiller, bei denen eine Wall of Sound die Songs aus den Lautsprechern schmettert! Produziert und aufgenommen von Soren Christensen in den Starr Sound Recording Studios in Dänemark und abgemischt vom Top-Produzenten und Wall of Sound-Liebhaber Seiki Sato in Japan.

Soul Mass Transit System is a familiar name to fans of Shall Not Fade's highly popular garage imprint, Time Is Now. The Leeds duo made up of producers D. Jason and Baby J have been favourites of the series and of the UKG revival in general, recently scoring a release on another trend-setting label of the scene, Dr Banana.

The Dubble Trubble EP traverses the wide range of very British club sounds with ease that only comes with expertise, from frenetic hyper breaks to deep dubstep bass. Opener "Give It 2 U" tempts listeners in with its dramatic rolling minimalism, forward off-kilter drums and a chest-rattler of a sub. Sludgy A2 "My Name Is Down" centres a Niche style bassline, plenty of swing and dubwise sensibility.

On the B-side things ramp up a notch; "Trubble N Strife" tears it open, peak time cybernetic junglist gear with more than a few tricks up its sleeve. "U Got Me Burnin" is a real climax; jubilant, hands-in-the-air rave nonsense that closes out a collection of solid dancefloor toughness with more choppy breaks.

Waxtime In Color presents a new collection of classic LPs on coloured vinyl.
‘Elvis’ Christmas Album’ reissued on limited edition on solid white 180g
vinyl, comes with its own unique sticker.

Joan Baez – a singer, activist and pacificist committed to the struggle against all segregation – recorded her first album in 1959 at the age of eighteen. The titles on these four sides are taken from the first four records she made, and they all reflected the position she took in the folk movement that was then emerging, together with her militant support of minority groups.

It would be sixty years before she said farewell to the stage, in July 2019 at the Montreux jazz Festival, after a sixty-year career of unrivalled quality that actively showed her sincere commitment to social and political causes. The grace in her exceptional voice, her kindness and admirable personality – and her determination – earned her an exceptional place in the history of popular music, as well as in the hearts of an ever-increasing audience.

The Daddies of riff, of shuffle, of southern swing, oozing back beat and
funky chicken, all true ‘Sons of Memphis’, these six experienced performers, in the pure Stax/Atlantic style, roll out a profound Deep Soul, carried
by a hot and groovy base, a V8 sounding drumbeat, a haunting trombone,
a charismatic and powerful vocals, a Hammond Leslie roaring in unison
with the spring reverb guitar and its sixties tremolo.
With their Zoot suits, black and white Derbys, dark glasses, this Take 6 knows
the songs, history and all the tricks of the soulman’s trade, with that little extra, the irresistible French touch blazoned by their Pyrenean roots in the B arn
region.
This energetic combination is an incredible firework display on stage, and with
them the Deep Soul remains what it must always be... A music of hope! A
shared experience! The ultimate music of the soul!

Longpigs were the alternative rock band who came to prominence in the 1990s Britpop scene
with their breakout debut album ‘The Sun Is Often Out’. Fronted by Crispin Hunt, the group also
featured guitarist Richard Hawley, Simon Stafford on bass and drummer Andy Cook.
• Originally released in 1999 on U2’s Mother label, ‘Mobile Home’ was the band’s second and final
release. Highlights include the singles ‘Blue Skies’ and ‘The Frank Sonata’ and the Stephen Street
produced track ‘Gangsters’.
• The album is now issued on vinyl for the very first time, pressed on 180g heavyweight clear vinyl,
housed in a UV gloss sleeve.

Asleep At The Wheel is celebrating their 50th Anniversary with the release of Half A Hundred Years. The nineteen tracks feature original band members, current band members and guest artists. The special guest artists are Lyle Lovett, George Strait, Lee Ann Womack, Willie Nelson, and Emmylou Harris.
Tracks 1 - 11 are new songs featuring the original band members. Tracks 12 -16 are old songs featuring the current band members and Asleep At The Wheel alumni. Tracks 17 - 19 are songs from the vaults that have never been released and track 14 features the current and the two previous female band members.

Released via Columbia Records in the UK, 'Respect' is a 2021 American biographical musical drama film based on the life of American soulk legend Aretha Franklin. Directed by Liesl Tommy (in her feature directorial debut) from a screenplay written by Tracey Scott Wilson, the film stars Jennifer Hudson as Franklin. Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, and Mary J. Blige are featured in supporting roles. The CD was released in mid August. This is the 21 track double vinyl format with songs featured in the film, including one new original track produced by Will I Am. Continued promo/marketing activity across all media outlets (for both film and soundtrack).

