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Mum No Hands’ - an assured four tracker that draws on Bristol bass, footwork, jungle and broken techno to create something fresh and upfront. A certified stalwart of the Bristol scene, Yushh (aka Jen Hartley) is already well on her way to becoming a household name. Over the last few years she has toured extensively across Europe’s festival and club circuits, landing sets at Freerotation Festival and HÖR along the way. Her label, Pressure Dome, is known internationally as a go-to outlet for various offshoots of forward-thinking, soundsystem-ready UK techno, with a roster that includes Sputnik One, Caldera, Ido Plumes and Cando. So far, she has only teased her production skills with a string of one-off drops and remixes, including features on Rhythm Section, Banoffee Pies and All Centre. On ‘Look Mum No Hands’ she finally lays out the blueprints for her unique, club-honed sound. The title track skips along at a nippy 160 bpm, driven by a slow/fast halfstepping beat and monster bassline that places it somewhere between DMZ and Teklife. ‘Same Same’ drops the tempo down to 130 bpm, with loungey keys and a skippy vocal chop offsetting a cavernous low-end. On the flip, ‘Close Fall’ squeezes darkside d’n’b sonics into a chugging 95 bpm beat template, while ‘Self Couscous’ takes an intricate, glitched approach to jungle/broken beat reminiscent of mid 00’s Planet Mu. Genre: Dance / Bass

WOLF PACK” is Livigesh's fifth album and his first album to be pressed onto vinyl. From the 2 years of making “WOLF PACK” Livigesh feels he grew as an electronic music producer and performer. To Livigesh, “WOLF PACK” seems like his first album. His drum programming has evolved into something more complex, and his use of musical elements have started to become more diverse and creative. These developments made “WOLF PACK” something that sounds familiar and alien at the same time.

Louie Vega is launching a trio of Double Pack 12” releases that includes special unreleased versions of select titles from the Expansions In The NYC album project. Each package also features unique customized art by celebrated artist Andrew Thiele who also created the art for the album jacket as well. This package spotlights four of the very memorable vocalists on the album: namely Lisa Fischer (The Star Of A Story), Cindy Mizelle and Audrey Wheeler (Love Has No Time Or Place and Janine Sugah Lyrics Lyons (A Place Where We Can All Be Free).

Limited ep from Kronos Device aka electro legend Phil Klein aka Bass Junkie

Scottish jazz trumpeter Malcolm Strachan releases his second solo album "Point Of No Return" on Haggis Records on 27th January 2023. A follow-up to his debut album "About Time" from March 2020 (also on Haggis Records), which received great critical acclaim and strong radio support across the globe. Once again, Malcolm delivers an album of original music written by himself and featuring material covering a broad spectrum of jazz styles. From modal jazz grooves to Brazilian samba beats, Latin rhythms to cinematic soundtrack vibes, and along the way, some beautiful ballads.

If the first album nodded slightly to mid-late 1960s classic Blue Note Records type jazz, this one is more reminiscent of the jazz fusion albums that Malcolms's jazz trumpet hero Freddie Hubbard recorded for the legendary CTI Records label in the early-mid 1970s. The same groove-based jazz where soul and funk beats are at the heart of the arrangement. Rock solid rhythms that allow complex horn parts and improvisation to float over the top with ease. The ensemble playing is strong and the leader's trumpet solos show why he's been one of the most in-demand session musicians in the UK for the last 20 years.

He's recorded and toured with the likes of Mark Ronson, Amy Winehouse, Corinne Bailey Rae, Jamiroquai, Martha Reeves and The Vandellas, Jess Glynne, The Craig Charles Fantasy Funk Band, Black Honey, The New Mastersounds, Abstract Orchestra and Blue Note Records jazz saxophone legend Lou Donaldson. Of course, he's also a founder and existing band member of the UK funk kings The Haggis Horns.

