Buscar:av

Das britische Produzentenduo Jungle meldet sich zurück.
Das kommende Album von Jungle - ihr drittes - „Loving In Stereo" wird wahrscheinlich der Soundtrack zu einem Sommer werden, der anders ist als alle anderen. Das Duo hat das vergangene Jahr im Studio verbracht und ist mit einer unbändigen Dancefloor-Platte für die post „social distancing" Zeit herausgekommen: „With this record we’ve learned to trust our instincts and go with our gut,” sagt T. „We want it to be more raw, open, fun, enjoyable and entertaining, because that’s what music is,” fügt J. hinzu.

J und T sind das pulsierende Herz von Jungle, wo Musik, Ästhetik und Choreografie als eine unverwechselbare künstlerische Vision nebeneinander bestehen. Mit dem gleichen Ethos wie z.B. Gorillaz oder The Avalanches sind die beiden die Produzenten, Songwriter und Musiker, aber sie sind auch die Regisseure, Content-Schöpfer und Kuratoren. Sie stehen an der Spitze einer größeren Gemeinschaft von Kreativen. Sie sind Weltenbauer.
Mit dem neuen Album wird dies auf eine neue Ebene gehoben, wobei das größere Jungle-Kollektiv von Tänzern ein integraler Aspekt ist, wie die Musik visuell erlebt wird. Mit jedem Video, bei dem Josh Lloyd Watson und sein langjähriger Mitarbeiter Charlie Di Placido Regie geführt haben, schaffen sie es die Fans zu begeistern. Das Video zu „Keep Moving" ist in einem Take gedreht - teils Birdman, teils West Side Story und zeigt zwei Gangs von Tänzer*innen. Es beginnt mit dem Tänzer Che Jones (der im Video zu „Smile" vom letzten Jungle-Album mitspielte) in seinem Schlafzimmer und führt zu einer Szene im Freien, in der wir Mette Linturi (die im Video zu „Casio" vom letzten Album mitspielte) finden. Der Rest ist eine wunderschöne Entfesselung, die so atemraubend zu beobachten ist, dass sie den Zuschauer mit einem Gefühl der Ehrfurcht zurücklässt.

In ihrer bisherigen Karriere haben Jungle bereits auf mehreren Kontinenten gespielt und eine stetig wachsende internationale Fangemeinde gewonnen: Headline Shows von Sydney bis Moskau, vom ausverkauften Londoner Alexandra Palace mit 10.000 Plätzen bis zum 9.000 Kilometer von ihrem zu Hause entfernten ausverkauften Hollywood Palladium und Festivals wie Coachella, Bonnaroo und Lollapalooza. Ihr für den Mercury Prize nominiertes und mit Gold ausgezeichnetes Debütalbum und der Nachfolger "For Ever" von 2018 erreichten beide die UK Top 10. Diese beiden Alben haben seitdem 750.000 Verkäufe und fast eine Milliarde Streams erreicht.

Latin-infused Hip-Hop project by The Breed and Richard Holzmann feat. FLKS, Cy Leo, Kid Taro, Phlocalyst and Franz. Cover photo by the legendary Estevan Oriol (Netflix / LA Originals)

It all started in 2020 when producer The Breed and guitarist Richard Holzmann decided to start their own project called PAPI CHURRO. The two german musicians came up with a unique combination of latin-folk and HipHop Sounds. Almost like a Lo-Fi Beat version of guys like João Gilberto or Carlos Jobim. But also the typical Mexican sounds of Druglord Movies like „Narcos“ are part of their soundcollage. In very short time PAPI CHURRO gained a fanbase and millions of streams on the net. Since all the instruments are played live the songs are not your average Samplebeat but come with some more complex arrangements. But still producer The Breed clearly references those „Chops and Breaks Roots“ on the songs.

Now it’s time for their first full-length LP. El Clásico features all of their recently released tunes but also comes with a bunch of new material. It features a lot of talented guest musicians. Blue-note artists Phlocalyst on some trumpet parts, Harmonica world champion Cy Leo from Hongkong. Lo-Fi producer Kid Taro and Bassplayer and producer FLKS appear throughout the record.

