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Vinyl Number 3 45 RPM, BLACK vinyl disc, in die cut single pocket out jacket with 2 stickers (1 on front, 1 on back), with paper dust sleeve

GET A LIFE 001" is an exclusive vinyl-only music label specializing in carefully curated edit tracks spanning various genres, including Hip Hop, Pop, House Classics, and Soul.

The debut release, 'GET A LIFE 001,' introduces listeners to a unique blend of House Music with subtle influences from minimal and 90's house beats.

This fresh and innovative edits label, masterminded by the artist Hessa, offers a dynamic and dancefloor-focused experience, featuring deep tracks that invite you to explore their origins.

With 'GET A LIFE 001,' music enthusiasts can immerse themselves in the art of musical transformation and rediscover familiar tunes in a new and exciting light.

So, take a moment to indulge your ears and embark on a sonic journey with this Vinyl-Only Gem.

On the occasion of the release of the book “AtomTM, the noncon- formist virtuoso”, the Valencian labels Fill-Lex Records and In- dustrial Complexx join forces to release “Transitions”, a limited edition of only 200 copies that brings together a select compila- tion of tracks by Lassigue Bendthaus on side A, and the EP The Overcom by AtomTM.

Side A opens with Transitory (Anti-Matter Edit), an alternative version released only on the 1991 CD maxi Automotif, in which the German producer shows a premature ability to generate com- plex rhythmic patterns and futuristic electronic textures. Infor- mation, the second cut on this A-side, was originally released on Biohazard in 1992 and its sound mixes influences from styles such as EBM and electro. Render appears on the album of the same name, released in 1994 and only on CD, and here we can observe the sonic evolution of Lassigue Bendthaus in which he integrates a heavier rhythm.

The B-side of Transitions hosts the two tracks from The Overcom EP, released by AtomTM in digital format in May 2022. Kuro- sawa sounds like a transgressive industrial with a fast cadence. On The Overcom, the EP’s closing track, the rhythmic intensity continues, and even intensifies to the point of focusing much of the track on percussive patterns.

AtomTM, the nonconformist virtuoso is a book that explores the artistic evolution of one of the most multifaceted and ver- satile producers on the international electronic music scene. It offers an insight into the progression and different musical paths that this German artist has taken since the mid-80s to the present day.

Reissue of the original ethiopian vinyl compilation. 180g vinyl + heavy cardboard cover.
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). In the late '60s, he brought back 'ethio-jazz', as well as a passion for Latin rhythms that was not readily shared by the Ethiopian audience. As early as 1966, he released a single and two LPs in the US entitled Afro-Latin Soul (and a third LP, Mulatu of Ethiopia in 1972), with his Ethiopian Quintet composed of American and Latin-American musicians (Worthy Records). That was three years before Fela's first American tour and six years prior to Manu Dibango's key breakthrough with the release of Soul Makossa in the Western 'pre-World music' market. All this goes to show how much the history of the African continent's musical modernity should be reconsidered in light of the Ethiopian adventure, even though this lone spark bore little relation, musically or ideologically to the musical revolutions initiated most notably by Ghanian highlife, South African jazz, Congolese rumba or, much later on, by Fela."

For the first EP, the Belgian imprint Sequence, is releasing 3 tracks from one of the Belgium finest electronic music band, Mayaku.

Mastered from the original and unreleased DAT tapes from the early 2000’s, this well configured EP brings you on a sweet journey and gives you a glimpse of what timeless music tastes.

The 80s Italo disco /proto-house classic 'MBO Theme' by the mighty Klein & MBO, repressed! Comes with an heavy (and unheard) South African version on the flip. Huge Tip!
The MBO Theme' (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.

The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren't imported or exported. Even when a track was huge, like The Klein & MBO Theme'. So South African musicians would create their own versions which were sold locally.

We got in contact with Tony Carrasco from Klein & MBO. He also hadn't heard Warrior's version before, but he liked it as much as we do!'

