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Sadar Bahar & Marc Davis - Disco Gospel

It is a huge honour to present the Disco Gospel 12”, curated and edited by Chicago's Marc Davis and Sadar Bahar. Featuring two under-the-radar disco / gospel fusion tracks that have been given a new lease of life courtesy of these masters of their craft.

We first came to know Marc through his always on-point Black Pegasus record label, which he’s been running since 2006. As a renowned international DJ, record collector, and an integral part of Chicago's underground music scene, we knew anything he sent our way was going to be serious and he didn’t disappoint. Joining forces with Sadar Bahar (Soul in the Hole), who is himself a gospel and disco legend and a DJ's DJ favourite across the globe, they dug deep and put us onto two absolute gems from their beloved collections. As DJs who play a wide range of genres, their ability to spot the real heat within any sound has placed them at the top of their game. As Sadar puts it, "We are always digging for records and these fit the criteria of disco and happen to be gospel”.

First up is the feel-good joint 'I'm So Happy' by Fountain of Life Joy Choir Under The Direction of Kevin Yancy. Originally released in 1978 on a subsidiary label of T.K. Productions entitled Gospel Roots, the clue is in the title with this one. It's an unadulterated, uplifting, joyous dancer. Marc and Sadar’s fizzing edit brings out the best elements of the song and extends them. Working the addictive vocal hooks and building the funky instrumental grooves produces a spirit-lifting mood that is bursting with enough energy to light a fire under any dancefloor.

'Optical Illusion' on the flip, takes the tempo down, but doesn’t let up on the vigour. It’s a driving, stomping anthem that features another lung-busting vocal performance. Working with a live recording of Rev. Charles H. Nicks and The Baptist Assembly Of Free Spirit Churches Mass Choir, this one proves to be the perfect accompaniment to the ecstatic vibe of the A-side. The duo has condensed and heightened the drama of the song and added some light-touch production elements to clean up and enhance the sound. We guarantee this will be filtering its way into the sets of discerning DJs worldwide.

Marc described the selections best when he succinctly put it like this, “We both knew these were two heaters on our first listen”.

We completely agree, and with recording and engineering contributions from Tone B. Nimble (Soul Is My Salvation) and Rahaan, here we have Chicago royalty creating an unmissable release that celebrates the crossover of dance music with the musical traditions of the church.

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Suescun - 2020 Radio Remixes

His album '2020Radio', published at the beginning of 2022, marked a turning point in the long and intense career of Pamplona DJ and producer Javier Suescun. The sensational reception he received from the specialized press and the public encouraged him to continue working with him and this '2020Radio Remixes' (Müsex Industries) is his continuation. To this end, Suescun put some of the best songs at the service of a "second reading" by some national and international artists from his environment and iconography. Finally, Matthew Herbert, FatCat, Rafa Santos and Orlando Voorn were chosen, substantiating a cast as underground and exquisite as it is privileged, such as Suescun.

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Black Devil - Disco Club

Black Devil

Disco Club

12inchAK61
ALTER K
27.01.2023

2022 Repress !

Disco Club is a groundbreaking 1978 EP of experimental electronic
disco created by Fèvre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.

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Brizman - Mama Shelly

Brizman

Mama Shelly

exclCAPRICES001
Caprices Music
26.01.2023

For its first release, Caprices Music relies on Brizman, an Israeli based in Berlin. In a competitive market of international DJs and producers, Brizman's distinctive sound consistently delights the hearts of listeners. He has produced a massive collection of minimal house tracks that have already been released on renowned labels. Now he's hitting his notes on Caprices Music with two original tracks "Mama Shelly feat. Linn Stern" and "Berlin Moment" in tribute to the recent death of his mother. If one is a melancholic and haunting ballad, the other is distinguished by a deep but heavy sound. As for the remixes, Tripmastaz and Silat Beksi deliver two dancefloor bomb. The remix of Silat Beksi will appear only on the vinyl version.

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Weiss Feat. The Jones Girls - I Need Some
 
1

Lined up next on Toolroom, we’re set to welcome the return of WEISS to the label 3 years after his last outing. Most known for his certified gold, 2018 smash-hit ‘Feel My Needs’, which received critical acclaim, topping 5 international music charts at #1, and earning DJ Mag’s ‘Best Of British Winner’ in 2018. WEISS himself has locked in an incredible collaboration with legendary Soul act The Jones Girls, using their classic record ‘You Gonna Make Me Love Somebody Else’ to create the club stomping cut that is, ‘I Need Some’.

A prolific DJ and producer, WEISS has released cuts on DIRTYBIRD, Universal, Island Records, D4 D4nce, Glitterbox and Toolroom along with remixing A-list artists including Kylie Minogue, Robyn, Calvin Harris, and Rag n Bone Man to name a few. When it comes to the House Music elite, Weiss is amongst some of the best there is, touring worldwide and sharing stages with Armand Van Helden, Todd Terry, and MK.

Of course, The Jones Girls are an act that needs no introduction, the legendary Philadelphia trio of sisters are the vocalists behind the classic Soul cuts ‘Nights Over Egypt’ and ‘Who Can I Run To’, released on the renowned Philadelphia International label.
Backing singers to both Aretha Franklin and Diana Ross during the 1970’s, The Jones Girls have left their mark on Music History and still influence artists and vocalists alike today.

With a passion for all things Soul, Disco and R&B, WEISS has officially fulfilled a childhood dream working with The Jones Girls to create ‘I Need Some’. This is a Disco House focused cut that pays homage to the original record ‘You Gonna Make Me Love Somebody Else’, whilst reinterpreting the sample and making it club ready for dance floors.

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Dies Lexic - Lexicon Hall

Dies Lexic is a duo by Inês Tartaruga Água and Xavier Paes. Part of Favela Discos collective and label, they explore the channelling potentialities of sound, wandering between spectrums, ethereal soundscapes and zones of sonic subduction through means of DIY electro-acoustic instruments, amplified objects, electronics and composition processes based on repetition, language, chaosmosis and error.

Lexicon Hall, the long overdue debut album by the Portuguese duo of intrepid sound explorers, is a sort of digital ayahuasca, an intense psychedelic journey guided by drums and harshly bowed strings, channelling voices from other planes and fusing them with Dies Lexic’s very own distinctive voice. If you close your eyes hard enough you can probably see Tony Conrad waving hello in the middle of a dark jungle that is inhabited by tribes of our ancestors.


Artists bio:
Inês Tartaruga Água is a multidisciplinary artist, focused on the issues of deep ecology and radical regeneration, sound explorer and practitioner of DIY philosophy as well as collaborative and participatory practices in public space. Participates in collective exhibitions since 2013, highlighting the “XIII International Biennial of Artistic Ceramics” (Aveiro, 2017), “Убежище / Suoja / Shelter Festival - Laboratory” (Helsinki, 2019), «48 часов Новосибирск» (Siberia, 2019), or “Soundscapes” (Bahrain, 2019), and has her first individual artistic residency “Méhtēr: Matter, Form and Transformation” at Júlio Dinis Museum in Ovar (2018). Recently, Água has debuted sound pieces in Casa de Serralves (Porto, 2021) and in Casa das Conchas (Spain, 2021).