You Make It Feel Like Christmas is the fourth studio album by American singer-songwriter Gwen Stefani. The album, which is Stefani's first full-length Christmas-themed album, was originally released in October 2017, now a Xmas staple and we re issue it every October for a limited run

The Allergies are back with a new album – Rejoice! And the feel-good funk, hip-hop swagger, and dusty vintage loops, is everything you need right now.

Across the 13 tracks, producers Rackabeat and DJ Moneyshot dig deep into their souls, as well as their record collections, serving up a day-glo blast of super positive sampledelia that'll have you smiling from ear to ear.

Built from scratch during lockdown, each song offers up a world to lose yourself in, free from any and all dark clouds. It's their Promised Land, and everyone is welcome to bask in the sunshine.

Along for the ride is LA rap legend, Andy Cooper Ugly Duckling, soul sensation Marietta Smith, dance music heavyweight, Dynamite MC, and the unmistakable voice of hip-hop royalty, Lyrics Born.

Everyone got the memo, as career-best performances roll one after the other. And each singer, rapper, scratcher, and sampler, unites through the power of good good music.

Highlights on the LP include the swamp blues meets half-time hip-hop monster, 'Lean On You'. The Latin funk bomb, 'Move On Baby'. Soul rollers 'New Thing' and 'Are You Ready', and the show-stopping and stirring Moby-ish beat banger, 'Promised Land'.

Almost a concept album, the idea of fresh starts, strange new worlds, loss, solidarity, freedom, and the communities we find in clubs, festivals, and making and sharing music, began to come out, organically, through the song-writing process.

"In a weird way the album wrote itself," says DJ Moneyshot. "We'd be lost in our own little world of hypnotic loops as days passed, and samples jumped out of the shelves, and just started to make sense as they got chopped and layered into these tracks."

Early support for the singles, and response from fans across the globe, suggests that this, their fifth album, really could be something special. Come on in…

What started as an underground techno label in the early 90's, Juice Records typified the head in the clouds ambition of the techno generation by both sound and action. Anything was possible and similar minds would be reached through the vinyl medium. By the mid 90's, Juice Records established itself as a southern beacon to the techno and house music movement.

… but many people would have little knowledge of where the label sits in todays music sphere. Juice Records, wether by choice or default have remained free from the uber industry of dance music but continue to represent with our Adelaide based music activities.

What started as casual discussions about Antony's studio activities with label owner, Donato, soon progressed to talk of an album. A couple of years and many iterations would follow till the vision was clear. Juice 020 highlights the musical existence that Antony commits too. It goes beyond the drum machine and synthesiser sounds the label would be known for and embraces a wider spectrum with use of a Yamaha baby grand, Fender Rhodes, Washburn bass and Yamaha Electone E-75.

With a definitive genre hard to pin on the album, Juice 020 remains very much a traditional Juice Record. It is a clear example of what Adelaide happenings have been missed by the global industry while it plays with a techno formula that goes beyond our underground imaginings.

Donald Fagen’s acclaimed solo album performed live by The Steely Dan Band in 2019. Featuring I.G.Y.” New Frontier” & more.

Blind, Chicago soul singer Willie Williams was first discovered performing in clubs in and around the Windy City. He was signed to ABC records by their A&R Director for the Midwest Johnny Pate a former Jazz bassist, independent producer, arranger and songwriter in his own right. Pate was a friend and colleague of fellow musician, songwriter and founding member of one of ABC’s prolific vocal groups The Trends, Tom Dorsey. Pate and Dorsey would contribute heavily as writers and producer throughout Willie’s recording career, beginning with his first ABC 45 release in 1966 “Have You Ever Been Played For A Fool/With All My Soul”. The release’s b-side became a popular radio play at the time with Willie becoming known as Willie “Soul” Williams for a while. Two further ABC releases were to follow “It Doesn’t Pay/Just Because” (1967) and “I’m Through With You/Strung Out” (1968).

Willie’s next 45 release although recorded in Chicago under Johnny Pate’s supervision found it’s way to another major label, RCA, although credited as a GWP Production (Gerrard W. Purcell). The 45 in question being the excellent Tom Dorsey penned songs “Just To Be Loved By You/Name It” released during 1969.

Two Willie Williams 45 releases did appear on the Gamma label but I’m unsure if one or both of these are by the same Willie Williams in question.