This is a special cassette tape version of the recent album from zake, one of ambient's most prolific artists, alongside From Overseas on his own Past Inside The Present label. As always it is an almost impossibly deep ambient selection that once again finds him exploring fresh and always emotionally moving musical territory. Demain Des L'aube features eight tunes that convey real melancholia and have a gently persuasive sense of movement. Each one is vast in scale and sweeps you up and sinks you into the grainy lo-fi pads, wispy melodies and distant string-based sombreness.

Future Romance unveils their exclusive vinyl release series called „Collector“, featuring the labels most wanted and most sucessful tracks. This collector's release is a sonic journey through the realms of melodic house & techno, featuring four captivating tracks by different distinct artists. Each composition has already garnered widespread acclaim and massive DJ support from across the globe. "Collector" is a testament to Future Romance's commitment to delivering unparalleled musical experiences on the beloved vinyl medium. Part I gives us wonderful tracks by Einmusik & Solee, Several Definitions, Gai Barone and Emiliano Demarco & Maxi Vega.

Rudimentary Music garners worldwide high praise with their first release. A strong, fluid and very well-rounded EP with something for every electronic dance fan. The Barcelona based butItalian born artist Deiv, sets the foundation and tone with the stunning 'Paranoik Android' EP forthe fledgling label whose everyday life revolves around and embodies the synergy and spirit of dance music culture. 'Take control of your shit' is the first cut and is the ideal smooth late night electro jam. A sexy, melodic deep machine groove that is nothing short of pure class. Thishighly addictive track is sure to get many repeat plays. To complete the A-side is the technostormer 'Technology'. A body grabbing bassline that will surely get everyone's attention. Thiswicked,robotic workhorse is guaranteed to move the main room by any DJ who selects it.Inspired by the label's search for music that fits every part of life, this track encapsulates thepower of techno in the late night. The reverse side showcases the title track 'Paranoik Android'.It rides a strong balance of house and funk sentiments for the primetime slot on the dancefloor.The killer acid line, island percussion and blips and bleeps, makes this a great ying and yang of futuristic and retro sounds. The title track, it stands out from the crowd but here in this EP, it blends perfectly into the wide array of vibes blossoming here. 'Dolphins' closes out the EP inelegance. With the soothing almost aquatic melody notes it exudes the perfect vibe to drift away your cares to. Overall, this is a very versatile EP with a track for every emotion and time during a night out with dance music

Dana V Andrews is a man who is still very much in love with music of all types. At 23 years old and far from living a perfect life, his love of music led him to go to Los Angeles, California in 1973 with a talented songwriter in search of fame and fortune.

Dana played a role while working on a song and album that was a big hit for the now deceased Mr. Barry White. In 1975 he met David Futch and together they formed a record and publishing company that recorded R&B and Gospel music.

One of the gospel Groups, the Highland Park Community Choir out of Highland Park, Michigan had a song nominated for a Grammy Award in 1976. That same year, Dana V. Andrews recorded two songs titled “Mr. Justice” because he was distressed by the social injustice he saw and still sees in our world. His humble hope was that “Mr. Justice” could be a rallying call for the majority of good people in the world.To unite and vote for responsible, fair, politicians who had helping the people foremost in their hearts. And “Everything’s Gonna Be Alright” because he had faith that eventually right will win out over wrong. He still does to this day. He still believes today that when the majority of people stand for righteous justice with genuine love leading the way that governmental bipartisanship will defeat hate, prejudice, and injustice.

‘Threads’ was my 1st album as Om Unit and this 10-year re-mastered anniversary edition comes around at what feels like a similar time for me of experimentation and finding new ways to connect sounds. Something of a full circle of sorts but then again I am marking time with this re-issue at a time where I can look back and feel very proud of the work still sounding so convincing. Now even better thanks to Subvert Central’s Robert Macchiochi!

