Buscar:b ii

High Roller Records, picture vinyl, ltd 500, lyric sheet, poster, numbered

ATROCITY sind mit aller Macht zurück: "OKKULT III" markiert das furiose Finale der "OKKULT" Album-Trilogie und ist gespickt mit brutalen Death Metal-Granaten! Sich ins Hirn schneidende Metal-Riffs, brutale Drumattacken und bitterböse Death Metal Vocals ergeben eine Vollbedienung in Sachen deutscher Metal Todeskunst! Freut euch auf ein Album mit gnadenlosen Nackenbrechern und grandiosen Death Metal Krachern!

Schon der Chart-Breaker "OKKULT II" begeisterte die ATROCITY Fangemeinde und die Metal-Presse gleichermaßen mit packenden Death Metal Songs, die unter die Haut gehen.
Mit "OKKULT III" werden ATROCITY ihre Fanschar endgültig zur Ekstase bringen: Sich ins Hirn schneidende Metal-Riffs, brutale Drumattacken und bitterböse Death Metal Vocals ergeben eine Vollbedienung in Sachen deutscher Metal Todeskunst!
Als Gastsänger sind Elina Siirala (Leaves' Eyes), Zoë Marie Federoff (Catalyst Crime, Cradle Of Filth) und Robse Dahn (Equilibrium) auf dem Album vertreten.
"OKKULT III" ist der krönende Abschluss der "OKKULT"-Trilogie und ein Meisterwerk deutschen Todesmetalls!

Radien began its descent early 2014. The band draws creativity from the deepest depths of the world and the mind, balancing between crushing heaviness and ethereal atmospheres. This Helsinki-based group from Finland vows in the name of serious amplifier worship and offers their atmospheric blackened sludge with intensity and integrity. Unissa Palaneet will be the second album by Radien with a release date May 19th, 2023, by Svart Records. The album is mixed by Sanford Parker and mastered by James Plotkin. It features international guest appearances by Dylan Walker (Full of Hell), Mike Paparo (Inter Arma) and Italian multi-instrumentalist Lili Refrain.

Music Man presents the ultimate compilation of the seminal B-Sides project by Frank De Wulf, originally released on the label in 1990.

Frank De Wulf is one of the most influential and ground-breaking producers to emerge from the Belgian new beat and techno scene.

This box set includes all music originally released on The B-Sides volume I, II, III, IV, 'The B Sides Remixed' & 'Beyond The B-Sides', pressed onto 4 x 180 grams heavy weight vinyl records including a 8-page booklet with liner notes.

Limited to 500 numbered copies.

A digital twin is a computer system programmed in such a way that, receiving the same inputs as the physical object or process it is a twin of, it provides the same outputs.

Characteristics of digital twin technology
1 Connectivity
2 Homogenization
3 Reprogrammable and intelligent
4 digital traces

«There is no light without shadows and no fullness of mind without imperfections. Life requires for its realization, not perfection, but fullness. Without imperfection, there is no progress or growth.»

Deprived of sanity, Paul Régimbeau aka Mondkopf found new territories of expression with »Spring Stories«, a collection of post-rapture moods full of glorious chaos, ready to absorb and re-ignite all that is worn.

As a phoenix raising from the ashes, »Spring Stories« captures the earth in full bloom. Darkness & Insanity looses it´s grips as the roots and fresh leaves creates a slow dance towards the sun. Similarly sine-wave drones move around exploding electric guitar improvisations as new light beams on shadow cast corners. The album feels like a 60ies jam set in the post-world psychedelic underground. Heavy, absurd, beautiful and ready to sooth burnt out, depleted minds. Paul has citied that he´s affected as much by folk improvisors such as Master Wilburn Burchette & Robbie Basho as well as the doom drone of giants Earth & Sunn O))). Spring Stories invokes on these, while feeling like a personal blow-out, coming right from the core. Touching and grand, like spring itself.

The album also features Frederic D. Oberland on two tracks playing variously Duduk & Alto Saxophone. Lastly, The Necks drummer Tony Buck shakes & rattles all over the final - and seriously epic - piece “Continuation”, as the world aligns while the sun rises over its near-dead shape.