Xavier Paes is a transdisciplinary artist based in Porto. He divides his practice between visual arts, sound, performance, gleaning improvisation and multi-instrumentalism, focusing on ideas such as acoustic phenomena, repetition, resonant and sympathetic bodies, echo and ecology. He has presented his work at institutions, galleries, festivals, kiosks, raves and after-parties, highlighting places such as Serralves Museum, Oliva Arts Center, Porto Municipal Gallery, Stichting Centrum (The Hague), OCCII and Vondelbunker (Amsterdam), La Pointe Lafayette and L'international (Paris), STUK (Louven), Overtoon (Brussels) and Villa Arson (Nice).

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Nenad Vilovic - Prizma LP

Deluxe limited edition vinyl LP of the unpublished Nenad Vilovic lost synth-masterpiece Prizma. The Yugoslavian and Croatian disco and pop chart-maker and once a Split International Music Festival headman (also in groups Grupa ST, Mladi Batali, etc.), producer of Dino Dvornik, Ambasadori, Oliver Dragojevic, Meri Cetinic, Leo Martin and many more, recorded this space-prog-electronica album in complete secrecy. It was refused in the 1980s by major Yugoslavian record labels for being too experimental, but it is actually a game changer in the field of socialist YU electronica. Miha Kralj, Laza Ristovski, Igor Savin and Kornelije Kovac now have company in the field of complex analog synthesizer concept albums, with this one being finally released by Fox & His Friends Records after 37 years of being shelved. Every instrument on this album has been played by Vilovic himself. This rare piece of vinyl is cut by Pauler Acoustics, mastered by Antony Ryan and features exclusive cover design by Eric Adrian Lee. The studio master is here presented in its entirety; no track was replaced or changed its order. This is how it was imagined to be released in 1985, when Nenad Vilovic played all instruments, produced, composed, arranged, recorded and even sang on the whole thing. However the title "Prizma" may suggest, this is not a structuralist concept album, but a conceptual use of his studio, instruments and musical knowledge. It mixes the ethnic, electronic, geographical and ambient roots of the crowned festival producer, hit-maker and fast-skilled studio musician who spent all of his money on new machines and his musical progress.

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Joyce with Mauricio Maestro - Natureza LP

(Produced, Arranged and Conducted by Claus Ogerman)

Not long after the dawn of her career, as a teenager in Rio de Janeiro, Joyce was declared “one of the greatest singers” by Antonio Carlos Jobim. Yet despite reputable accolades and the fact that she has since recorded over thirty acclaimed albums, Joyce never quite achieved the international recognition of the likes of Jobim, João Gilberto and Sergio Mendes, all of whom became global stars after releasing with major labels in the US.

There was a moment when it seemed she might be on the cusp of an international breakthrough. While living in New York, Joyce was approached by the great German producer Claus Ogerman. Ogerman had already played a pivotal role in the development and popularisation of Brazilian music in the 1960s, recording with some of the all-time greats like Jobim and João Gilberto, as well as North American idols like Frank Sinatra, Billie Holiday and Bill Evans.

"I met him in New York City, in 1977”, recalls Joyce. “I was living and playing there, and João Palma, Brazilian drummer who used to play with Jobim, introduced me to Claus. We had an audition, he liked what we were doing and decided to produce an album with us.”

Featuring fellow Brazilian musicians Mauricio Maestro (who wrote/co-wrote four of the songs), Nana Vasconcelos and Tutty Moreno, and some of the most in-demand stateside players including Michael Brecker, Joe Farrell and Buster Williams, the recordings for Natureza took place at Columbia Studios and Ogerman produced the album, provided the arrangements and conducted the orchestra.

But mysteriously, Natureza was never released, and what should have been Joyce’s big moment never happened. As Joyce remembers, “I returned home, but Claus and I remained in contact, by letters and phone calls. He was very enthusiastic about the album and tried to hook me up with Michael Franks. He wanted me to go back to NYC in order to re-record the vocals in English with new lyrics, which I actually wasn’t too happy about. But then I got pregnant with my third child and could not leave Brazil. And little by little our contact became rare, until I lost track of him completely. And that was it. I never heard from him again."

While Claus was known to be something of an elusive character, the album’s disappearance might also have been a result of timing. The Brazilian craze was coming to an end, making way for disco and new wave at the end of the seventies, and Ogerman struggled to find a major label interested in a new Brazilian sensation. Additionally, as Joyce mentions, it wasn’t quite finished. Ogerman wanted to add finishing touches to the mix and to record alternative English lyrics for the US and international markets - a critical artistic difference between Joyce and Ogerman.

As the military dictatorship’s grip on Brazil began to subside in the 1980s, Joyce had a handful of hits in her home county, including a tribute to her daughters ‘Clareana’, and the iconic ‘Feminina’ - an intergenerational conversation between mother and daughter about what it means to be a woman. But already a feminist pioneer, these successes were hard fought. Joyce had caused controversy as a nineteen-year-old when she became the first in Brazil to sing from the first-person feminine perspective, and the institutional sexism she faced was worsened by the dictatorship who would often censor her music. Even once the Junta was out of the way, Joyce found herself up against the male-dominated major record companies in Brazil, who sought to dictate her career and sexualise her image, before dropping her for refusing to play along.

A few years after the success of her albums Feminina and Agua E Luz in Brazil, Joyce’s music began to find its way to the UK, Europe and Japan, and “Feminina” and “Aldeia de Ogum” became classics on the underground jazz-dance scenes of the mid to late-eighties and early-nineties.

The full-length version of “Feminina” from the Natureza sessions was first heard on a Brazilian Jazz compilation in 1999 and “Descompassadamente” was licensed for a CD compiling the work of Claus Ogerman in 2002. Following these, word began to get out about an unreleased Joyce album with Claus Ogerman and the legend of Natureza grew.

Forty-five years since it was recorded, Natureza finally sees the light of day, as Joyce intended: with her own Portuguese lyrics and vocals. Featuring the fabled 11-minute version of ‘Feminina’, as well as the never before heard ‘Coração Sonhador’ composed and performed by Mauricio Maestro, Natureza’s release is a landmark in Brazilian music history and represents a triumphant, if overdue victory for Joyce as an outspoken female artist who has consistently refused to bow to patriarchal pressure.

***Disclaimer! While “Feminina” and “Descompassadamente'' were mixed by legendary engineer Al Schmitt and mastered from the original master tapes, the remaining five tracks are unmixed. Due to significant deterioration of the master-tapes, the best audio source for these tracks was an unmixed tape copy Joyce had kept of the recordings. The best care has been taken in the restoration and mastering of this release, but the sound quality may differ from other releases on Far Out Recordings. We advise listening to sound clips before buying where possible.