The core band on "Point Of No Return" are musicians that Malcolm has known and worked with for over two decades, often in The Haggis Horns, and most appeared on the debut album. Those musicians making a welcome return are Atholl Ransome (tenor sax/flute), George Cooper (piano), Danny Barley (trombone), Courtny Tomas, (double bass), and Erroll Rollins (drums). Newcomers this time are longtime Haggis Horns guest percussionist Sam Bell plus special guest vocalist UK jazz singer Jo Harrop, who adds non-verbal Flora Purim style vocals on tracks one and three. Three tracks feature strings, arranged by Phil Steel, with all the strings played by Richard Curran. One of the tracks is the beautifully poignant ballad for strings and trumpet "The Last Goodbye" which could easily have come from a film soundtrack and where Malcolm digs deep into his love for jazz ballads in his solo.

"Point Of No Return" by Malcolm Strachan will definitely appeal to lovers of contemporary acoustic jazz with a classic jazz feel. For those who love the music of Blue Note Records and CTI Records and trumpeters Freddie Hubbard, Donald Byrd, Lee Morgan, Art Farmer, and Miles Davis. Without a doubt, it will be one of the standout UK jazz releases of 2023.

Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback, the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s problems go away by pressing records, I would. And I can, so I will. This is only the beginning."

- Limitierte goldene 150G Vinyl mit bedruckter Innenhülle und MP3 Downloadkarte

The third and final edition of the Pay It No Mind mixtape trilogy. A transatlantic link up where Sheffield meets LA, heavily inspired by Memphis rap classics; Three-6 Mafia, Gangsta Pat, DJ Paul and Lil Noid. Through a mutual love and respect for that era’s raw production values, Lean Low & DJ Dubplates set out to make a mixtape series with an affirmed nod to that style, whilst seasoning it with a contemporary twist.

A rather obscure and fantastical 45 by American jazz clarinetistand tenor saxophonist Wendell Harrison. A moody dusty fingers style downtempo cover of Stevie Wonder's sleeper Rocket Love from the LP 'Hotter Than July'. This one seems to have passed by many collectors, including myself, I was only turned onto it recently despite loving Wendell's catalog.

We're thrilled to welcome Jabes for his debut on Timedance, following up on releases for Klunk and collaborations with Happa.

The London-based producer delivers a couple of tried and tested peak time mind-benders. Both tracks are designed to encapsulate the feeling that the entire room is about to take off, speakers, dancers and yourself included.

Super charged with bass weight, this pair of tunes carries irresistible propulsive powers fueled with scintillating hi-teq sonics and sleak percussion work, providing the prescription to help dancefloors ascend into pure madness.

Credit 00 is back on track with four monsters in his bag that are almost too dangerous to get unleashed. The Uncanny Valley regular from Leipzig sends us down into the electronic vortex while taking some detours to places that haven't been visited in a long time. Thanks to his DIY attitude and an open mindedness for all kinds of music, you can find traces of jungle, garage, trance or even 90s pop and gabber in this hard rocking machine funk. He's juggling with sounds and genres like no one else. It's just so much fun to listen and dance to these tunes. Indeed, there is no other...

”No Rules Sandy” ist eine vollständige Verschmelzung -
Pop und elektronische Musik verschmelzen zu etwas Neuem, das ständig auf sich selbst aufbaut. Mit
diesem Album, sagt Meath, ”sind wir zur klassischen Formel zurückgekehrt, bei der wir versuchen, den
anderen zu beeindrucken”. Nehmen Sie ”Echo Party”, das mit elektronischem Geträller um Meaths Stimme
herum beginnt, während ein einfacher Beat hinter ihr schließlich in einen tiefen Synthie-Wobble übergeht.
Sanborns Synthesizer nicken immer wieder in Richtung elektronischer Musik der 90er Jahre, aber wie beim
gesamten Album sagt er: ”Ich möchte, dass sich alles wie etwas anfühlt, das man schon einmal gehört hat,
aber auf eine Weise präsentiert wird, die man noch nie gehört hat.”
Beide bezeichnen No Rules Sandy als ihr persönlichstes Projekt - schließlich ist der Titel Sanborns eigener
Spitzname.
”No Rules Sandy” ist erhältlich auf Vinyl.