Throughout his recording career Willie continued to work the clubs with his own band which was led by his bass guitarist and confidant Bradley (Brad) Bobo a man who featured as a session musician on many recording sessions including the creation of The Notation’s album of the same name for Curtis Mayfield’s Curtom subsidiary label Gemigo.

On the 22nd of December 1970 a recording session was held in RCA’s Studio B, on North Wacker Drive, Chicago with sound engineer Russ Vestuto. The session was financed by Tom Dorsey who amongst other song writing gratuities had been paid handsomely for the 3 songs “Love Machine”, “My Baby’s Love” and “How Are You Fixed For Love” which he had wrote and contributed to the blue-eyed hit group, The O’Kaysion’s “Girl Watcher” ABC album. The result of this session yielded four Willie Williams tracks. Brad Bobo played bass guitar on the session, the composer of the four songs Tom Dorsey supplied the arrangements and Tom’s wife Carolyn (also a former group members of The Trends) joined both he and Brad on backing vocals.

The four songs were then offered to Eddie Thomas who chose two of them to release on a 45 single. The two songs being “Must Mean Love” which was later renamed “The Baa Baa Song “and “Psyched Out” which Eddie then released on his own Lakeside label, thus leaving the two other songs to remain unissued in the can.

Willie has now sadly passed away but in his later life once the opportunity’s for performing artists began to dwindle he chose a different path in his life, gaining a Doctors degree, he went on to become a College Lecturer. Tom Dorsey too turned his back on the music industry apart from his publishing company to concentrate on his family life as well as founding a very successful business involving one of his other great life passions, photography. Luckily for us he never lost the master tape of Willie’s sessions and after several years of tentative enquiries he graciously relented to my request to put them out. So now before you we have the two excellent previously unissued Willie Williams songs that Eddie Thomas passed on, the delightfully soulful “Give It All I Got” backed with the funky, social conscience themed “Do You Understand”, lost early 1970’s Chicago Soul at its finest.

Effortlessly hopscotching between vintage acid and 80s Rn’B, insouciant Francophone pop and twinkling electro house, Lou Hayter has delivered something at once utterly unique and defiantly timeless with her much anticipated debut solo LP, released on Skint Records. It has been a long time coming for London native Hayter, who first made her mark professionally as keyboardist for New Young Pony Club, one of THE bands at the epicentre of the white hot day-glo nu rave scene alongside the likes of the Klaxons and Test Icicles in 2006. But, to fully place her debut album in context, it is necessary to rewind a little bit – to the very beginning in fact, with Hayter growing up on a diet of Bowie, Prince, Human League and Jellybean-era Madonna while concomitantly learning classical piano from the age of five. The flames of this deliciously varied musical palette were further stoked by trips to record shops in Soho with her brother (Soul Jazz was a particular obsession), but it was while studying in Cambridge that the match was well and truly struck – she used her student grant to buy a set of Technics and started putting on club nights, before moving to London and working at Trevor Jackson’s seminal Output Recordings, placing Hayter smack bang in the middle of all the action, with disco punk fever hitting full force and bands like the Rapture and LCD Soundsystem first breaking out.

The hugely successful, Mercury-nominated New Young Pony Club followed shortly after, but it’s through her subsequent output that she started to distil and refine her idiosyncratic tastes. And certainly, you can hear hints of both the New Sins, the 80’s New Wave duo she formed with Nick Phillips, and Tomorrow’s World, the swooning Gallic pop act she fronts alongside Air’s JB Dunckel, in her remarkable debut. Full to bursting with evocative electro-soul love letters to her home town of London alongside addictive disco torch ballads, it’s like Kylie meeting Mr Fingers or, Jam & Lewis producing Jane Birkin – something beautiful and melancholic yet sharply modern and new. From the warm, woozy, lysergic harmonies of opener “Cherry on Top”, which sound like a beloved old cassette unravelling, to the fizzy, infectious “Cold Feet”, which calls to mind Lisa Lisa & Cult Jam at their most heartworn, taken in toto the album perfectly nails the essence of gorgeously nostalgic synth-pop with a twist; crisp, stylish and sophisticated music which heralds the next chapter of Lou Hayter quite nicely, actually. Her retro-futuristic results will give 2021 the pop fix it so desperately needs.

Dirty Dynamite is the seventeenth studio album from Swiss melodic hard rock/heavy metal band Krokus. The album was well received by critics, partly due to the surprising element of their Beatles cover of “Help”. The band origins from the seventies, and have since sold over 15 million records, toured the world and received gold and platinum discs in the US and Canada. The legendary English journalist Malcolm Dome quite rightly said: “If you look at the long-term output of this band, Krokus is clearly one of the best hard rock bands of the last 40 years”.