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Bart & The Bedazzled - People Person

Bart&The Bedazzled

People Person

7"-VinylLMNKV108
Lovemonk
22.11.2022

BART & THE BEDAZZLED: PEOPLE PERSON + CARBOARD MAN (7")
Bart & The Bedazzled return with a sensational AA-side 45 with the highlife-vibed-plaintive pop of 'People Person' and the layered 'Cardboard Man', featuring the gorgeous guest vocals of Earth Girl Helen Brown. "World dance pop meets '80s indie" LA's northeast side is home to a dizzying number of independent artists and bands. One of the scene's most distinctive sounds emanates from Bart & The Bedazzled, a collaborative group led by talented songwriter Bart Davenport. After debuting in 2018 with the Blue Motel album Bart reconnects with the stellar musicians that make up the Bedazzled for two exclusive new songs of, what he terms, "world dance pop meets 80s indie". Consisting of Los Angeles' highly respected players, the collective are undoubtedly a "musicians' band" playing for joy, performing for and with other artists that inhabit underground haunts such as Zebulon or Permanent Records Roadhouse. This is their sound!
With these new tracks The Bedazzled usher in a new phase, adding a small dose of drum machinery to the mix, resulting in an uplifting, danceable endeavour. On top of this, hand played congas and shakers blend with ultra clean guitars to form a rich context for Bart Davenport's patented, smooth vocal. Newcomer band member and producer Nic Hessler (Catwalk, Captured Tracks) fits these pieces together in seamless mixes.
People Person celebrates the collective human experience, while subtly acknowledging that people often are "the worst". It's an upbeat ode to a beautiful world that sadly may never be saved. Meanwhile, the semi-fictional Cardboard Man critiques a society desperate for truth and a way out of dark times only to find omnipresent, puppet-like heroes offering nothing real. Featuring guest singer Heidi Alexander aka Earth Girl Helen Brown her distinctive tone and phrasing add a much needed weirdo energy to a decidedly consonant pop track.
It comes as no surprise the group have gravitated towards world-dance-ish sounds. Andrés Renteria is an accomplished crate-digger and DJ, as is bassist Jessica Espeleta. She kicks off People Person with a dubby bass line, setting the stage for Wayne Faler's African highlife inspired guitars. It's still Bart & The Bedazzled, but this time they come with a sound somewhat reminiscent of '80s bands that also incorporated international flavors, such as the post Young Marble Giants project Weekend or French electro-obscuros Antena. Like those bands, Bart & The Bedazzled have a wide range of influences and the artistic intention to make something contemporary with them.
Above all, they're a group of friends who enjoy the creative process together. For them the journey is as important as the finished work.

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DON CARLOS - AQUA LP 3x12"

Don Carlos

AQUA LP 3x12"

3x12inchIRM2202
Irma Records
18.11.2022

Originally released in 1994 on Calypso Records / Irma Records in a triple vinyl promo white label version, Don Carlos's album Aqua is the
second album by the Varese-based DJ producer, already then known for his first two singles Alone and Mediterraneo, then both included in
his first album entitled Mediterraneo and released only in Compact Disc format in 1992 for the American market printed and distributed by
IRMA U.S.A., the American subsidiary of IRMA Records Italy.
The same fate will also have the Compact Disc format of the Aqua album, again printed only on the American market.
But the triple vinyl, printed in a limited edition of 500 copies in a white generic envelope, was never reissued and has become a rare record
over the years.
After almost thirty years, after countless requests for reissues, especially in the last few years in which the name and music of Don Carlos
has made a comeback, Irma Records has decided to reissue the vinyl in exactly the same original triple version.
DJ Don Carlos (born Carlo Troja) with his productions in the 90s has become one of the cult producers for DJs around the world.
His track Alone released in 1991 for Calypso was and still is one of the classics of House Music, played by all the major American and British
DJs.
At the time of its publication it was considered an underground song and therefore did not sell very much, but over the years its myth has grown
thanks to its subsequent productions as for example his second single, the EP entitled Mediterraneo, title which it will then inspired his first CD
album printed in the USA with the same title.
Several other singles followed, another album, always printed only in the USA, entitled Aqua, from which a triple promo vinyl was extracted which
today is one of the artist's most requested rarities.
In Italy his third album was released in 2002 entitled The Music In My Mind where Kim Mazelle, Michelle Weeks, Taka Boom and Kevin Bryant
were present as vocal guests. In 2009 a collection of the first two albums released in the USA titled Mediterraneo-Club Favourite Collection '90-
98 and in 2010 his fourth album entitled The Cool Deep which reproduced the sounds closest to his first productions.
Also active as a remixer for Italian and international labels, one of his most important works is the remix of Byron Stingily of the song You Make
Me Feel of which he made a worldwide hit. As a producer he also used other pseudonyms such as Montego Bay, Aquanuts, Sotterranea and
Love 2 Love Orchestra. He has played and plays in different countries such as London, New York, Miami and at various festivals, such as the
Robot and the Stickermule Festival in an evening with Apparat, Derrick May, DJ Koze, Lil 'Louis, Young Marco and Ellen Allien, LTJ Xperience

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MASSIMO BARSOTTI DJ - WHOLE LOTTE LOVE

Killer rendition of the classic Led Zeppelin stomp, arranged by famous dj & producer Massimo Barsotti. Programmed by none other than Maurizo Dami aka Alexander Robotnick, this robotic version is delivered with alien vocals and cold as ice synth lines. Still a favorite for many international djs.

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Various - Forever 3

Various

Forever 3

12inchTPT094
Perc Trax
04.11.2022

Perc Trax's scene leading Forever series returns for its third instalment. Taking a more curated approach to your typical 'release 30 random tracks and see what sticks' approach of most VA projects, the Forever series keeps the track count tight and the quality control even tighter. Featuring four artists new to Perc Trax plus new material from label regulars Perc and EAS, Forever 3 is essential as a summary of where both Perc Trax and the wider techno scene are at right now.

Opening up proceedings is Somniac One, making her Perc Trax debut after well received releases on RAW, Ghostly International, PRSPCT and her own newly launched Somniverse label. 'Junkyard Shift' is everything you'd expect from Somniac One on Perc Trax, huge kicks, hardcore synths and just the right amount of dance floor drama. Next up another Perc Trax Exos debutant, well known for his releases on Trip, Symbolism, Force Inc and more serves up something from the rougher extremes of his musical range with 'Warlion' a 4/4 stomper relying on swooping synths to drive the track forward.

On the B-side Perc collaborates with new Perc Trax signing Million on 'Rotopod'. Working together for the first time the newcomer influence pushes Perc's sound to a faster, more aggressive place. Closing the vinyl is 'Ryu Acid' by Perc Trax regular EAS, an acid fuelled monster that has been a highlight of Perc's sets for over a year now.

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John Rocca - I Want It To Be Real EP

(Late Nite Tuff Guy & Farley 'Jackmaster' Funk Remixes)

An ‘80s dance classic from the legend John Rocca, gets a fresh new take from Aussie edit king Late Nite Tuff Guy alongside a remastered reissue of Chicago house royalty Farley 'Jackmaster' Funk’s 1987 Hot House Piano Remix.

The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir.

This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix.

On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar.

DJ Feedback:

OPTIMO/ JD TWITCH
Nice! The Farley mix is an all time classic. Lovely version from LNTG.

GERD JANSON
I have love for this.

GRAEME PARK/ THE HACIENDA
I vividly remember playing this record the day it was released while working at Selectadisc in Nottingham like it was yesterday. I played it the same night at The Garage club not long after I started DJing there. It brings back some great memories and this superb remix is just wonderful. Its made me get all bleary eyed and tingly. Absolutely tremendous stuff.

AXEL BOMAN
Love this

KAI ALCE / NDATL
This is a HOT EDIT from Late Nite Tuff Guy!

A LOVE FROM OUTER SPACE/ SEAN JOHNSON
Killer - love it

NORM TALLEY
I love this!

CROSSTOWN REBELS
Nice one!!

JACQUES RENAULT / LETS PLAY HOUSE
LOVE the classic Farley piano mix and the LNTG version is a fun take too!

OSUNLADE/ YORUBA
LOVE THIS!!

DANIELE BALDELLI
Love this classic, and now more love for both new remixes

DANNY TENNAGLIA
I really like this remix

DANNY KRIVIT/ BODY & SOUL
Nice

DJ KEMIT/ ARRESTED DEVELOPMENT
An incredible beefed up edit of an international dance floor classic. 10/10

HELENA STAR / NTS
Amazing record, those chords!!