Josh Dahlberg is The Valley and the Mountain aka TVTM and is an artist who has made a big move recently from the deep westside of Detroit all the way across to the far reaches of the Pacific Northwest. He he arrives on Central Scientific for its inaugural release with Detroit-based producer and Akka & BeepBeep founder, Jo Rad Silver, taking care of the flip. Next to an array of hardware, there is plenty of improvisation with guitars in this EP - 'Experiment Obscura' is a widescreen and dramatic ambient cut with a meditative feel and 'Immersion Theatre III' is another empty but inviting piece with curlicues, wispy pads, distant guitar echoes and moodiness to spare.

Sometimes, things "just happen". For months, we’d been working away on various projects and then, without really thinking about it, The Black EP just happened. It seemingly appeared from nowhere.

We’d been talking about the old days; making music with friends and dodgy kit, renting small practice rooms and using makeshift recording studios. It was such a common thing back then, you could pick a dusty space in a half-derelict building for as little as £25 a month. In those days, the Cabs and Human League had studios with posh-sounding names, but in reality, they were the same old workspaces long abandoned by the industries they were built for. Nevertheless, the grand names made them sound magical.

Sheffield had thousands of these spaces, and some still exist today, but their abundance and low-cost made Sheffield a very active place. Someone was always doing something. They’d exploded onto the scene in a flurry of excitement before disappearing just as quickly.

There’s something about these little mesters (workshops) that we believe lives in the very consciousness of Sheffield. It’s one of the reasons we never really had big scenes like Manchester or Leeds. The Hacienda would've never been built here.

We don’t really do big gangs or have that kind of mentality. We tend to exist in little pockets, often leaving each other alone. It would be 30 years before any member of The Black Dog talked to Cabaret Voltaire. Sure, we’d stood outside their practice room as kids, trying to listen in, but never felt any reason to approach. Sheffield is like that.

Once we had the first two tracks of the Black EP, we set off to see Jon at Do It Theesen, where he manually cut the tracks to an extremely limited set of 7" singles using a vinyl lathe. It just felt right to go back to the old ways; a small gang creating something special in workshops and sheds. There’s something very satisfying about it, a perfect circle, if you will.

We pushed further by adopting old practices, working with one synth per person and limiting the use of our computers. We only stopped short of putting everything on beer crates. It seems like madness these days, but there is raw creativity within these confines. Pretty much every band started this way. Depeche Mode travelled to the studio on the London Underground for their first appearance on Top Of The Pops, all lugging a synth each. That's how we approached the creation of this album; stripped back, raw and minimal - it just felt so right.

And then there’s the competitive element that was influenced when the original Human League split and became Human League MK II and Heaven 17. Both continued to use the same studio to write what became the albums "Dare" and "Penthouse and Pavement". There is something about that drive that is very Sheffield, just making stuff and hoping everything falls into place.

In Sheffield, we do things differently, because that’s how we are built. away on various projects and then, without really thinking about it, The Black EP just happened. It seemingly appeared from nowhere.

Moogroove is a self unit of Japanese house music producer “Kenji Eto”.

This release was originally released in 1994 on Mo rhythm records.

It’s a first class 90’s deep house and it’s quite hard to find out the original copy.

Enjoy!

Lele Sacchi & Asian Fake’s Stolen Goods Records return with the third instalment of Black Loops & Innocent Soul’s ‘High Cutz’ series, accompanied by a remix from Italian house legends Pastaboys.

After a debut compilation featuring the likes of Bawrut, Elisa Bee, Ruff Stuff & label head Lele Sacchi, Stolen Goods Records amassed a following of Dixon, Harvey, DJ Seinfeld, Dam Swindle & many more. The Italian imprint returns this December, dropping two tracks from deep house mainstays Black Loops & Innocent Soul. Black Loops trawls the depths of his record bag in revered clubs around the world while tallying up releases on labels such as Madhouse, Shall Not Fade and Freerange. Additionally, Strictly Street Sound label boss Innocent Soul has made a name for himself for his energetic deep house music.

Together, they join forces for their collaborative ‘High Cutz’ series, which has previously been released via Toy Tonics and Rough Limited. Robust beats form the backbone of ‘Believe In U’, a plucked bassline brings the funk and passionate vocals provide the soul. They warp its earworm bassline deep into the jacking zone, closing out the first in a series of EP’s on Stolen Goods Records featuring established artists and talented newcomers.