With the recent release of "Don't Let The Sunlight Fool Ya," the chart-topping full-length album from NYC reggae legends The Slackers, we wanted to bring you two more brand new songs! We're giving them the best treatment possible by pressing them on 12" UV digitally printed vinyl. "New York Berlin" is commentary on friendship during changing times in center cities. Both friends and neighborhoods were treasured despite their flaws but both ended up going away. The moral of the song is to remember to love everyone around you while they are around you. Meanwhile, "Tell Them No" is a song of empowerment and finding one's inner strength through adversity. Based on trombonist and vocalist Glen Pine and his nephew's real-life struggles with bullying, the song encourages its listeners to rise above the fray and not to let detractors get the best of you. Stand up for yourself, fight back, then allow yourself to heal. When listening to these two tracks, it's easy to see why The Slackers have been going strong for over 30 years. With unparalleled charm and wit, these two songs are yet another example of the timeless songs this incredible and special band can craft! Limited to 1500 copies -get one whilst you can!

Pünktlich zum 30. Bandjubiläum erschien "A Secret To Hide", das achte Album der deutschen Konstante im Prog-Metal/Prog-Rock. Nach der Veröffentlichung des erfolgreichen Vorgängers "Spiral Of Fear" im Jahr 2016 und der gemeinsamen Tour mit Psychotic Waltz war die Band schnell wieder zurück im Arbeitsmodus.
Herausgekommen ist ein musikalisch facettenreiches Werk, das immer wieder Ausbrüche aus den Genre-Grenzen wagt. Es ist harte melodische Rockmusik, die mal mehr "Rock" ist und auch mal deutlicher in Richtung "Metal" geht. Die Band prägt ihren eigenen Stil, nimmt sich die Freiheit, ihre Songs detailreich auszuarbeiten. Dabei zeigen Poverty's No Crime ein konsequentes Gespür für eingängige Melodien und sie wissen ihre Fähigkeiten an den Instrumenten immer in den Dienst des Songs zu stellen. "A Secret To Hide" beeindruckt durch viele Details, präzise ausgearbeitete Instrumentalpassagen und schlüssige, knackige Hooklines. Das Album erscheint nun in Limitierter Neuauflage als Doppel LP in blau transparenter Farbe.

Originally released in 1975, No Heavy Petting is UFO's fifth studio album
and the last to be produced by Ten Years After's Leo Lyons
Stepping up from the rawer sound of "Force It", the album was their first to feature
a permanent keyboard player in the band and gave a nod to what was to come.
The album includes a number of tracks that were to become staples of their live
set for many years, including "Natural Thing" and "I'm A Loser"This newly
remastered clear vinyl 3 LP gatefold deluxe version includes the Roundhouse
1976 live set previously unavailable on vinyl.The band are resuming their
(delayed) farewell tour through to October 2022.

NO(w) Beauty is a jazz quartet in its most traditional form.
In the perfect continuity of the history of this music, these four young musicians have gathered in Paris, where Hermon Mehari, trumpeter of American origin, has settled, like many of his peers before him. There, in the detours of the jazz clubs, a dialogue was created, then a friendship, thanks to the common language of music. Their personalities and influences mingle and define their sound. Jazz standards, blues, French and European classical music, soul, hip-hop, but also modern jazz and the avant-garde. A traditional quartet, but one that wants to be in tune with the times, and that looks ahead.
The three Frenchmen, in addition to having studied jazz, are largely rooted in French popular and learned music and their influences range from improvised music to Olivier Messiaen via Claude Nougaro... Enzo Carniel and Damien Varaillon both studied at the CNSM in Paris, renowned for its excellence and its very "European" aesthetic. Stéphane Adsuar studied at the Berklee School of Music in Boston, the leading school in the United States. Hermon Mehari, originally from Kansas City, Missouri, brings his unique heritage to the table, while innovating in the tradition of the great American trumpeters.
Together they create a space where all these influences intermingle, without nationality, without borders.

With this new solar album, Brazilian singer-songwriter Lucas Santtana wishes to re-enchant our life on earth. For his ninth album "O Paraíso" (Paradise), the free heir of the Brazilian tropicália intends to redefine our idea of Paradise. "It is in front of us, we must open our eyes and learn to contemplate it in depth," he explains. The Earth is a living organism also called "biosphere", a unique planet in the solar system where all the conditions are gathered to welcome life. Lucas places life at the heart of his songs and celebrates the collective forces that resist to preserve it. His guitar-vocal songs with bossa nova sounds are mixed with organic sounding percussions, enriched with electronic orchestrations and textures. The Brazilian composer gets closer to his French audience by collaborating with Flavia Coelho, Flore Benguigui (from the band L"Impératrice) or the saxophonist Laurent Bardaine, and by even trying his hand at French on one of his tracks. It"s a festive new album, which helps us better understand where we live and with whom we share this heavenly home.