LOUISE CHEN/ NTS
I’d love to play this.

ERIC DUNCAN/ RUB N TUG
This ones cool.

MAKE A DANCE / BEN
Yes yes yes pease love the original so much.

HOT TODDY/ CRAZY P
The Farley mix is a total winner which is a new one on me, LNTG mix is pretty tasty also

TERRY FARLEY
Yes please. A big early House lesson for me BITD

SUB CLUB HARRI
Realy diigin this.

GROOVE ARMADA / TOM FINDLAY
Love this, production is so good!

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Various - Sounds of Transonic EP

Various

Sounds of Transonic EP

12inchSAIS004
SAISEI
14.10.2022

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.

Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.

The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.

With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.

SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

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Butane & Riko Forinson - Too Hot For Humans

The next release in CUE Music's catalogue sees Butane teaming up once more with Riko Forinson for "Brainstorm" EP alongside Nima Gorji on remix duties. The record definitely adds extra magic to the label's discography, lining up to the previous releases from Elchinsoul, Sascha Dive, Sascha Sonido, Danilo Schneider, Dubphone, Heerd and label head Sven Jaeger, among many many others.

A firm believer that the long hours of studio work keep a musician grounded, Butane boasts an impressive discography, released by some of the most highly regarded labels in the business, such as Crosstown Rebels, Sci+Tec, Hottrax, Fuse Records, Lauter and Get Physical. As a label owner, he's the founder of three influential underground dance music imprints of his own, Alphahouse, Little Helpers and Extrasketch.

Riko Forinson is an Italian artist passionate about the sound of drums and piano which he studied intensively from an early age. After a while of exploring the acoustic dimensions of music, he immersed himself in the world of digital electronica, performing as a DJ at various events and releasing with labels like Orpheus Recordings, Lucidflow, Dushe Label and Bar 25 Music. Nowadays he's an author, composer and producer who loves to play with various techniques while integrating jazz, reggae or classical aspects into his compositions or sets.

In charge of the reinterpretation of the title track, Ibiza-based Nima Gorji is well-known on the international scene, with a career that spans more than three decades. In 1999 he founded Welt Recordings followed by NG Trax and Need For Sound, relentlessly following his passion for electronic music by releasing numerous personal works as well as promoting other artists. His rich discography includes materials published through labels like Sci+Tec, Deeperfect, Fuse London, Bondage Music, Out Of Orbit, Love Letters From Oslo, Indigo Raw, Out Of Orbit, Cocoon, Murmur, Natural Rhythm, Bla Bla Records, ÉTÉ,

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Lennie De Ice - We Are I.E. - Remixes EP

Much deserved, remastered reissue of ‘We Are I.E.’ by Lennie De Ice, arguably the first proto jungle tune, now coming correct with fresh remixes from Solo & Blades alongside Borai, as well as the sought-after Horsepower Productions remix.

Released in 1991 on I.E. Records, an imprint based out of De Underground Records, a store in London’s Forest Gate run by Mike De Underground alongside Uncle 22 and Randall, it famously featured elements that paved the way for the Jungle sound. Centered around the Amen break, ragga style basslines, vinyl spinbacks and gun shot samples, it stood out as something different back in ’91, A certified classic, rinsed on dancefloors everywhere and anywhere, from back in the day to the present.

Solo & Blades are the first of the new versions, hitting hard with a heavyweight jungle remix, as Borai steps up with a beefy bassline rework. Horsepower Productions killer and sought after remix rounds off the package.


DJ Feedback:

Foul Play
Moving Shadow
"All the remixes totally land, great package, respectfully done. gonna hear a lot of these over the summer I think."

Jerome Hill
Super Rhythm Trax, Don't, Kool FM
"Was a little sceptical seeing these were remixes as its such an iconic track - BUT fair play ! Borai and Ed Solo & Blades both knocked it out of the park and i'll be playing both these, plus replacing my personal (slightly. crusty) vinyl rip of the original ! Bigups !!"

Om Unit
"Untouchable until now tbh"

jd Twitch
optimo
"even though I have probably heard it ten thousand times you can't beat the original. remixes are cool though."

Louise Chen
"this hits so hard it's tough choosing a fave mix!"

Emerald
BBC 1xtra/ Rinse FM
"Yeeeeeh found the dubstep remix vinyl of this in barcelona recently"

Werdna (Circular Jaw)
"Classic, lovely to see Hooj bringing in the big guns for the remixes. These are going off!"

Cortese
"Sick breaks on this one"

Truss/ MPIA3/ Overmono
"wicked"

Oli Warwick
Crack/ RA/ International Orange/ JunoJuno Plus
"Absolutely seminal bomb drop here, and the remixes are no joke either!"

Chris Farrell
"Always good to see this come round again, original and borai mix for me"

Smolny
"CLASICK !"

Doc Martin
Sublevel USA/Fabric UK.
"Complete Rave Warehouse Flashbacks!!!!"

Lil Mofo
The Trilogy Tapes / Tokyo
"wow!"

Moody Boyz
all over the worldstudio rockers records
"classic tune feeling the Filter Dread Remix"

Ciel
Rinse FM / Refuge Worldwide
"really nice collection of tunes!"

dop
"love the original"

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OK:KO - Liesu LP

Ok:ko

Liesu LP

12inchWJLP39W
WE JAZZ
17.06.2022
 
6
также имеющийся в продаже

Black Vinyl


Helsinki quartet OK:KO releases their third album "Liesu" with We Jazz Records on 15 April. The band, led by drummer/composer Okko Saastamoinen and including saxophonist Jarno Tikka, pianist Toomas Keski-Säntti and bassist Mikael Saastamoinen (of Superpostion & Linda Fredriksson "Juniper") is a scene favourite in Finland and has recently garnered some international attention with their melodic, dynamic and original approach. The OK:KO sound is adventurous yet accessible, and contemporary yet rooted in the lineage of acoustic small group jazz.

When listening to OK:KO, you can feel that their influences also come from out of the musical realm. After all, isn't this just how it should be? Making music from your own life. Here, you can tell that the landscape of rural Finland, its poetic, at times even melancholy beauty, is ever present. It's folk song country. But don't be fooled, these guys form a real flesh and blood jazz band. That means that the music just starts when the first note hits, and onwards from there, we're in for a wild ride.

Whether punchy like on "Anima", solemn like on "Arvo", or just trekking out there a skiing lane of their own like on "Vanhatie", what you'll get is pure OK:KO. Melodic, interactive, honest and forward-reaching contemporary jazz music. That is something we appreciate – a lot!

Vinyl editions available on opaque white / black vinyl, with inside-out 3mm spine sleeve and a polylined black inner sleeve.

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Magic Source - Riviera Drive / Genius Of Love

Favorite Recordings proudly presents the new 12" of Magic Source. The all-star group around producer Björn Wagner (known also for his cosmic and tropical-flavoured disco music as Bacao Rhythm & Steel Band and The Mighty Mocambos) creates here a hypnotic four-on-thefloor sound that is both earthy and spaced out and all their own.
Recorded on 16 track analogue tape with inexpensive vintage gear, the crew explores the more unusual facets of disco music off the beaten track in favour of more otherwordly and international stylings. In their music, one could hear echoes from lost tropical disco records, cinematic flavors from library soundtracks and a healthy dose of DIY garage funk rawness.
On A side, "Riviera Drive" is an extended Mediterranean disco groove based on hypnotic percussions and soulful horn themes that alternate with trippy keyboard excursions. The tune is equally at ease on the dancefloor as in a chill-out zone, but of course, prefers to be in its natural habitat in a classic car somewhere between Nice and Monaco.
On the flip, Tom Tom Club's "Genius Of Love" is reimagined as a jazzy yacht soul instrumental with an echoed flute taking the lead. You'll also find a shorter Radio Edit of "Rivieria
Drive".