Reflecting on the past 10 years since this record came out, I can say it’s been an incredibly fruitful journey, with the most striking element of it all being the opportunity to travel and meet so many people from so many different backgrounds with different world views and stories. I found that ‘Threads’ for many was their first insight into my music, and for some people was something of a milestone in their journey of exploring music itself with tracks like ‘The silence’ and ‘Governor’s Bay’ having been mentioned over the years as amongst favourites alongside some of the work released on Cosmic Bridge and Civil

I want to take a moment to give my Love and gratitude to all the featured vocalists. Thanks to Simon Jinadu for his angelic voice on ‘The Silence’, to Charlie Dark MBE for his reflective words on ‘The Road’ and to Alex ‘Bogues’ Rendall aka MC Jabu (of Jabu) for his intense delivery on ‘Patients’ as well as Jneiro Jarel for his self-reflective narration on “just sayin’” All 4 are still outliers in their own field and upstanding creative forces to boot. I feel blessed to have been able to capture them on this project.

Threads was made in a bedroom of 2a Station Rise in Tulse Hill, a flat I shared with journalist and writer Laurent Fintoni, in a space that had such a great sound to it that I’ll always miss that room. I hope that you feel the warmth that I felt then whilst making it. It’s been an adventure since and whilst I’ve moved on from a lot of the tropes intrinsic to the album, it will always remain a body of work that is dear to my heart.


Enjoy!
<3

For their next release, Futuribile looks to the work of Salerno star Carlo Fontana, presenting a set of hard-to-find & unreleased treasures titled ‘La Musica Del Sud.’

Carefully remastered at the West Hill Studio, the collection of tracks — which features contributing arrangements from Tullio De Piscopo — forms a moody pop funk paradise, with jazz horns and soul brass layered together, and amorous vocals crooning, supported by lush harmonizations and greasy gliding bass. Disco beats and exotic drums dance, prismatic pads and soft synths seek the stars, piano and guitar sing a spaced out blues, and amidst the moving grooves and deep swinging jams, moments of beautiful balladry emerge to touch the spirit.

Carlo Fontana's work is further testimony to a courtly and sophisticated musical aesthetic in vogue in Naples (and surrounding areas) between the 70s and 80s which had as its main proponents and protagonists exceptional musicians such as Joe Amoruso, Tony Esposito, Pino Daniele, Elio D'Anna, Enzo Cervo and many others.

New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics.


Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada.

Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.

Limited translucent yellow vinyl LP

'Afro-cuban : that term which sets the world on fire, from rumba to boléro, mambo to cha-cha- cha, before salsa, that 70's spicy sauce, took over from the others. But to speak truly, since the mists of times (of slavery), both Africa and Cuba aim to vamp that umbilical cord. The most recent example, CubAfrica, a record born from the reunion of a master from Africa and this very living institution from Cuba, during a show around Albi (in the south of France) where they were both headlining in spring 1996. Manu Dibango's sax melted perfectly with the rural music of Eliadès Ochoa and his Cuarteto Patria, here's the beginning of an idea.

The release is the first studio collaboration from longtime friends Sam Cumming (Italiks) and Ben Dudding (Deep Fried Dub), with the former providing the rhythm and vocals, and the latter on mixing and melodica duties.

With introspective lyrics born in the depths of a Fiordland forest, Crown considers the challenge of facing your inner demons and dealing with insecurity, ably assisted by the healing power of music. The result is a heavy roots cut that will soothe your soul while rattling your ribcage.

Samurai Music regular Eusebeia was enlisted early as one of the prime technicians to be part of the Mindgames squad. Seb understood the brief implicitly and swiftly came up with the three tunes that make up MINDGAME 2. From the searing rave-tinged bomb - Way Back When to the soaring sample/beat workout perfection of Future Times, Seb nails the vibe while adding his distinctive touches.

*Limited to 150 copies worldwide*

Two tracks that were lost for nearly 30 years on ¼ tape but rediscovered by Void Acoustics head honcho Roger – who also wrote the music back in 92! Originally pressed in 2019 on yellow vinyl by Vinyl Fanatiks – the tracks have had the 7” edit treatment by Rog, creating a unique collectors item for the hardcore heads out there.

Back to attack!

Chicago-based innovator and educator Isaiah Collier is opening up newdimensions in the jazzwise continuum. A saxophonist by trade whosemulti-instrumental talents and compositional prowess have stretched thelimits of the form, Parallel Universe represents a new chapter in Collier"smusical journey. Having already performed with a diverse range of musicians such asChance The Rapper, Waddada Leo Smith, Chicago jazz royalty AngelBat Dawid and his own band The Chosen Few, Collier"s latest work as abandleader explores the shared musical heritage of the African diasporawith a sense of grace and assurance that belies his years.