Dirty Dynamite is available as a limited edition of 1500 individually numbered copies on transparent red vinyl. The records are housed in a gatefold sleeve with lyrics.”

The longstanding DJ comes through with a brand new album for the modern times, keeping the tradition alive through a stacked tracklist of heavy hitters. With an extension of the popular posse cut, “Rolling 25 Deep,” DJ Kay Slay ups the ante with an 18 minute anthem, “Rolling 50 Deep,” featuring the likes of Benny The Butcher, Bun B, Styles P, Ghostface Killah, Raekwon and more. He further adds to his track record of pairing together artists for hit records with cuts from Ghostface Killah & Busta Rhymes, Conway the Machine & Sheek Louch, and Juicy J & Jim Jones.

Cut is an album by Dutch hard rock band Golden Earring, released in 1982. It is one of their most popular releases to date, as it contains the international hit “Twilight Zone”, written by guitarist/vocalist George Kooymans. “Twilight Zone” reached No. 1 in both the Netherlands and Billboard’s Hot Mainstream Rock Tracks, while also reaching the top 10 on the Billboard Hot 100.

Pioneering electric bluesman Albert King not only influenced
American guitarists like Robert Cray and Stevie Ray Vaughan, with
whom he played in later years, but made an indelible mark in
Britain. Cream-era Eric Clapton, in particular, was an early devotee
before Albert ever set foot on UK soil, while Gary Moore, who
unashamedly took his cues from Clapton, later shared a stage with
King in his ‘Still Got The Blues’ period. Enjoy his earliest
recordings as all his famous fans would have discovered them –
on vinyl!

Many great singers passed through the hands of late great soul/
R&B producer Jerry Wexler, from Aretha Franklin to Dusty
Springfield, but Etta James was a singer he willingly waited 20
long years to work with. “Etta is a church in herself,” he said in
his autobiography, adding: “Her voice is a mighty influence, her
musical personality able to express an extraordinary range of
moods.” He further described her as “A woman used but not
spent, abused but never defeated, vulnerable but though sheer
strength of will, victorious.” Her legend lives on in her music.
Press play and share her many emotions…

Laura Nyro's masterpiece, New York Tendaberry, remastered by Ray Staff on 180g Vinyl! The tapestry of great beauty and painful images found here is not for the pop-oriented crowd who only are familiar with the aurally digestible versions of "Save The Country" and "Time And Love" sung by other people. Laura herself had a voice both comforting and full of despair, and both of those tones are wonderfully represented on this complex journey.

Bunny Lee as producer. Prince Jammy as engineer. The Aggrovators making the tracks. A Holy Trinity of Jamaican Music. Throughout the years, recorded music has been shaped by some enduring partnerships between producer and engineer, such as Teo Macero and Fred Plautt for Miles Davis, Jerry Wexler and Tom Dowd for Atlantic Records, and George Martin and Geoff Emerick for the Beatles. But possibly none were as prolific as the collaboration between Bunny 'Striker' Lee and Prince Jammy at King Tubby's Studio between 1976 and 1982.

In 1977 and 1982 respectively, Conflict Dub and Dubbing In The Front Yard were released in London as white labels in extremely limited quantities. The two LPs found the triumvirate of Lee, Jammy and The Aggrovators on perfect form, with driving instrumentals, flashes of vocal beauty, and mixes that ripped apart and rebuilt traditional notions of sonic structure. Due to the nature of their limited release (not to mention the lack of artwork and even titles) the two dub LPs quickly disappeared into that mythic realm of records whispered about by only the most hard-core reggae collectors. This release is the first-ever reissue of these sought after LPs, and contains all the original songs in both vinyl form (double LP set with both albums on the original labels) and a lush double pack cd with 3 extra bonus tracks. The sleeve notes are by Diggory Kenrick with amazing photos by Howard Johnson, director of the influential Channel 4 documentary 'Deep Roots Music'.

The 3 CD bonus tracks are all remixes. Two from Paolo 'Dubfiles' Baldini for the Dubbing in the Front Yard set. One for Conflict Dub by Diggory Kenrick.

In 2018, Pressure Sounds celebrated its 100th album release since it's founding in 1995. In that time, the label has been responsible for unearthing and celebrating some of the rarest, most influential and unique Jamaican records ever cut.