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M.F.S.B. / The O'Jays - Love Is The Message / Message In Our Music

Fresh off the back of Philadelphia International Records 'Mike Maurro Remixes' digital release, comes a mighty 12" release featuring two never before released remixes from Brookside’s own Mike Maurro.

The A side features a classic remix on MFSB's staple 'Love Is The Message'. Extended in all the right spots with loving care. On the B side the O'Jays classic 'Message In Our Music'….also extended and given the Maurro TLC treament. Pressed on HQ vinyl with vintage art sleeve.

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ELIZIO DE BUZIOS - TAMANQUEIRO

Elizio De Buzios

TAMANQUEIRO

7"-VinylND011
NEW DAWN
22.12.2021

Reissue of Elizio De Buzios's "Tamanquiro". Remastered and pressed on 45 RPM!

Sitting a good 90-minute drive away from Rio de Janeiro’s crowded beaches and packed tourist hot-spots, Campo Grande is not a neighbourhood that attracts travellers from around the World. Traditionally it is home to the city’s lower middle-class, whose aspirations of moving up the social ladder were played out in a suburb that has always been solidly working-class.

Campo Grande is home to Elizio De Buzios, a Brazilian musician who started playing music in the late 1970s and early 1980s. De Buzios began as a drummer, before learning to play guitar and starting to compose and sing his own music. When he turned 18, De Buzios joined a local band formed by some of his friends and other like-minded local musicians: Sol da Terra. The band mostly played samba in neighbourhood bars and small venues around Camp Grande, but De Buzios was interested in more than just samba. While he naturally admired great samba composers such as Cartola and Beth Carvalho, his musical pass went far beyond Brazil’s national music. He also loved MPB and bossa-nova and at home he listed to Joäo Bosco, Milton Nascimento, Luis Melodia, Tom Jobim, and many bossa-nova singers.

In 1980 De Buzios was noticed by a local representative of international major label Polygram, who gave him the opportunity to record two songs. He was excited, so started searching for inspiration for the songs he would eventually lay down. He found that inspiration close to home while passing a neighbourhood shop which made and sold clogs. After noticing a display of then fashionable Portuguese clogs outside the store, De Buzios popped inside to talk to the owner. It turned out that he was a tamanqueiro – as clog-makers are traditionally called in his native Portugal – and was as passionate about music as he was about the footwear he made. Thus inspired, De Buzios returned home to work more on the lyrics and music.

The next day, he headed into the studio to record the song, with Vale Ribeiro, who later went on to produce tracks for Marcos Valle, behind the desk. With Ribeiro’s assistance, De Buzios managed to record two songs in one day: ‘Tamanqueiro’ and ‘Sou Um Louco’, a ballad with English lyrics blended into the mostly Portuguese text. From the start, it was clear that ‘Tamanqueiro’ would be the single’s A-side. Incredibly catchy and funky, with some subtle disco elements, the song remained distinctively Brazilian thanks to the use of the cuíca. Listening back all these years on, De Buzios’ lyrics seem almost spontaneous, carry the track forward, and make it almost impossible not to sing along. Its infectiousness and funkiness made it an instant hit with the first few people to hear it.

When it was released, responses to the song were enthusiastic, even if it never became the Brazil-wide smash it should have been. It resonated well in the local clubs and on the radio, but unfortunately the marketing was handled by an inexperienced Polygram employee who failed to adequately promote the track. As a result, the record sank without trace and De Buzios’ dreams of stardom evaporated. Having just started a family, he realized he could not live off the uncertainty of being a musician. Instead, he got a job at city hall as a civil servant, a role he continued until his retirement a few years ago. ‘Tamanqueiro’ and ‘Sou Um Louco’ remain the only two songs he ever recorded.

In the early 2000s, with the rise of diggers’ culture, ‘Tamanqueiro’ slowly surfaced again. It became a sought after, hard to find seven-inch single, finding its way onto the airwaves once more and into the ears of a new generation of listeners. Some started appreciating the song so much that it was referred to as the “best-Jorge-Ben-song-Jorge-Ben-never-recorded”. And they are right: ‘Tamanqueiro’ does have that Jorge Ben-straight-forwardness. It’s a completely honest song that’s almost impossible not to fall in love with. Thanks to this remastered reissue on Rush Hour, De Buzios may now get the props his sole record so richly deserves.

Now for the good news: De Buzios is still singing in local bars and clubs in and around Campo Grande. He is surprised, but also incredibly proud, that the record he had almost forgotten about is appreciated so much by a group of music lovers he didn’t even know existed. But above all, he is happy that more than 40 years after the recording session, the record lives on – not only on this re-release, but also in his weekend sets in the bars of Campo Grande.

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Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
также имеющийся в продаже

Black Vinyl


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Various - Sardonic Tonality Vol. 4

Various

Sardonic Tonality Vol. 4

12inchHVNWHT006
Haven
27.08.2021

For their second release of 2021 Haven are proud to welcome four brand new talents to the label for the fourth edition of their "Sardonic Tonality" VA compilation series.

French production powerhouse and central Wrongnotes member Makornik launches the record at full-steam-ahead with his heavy roller "Funky Transfusion" on the A1. Perfectly tuned drum rhythms, tense risers and an addictive vocal loop propel this opener forward with precise production techniques guaranteed to give dancers itchy feet. This is followed by a quirky stomper from NYC-based party starter Buzzi, a founding member of Brooklyn's seminal Black Hole event series, with "Blablazo" on the A2. Driving Schranz kicks, an uplifting synth melody and squelchy alien percussion elements combine in another dance-floor number ripe for the return of nightlife over the coming year.

London-based Greek rising talent and Repitch signee MarcelDune picks up the tempo on the B1 with rave destruction in "Distorted Perception". Rolling basslines, relentless drum patterns, wailing synth design and crunchy vocals fuse together in another colourful smasher that demands moving feet. Finally upcoming Irish artist Ceili closes the record with his distinctive broken-beat bruiser "Intinn Do Cheann" following from his outing on Lobster Theremin last year. Peculiar, droning atmospheres, speedy drum programming, and a cheeky synth melody interplay to closer out another VA ready to light up international dance-floors.

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Guy One - So La Ma La

Guy One

So La Ma La

7"-VinylPH45027
Philophon
02.08.2021

After his international debut #1 in 2018, the north Ghanaian Kologo (a two stringed proto-banjo) master Guy One is back with his brand new band, consisting of Kumasi's finest young talents, plus Florence Adooni and Tenni Akagam as his choir voices.

So La Ma La has a straight forward Highlife rhythm which melts together with some funky articulated afrobeat-a-like bass line. To Kale Na'nabala is instead in the traditional Kete rhythm, a bouncy poly-rhythm in 12/8. But both songs are mostly defined through Guy One's Kologo lines and his soulful interpretation of the typical north-ghanaian vocal style.

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NUOVO TESTAMENTO - NEW EARTH LP

Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet.

With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.

Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.

Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between.