A 5-track VA 12-inch record, featuring music from Olsvangèr, MYKI, Mo.huv, Tingz, Asphalt DJ and Gzardin.
“Ten” expands the label’s rave-dance nostalgic approach to wider realms of ecstatic electronic soundscapes.
The

A1 features Olsvangèr with a galloping-yet deep and groove-heavy house gem, followed by Asphalt DJ & Gzardin on A2 with a pure ravey belter!


A3 Belongs to MYKI with a deep and hypnotic house cut.
B1 Is by Tingz & Mo.huv, a dirty galloping breaky track, bass-heavy, with some ghetto vocals and distorted darbukas.
B2 by DJ Headshot on a downtempo after hours trippy twist.


This record is a collection of tracks I made from the start of 2019 to the end of 2021. They all exist completely independent of each other. My intention while working on music during this time was to create a time capsule/memory album for me to remind myself of my moments with. I had a lot of different experiences and substantially changed during this time. The early tracks were made by a completely different person than the person typing this. Of the 6 tracks on this EP, only one of them was made with the knowledge that it would be put together with the others and released as one cohesive article.

I wanted to make music again after abandoning it for 3 years. One of these tracks marks the turning point where a projected pipe dream of determined mastery was cracked through by what the speaker cone did when piano roll blocks were placed intuitively for the first time. 

Fresh from their celebrated UK tour, featuring a stand-out performance at London Jazz Festival, Ishmael Ensemble return with ‘Reasons’ the lead single from their forthcoming EP ‘New Era’, a collaborative project with lyricist and MC Rider Shafique.

Ishmael Ensemble’s Pete Cunningham says: “I first came across Rider Shafique about 6 years ago after I heard his piece “I-Dentity” via Bristol’s Young Echo collective & was immediately struck by his powerful way with words. A true master of his craft.This record was an opportunity to lean into the more bass-heavy side of my music taste. I’ve always been a massive fan of dub in all its forms & producers like King Tubby, Adrian Sherwood & Pinch have been a constant source of inspiration over the years. This sound palette coupled with a voice like Rider’s is something I’ve always wanted to make so I’m super happy with what we’ve produced here.

It's been 40 years since Michal Turtle released his seminal, ground-breaking album "Music From The Living Room" into the world and promptly disappeared back into the aether.

An extremely obscure cult classic known only to deep diggers and aficionados of the finest order, it wasn't until Music From Memory reissued some of the tracks from it via retrospective compilations of Turtle's unreleased music almost 30 years later that his name become more widely known and a new generation were able to discover the artist's unique and pioneering style of experimental electronic music production, the majority of it very much ahead of its time, and to this day, still timeless.

Invisible Inc contacted Turtle in the summer of 2023 about releasing something else by him and it was during this exchange of emails that ideas were expressed about releasing not simply a straightforward reissue of "Music From The Living Room" to mark its 40th anniversary (the album has never been reissued in full) but rather a re-imagined/re-constructed take on the album bringing contemporary techniques, styles and newly recorded vocal and instrument parts into the mix and breathing new life into these wonderful compositions.

Collaborators old and new were brought into the studio and the songs re-created from the ground up. Familiar songs like "Are You Psychic?" and "Village Voice" get overhauled and echo remnants of their original counterparts but simultaneously sound like completely new tracks. The always mesmerising "Phantoms of Dreamland" is represented through a live recording at Café Oto featuring original album vocalist Lucianne Lasalle and regular collaborator HOVE on electronics. The remaining tracks, however, will be completely new to the ears of most people, never having been reissued or heard in these new forms ever before.

Regardless, whether in some way familiar or not, these hypnotic and repetitive pieces of beautiful sound art, all very different in style from one another, have an entirely new identity that even diehard devotees of the originals will fall in love with.

“Holy shit. This record is amazing. 'Are You Psychic?' is really something” dj_2button Dummy Hand / Weirdos Inc.