RNT welcomes upstart Londoner Cody Currie into the roster with the groove-heavy Movin' Smoke EP.A precociously well-developed production talent, the young producer puts his penchant for deep house sample-scapes on full display here.
From the blissful lilt of the title track to the creatively crafted jazz funk of Infinity I & II through to the b-side bangers Make Love and Magic City, this record is a beautiful listen from beginning to end.

Essex-based trio Statues have made their presence felt with a string of impressive singles for a variety of labels from Sweden's Lovely and Plastic Idol in the US. Here they offer up their timely summer breezer 'Clear Skies' with crystal cleat synth lines evocative of John Carpenter or Tangerine Dream powered by a simple but effective groove. Coyote Ambient are the first of two guests invited to remix it, and theirs is more of a classic 90s chillout reworking, while Vendetta Suite combine a similar vibe with some soaring solar guitars and live drums. Another original from Statues, 'The Creek ', completes the package, with arpeggios melded with organic voices and guitars.

AMG (whom The Source called “more foul mouthed than a late 70s Richard Pryor concert film”), was a part of Courtney Branch and Tracy Kendrick's Total Trak Production crew which developed DJ Quik, 2nd II None, Sylk Smoov, Hi-C and Boss. He made his first appearances on DJ Quik's debut album Quik is The Name. In December of 1991, AMG released his self-produced debut solo album Bitch Betta Have My Money with the platinum selling lead single of the same name. This reissue has this West Coast 90s classic on vinyl for the first time since its initial release and includes “I Wanna Be Yo Ho (Remix)” previously available only as a CD bonus track.

Coherence is overrated. Especially if keeping things hazy, and not smoothing away all the rough edges, and allowing all the seeming contradictions to find their own unique harmony with each other in their own time can result in the heady magic of Lock Eyes & Collide, the second EP from South London-based quintet Moreish Idols. Across these four tracks, Moreish Idols deal in tangles of hyper-melodic guitar, sleepy-eyed murmurs glowing with unassuming poetry, blossoms of wise saxophone, rhythms that pulse and purr to their own inarguable logic. You could spend days trying to define what exactly it is they are doing over these fifteen or so minutes, but you’d be wiser to just lose yourself within Lock Eyes & Collide’s laser-guided twists and turns.

Pulling into focus. They passed tracks from initial collaborative song-writing sessions along to Dan Carey, who signed Moreish Idols to his Speedy Wunderground label and produced their first release on the label, the Float EP, in the summer of 2022 (they’d released a pair of self-released 7”s before lockdown). Restless, jerky, jagged and rhythmically centred, many of Float’s energetic pleasures bore the influence of their earlier flirtation of post-punk, but the ruminative When The River Runs Dry spelled deeper treasures lay within, while the erratic, wonderful Speedboat spoke to Moreish Idols’ essential gift for mystery. Lock Eyes & Collide is something else altogether, though – a looser constellation of ideas, a clearer hint of the group’s future.

The elements that compose the EP – swooning tremolo guitars, prickly melodic riddles, erudite saxophone improvs, loose and flexible rhythms – make perfect sense together, on vinyl if not on paper, sounding like Watery, Domestic-era Pavement one second and some bucolic Canterbury Scene prog the next, but always, always like Moreish Idols most of all.

The future that is undefined is limitless. If Lock Eyes & Collide captures Moreish Idols’ present, what do they see in their future? “If we’d just made Float II for our second EP, people would be, ‘Oh, they’re the band that does that,” says Tom. “I’m so glad we’ve made this weird alter-ego of our first EP; now we feel we can do whatever we want.”

Dynamite Cuts begibt sich in den erstaunlichen Sound und die Welt der Library Music. Musik, die ein Gefühl oder Modus in einer einzigen Note oder Groove einfangen kann. Die 4-Track-Auswahl stammt aus der 'Sound Music' Albenreihe der Deutschen Bibliothek, deren Originale heute zu dreistelligen Summen gehandelt werden.

repressed !

A lot can happen in 15 years. Few things manage to thrive for a decade and a half, especially in music. But a scrappy, left of center, Bay Area house music label, Dirtybird, has managed to do just that. Claude VonStroke, Dirtybird’s founder, is marking this 15-year milestone the only way he knows how… working. This year, VonStroke will throw two dozen-plus parties, three festivals (including the famous Dirtybird Campout), host his traveling Dirtybird BBQ series in major cities across the US, publish a coffee table book, release a seasonal clothing line, stage art shows, produce a fly on the wall docu series...and kick it all off by releasing a new album, out February 21st.