Although the members were good friends and musical allies for years
beforehand, Wizzerd was officially formed in October 2014
Forged from countless hours of jamming in a northwestern Montana basement
was a sound that Wizzerd could latch onto as their own. They soon penned and
recorded their first album, Doomchild', and since then have been challenging
themselves to grow in every way possible while remaining independently
managed and produced. Since the release of Doomchild', they have written
mounds of material and released some of it in the form of their self titled LP on
Cursed Tongue Records, and has recently signed to the mighty Fuzzorama
Records to put out the third in this musical trilogy: Space?: Issue No.001 that will
please your eardrums like nothing else. However, perhaps the way the band has
grown most is on the road. Four years of extensive touring of the US and breaking
ground in Europe has led the band to bring their sound to the ears of many people
far and wide. All of this time in the van and on the stage was followed by lots of
studio time has led up to THIS album!. With new music and more touring in the
near future, Wizzerd has a bright road ahead that is not to be missed!

After living a number of years in the United States, GRAMMY® and ICMA Nominated Finnish violinist Petteri Iivonen returned to Europe where he became concertmaster of the Finnish Opera orchestra in Helsinki before moving to Paris to serve as concertmaster for the Paris Opera. Petteri's ability to play in many styles with sincerity and his natural lyrical facility with his instrument made him the ideal candidate to work with luminary conductors such as Esa-Pekka Salonen in Helsinki and now Gustavo Dudamel at Paris Opera.

Petteri commands his instrument with ease. While much of his playing is exceptionally beautiful, it is not beautiful for the sake of being pretty. I have heard few violinists with Petteri's ability to control color and timbre, and even fewer who use this ability for such musical and appropriate ends. Petteri plays a Ferdinandus Gagliano violin in this recording, built in 1767. We recorded this performance during a live concert in Alfred Newman Hall at the University of Southern California. We chose a legendary Austrian AKG C-24 stereo microphone with the original brass surround CK12 tube, Midwood vacuum tube preamplifiers and no mixer recording to Agfa-formula 468 tape. The signal path was as short as we could make it, with as few electronics between performer and final product as we could manage. We hope you enjoy the results.

The chaconne most likely originated as a dance in the New World which returned to Spain (along with much gold melted into blocks from irreplaceable Pre-Columbian art and jewelry) after the conquest of the Americas. This original chaconne offered a fast, sexy, syncopated rhythm. Composers treated this dance with increasing invention and gravity during the Baroque era. Henry Purcell wrote complex and chromatic chaconnes for violin. Bach's Chaconne, from his Partita No. 2, may represent the culmination of this genre. Petteri plays with authority and freshness in any environment, and this recording reminds me handsomely why Johann Sebastian Bach remains among my favorite composers of all time.

Marijus Aleksa is a Lithuanian cross-genre drummer and music producer who has spent his last decade touring and in session with some of the contemporary jazz greats including Joe Armon- Jones, Ashley Henry, Bill Laurance, China Moses and many more. Manfredas is a key figure in Lithuanian electronic music community, internationally acclaimed club DJ, owner of Radio Vilnius, music producer and remixer on releases by Andrew Weatherall, Metronomy, Erol Alkan and more.

Edition of 200, printed rev board sleeve, hand-stamped centre labels.