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Various - Neurotwin

Various

Neurotwin

exclART21006
Art21
10.06.2021

In the fight against Alzheimer’s, epilepsy, schizophrenia and other diseases characterized by an imbalance in neuronal activity, there are chemical weapons, such as those that try to prevent the protein fragments known as beta-amyloid plaques from developing in the
cerebral cortex , and physical, such as electrical stimulation that allow to restore the functionality of brain cells. This last resort, which has already been shown to be effective in modifying the activity of the cerebral cortex, is today a weapon of general intervention.

Converting it to precision requires the development of individualized and predictive brain models that allow identifying where and how much to stimulate each patient. To achieve this, an international European team is working on the creation of virtual replicas of the
most unknown organ in the body: the Neurotwin project.
According to recent research, the decrease in power in the neuronal oscillations of the gamma band of the cerebral cortex (a pattern whose frequency ranges between 20 and 50 Hertz) favors the development of protein fragments related to Alzheimer’s.
Transcranial application of weak electrical currents has proven to be an effective and painless way to modulate brain activity without side effects.

The objective is to create complete computational models of the brain with real data of living beings (human patients) and that allow to anticipate and specify the effects of noninvasive stimulation techniques on neurological mechanisms.

“Never turn your back on a friend.”
Alfred Hitchcock

Mastering – Eternal Midnight Mastering Studio
Cover Art – Nitasha Singh Brett
Visuals - Dietriamgle, Espii Studios, Irene Avellanal

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Последний логин: 4 г. назад
Northern Lite - JA

Northern Lite

JA

2x12inchUNALP17
UNA MUSIC
09.06.2021

Ja, das vierzehnte Studioa lbum von Northern Lite ist erstmals in 23 Jahren Bandgeschichte auf Deutsch. Ja, es klingt durch die unverwechselbare Stimmfarbe von Andreas Kubat auf magische Weise vertraut, aber auch hier und da nach Deichkind , Frittenbude , oder 2 Raumwohnung. Ja, auch ein wenig nach Rammstein und The Weeknd . Ja, worauf sollten sie auch noch warten, was gibt’s in dieser Welt für eine B and die seit einem Vierteljah rhundert durch die internationale Musik landschaft geistert zu verlieren? Ja, die Welt hat sich für uns alle geändert, ja, auch für Northern Lite.

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Alexander Robotnick - Ce N'est Q'un Debut

This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork.

"Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. - Maurizio Dami

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Various - Parquet Most Wanted EP 18

The beloved deep melodic house & techno collection by Parquet Recordings is going into the 18th round!
„Parquet Most Wanted EP Vol. 18“ is featuring four beautiful masterpieces by Solee, Microtrauma, Paradoks and Alexandros Djkevingr & Greg Ignatovich. All tracks are 100% dancefloor-proofed and already gained massive international DJ support by the likes of Tale of Us, Stephan Bodzin, Pig & Dan, Dosem, Ryan Davis, Undercatt, Bebetta, Markus Kavka, Eelke Kleijn, Chicola and many more.

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Последний логин: 5 г. назад
Grauzone - Grauzone (40 Years Anniversary Edition 2LP)

Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker

WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.

The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".

Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.

This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.

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Bicep - Isles LP 2x12"

Bicep

Isles LP 2x12"

2x12inchZEN261
Ninja Tune
20.01.2021

Das Belfaster Duo Bicep veröffentlicht sein heiß ersehntes zweites Album, „Isles“, auf Ninja Tune!

Zwei Jahre in Arbeit, erweitert „Isles“ die kunstvolle Energie des 2017 erschienenen selbstbetitelten Debütalbums von BICEP und vertieft gleichzeitig die Klänge, Erfahrungen und Emotionen, die ihr Leben und ihre Arbeit beeinflusst haben. Sie beschreiben „Isles“ als „eine Momentaufnahme“ ihrer Arbeit in dieser Zeit, wobei die Stücke so konzipiert sind, dass sie sich in ihren verschiedenen Durchläufen von der Aufnahme bis zur Live-Show und darüber hinaus entwickeln.

Der weltweit beliebte Sound von Bicep entstand, als ihr eigener rasanter Aufstieg im Musikbusiness begann. Nach dem Start ihres legendären FeelMyBicep-Blogs im Jahr 2008 entwickelte sich ihre simple Website, die stets neue Italo-, House- und Disco-Juwelen aus der Musikgeschichte präsentierte, zu einem durchschlagenden Erfolg, der regelmäßig über 100.000 Besucher pro Monat verzeichnete. Nachdem der Blog ein Plattenlabel und eine Clubnacht hervorgebracht hatte, wurde das Duo mit begehrten DJ-Sets, die die musikalische Vielfalt ihres Blogs widerspiegelten, auf die internationale Bühne gehoben. Nach den Erfolgen mit Produktionen für Throne of Blood und Aus Music wurden Bicep 2017 bei Ninja Tune unter Vertrag genommen, wo sie im darauffolgenden Jahr ihr umjubeltes, selbstbetiteltes Debütalbum veröffentlichten, das einen Top-20-Einstieg in die britischen Charts erreichte und in der Groove schaffte, was in der langen Geschichte des Magazins noch kein Release bewerkstelligen konnte: sowohl die Kategorie „Album des Jahres“ als auch mit „Glue“ die Kategorie „Track des Jahres“ zu gewinnen. Titel wie „Opal“ - und der bald folgende Four Tet-Remix - sowie die eben erwähnte Lead-Single "Glue" mit dem von Joe Wilson entwickelten Video wurden 2017 zu Meilensteinen der elektronischen Musik, wobei letzteres vom DJ Mag ebenfalls zum „Track of the Year“ gekürt wurde.

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Various - Tokyo Dreaming

Various

Tokyo Dreaming

2x12inchWWSLP40
WeWantSounds
11.12.2020

Repress!

A MAJOR EXPLORATION OF TOKYO'S CUTTING EDGE 80S SOUND THROUGH THE MUSIC OF CULT JAPANESE LABEL NIPPON COLUMBIA AND ITS BETTER DAYS IMPRINT, SELECTED BY BRITISH RADIO PRESENTER AND DJ NICK LUSCOMBE.

‘Tokyo Dreaming’ is a superb selection picked from the highly collectible Nippon Columbia label and its Better Days sub-label. For the occasion, we’ve teamed up with journalist and Japanese music expert Nick Luscombe who was granted rare access to the much-guarded Nippon Columbia's vaults for a masterful selection encapsulating the fascinating sound of Tokyo in the late 70s and 80s. The selection mixes electro, synth-pop, funk and ambient and features such artists as Ryuichi Sakamoto, Mariah, Shigeo Sekito, Juicy Fruits, Hitomi "Penny" Tohyama and Yumi Murata. The tracklist includes many sought-after rarities and hidden gems which have never been released outside of Japan and the set has been newly remastered by Nippon Columbia. The album has been designed by famed London-based designer Optigram and is annotated by Nick.