What began as a free party, turned basement record label, has morphed into a truly thriving community whose familial, fun and welcoming vibe has won over hearts and minds across the world. And while Dirtybird has grown and evolved, VonStroke’s core focus on music remains unwavering. The new album ‘Freaks & Beaks’ is a celebration of quirky innovation and a relentless pursuit of something new and fresh, while hearkening back to the freewheeling spirit that inspired the launch of his label. This is a project that draws upon the inspirations of family, old friends, new fans and proper dancefloors.

Claude will let his flock wet their beaks while they wait in anticipation of the new album with two new singles demonstrating the breadth of the dance music landscape explored on the record. Youngblood touches on the deeper sides of Claude VonStroke, a throwback to the label’s early days, featuring local LA music house talent Wyatt Marshall, while All My People in the House is a dancefloor heater that is sure to unite new and old Dirtybird fans together.

Today, Claude also delivers fans part one of an intimate video series, shot by his sister Emily (an accomplished filmmaker), documenting the creation of ‘Freaks and Beaks’, celebrating this historic milestone and taking a deeper dive into the day to day life of Claude VonStroke on the road.

‘Freaks and Beaks’ is the fourth artist album and sixth full-length project from Claude VonStroke. He approached the album with a new process, including committing to daily creative time, experimenting with a lot of new hardware and having fun creating a huge amount of sketches. He made music on many levels of gear all the way from complex modular synths to simple drum apps on his iPad. Keeping it all DIY, he sampled his own voice and his two children on several tracks as well. He allowed himself to breathe while creating over 130 ideas, which were whittled down to the finished 11 album tracks.

Freaks & Beaks nods at the inspirations that underpin VonStroke’s world, inside jokes between him and Justin Martin (FlubbleBuddy), unused experimental live sessions (Session A), playful noodling on synths (Alpine Arpline), obscure French producers (Frankie Goes To Bollywood), championing new talent (Youngblood), irreverent self-aware humor (Birthday Messages) and genre inspirations that range from ghetto tech and drum n bass to hip-hop and breaks. This is VonStroke’s love letter to the vibrancy and genre diversity that have made Dirtybird such a singular label.

Lunar Chamber, eine bisher unbekannte Präsenz von mysteriösem Bewusstsein, manifestiert sich nun zum ersten Mal in der physischen Welt - mit dem Debüt 'Shambhallic Vibrations' get es auf eine Reise nach Osten auf der Suche nach Erleuchtung und dem, was dahinter liegt.

Versunken in Mystik, schreitet die fast 30-minütige 5-Track-Pilgerreise unbeirrt durch irrsinnig zermalmende Riffs, verwirrende Soli, täuschend ruhige Akustik und erleuchtete, aufsteigende Melodien voran. "Spirit Body and the Seeing Self" beschreibt den Beginn der Reise, die Selbstanalyse und die Versuche, sich in besagtes "Jenseits" zu stürzen, während "The Bodhi Tree" die Geschichte von Gautama Buddha selbst widerspiegelt, der vor etwa 2500 Jahren in Bodh Gaya unter dem Baum meditierte und Erleuchtung erlangte.

"III. Crystalline Blessed Light Flows… from Violet Mountains into Lunar Chambers" ist der ultimative Höhepunkt der Erzählung. Angekommen auf der spirituelle Ebene pulsieren Licht und Dunkelheit; das Gewebe der Raumzeit selbst wird aufgewühlt. Wissen ist hier im Überfluss vorhanden. Schließlich schließt sich der Kreis und man kehrt genau dorthin zurück, wo alles im normalen Leben begann, wenn auch mit einem neuen Sinn für alles. Aber es gibt so viel mehr zu lernen... ein unstillbarer Durst.

Mit einer Flut von erschütternd brutalem Metal, überwältigender progressiver Körperlichkeit und instinktiv vollendeter Einprägsamkeit, inspiriert von Buddhismus, dem Osten und Esoterik, haben Lunar Chamber ihre Suche nach Aufstieg und erleuchtetem Wissen gerade erst begonnen.