Reissue of Corinne Bailey Rae’s debut self-titled album originally released February 2006. Debuting at No.1 on the UK Albums Chart and Featuring four top 40 singles such as ‘Like A Star’, ‘Trouble Sleeping’ and ‘Put Your Records On’ which reached number 2, reissued for the first time since 2006 this release also features bonus track ‘Another Rainy Day’. The album was certified triple platinum by the British Phonographic Industry (BPI) and has sold over four million copies worldwide. “Put Your Records On” & “Like a Star” were both nominated for Grammy Awards in 2007/2008 for Record of the Year and Song of the Year. Pressed on 180g heavyweight vinyl, a D2C offering of a black and brick red vinyl is also available.

Conceived as a form of sonic road movie, beginning at dusk and ending at dawn the following day, Rupert Lally’s aural accompaniment to the hours of darkness effortlessly combines electronica, industrial, contemporary classical and jazz, with the resulting mix sounding akin to a soundtrack to a Wim Wenders film if composed by Jan Garbarek, Carl Craig and Max Richter. Hailing originally from England but now based in Switzerland, guitarist, percussionist and electronic musician Rupert Lally began his career as a sound designer and composer for theatre and TV, before launching his solo career in 2005. Since then his releases have blurred the boundaries between electronic and acoustic music. Lally's consistently brilliant work is always a highlight of the electronic music calendar, including recent stellar works across many labels such as Spun Out Of Control, Third Kind, Woodford Halse, and Modern Aviation.

English thrash metal outfit Xentrix is commonly referred to as one of the “big four” of English thrash metal, given their popularity in the underground metal scene of the 1980s to mid-1990s. The band released their second studio album For Whose Advantage? in 1990. It gave them even more interest than their debut, and it marked the first time the band got to shoot a music video – for the title track. It also gave Xentrix the opportunity to tour with Skyclad and play shows with world famous metal bands such as Slayer and Sepultura. And rightfully so, as this album belongs in any headbanger’s collection.

For Whose Advantage? is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl.

The Cold Stares will release their new album "Heavy Shoes" on August 13, 2021 via Mascot Records.
"Heavy Shoes" will be available on CD Digipack w/ 12 page booklet and 180 Grams Shiny Gold Vinyl w/ printed insert.
The great state of Kentucky is world renowned for many things. Bluegrass music? Of course. The smoothest, best-tasting Bourbon created by the hands of man? It doesn’t get any better. One thing that folks don’t always associate with Kentucky however is visceral, in-your-face rock and roll. The Cold Stares are determined to change that perception.
Chris Tapp and Brian Mullins have known one another for a long, long time. They grew up in Western Kentucky, just a stone’s throw from the border or Indiana, and attended different High School mere minutes down the road from one another. They originally started playing together in their early twenties before going their separate ways only to reunite in another outfit a decade down the line. “We were playing together in 2009 in another band that was doing really well,” Tapp said. “It didn’t work out, so we both kind of exited that band and contemplated retirement.” It didn’t take long before they were thankfully disabused of that notion.
That band is an intense amalgam of Led Zeppelin meets Free, Soundgarden meets Black Crowes; rock and roll wizardry where the riffs are hard, the vocals are searing, and the low end is capital “H,” heavy. Most of the album was recorded in a single day at Sam Phillips fabled recording studio in Memphis. “That’s our second record there, so there was a lot of familiarity going back in,” Mullins said. “The thing about that studio is that it’s old, and vibey. Sometimes you gotta bang on the gear a little bit to make it work. It’s kinda like the Millennium Falcon. It’s badass, but you just gotta get it running right.”

‘Heavy Shoes’ is Cold Stares’ best record yet, and they know it. It took a lot of blood, sweat, tears and doubt before Chris Tapp and Brian Mullins reached this moment, but it’s all the sweeter knowing they did it their way. “We’ve been through some tough times, and I’d say our band is a pretty good representation for blue collar people in general. People that work hard. We’re just a blue-collar American rock and roll band.”

"Chew The Scenery is the long awaited debut album from indie wunderkind Oscar Lang. Led by the glorious psychedelic-rock of 'Stuck', it travels through piano-pop, lo-fi and grandiose songwriting, interspersed with charming interludes and asides, showcasing every side of Oscar Lang's hot-property songwriting talents." Available on CD and limited red vinyl

"On August 13th, the first-ever vinyl reissue of UK top 5 album 12 Memories from Travis continues the reissue streak from the Scottish rock band. Cut at London’s Metropolis Studios & features all original packaging replication including photography by Anton Corbijn. As well as the standard black vinyl, a limited white vinyl edition will be available exclusively at Travis’ official store & Independent record shops.
None other than Sir Elton John raved that 12 Memories would “take you on a real journey… like The Beatles’ Revolver”. And, just like The Beatles in 1966, Travis were at a critical juncture when it came to recording their fourth album & the follow up to the multi-Platinum international breakthrough The Invisible Band. 12 Memories is the third vinyl reissue from Travis so far in 2021, it follows 2007’s The Boy With No Name vinyl re-release May 28th & the first ever vinyl reissue for debut album, Good Feeling released April 2nd via Craft Recordings. "