Nippon Columbia, one of Japan's oldest music labels is also one of its most collectible thanks to its sub-label Better Days which, in the late 70s, became a hotbed for Tokyo's new generation of pop artists eager to experiment with ambient, electro and funk. Armed with a string of new Japanese-made synthesizers and drum machines that would soon take the world by storm, they made cutting-edge music, which has since become highly sought-after by a new generation of Japanese music lovers. Nick Luscombe, who has long been a leading advocate of Japanese music from this era, has handpicked a selection of some of the sharpest music released on these labels at the time.
According to Nick, “Tokyo Dreaming is a look back to an incredible era of Japanese music, that still sounds and feels like the future. It was a moment when brand-new music tech from Japan helped forge new ideas and experiments that permeated pop, soul and jazz and helped create new forms of music including electro and techno. The perfect meeting point that would help create a new soundtrack for modern living.“
?The selection starts with "The End of Asia" by Ryuichi Sakamoto from his 1978 ground-breaking debut "Thousand Knives Of" (reissued last year by Wewantsounds). The track became a staple of Sakamoto's and YMO's live shows and was even re-recorded by the group for their 1980 album 'X Multiplies'. The track is followed by Mariah's cult Armenian folk flavoured synth pop classic "Shinzo No Tobira" (1983), which first spread outside of Japan when the Scottish DJ duo Optimo started playing the track regularly at their shows.
?Chika Asamoto's "Self Control" (1988) and Jun Fukamachi's "Treasure Hunter" (1985) are perfect songs in the synth-pop canon, while Yumi Murata's rendition of Akiko Yano's "Watashi No Bus" and Hitomi "Penny" Tohyama's "Rainy Driver" both from 1981, move closer towards the slicker, funkier sound of City Pop.
?'Tokyo Dreaming' superbly showcases the breadth of 80s Japanese music and the way electro pop was a playing ground for musicians to experiment with many styles, as showcased by Akira Sakata's dub-enfused "Room" from 1980, Kazumi Watanabe's discoid "Tokyo Joe" (1980) and Juicy Fruits' "kawai" robotic Techno pop song "Jenie Gets Angry".
?The selection flows effortlessly between many shades of synth and ends with two cult classics in the form of Yasuaki Shimizu's "Semi Tori No Hi" and Shigeo Sekito's ambient-jazz masterpiece "The Word II" from his highly sought-after album "Kareinaru Electone (The Word) Vol.2" which, although recorded in 1975, perfectly announces the synth revolution to come. Tokyo Dreaming showcases the groundbreaking sounds of a city turned giant sonic lab which was restlessly inventing the music of the future.
Nick Luscombe is a highly respected and in-demand music influencer who discovers great music from all over the world and shares it internationally through his many radio shows and DJ sets. He has been in charge of music selection for various radio programs since 1999, and from 2010 - 2019, was the DJ for the popular BBC Radio music program "Late Junction”. He has also curated and presented music shows for Monocle and British Airways radio stations. He has worked as both Chief Music Editor at iTunes and Director of Music at London’s Institute of Contemporary Art, and is the founder of MSCTY.

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Seatbelts - Cowboy Bebop (Original Series Soundtrack) 2x12"

Milan Records is pleased to release this stunning vinyl edition of the soundtrack to the hit anime series Cowboy Bepop.

Originally aired in 1998, Cowboy Bebop became a critical and commercial success both in Japanese and international markets (most notably in the United States), garnered several major anime and science fiction awards upon its release, and received wide acclaim for its style, characters, story, voice acting, animation, and soundtrack
Seatbelts’s repertoire covers not only jazz but also rock, electronic, funk, blues, heavy metal, country and Jpop

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Purple Disco Machine Feat Mind Enterprises - Exotica

After a long delay due to his previous powerhouse 'Hypnotised' blowing up the worldwide spot, German maestro Purple Disco Machine finally lets loose the next step in his world dance domination. Every superlative under the sun has been used for this man's talents and he does not disappoint with a return to his updated Italo disco stylings on new single 'Exotica'.

Purple Disco Machine remains at the forefront of world dance music, following a series of remixes for A-list icons Diplo, Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, whilst more recently delivering his stellar cuts of Duke Dumont’s ‘Ocean Drive’, and Lady Gaga and Adriana Grande’s international hit single ‘Rain On Me’.

He now unveils yet another side of his impressive production prowess with new single ‘Exotica’ featuring the Italian electro funk producer Mind Enterprises on vocals, creating an electric club record exploring and playing homage to '80s German and Italian euro disco records that he grew up with.

Based around a replayed sample of 80’s Italo disco classic ‘Void Vision’ by Cyber People, Purple Disco Machine creates a high energy dance-floor heater with a lively modulated vocal. ‘Exotica’ shares its name with the forthcoming studio album, which the artist confirms will feature his playful interpretation of the music of the decade that birthed the Purple Disco Machine sound; Synth Pop, Italo Disco, Electro Funk, Soul, R&B and Boogie.

Certified as one of the most prolific electronic artists of our generation, the Dresden born producer ranks #2 on Beatport’s all-time Top Artists, with his 2013 breakthrough hit ‘My House’ remaining as one of the platform’s best-sellers through to today. With an undeniable midas touch, Purple Disco Machine landed himself in the record books once again in 2018, whilst amassing a stunning 100 million streams across his original ‘Dished (Male Stripper)’, and remixes of Weiss’ ‘Feel My Needs’, and most notably his remix of the seminal ‘Praise You’ by industry icon Fatboy Slim. With a slew of varied releases including hit singles ‘In My Arms’, ‘Body Funk’ and ‘Devil In Me’, the producer’s status was propelled by his debut LP ‘Soulmatic’, earning him critical acclaim across the globe.

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Various - COMMUNITY - 15 Years of Jazz & Milk

2020 sees Jazz & Milk celebrating its 15th anniversary! Since 2005 the label, founded by Dusty, offers an experimental playground for international artists that share a passion for organic and soulful dance music. Many legendary club nights and over 30 releases later, Jazz & Milk has become a household name amongst the eclectic music imprints. The focus has always been to transcend genres, including a broad spectrum of styles ranging from jazz, soul, brazil, afrobeat to house, broken beat and electronic music.

For this very special occasion, the label presents six exclusive tracks by the likes of Steve Spacek, Àbáse, Sam Irl, Feater, Bongani GiveThanks and Moe Fabrik - the club focused collaborative moniker of Wayne Snow, Ziggy Zeitgeist and StyleBoi 92.

With this compilation project, Jazz & Milk is not only celebrating an illustrious 15 years of operation. The label also wants to take the opportunity to highlight the importance of 'community', at a time when racism, greed, injustice and a deadly pandemic are jeopardizing our ability to harmoniously exist with one another.

Peace, Love & (Comm)Unity!

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The Brooks - Anyday Now LP 2x12"

Named "best kept secret of Canadian funk" by the Quebecois newspaper La Presse, The Brooks are a band of accomplished musicians, well-known in the soul/funk scene across the Atlantic. Expert instrumentalists led by Alexandre Lapointe create a dazzling combo with frontman Alan Prater— an incredibly energetic showman who has worked alongside some of the biggest names in the music industry. This passionate and experienced band fan the sacred fire every time they perform! Thanks to a solid realization, their musical message comes across beautifully. The Brooks go beyond mere interpretation and style exercises: they are a powerful groove machine and a driving force in their sector. 50 years of African American music are condensed in the band's aesthetic. In their live shows and in their records, you can hear James Brown's meticulousness, D'Angelo's delightfulness, Fela Kuti's radiance, Herbie Hancock's intergenerational openness, and J. Dilla's innovative spirit. These heroes of music didn't let rules and trends dictate their messages, and neither do The Brooks. Just like these history makers, they built their reputation with sweat and rigor, outside of conventional channels. The Brooks are incredibly hard workers united in a project where pleasure and complete artistic freedom are the only key words. After 8 years of existence, with an EP and two albums, they have already won many awards and nominations (GAMIQ, Independent Music Awards, ADISQ...) and built a solid reputation in the Quebec indie world.