Lunar Chamber, eine bisher unbekannte Präsenz von mysteriösem Bewusstsein, manifestiert sich nun zum ersten Mal in der physischen Welt - mit dem Debüt 'Shambhallic Vibrations' get es auf eine Reise nach Osten auf der Suche nach Erleuchtung und dem, was dahinter liegt.

Versunken in Mystik, schreitet die fast 30-minütige 5-Track-Pilgerreise unbeirrt durch irrsinnig zermalmende Riffs, verwirrende Soli, täuschend ruhige Akustik und erleuchtete, aufsteigende Melodien voran. "Spirit Body and the Seeing Self" beschreibt den Beginn der Reise, die Selbstanalyse und die Versuche, sich in besagtes "Jenseits" zu stürzen, während "The Bodhi Tree" die Geschichte von Gautama Buddha selbst widerspiegelt, der vor etwa 2500 Jahren in Bodh Gaya unter dem Baum meditierte und Erleuchtung erlangte.

"III. Crystalline Blessed Light Flows… from Violet Mountains into Lunar Chambers" ist der ultimative Höhepunkt der Erzählung. Angekommen auf der spirituelle Ebene pulsieren Licht und Dunkelheit; das Gewebe der Raumzeit selbst wird aufgewühlt. Wissen ist hier im Überfluss vorhanden. Schließlich schließt sich der Kreis und man kehrt genau dorthin zurück, wo alles im normalen Leben begann, wenn auch mit einem neuen Sinn für alles. Aber es gibt so viel mehr zu lernen... ein unstillbarer Durst.

Mit einer Flut von erschütternd brutalem Metal, überwältigender progressiver Körperlichkeit und instinktiv vollendeter Einprägsamkeit, inspiriert von Buddhismus, dem Osten und Esoterik, haben Lunar Chamber ihre Suche nach Aufstieg und erleuchtetem Wissen gerade erst begonnen.

Red Vinyl
Mandylion ist das klassische dritte Studioalbum der niederländischen Band The Gathering. Es wurde am 22. August 1995 von Century Media Records veröffentlicht. Es ist das erste Album der Band mit der Sängerin Anneke van Giersbergen. Mandylion ist das bis heute meistverkaufte Album von The Gathering. Strange Machines, eine unerwartete Hit-Single in den Niederlanden, wurde im holländischen Radio viel gespielt und ist immer noch oft in diversen All-Time-Listen zu finden. Das Album wurde zwischen dem 1. und 16. Juni 1995 in den Woodhouse Studios in Hagen, Deutschland, aufgenommen und gemischt, und zwar unter der Leitung von Siggi Bemm und Waldemar Sorychta.

Im April 2023 gibt es nun eine neue Rote Vinylfarbe für den Handel!

After more than 20 years, Band Of Brothers is still considered one of HBO’s most important series. Produced by Steven Spielberg and Tom Hanks, the series has won major awards such as the Golden Globe for Best Miniseries and the Emmy Award for Outstanding Miniseries. The series is a war drama miniseries based on historian Stephen E. Ambrose’s 1992 non-fiction same titled book. It follows the story of Easy Company of the U.S. Army 101st Airborne Division and their mission in World War II Europe, from Operation Overlord to V-J Day

The score, composed by the late Michael Kamen, is credited as one of the essential elements in creating the realistic atmosphere of the series. Kamen was best known for scoring movies such as Die Hard, Lethal Weapon and X-Men and received an Academy Award nomination for both Don Juan DeMarco and Robin Hood: Prince Of Thieves.

Revisit the Band Of Brothers score with this deluxe reissue on smoke- coloured vinyl, available as a limited edition of 1500 individually numbered copies. The 2LP is housed in a gatefold with a cast picture on the inside, and includes a large poster and insert.

Koudlam returns to civilization with “Precipice Fantasy”, an abnormal album once again. The Album is made up of 2 very different parts which will be released separately, with a first part which shells 12 songs like so many flamboyant mutations and a second contemplative instrumental part halfway between uneasy yoga music and trance from the lowlands of Kathmandu. Inspired by the hallucinated stories of mountain pioneers and conquistadores, the artist delivers here the soundtrack of peaks and precipices. Or rather that of the path between the two, winding, vertiginous, always on the edge of the blade.