VINYL COLOUR IS GREY. BORSTAL, the UK-Hardcore band featuring Nick Barker (Brujeria, ex-Dimmu Borgir, Cradle Of Filth) & Pierre Mendivil (Knuckledust) release details of brand new 2 track 7". Produced by Russ Russell (Napalm Death/The Exploited/At The Gates). The 2 songs are a follow up BORSTAL's debut EP "At Her Majesty's Pleasure". The 7" record is a collaboration between Rucktion Records & 4 Family Records. Both labels are offering different variants and bundles of the 7" in extremely limited quantities. Pressed on heavyweight Vinyl and including a free download code! Front man 'Pierre' comments on the new video 'No Surrender'; "This song is inspired by confronting the defeatist mentality that society seems to want to push on us, on so many levels! And even in ourselves as we battle everyday to try better and strengthen our mental attitude just to deal with life these days." BORSTAL Guitarist 'Lee' continues "It's nice to finally get some fresh music out there. We recorded these 2 songs in 2021 with our brother Russ Russell. But due to delays with pressing plants and so on, we got held up! I feel like our sound is really coming together now, and these new tunes are just a teaser for what's to come. We've nearly finished writing our full length too, so they'll be news to follow that soon". The cover artwork for the 7" is by Australian artist Mick Lambrou. Mick has recently designed t-shirts, flyers and artwork for the likes of hardcore legends Agnostic Front, Madball & Slapshot.

No signal 005 is a various artists composed from Deluka, Decka, Slone and Translate

The Undecided EP is a four-track collection of songs born during the recording sessions for Goose’s critically acclaimed 2022 studio album Dripfield.

A magnetic assemblage of live staples captured in studio with producer D. James Goodwin, the music is expertly reimagined in an organic, intuitive way - where the band’s distinctive spirit shines through.

The project is a testament to Goose’s versatility, with propulsive guitar riffs, infectious grooves, and emotive lyrics that seamlessly intertwine.

Tape

»No Date Tapes 2« is the second official cassette release from Harry Bertoia's tape archive and, like the first cassette, these recordings were chosen from a small collection of tapes in Bertoia's archive missing recording dates.

This cassette is packaged in a metallic shell and produced on super-ferro tape for incredible analog sound.

Bio:

Harry Bertoia first gained some artistic visibility in the early 1940s, then came into prominence with his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, which quickly became classics of modernist furniture. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the late 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Harry Bertoia's recently dismantled Sonambient barn collection was an attentive listener's paradise full of warm, expressive instruments that were gorgeous visually and audibly. Nothing could prepare you, even on return visits, for the overwhelming experience of entering the spacious wood and plaster interior where gongs, some of them giant, hung among the ranks of standing sculptures of various metals. Over nearly twenty years of adding, culling and rearranging, Bertoia carefully selected nearly 100 harmonious pieces ranging in height from under a foot to more than fifteen feet. He considered this barn a full experience, sights and sounds comprising not a collection of works, but one piece unto itself. It was here, deep in the woods, that his Sonambient recording work took place.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a the artist's logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

Last year's 'Will We Ever Dance Again' 12" was a big one for Coyote who now follow it up and impress once more. First up they do so on 'Baka Re-Rub' by paying their respects to the iconic Jon da Silva remix of The FADS track. It's steamy, tropical, full of loose drum energy and jangling synths that lightened up any club. On the flip you find 'No Entry' which is a big house anthem plenty of classic tops, uplifting arpeggios and pianos, and dramatic strings next to big acid lines. It's an all out, hands in the air gem that brings the good times.

Director Hayao Miyazaki and composer Joe Hisaishi’s popular songs will be released on vinyl in a brass quintet piece by performance by “UENO NO MORI BRASS,” a group of wind instruments.

Brass Fantasia I will be also released at the same time.

This is the second release of the popular album “Brass Fantasia I”.
Includes memorable songs directed by Hayao Miyazaki and composed by Joe Hisaishi with brass.