"The Soundboard Series focuses on the last three decades of concerts around the world. While some of the shows were previously available as rare and limited fan club editions, others are concerts from the artist archive, mixed and mastered for the occasion. In both cases, great care is spent to achieve the best audio quality.
With “Live In Wollongong 2001” we go back to 2001, when Deep Purple once again toured one of the countries who love them the most: Australia. Recorded live on March 13th, 2001, the show brilliantly captures Purple heading into a new millennium, propelled forward through constant reinvention, still galvanized by the success of the album “Purpendicular” and, of course, their typical energetic live performance that is second to none."

REISSUE - from original press release: For three decades the reclusive Revolutionary Army of The Infant Jesus (RAIJ) have confounded musical classification and studiously declined every invitation to explain their unique form of musical and artistic experimentation. Initially the Liverpool outfit built their reputation on their extraordinary immersive multi-media performances combining multiple layers of visual imagery, elements of ritual, enigmatic samples, field recordings and mesmeric live music. Their cult status was further reinforced with the release of the now much sought-after two studio albums The Gift of Tears (1987) and Mirror (1990) and two EP collections, Liturgie Pour La Fin Du Temps (1992) and Paradis (1995). After an 18-year hiatus the appearance of a new RAIJ album, and the apparent relaxation of their strict vow of silence, are generating predictable excitement and expectancy. Beauty Will Save the World does not disappoint. RAIJ's intoxicating mix of ethereal beauty, dazzling soundscapes and oblique mystery reach new levels of intensity and subtlety. The album title - a quote from Russian novelist Fyodor Dostoevsky - is one of the many literary, cinematic and spiritual references underpinning RAIJ's unexpected comeback. Founder members Paul Boyce, Jon Egan and Les Hampson, joined by a fresh wave of collaborators, have crafted an album of unique beauty and originality. Prolonged silence seems to have deepened rather than dimmed their creative impulse. As ever it is the breadth of musical genres, cultural references, borrowings and retrieved sounds that define the RAIJ aesthetic, but there is also a more consistently meditative and melodic strain that underpins the album's integrity and purpose. In a rare insight into the RAIJ's creative method, Jon Egan explains: "Although our work takes elements and inspiration from many disparate sources we have never viewed it as deconstruction. We are looking for the thread that connects every manifestation of beauty, however fragile, transitory and seemingly accidental. " In addition to the album release on Occultation, RAIJ's second coming also includes a live performance at this year's Greenbelt Festival and the re-release on vinyl of The Gift of Tears by California-based label Feral Sounds. "There is renewed interest and appreciation of our music and that's great", said Leslie Hampson. "We have never tried to cultivate obscurity or anonymity, we simply wanted to avoid having to explain and justify a creative process that isn't necessarily premeditated. Isn't it enough to listen to and experience it?"

The weird world of Wombo is a kaleidoscopic journey of sharp turns and
surprising visions, a melting pot of influences with a cheeky cheshire-cat
grin that coalesce into a trippy but infinite universe of the band’s own, and
a portal into their unique vantage point without limitation.
Already committed to living outside the traditionally-heralded country sound
of the music scene in their hometown of Louisville, Sydney Chadwick (vocals)
and Cameron Lowe (guitar) had previously played in punk pop band the Debauchees, and with the addition of Joel Taylor (drums) in 2016 they found a
winning combination of more straightforward indie rock combined with Chadwick’s pitched up, oscillating vocals and unpredictable shifts in melody that see
the band moving forward at an impressive pace.
Their 2020 Blossomslookdownuponus LP is a snapshot of Wombo’s wide-ranging aspirations that careen across avant pop, post punk and warbly indie interludes with a sky’s-the-limit approach to translating the mundanity of regular
life into their own high-frequency language. Lemon Yellow Vinyl w/printed inner sleeve.