The third and final chapter of the “Systema Naturae” series with fresh deep techno visions from newcomers Danieli, Alex Tomb and Kontinum plus the collaboration between Berlin based artists Mary Yuzovskaya and Claudio PRC.

a A1. Daniel

Akhira Sano was born in 1992 in Niigata, Japan. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.
His major works include "Penetrating, For Filtration" (Important Records, 2019), "Particle Dialogue - Observation and Recording" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include "Perspectives of Possibility" (FAITH, 2021) and "mē on - Seeing the Absent" (TOH, 2022).

Slovak-Hungarian musician Adela Mede explores the interplay between voice and technology with field recordings. She sings in three languages (Slovak, Hungarian and English). Intimate ambient utterances with themes of spiritual growth accompanied by experimental electronics with a wide scope of influences; from minimalism to folklore. Initially released in early 2022 to universal acclaim on digital and cassette, Night School is extremely excited to share Szabadság on vinyl. Mastered by Rupert Clervaux for vinyl, the clearer format teases out new nuances in the music, revealing a physicality and permanence to Mede’s first masterwork.

"Szabadság is a navigation. This debut by Adela Mede, recorded in her family home on the Slovakian border with Hungary, searches through the personal, familial, cultural, folkloric and geographic of her past and present.

Examining both the vulnerability and determination of her voice - as it leaves the lips, raw, and in the ways it can be transformed with digital processing - the embodied memories of language, of utterance, are explored.

Airy, open sound worlds and tentative strings of improvised naked vocal transform themselves into insistent repetition. Fizzing, sparkling electronics are set against the beautiful grainy depth of field recordings. The locations, these places, are found and lost - home is found and lost - in a dance of fragmented vocal harmonies. Three languages (English, Hungarian, Slovak) weave a song of spring, nature, forgiveness, togetherness and rebirth.

Der vierfach Grammy-nominierte Multiinstrumentalist,
Produzent und Gründungsmitglied von Porcupine Tree
veröffentlichte 2011 sein zweites Soloalbum. Das experimentellere, eklektische Album baut auf den künstlerischen
Vorstößen auf, die er mit dem außergewöhnlich gut aufgenommenen "Insurgentes" von 2009 gemacht hatte. Es ist
eine moderne Hommage an den Geist der späten 60er und
frühen 70er Jahre, als das Album primäres Ausdrucksmittel
eines Künstlers war, und kombiniert Jazz, klassische und
psychedelische Musik, um "Klangreisen" zu kreieren.
— Reissue als schwarzes Doppelvinyl im Gatefold Sleeve
— Wilsons zweites Soloalbum erschien ursprünglich 2011
auf Kscope
— „Progrock frei von jeglicher Nostalgie, perfekt nicht zum
Ertrinken, sondern zum Eintauchen“ (Rolling Stone)

Mighty Eye is proud to present the second 45rpm single release by P.T.B. (The Powers That Be). A powerhouse of musical talent, P.T.B.’s current line up includes Miles Francis (Cornelia Street Studio / Antibalas) on drums and bass, Luke O’Malley (Phenomenal Hand Clap Band / Antibalas) and Vincent John (Eraserhood Sound) on guitar, Jake Pinto on keys and featuring horn arrangements by Eric Biondo.

Continuing on their stellar journey through the stars, P.T.B. are back with a funky ode to the Gods of the Gods... and creation itself! Close your eyes, sit back and imagine witnessing the birth of all that is as the cosmos explode around you.

Plunge deeper into the deranged world of PORTRAYAL OF GUILT with DEVIL MUSIC, the latest EP from the Austin- based trio. In the wake of releasing two full-length records in 2021 - We Are Always Alone and CHRISTFUCKER - they followed up 2022 with a year of relentless touring. In the middle of their frantic schedule, the band took time to craft the five new songs that would make up Devil Music with Viva Studios’ Matt Michel (Majority Rule) in Virginia. They then took their creative vision to the next level with Ben Greenberg (Uniform), by tracking alternate versions of each song with orchestral arrangements in place of the three piece’s standard instrumentation.

Limitiert auf 1.000 Exemplare!

Die schwedischen Progressive Death Metaller SCAR SYMMETRY haben die Wiederveröffentlichung von vier ihrer klassischen Alben angekündigt. Pitch Black Progress (2006), Holographic Universe (2008), Dark Matter Dimensions (2009) und The Unseen Empire (2011) werden alle am 14. April zum ersten Mal auf Vinyl erhältlich sein.