Recorded over five nights at Nashville’s historic Ryman Auditorium, Los Angeles’ cutting edge Ace Theatre and the legendary Newport Folk Festival in Rhode Island, the songwriting superstar delivers a masterclass in Roots music -- from Rock, Pop, Gospel, Blues that is psychedelic in places and Country in others -- as well as friendship and the joy of being alive. Joined by friends, influences and rising stars such as Brandi Carlile, Emmylou Harris, Jason Isbell, Lucius, Maren Morris, Natalie Hemby, Amanda Shires and Stevie Nicks, LIVE FROM THE RYMAN & MORE captures a zeitgeist of knowledge, power and the rapture of utter freedom stretched over some of the tersest playing this side of The Rolling Stones. RADIO: BBC Radio 2 Play, Absolute Country, Chris Country, Downtown Country, Smooth Country. TV: ITV This Morning. PRESS: Country Music Publications. TW: TW: 327.9K, FB: 2M, IG: 297K. Available as a 2 CD and a 4 LP in double capacity gatefold jacket vinyl (available 03/09/21).

Ready to chant down Babylon with musical fire and brimstone, none other than Bukkha returns to the revered Moonshine Recordings with a truckload full of sound system music in Roots Dub and Stepper style. Ten organic heavyweight cuts on 2x12" - strictly dubwise, no compromise!

Originally from the US and now residing in Spain, a musical veteran with a career spanning more than a decade, it's safe to say Bukkha runs things when it comes to fuelling sound systems. On top of his long-standing involvement in the thunderous Moonshine Rec. discography, the prolific artist maintains a consistent record of top-shelf releases on numerous famed record labels within the global melting pot of Dub-influenced dance music, including System Music, Dub-Stuy, Lion Charge, and so on. His 'In Roots Vol. 1' debut LP features seven talented guest artists from around the globe, the extended Dub family in full force and effect - connected to Bukkha through previous projects, shared tours and overall engagement in the scene. The symbiotic nature of the collaborations can be heard and felt as big stacks of speakers lend their voice to the musical message. Rebellious sounds for the healing of the nation. In a conscious stepper style, the release marches through original future classics - whether instrumental or led by the Rastafarian teachings of Mowty Mahlyka, anthem brass melodies by JahWind All-Stars, harmonica meditation by Hazeldub or Don Fe's notoriously brilliant flute virtuosity. With true to the roots delay and reverb effects in the original Dub fashion, the album pays tribute to the technique pioneered by the likes of King Tubby, nothing less than a next-generation torchbearer. Sound system music, as timeless as its cultural heritage.

Martin Scorsese’s Motion Picture "Goodfellas" needs little introduction. It is widely regarded as one of the greatest films ever made, and the ultimate mob movie. The soundtrack features artists Tony Bennett, Aretha Franklin, The Shangri-las and many more. It is a very rare find on vinyl, having only being pressed in a couple of small runs in the early 1990s. This 1LP release will be the first global pressing and will be available on blue vinyl.

Emerging from the Toronto warehouse scene, Tush is a rising electronic music act powered by Kamilah Apong and Jamie Kidd. Taking inspiration from electro funk, early disco, post-punk and '90s house; their debut album 'Fantast' embodies the rawness, vulnerability, and intimacy of the dancefloor.

'Fantast' kicks off with the slow burning 'Wavy Baby', an invitation to get close, get intimate and submit to the groove: "Vulnerability is the key to us getting to that next step of intimacy". Up next is lead single 'Chrysalis', a high octane ride through a technicolour fantasy world of heady synths and driving rhythms that propel Kamilah's voice into an erotic stratosphere.

'Don't Be Afraid' is about having the courage to love defiantly, urgently, and with intention. Driven by Jamie's infectious bass lines and FX blasts, it smoothly transforms into an uplifting gospel-infused track.

Two high points of the album, 'Jessica F***' and 'Marathons', highlight Tush doing what they do best. These tracks are the sound of the warehouse scene that birthed the project in the first place and the late night jam sessions that were full of possibility pre-pandemic. Here, Tush really stretch their improvisational muscles - the interplay of raw soulful vocals, hypnotic basslines, synth pads, and heavy disco rhythms is at the core of what makes them so invigorating.

'Fantast' closes with the uplifting sunrise energy of 'My Joy', the light at the end of the tunnel. "This song is enchanted by the backing vocals of my friends and chosen family, who are my cornerstones to working through the wonderful mess that I am". Kamilah adds "The track gives me this feeling that - no matter how hard the world tries to beat it out of me - I can and I have had to work hard to cultivate my own happiness in my own sacred spaces - one of those being Tush. Ultimately, this is all I really need".