3x12" Repress


Some serious hot tracks on this fourth instalment of the Scandinavian Swords series. It breaks with its predecessors' forms. Deviating from the austere brevity that marks Northern Electronics out, Scandinavian Swords IIII: Atlas of Visions completes a survey of the label's confidants and components in the same breath as it introduces a swarm of new artists and genre-collisions. With the swell of the last 12 months behind them, Anthony Linell and Jonas Ronnberg have forged the compilation with a paradoxical formula: Atlas of Visions stakes itself as a milestone release that retains the sure-footed programming of its proprietors yet cuts a new silhouette for what the platform of a Northern Electronics release consists of. Presented across two volumes, Atlas of Visions courses through the hyper-pigmented and infectious fallout zone between club-focused works and the abstract territories of experimental modes. The release compiles egression and intensification into a pandemoniac whole, a refracting design for fractured times. Recommended!!!

This 2LP set encompasses some of Ray Charles' most popular, influential and seminal recordings. Listen to these recordings by one of music's true greats, from his formative, pre-Atlantic days to his later genre-defying work, and discover why he was known simply as 'the Genius'.

Introducing a brand new label of mutant, fusioneering styles from the pulsating brain that rules from the centre of the Firecracker constellation.

The maiden voyage by Healing Force Project traverses further and deeper into the wormhole that was first explored in his Gravitational Lensing EP on Firecracker.

A full panoply of bubbling, semi-submerged, electro-acoustic abstraction, lysergic drones and oblique, polymetric time signatures recalling the work of Italian avant-jazz outfit Gruppo d’Improvvisazione while simultaneously picking up distant echoes from 'Pangaea' era Miles Davis, 23 Skidoo, Source Direct, Squarepusher, The Heliocentrics, This Heat and Mosquitoes.

'Fizz-cracking drum machines and sparring breakbeats knitted with eyes-shut chord progressions and a seemingly mystic sampler that spits pure magick vibes'.

This is electrified, psychozoic jazz fusion for tomorrow's unlocked vortices!

Jerry wrote and/or co-wrote 21 songs that Ricky recorded from 1961 to 1985, certainly the longest time of any composer from Ricky’s musical associations. Born in 1938, Jerry will turn 83 years old on November 19th, 2021 and is still active musically. He continues to compose and issue records that are enjoyed by his many fans.



Little doubt that Jerry’s biggest hit was “Travelin’ Man” that Ricky first recorded during the March, 1961 sessions at United Recording Association studio located on Sunset Blvd in Hollywood, CA. It was Ricky’s second number 1 hit on the Billboard Charts, with the flip-side being “Hello Mary Lou” penned by the great Gene Pitney.

It’s an important statistic to note that Ricky carried 11 double-side hits into Billboard’s Top 40. Certainly was not easy to have material strong enough to carry 22 songs into these chart achievements which was extremely impressive musically, then and now. The only other single rock n’ roll performer to eclipse that level of success, was Elvis Presley. And they were good friends.

One of the reasons for Ricky’s longevity in music was made possible by his abilities to reinvent himself during phases of time through many genres of music. He was an artist, a song-writer, a poet, and a real inspiration creatively, to countless musicians that stood on his shoulders and benefitted from Ricky’s musical experiences.

Jerry’s contribution was certainly a factor in that success that Ricky accomplished. Only five tracks composed by Jerry that Ricky recorded were never officially released from his session catalog. This includes what is believed to be released as the follow-up song to “Travelin’ Man” – a song called “Window on the World” recorded during the November, 1961 sessions at Master Recorders on Fairfax Ave in Hollywood, CA. A beautiful and stunning song that would have stood the test of time.

The songs chosen for this LP vinyl record provide a great example of Jerry’s contribution to Ricky’s success. The bonus track (Desire, by The Trophies) has Ricky singing back-up which was well-mixed into the background harmony

While most fans know that Che Noir, Ransom, and Klass Murda all fall under the TCF Music Group umbrella, many were unaware of Street Justice’s long-standing affiliation with the label until he appeared on two cuts on 38 Spesh x Big Ghost Ltd’s album A Bullet For Every Heathen. His standout contributions to that lauded project made a strong impression on listeners, which led to high anticipation for his solo debut, Community Service. So, with Spesh providing guaranteed fire on the production side of things, Street was free to focus on giving heads the kind of introspective, gritty poetry the game needs right now. Guests spots from Eto, Planet Asia, Che, and Spesh himself all help insure Street’s initial offering is a must-hear.