Limitiert auf 1.000 Exemplare!

Die schwedischen Progressive Death Metaller SCAR SYMMETRY haben die Wiederveröffentlichung von vier ihrer klassischen Alben angekündigt. Pitch Black Progress (2006), Holographic Universe (2008), Dark Matter Dimensions (2009) und The Unseen Empire (2011) werden alle am 14. April zum ersten Mal auf Vinyl erhältlich sein.

When you see Dr. Packer’s name on the tin you know you are in for a treat! He takes BB&Q Band’s classic “Main Attraction” and turns it with his magic into a Nu-Disco boogie-down floor fest.

Produced by Kae Willams II and with vocals by the great Curtis Hairston, the Dr. from ‘down-under’ manages to encapsulate the 80’s funk soul feel from BB& Q Band’s seminal original to carry those heady days of dancing till the sun’s up into 2023 and beyond.

Omni AM presents the long-awaited reissue of “Can We Get / Keep Doing That.” This timeless record sent dance music in a new direction. Euphoria Record’s vaults are open and finally, for the first time since 1997, this seminal tech-house classic is available to everyone for the very first time in over 25 years. This 1997 indie record was Euphoria Records second release – and their first international record. Whether you agree with it or not, many people consider this one of the pioneering records of American Tech-House. Both sides and several mysterious alternate versions have graced the decks of DJs like Evil Eddie Richards, Terry Francis, Derrick Carter, Tyler Stadius, and Magda. The list goes on.

We were lucky. Curve Pusher lovingly remastered the original four tracks from the 1997 studio masters. Then, he went a step further, and remastered some previously unreleased versions – including a live version in Chicago that encapsulates what Omni AM was back then: ambient house. There’s a bit of Chicago, a bit of London, a bit of New York, and a bit of Tokyo in every second of these classic, genre-defining tracks.

A1.
“Can We Get” happily sits with the finest works of Ron Trent, Chez Damier, and Mood II Swing – and goes further, as Omni AM has never feared genre definitions. It opens with classic deep house chords, floating synth pads, and sparse vocals. The bassline is deep and warm. Marky Star and Adam Collins expertly work the percussive effects but always keep the theme simple and clear. Everyone knows this is a classic house track because it hypnotizes you.

A2.
“Keep Doing That” continues the theme with another classic late-night killer. However, this one is totally different – almost industrial, yet clearly housey and ambient. It drives deep into a tough groove that just builds and builds. The dub-influenced bass line gives way to a more angular synth riff that both offsets and adds to the track's forward thinking sound design. It’s dark and dirty, yet terribly sexxxy at the same time. It was and always will be mesmerizing. Once again, musical magic by Marky Star and Adam Collins.

B-Sides
The flip side features two remixes of “Keep Doing That” by UK tech-house legend Mark Ambrose. His bubbly, psychedelic take on the track pumps up the percussive Chi-town groove while going in a distinctly London afterhours direction. Trippy, for sure. Fun for all, for sure. These remixes are guaranteed to make your afterhours weird.

Five years since his last solo outing, Pev makes a very welcome return on his own label for Livity Sound's 60th release.

Having focused on expanding the innovative scope of Livity through a prolific release schedule, frequent label nights and the 10th anniversary Molten Mirrors compilation, on the 'Pulse E.P.', Pev delivers on his reputation for inventive, sharply-focused club music with four lean, focused club tracks across the tempo range.

From the crooked formation and pointillist bleeps of ‘Pulse I’ through the light-footed percussion and airy melodies of ‘Pulse II’ to ‘Pulse III’s strafing techno synths and ‘Pulse IV’s surefooted, bass-loaded house jack, it’s an EP of variation and consistency in equal measure. From the infectious, alien melodic lines to the elegant angles of the drums, not to mention the weighty subs, it’s all strikingly fresh and unmistakably Pev.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

María Dueñas presents her highly anticipated Deutsche Grammophon debut album; Beethoven and Beyond captures a towering performance of the Beethoven Violin Concerto, recorded live at Vienna’s Musikverein and featuring the artist’s own cadenzas. The album also includes works by Kreisler, Saint-Saëns, Spohr, Wieniawski and Ysaÿe, with a companion disc of Beethoven cadenzas by the same composers.