RIYL: ESG, LCD Soundsystem, Liquid Liquid, Hercules & Love Affair, Talking Heads. Melbourne, Australia "heat beat" icons NO ZU regroup after the passing of vocalist Daphne Camf, to release their first new original music since 2016. NO ZU have played Barcelona's Primavera Festival, performed live on French television, and toured Australia with no wave icons ESG and James Chance. Led by the magnetic, tireless Nicolaas Oogjes, NO ZU's multi- limbed, mutant punk funk has evolved over the last decade to make them one of Australia's most distinctive and debauched groups. Daphne’s passing in 2021 left a huge hole in the band, and they fell into a long silence. Now they return with an EP featuring her final recordings with the group. Heat Beat, named after the band’s own trademarked genre, is classic NO ZU. Dark and playful, layered with cryptic allusions and implausibly danceable, the EP shows NO ZU at their restless, exploratory best. 2016 second album Afterlife took NO ZU to Europe as well as US shows where they collaborated with members of Liquid Liquid. 2017 remix EP BODY2BODY2BODY saw Afterlife tracks reworked by the band's 80s idols A Certain Ratio and Jonny Sender of Konk. In 2020 they released a double A-side single covering Hunters & Collectors’ Talking To A Stranger and Bryan Ferry’s Sensation, and played their last live show in Feb 2020. Now NO ZU return with a joyful, celebratory EP of their final recordings with beloved vocalist Daphne Camf. Like a post-punk band discovering the joys of dub, disco, and Afrobeat” – Pitchfork // “Melbourne’s freakiest multi-limbed ensemble are masters of percussive lunacy and wild x-rated boogie” – The Vinyl Factory // Side A: 1. Liquid Love 2. Mind Melt.. Side B: 3. Cosmetic Beat 4. Heat Beat Head 5. Phone Call Melt Down

Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used to be only sound a moment before. Forming an orchestra out of everyday surrondings, the main thing out of the incidental, the fulfilling momentary situation out of the profane togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom.
All of this floats and shines through "Kanzi".

Tape

Finding beauty, where one wouldn’t suspect it in the first place. Discovering music, where there used to be only sound a moment before. Forming an orchestra out of everyday surrondings, the main thing out of the incidental, the fulfilling momentary situation out of the profane togetherness. All of this is part of the goal, meaning and sense of Oh No Noh, the project of Leipzig based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom.
All of this floats and shines through "Kanzi".

Krill's debut album Alam No Hris is celebrating its tenth birthday in 2022
With assistance from actual label Sipsman, the band's fake label Sren Records
has remastered Alam No Hris for the occasion and pressed it to vinyl for the very
first time, available November 18 worldwide. Simply put, Alam No Hris is a baker's
dozen of nervy, charming, lofi missives disguised as garage pop songs. Whenever
I think about Alam No Hris the repetitive, incoherent joy on display in many of the
songs I think of it as ecstatic', bassist/ vocalist Jonah Furman says. The whole
thing is like someone stammering to express themselves in a moment of
overwhelming emotion. Ecstatic in the full sense, of standing outside of yourself.

Für Fans von: Anathema, While Heaven Wept, Solitude Aeturnus, My Dying Bride, Primordial, Dead Can Dance.
Thy Listless Heart veröffentlichen "Pilgrims on the Path of no return", pünktlich zum Doom-Metal-Newcomer des Jahres 2022! Ein epischer
Soundtrack von Trauer und Sehnsucht auf der Reise ins Ungewisse. Leid, Schmerz, Sehnsucht und Hoffnung, alles verpackt in einem Doom-Metal-Soloprojekt von Simon Bibby.
Nach Erhalt der sieben Tracks, die zusammen "Pilgrims on a Path of No Return" bilden, war Hammerheart Records überzeugt, dass die Welt dieses
großartige Album hören muss.
Thy Listless Heart ist die alleinige Schöpfung von Simon Bibby, der das Album in seinem Haus in Derbyshire, England, aufnahm und dann die Fähigkeiten von Greg Chandler (Esoteric) in den Priory Recording Studios für das Mixing und Mastering in Anspruch nahm. Simon hat einen großartigen
Track-Record im Metal, der bis in die späten 80er Jahre zurückreicht, als er Bassist und später Gitarrist bei Seventh Angel war, die ein paar coole
Thrash Metal-Alben auf Under One Flag Records veröffentlicht haben.
Thy Listless Heart ist etwas ganz anderes; es ist atmosphärischer Metal, gefüllt mit Doom-Elementen und traurigen Melodien, gekrönt von leidenschaftlichem Gesang. Man kann sich vorstellen, dass die atmosphärischen Teile von Primordial auf spätere Anathema treffen, mit einer Prise
Dead Can Dance als Zugabe. Das Album muss in seiner Gesamtheit gehört werden, um die vollen Emotionen und Atmosphären, die es erzeugt,
zu erfassen, es ist in der Tat eine Pilgerreise. Von melodischen, härteren und doomigeren Tracks wie "As the Light Fades" und dem ergreifenden
"The Precipice" bis hin zu Ambient/Folk inspirierten Stücken wie "When the Spirit Departs the Body" und "Aefnian" bis hin zum fast monströsen
(in der Länge) Track "The Search for Meaning" ist alles leidenschaftlich und schön, wenn auch auf eine traurige Art und Weise.