On the heels of Spesh’s Interstate 38 album, Benny’s The Plugs I Met 2, and their joint drop of Trust The Sopranos, 38 Spesh is giving fans what they’ve been demanding, a new single with his day-one Benny The Butcher, Stash Box. Spesh handles production duties here and utilizes a sped-up vocal sample that gives the track an early 2000s vibe that is reminiscent of classic joints by Kanye and Dipset. Both emcees wax nostalgic about their come-ups and assert that they're still in the streets to this day. On the B-side of this 12" single is a non-album exclusive titled “Better Music”. This cut is only available on vinyl and cannot be found on digital or streaming sites. Benny and Spesh continue their historic run with this limited 12”. Upstate NY continues to impress.

Most fans of hardcore Hip-Hop know and love Benny The Butcher and 38 Spesh's 2018 joint album Stabbed & Shot, yet many aren't aware that before that there was Cocaine Cowboys. The duo dropped this potent joint mixtape back in 2008. They split the project into two parts and added a couple hard-to-find bonus cuts for the vinyl release. Plus, new alternate art by the one and only Manuel "Cep" Concepcion only available on this second edition re-release. Cocaine Cowboys 1 features some early production from Spesh himself, Rick Hyde, and Beat Butcha, as well as some of Benny and Spesh's rarest freestyles. This is a must-have for TCF Music Group, Griselda Records, and BSF Records collectors.

Most fans of hardcore Hip-Hop know and love Benny The Butcher and 38 Spesh's 2018 joint album Stabbed & Shot, yet many aren't aware that before that there was Cocaine Cowboys. The duo dropped this potent joint mixtape back in 2008. They split the project into two parts and added a couple hard-to-find bonus cuts for the vinyl release. Plus, new alternate art by the one and only Manuel "Cep" Concepcion only available on this second edition re-release. Cocaine Cowboys 2 features a number of weight moving anthems like "Cocaine Wishes," "American Dopeboy, and Spesh and Benny's earliest collab with Conway The Machine, "Trapping." This is a must-have for TCF Music Group, Griselda Records, and BSF Records collectors.

Having produced full albums for numerous buzzing names in the last couple of years, 38 Spesh has become recognized as one of the most prolific beatmakers in the new era of hardcore Hip-Hop. So, to mark this achievement, he has decided to start giving fans the instrumentals to their favorite songs with a new series titled Speshal Blends. The first volume of the series includes beats off of Che Noir's Thrill of the Hunt II, Flee Lord x 38 Spesh's Loyalty + Trust, 38 Spesh's 5 Shots EP, and more. The title of the series is a homage to MF DOOM’s classic instrumental collection, Special Blends. The album art also references DOOM’s series, but instead of playing on the Zig-Zag motif, the Speshal Blends covers riff off the logos of popular cigar brands most commonly used for blunts

Che Noir has been gaining momentum with each new release. Critics have hailed her as one of the best emcees of the new generation. However, her latest drop "After 12" announces her arrival as a producer. She provides the beats for all seven tracks, proving she's just as nice on the boards as she is on the mic. With the help of 38 Spesh, Ransom, RJ Payne, Sa-Roc, The Musalini, Jynx716, and Amber Simone, Che delivers a project that conveys what life is like after midnight on the block.

Interdimensional Extinction - EP The debut studio EP from this twisted Colorado death metal legion. Mixed and mastered by Damian Herring (Subterranean Watchtower). Eighteen minutes of Sci-Fi death metal for fans of Timeghoul, Demilich and other oddities. Re-released via Century Media Records the EP will be available as Ltd. CD Digipak and 180-gram black LP & poster + etching on side B. Starspawn After releasing the Interdimensional Extinction EP, BLOOD INCANTATION returned with a 30-minute cerebral whirlwind of powerful atmospheric death metal. The intense and otherworldly technical/ambient/funeral death metal of Starspawn leaves the listener feeling transcendentally disembodied at the end of an unknown dimension. Produced entirely in analog, the energy and magnetism of live BLOOD INCANTATION is tangibly melting through the speakers, and the songwriting, production and performance constellations have all fully aligned. Re-released via Century Media Records the album will be available as Ltd. CD Digipak and Gatefold 180-gram black LP & poster.