What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

The magnificent and incomparable Muddy Waters performed 3 legendary concerts at the Montreux Jazz Festival throughout the 1970s. Each of these historic concerts were recorded. Muddy Waters name is synonymous with the authenticity, excellence and individuality of the festival and this collection is a celebration of his unique talent.

The Montreux Years collection will bring together for the first time, some of the finest moments from Muddy Waters’ celebrated performances alongside rare material, unheard since the original recording.

Expertly curated by the Montreux Jazz Festival and BMG, restored and remastered in superlative HD audio; The Montreux Years is released on superior audiophile heavy weight vinyl, MQA quality CD and in HD digital.


Montreux Media Ventures (MMV) in partnership with BMG are working together to produce and release a premium series of albums and activities, curated from the unique Montreux Jazz festival archive; one of the finest music collections in the world.

As part of this exciting new joint venture MMV and BMG have commenced work to establish a new series of deluxe artist collections under the new official Montreux Jazz records imprint. These initial collections; The Montreux Years will bring together the most iconic performances from the most significant artists to perform in the festival’s impressive five decade history.

The collaboration is an unprecedented curation project. The most extensive exploration of the official archive in the festival’s history. Expertly curated by the MJF and BMG teams and overseen by Claude Nobs’ partner and president of the Claude Nobs foundation, Thierry Amsallem, who will act as executive producer across the series.

The Montreux Years series is a celebration of Claude’s love of the artists and passion for the festival and are a fitting tribute to his legacy.

The BMG and Montreux Jazz music festival design teams will work in partnership to produce new and authentic creative, faithful to the festival’s reputation for iconic artwork.

The project includes features from Earl, Danny Brown, MIKE, Duendita and more, as well as the previously released singles, "Mutha Magick" featuring bbymutha, which NYLON described as "a steely, high-intensity Noi$e beat with commanding raps from the Chattanooga, TN oracle," and "The Band" featuring Dallas-bred, LA-based artist Liv.e, which DJ Booth called "a swaying funk of crunchy guitars and drums."

Let’s Face the Music and Dance is the 61st studio album by American country legend Willie Nelson and his band The Family. Produced by Buddy Cannon, this album features a collection of standards that Nelson and his sister Bobbie Nelson played throughout their careers. He recorded the album at his Pedernales studio in Austin, Texas.

Critics gave the album favourable reviews, citing how incredible it is that even at then nearly 80 years old, Nelson’s voice and guitar playing still sound fresh and timeless. The album charted in both the Billboard Top Country Albums as well as the regular Billboard 200 chart.

As GospelbeacH continues to work on the follow-up to their third and most successful studio album LET IT BURN (2019) they are back to raise the vibrations and celebrate the good times with a little
detour through the past.
With the founding of CURATION RECORDS Chief Curator and GospelbeacH leader Brent Rademaker found himself surrounded by a room of over 1,200 60s/70s Glam Rock/Bubble Gum/Sunshine and Power Pop 45s owned by his record label partners.
Back in Mono Deluxe studios with his GospelbeacH brother Jonny Niemann
at the production controls they enlisted the well-seasoned and in-demand
rhythm section of Bob Glaub and Don Heffington that had worked with their
dear departed guitarist Neal Casal on his solo albums as well as Los Angeles
heroes Warren Zevon, Jackson Browne, Don Henley, Lone Justice and even
Sprinsgteen and Dylan.
Adding the Sunshine harmonies once again Nelson Bragg from the Brian Wilson/BeacH Boys Band.

TONY DRAKE – was a Philladelphia-born singer/songwriter who wrote and performed the Philly classic “Living In The Footsteps Of Another Man”, a favourite of Brunswick writer/producer Eugene Record who scored a hit with the song as lead vocalist with the Chi-Lites. Record had earlier co-written and produced “Suddenly” for Drake in 1970 which, although it stalled at the time, has become an anthem on the UK modern soul scene with demand and prices continuing to rise.
UNISSUED BRUNSWICK – This 1968 recording by Gene Chandler is a million miles away from the contemporaneous “There Was A Time” featured on our previous disc. It is, however, a fabulous slice of Windy City Soul in a Curtis Mayfield style. Chandler delivers a smooth and impassioned vocal over a finger-clicking crossover arrangement making this vinyl debut the perfect-partner to Drake’s awesome beater.