Thy Listless Heart to release “Pilgrims on the Path of no Return”, just in time for 2022’s Doom Metal newcomer of the year! An epic soundtrack of sorrow and longing as we journey into the unknown. Sorrow, pain, yearning and hope all wrapped up in a solo Doom Metal project by Simon Bibby. Upon receiving the seven tracks which together make “Pilgrims on a Path of No Return”, Hammerheart Records was convinced that the world needed to hear this great album. Thy Listless Heart is the sole creation of Simon Bibby, who recorded the album at his home in Derbyshire, England and then enlisted the skills of Greg Chandler (Esoteric) at Priory Recording Studios for mixing and mastering. Simon has a great track-record in creating Metal dating back to the late 80’s when he was bassist and later, guitarist in Seventh Angel, who released a couple of cool Thrash Metal albums on Under One Flag Records. Thy Listless Heart is a different entity; it is atmospheric Metal, filled with Doom elements and sad melodies, crowned with passionate singing. Think as if the atmospheric parts of Primordial meet later Anathema, with a pinch of Dead Can Dance thrown in. The album needs to be heard in its entirity to get the full emotions and atmospheres it creates, it is indeed a pilgrimage. From melodic, heavier and doomier tracks as “As the Light Fades” and the grasping “The Precipice” to ambient/folk inspired pieces as “When the Spirit Departs the Body” and “Aefnian” resulting in the almost monstrous (in length) track “The Search for Meaning”, it is all passionate andbeautiful, although in a saddened way.

Seabuckthorn is the alias used by Andy Cartwright for his solo works. Cartwright uses finger picking & bowing techniques combined with various open tunings to form a mixture of approaches, often with layered accompaniments. Generally the songs lean towards to the experimental genre, whilst on the edge of the ambient and folk.

Having grown up in Oxfordshire, Cartwright studied sound engineering in Cornwall and then lived in the cities of London, Paris & Bristol working as a broadcast wireman. He now resides in the French Southern Alps making music.

Cartwright has been actively touring internationally for several years performing in festivals and events throughout Europe.

Various songs have been featured in documentaries, film and contemporary dance. His works has been released since 2009 on labels such as Dead Pilot Records, Bookmaker Records, Lost Tribe Sound, Eilean Rec., IIKKI and Fluid Audio. "Of No Such Place" is his 13th solo releases.

Printed Sleeves - LTD

With precious Konik you'll get an Electro Techno master piece.
Kemi takes the second position here with No Beat, and a special Kick out from nowhere and an electro techno base totally shaking around and opening on an acid industrial feeling after the drop !

On the flip, FTR and Angi makes it with a light minimal lullaby ambiance... With, as usual... a fat kick for sound systems !
Resh G finishes the job with an Electro Techno/Disco banger.

Big !

OVERVIEW: Following both a global pandemic and an acclaimed, landmark debut album, inimitable Irish Alt-Folk act Junior Brother returns today with details of his
new album The Great Irish Famine, and a new single titled “No Snitch”. The album follows his much lauded 2019 Pull The Right Rope and is out 2nd September via multidisciplinary Irish label Strange Brew.

The Great Irish Famine leaps boldly forward into an exciting new chapter, and into a shaken new world - staggeringly profound, brutally beautiful in its epic sweep. The lead single “No Snitch” - which is released digitally with a 7” release to follow – is an intoxicating first taste of this new material. A track of towering, bruised catharsis, Kealy’s emotive and powerful vocals fluctuate across the tracks temperamental instrumentation which is both at once tumultuous and calming. The single is also accompanied by a dark and surreal new video

Speaking about the themes across the album Kealy further explains, "I was very conscious to bring each element of the debut into this follow-up, but dramatically dig ten times deeper and stretch ten times further down into each avenue”. “No Snitch" soars amidst darkly comic self-reflection ("This Is My Body"), anxious reflexes on modern living ("No Country For Young Men"), and the painful role the past plays in a nation's present ("King Jessup's Nine Trials").