“What a record!” Cosmo Vitelli I'm A Cliché

“Amazing release. Probably your best release yet! Does everything an amazing record should and more...” Alexis Le-Tan Oddity Radio / Full Circle / Offen Music

The UK's legendary producer since 1994, known for iconic releases on labels like Mosaic, Pressure Trax, and now a vital part of our catalog. Nail is synonymous with the underground culture, delivering high-quality music. A true legend, his influence extends through the roots of house music, embraced by DJs like Zip and many more.

From chile drive with style.

The Key Of The Future” takes you on a thrilling sonic journey that seamlessly blends electro, breaks, and acid elements with influences of synthwave and wave music. With tracks ranging from the pulsating intensity of “Acid Train” to the mysterious darkness of “Hasta La Mañana”, the album immerses you in a spacey and energetic atmosphere that leaves you craving more. Each song offers a unique experience, from the euphoria of “Fiesta Pesada” to the introspection of “We Are Lovers”, all tied together by a sense of discovery and evolution.

This musical masterpiece opens the door to a new chapter and reflects the artist’s expertly crafted mix of influences. Get lost in the sound and let “Key To The Future” be your guide.

Romania’s Constratti delivers his ‘Late Summer’ EP via Yecad, comprising two originals and accompanied by remixes from fellow Romanian producers Sepp and Mihai Pol.

Residing in the capital city of Bucharet, Romania’s Constratti has been grown to become a beloved producer and DJ on the local scene and beyond, racking up releases on the likes of Storytellers, Aesthetic, Eagervision and more. Here though, Constratti joins the roster of Yecad, following on from material on the label by Barac, Dragutesku, Vlad Arapusu and Swoy amongst others.

Title-cut ‘Late Summer’ leads and sees Constratti lay down crisp drums and ethereal atmospherics intertwined with acid tinged bass in unfolding with a subtly nuanced feel. Sepp’s remix of ‘Late Summer’ follows and shifts focus to a more rhythmic fuelled feel, bringing additional percussion to the mix while stirring in vocal chants and fragments of the original’s atmospheric core.

‘Tempura Rolls’ opens the flip-side, diving deeper via bubbling synth textures, twitchy resonant glitches and airy chord sequences, underpinned by a rumbling low-end drive and low-slung drums. Mihai Pol’s twist on ‘Tempura Rolls’ then rounds out the EP, taking things in a more peak, dance floor focused direction courtesy of a gritty bass groove, saturated drums and the original’s smooth chords.

repressed !

An Italo House rarity dating from 1992 now finally available again on 12“ maxi single. Including the 3 original mixes: Pink Mix, Rezzzmix and Acid Tribal Mix.

repressed !

A memorable Drumcode debut lands from Teenage Mutants, in collaboration with Heehorst and Peter Pahn, as 'Dark Clouds' lights up the sky. Collectively, the artists bring a strong pedigree to the table, having released on Terminal M, Filth on Acid and 1605 Music Therapy.

An anthem in every sense, 'Dark Clouds' already has the makings of one of Drumcode's biggest tracks of the year having highlighted events including Printworks, Awakenings at the Gashouder during ADE week and Resistance Abu Dhabi thanks to its thrilling dramaturgy that combines a stirring vocal line, thundering underbelly of acid and laser-focused b-line.

In the age of viral sensations and fast rising superstars, UMEK shines, a testament to hard graft, talent and playing the long game. We’re thrilled to have him on the label for his Drumcode debut.

The track is a rhythmic peak-time beast, highlighting Time Warp and Exchange in LA in recent times. It also saw the artist experiment with AI to create the heady vocal line. “There’s still a lot of work in the post-production process, but it’s certainly an interesting time when you can make use of these tools,” he shares.

Repress.

"Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital."

Repress.

Mong Tong's latest album, "Tao Fire 道火", not only continues the idea behind their previous work, "Indies 印", but also incorporates more local elements such as gamelan music, phin guitar, tabla drums, and Taiwan sisomi.

While sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia. Different to their last Guruguru Brain release "Mystery 秘神", "Tao Fire 道火" will take us to a land that is both familiar and fresh. Feel the hot, the crowd, humidity, and ecstasy. This time, welcome to Mong Tong's subtropical world.