Who are The Brooks? First, there's the icon, Alan Prater! This Florida-born musician can boast that he shared the stage with the Jacksons! Thanks to his many trips and experiences, he became a key member of Montreal jazz. He is the band's biggest asset: if The Brooks were a sports team, Alan Prater would be captain. Then, at the drums: Maxime Bellavance, one half of the Beat Market duo, whose "dancy and retro futurist" groove can be heard in several major and underground projects in Canada. Philippe Look aces guitar and vocals. His experience as a session musician working with famous bands for 20 years allowed him to take part in different projects: rock, downtempo, trip hop, electro… As one of the founding members of The Brooks, he also wrote many of the band's songs. Keyboardist Daniel Thouin is an integral part of the Montreal jazz scene. He is both an accomplished acoustic piano player and synthesizer player, well versed in writing as well as in improvising, in organic sounds as well as in the latest technologies. Thouin possesses a double vision, which allows him to both exalt and lead productions. Composer Sébastien Grenier wows us with his saxophone. Thanks to his theoretical knowledge and his 20 years of experience, acquired through continuous training all around the world, he is a true guiding force. French trumpetist Hichem Khalfa begun learning the instrument at 7 years old. He attended a musical conservatory before going to the Haute École de Musique and finally pursuing his studies at McGill University. He won prizes at Rimouski International Jazz Festival and received the François Marcaurelle prize at Montreal Off Festival. His successful jazz projects allowed him to work with famous musicians like Blitz the Ambassador, Nomadic Massive, Rhonda Ross and Kalmunity. Philippe Beaudin can be considered an apostle of Afro-Latin percussions, which he teaches and practices with great passion. Thanks to his participation in several projects, you can discover his talent both on stage and onscreen. The Brooks' philosophy is based on art in its rawest form, on perfectionism in musical practice. The choices they make and the directions they take are motivated mostly by instinctive feelings. This is how The Brooks recently crossed the path of Underdog Records during a trip in France. It was love at first sight for the two groups who share a passion for soul. Their chemistry allows them to be completely free in their creative process and natural as ever in their conception-creation-communication approach.

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Various - Parquet Most Wanted EP 17

Following the success of the last Parquet Most Wanted EP´s, here comes the 17th volume with four gorgeous melodic-techno anthems by SOLEE, SEVERAL DEFINITIONS, RINZEN & EVAN CASEY, HOLLT!

These tracks already received big international DJ support by Solomun, Tale of Us, Victor Ruiz, John Digweed, Fideles, Format B, Bebetta, Chicola, Moonbootica, Mees Salome, Hidden Empire and many more.

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Последний логин: 5 г. назад
Sepalot - NOWNEXT

Sepalot

NOWNEXT

12inchESK55
Eskapaden
08.06.2020

NOWNEXT is a voyage from the past to the future, from now to then, from what's behind us to what's waiting for us just around the next corner. In musical terms these are the gaps that appear when you drift between genres and take risks. Strolling far from the well travelled Zeitgeist path. The second album by the Sepalot Quartet floats through this timeless space and fills those cracks with a relaxed fusion of Jazz meets Indie meets Electronica, not once denying Sepalots hip hop roots.
This freedom of expression can also be considered a sign of our times, with a generation coming of age without rivalling youth phenomena. Where a jazz show is held in a techno club with no further explaination needed.
With their first release the Quartet still relied on remakes from the established Sepalot dicography, with their current work they laid the foundation for a truly solid form of musical self discovery.
NOWNEXT is enlivened by this spirit and offers a fascinating and confindent blend of varied sounds spanning time and space.
With all this being said, NOWNEXT is truly an up to date album of international format, feeding from the rich experience of its diverse members (Sepalot, Angela Aux, Fabian Füss, Matthias Lindermayr). Memories, associations and a well carved vision are melted into a masterpiece.
NOWNEXT is the latest offering by SEPALOT and his QUARTET and needs to experienced with all senses.

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Jacksonville - FON

Jacksonville

FON

12inchHM014
Hobbes Music
17.03.2020

Continuing a run of highly eclectic and quirky but consistently individual releases (most recently GAMING's internationally lauded Scenes From A Deserted City 2x12" LP, out Nov), the Hobbes Music label is very excited to welcome Jacksonville aka Yorkshire-born, Edinburgh-based artist Chris Lyth, to the fold. He has carpet-bombed the last few Hobbes Music events at Edinburgh's Bongo Club with his excellent live sets and the release has been in the pipeline for some time.

The 'FON' EP (caps intentional) combines a love of classic electro and techno with dub reggae, sound system culture, the UK's contemporary bass scene etc. Mastering was done by Optimum in Bristol, who did a really lovely job, with loads of width in the mix.

This release follows Jacksonville's 'Machines Of Loving Grace' EP which dropped in November via Inner Shift. He has a pedigree spanning some 20 years plus via releases for the likes of 2020Vision, Hizou, Doppler, Thug, Plastic City, Leftroom, A.E.R, Shanti and Dan Curtin’s Metamorphic. This record's a bit of a departure for him.

While we're deeply saddened by the knowledge that there's no chance now of us ever hearing Andy Weatherall play it out, we're kinda heartened by the idea that he would have probably dug it.... RIP.

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Bohren & der Club of Gore - Patchouli Blue 2x12"

German cult band "Bohren & der Club of Gore" release their eigth studio album via 'PIAS Recordings'. The band have built a loyal international fanbase on the back of their trademark ‘Doom Jazz’ sound and count musical icons such as Mike Patton and Stephen O’Malley among their fans. Strictly instrumental, this band and their sound have the healing power to survive these hectic modern times. For fans of Melanie de Biasio, Sunn O)))' and the soundtracks of David Lynch. The band played two sold out shows in London’s Round Chapel recently and will tour the UK again in 2020.

'PIASD5045LP' pressed & designed on 2x12" Gatefold Coloured Vinyl.

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IVAN JULLIEN - LIVE AT NANCY JAZZ PULSATIONS

It was in 1973, on the 14 of October, late in the afternoon; on a pretty Sunday under the Big Top in the heart of the “Parc de la Pépinière”, in Nancy; it was the “premiere”, the world
first hearing, and it has so far remained the only one commissioned by composer and trumpet player lvan Jullien, for the first international Nancy Jazz Pulsations festival. In order to complete this work of composition and orchestration, Ivan asked the great Eddie Louiss on organ, and chose to do without a double bassist who would have been drowned in a telluric outburst, for the best drummers in Europe and beyond had accepted out of sympathy to offer their contribution to such a festival. The only melodist with Louiss was the English John Surman (born in 1944) here on soprano saxophone, discharging torrents of incandescent lava.
Conversing with drums, cymbals, xylophones, kettledrums, vibraphones, tumbas, djembes and all other percussive things that you’ll like to imagine – a bunch of talents such as those
of the French André Ceccarelli, Daniel Humair or Bernard Lubat, the New Yorker Stu Martin, who reminds of Paul Motian in his “breaks”, South African Louis Mo-Holo, young Lamont Hampton, the great trombonist “Slide” Hampton’s son and the Malagasy Franck
Raholison, the Senegalese Lamine Konte. And we will scrupulously refrain from omitting the four musketeers, here representing
percussion in classical music, namely the Percussion Quartet of Paris under the leadership of Mr. Lucien Lemaire.

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