Interdimensional Extinction - EP The debut studio EP from this twisted Colorado death metal legion. Mixed and mastered by Damian Herring (Subterranean Watchtower). Eighteen minutes of Sci-Fi death metal for fans of Timeghoul, Demilich and other oddities. Re-released via Century Media Records the EP will be available as Ltd. CD Digipak and 180-gram black LP & poster + etching on side B. Starspawn After releasing the Interdimensional Extinction EP, BLOOD INCANTATION returned with a 30-minute cerebral whirlwind of powerful atmospheric death metal. The intense and otherworldly technical/ambient/funeral death metal of Starspawn leaves the listener feeling transcendentally disembodied at the end of an unknown dimension. Produced entirely in analog, the energy and magnetism of live BLOOD INCANTATION is tangibly melting through the speakers, and the songwriting, production and performance constellations have all fully aligned. Re-released via Century Media Records the album will be available as Ltd. CD Digipak and Gatefold 180-gram black LP & poster.

"Liberator - Reissued on 180g black vinyl, this version of OMD’s 1993 top 20 album ‘Liberator’ has been remastered from its original ½” tapes at the infamous Abbey Road Studios. The album hasn’t been available on vinyl since release and features the singles ‘Stand Above Me’ and ‘Dream Of Me’.
Universal - Reissued on 180g black vinyl, this version of OMD’s 1996 album ‘Universal’ has been remastered at the infamous Abbey Road Studios. The album hasn’t been available on vinyl since release and features the top 20 single ‘Walking On The Milky Way’.

"Liberator - Reissued on 180g black vinyl, this version of OMD’s 1993 top 20 album ‘Liberator’ has been remastered from its original ½” tapes at the infamous Abbey Road Studios. The album hasn’t been available on vinyl since release and features the singles ‘Stand Above Me’ and ‘Dream Of Me’.
Universal - Reissued on 180g black vinyl, this version of OMD’s 1996 album ‘Universal’ has been remastered at the infamous Abbey Road Studios. The album hasn’t been available on vinyl since release and features the top 20 single ‘Walking On The Milky Way’."

On July 13, 2006 the Drive-By Truckers set up
shop at Plan 9 Records in Richmond, VA. It was
the 25th Anniversary of the store. The band
performed to a packed house and played a
blistering set of fan-favourites, featuring the songs
‘18 Wheels of Love’, ‘Let There Be Rock’,
‘Goddamn Lonely Love’ and ‘Daddy’s Cup’.
The performance was also set up to benefit the
Bryan and Kathryn Harvey Family Memorial
Endowment. The foundation provides, among
other things, music scholarships in the Richmond
area. Lead vocalist and songwriter Patterson Hood
ended up writing the song ‘Two Daughters and A
Beautiful Wife’ about Bryan Harvey and his family.
The updated packaging includes original artwork
from acclaimed artist and long-time collaborator
Wes Freed.
Originally available as a very limited and long sold
out vinyl-only pressing. Now available on CD for
the very first time.

Repressed and available again - black vinyl.

Epic tracks like D.O.A., Slumlord, Unknown and Smash The State lash out at the listener with incredible power and drive. This album influenced fans and musicians from around the world including: NOFX, Nirvana, Green Day, Jello Biafra, Henry Rollins, Red Hot Chilli Peppers and Rancid.

Repress

Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.

Vorhang auf für Knowsum´s Fantastic Loop Machine. Der Mainzer Produzent zeigt ein sehr breites Beat-Spektrum auf seinem neuen Album - von unbekannten Samples und jazzigen Loops über funky Beat-Classics. Das einzigartige und interessante Album-Arrangement mutet an wie ein Potpourri-Ratespiel durch alte Plattensammlungen, und sollte in keinem Plattenregal fehlen. Als Features sind Weegee und Wun Two auf der Vinyl zu hören.

Fifth -and last- volume of our "R&B Hipshakers" series, featuring rockin' R&B and early soul from the King and Federal catalogues. A compilation of tracks from 1953 to 1964 by essential artists such as Hank Ballard, The 5 Royales, Little Esther, Little Willie John, Lula Reed, Albert King… that, after 5 juicy volumes (do you have them all?), reach the magic number of 100 delights from King and Federal's incredible output.
20 terrific dance cuts selected by genre expert Mr Fine Wine, from WFMU's Downtown Soulville. Most of the tracks have never been reissued before. *This volume includes a previously unreleased version of Lulu Reed's 'Your Love Keeps A-Working on Me' on a bonus single that will be solely available as part of this 2LP + bonus 7" pack.

Delain are a Dutch symphonic metal band formed in 2002 by former Within Temptation keyboardist Martijn Westerholt, intending for the band to be a project, but after their debut record Lucidity Delain became so successful, a live band was formed. The second album, April Rain, was released in 2009 to critical acclaim within the rock and metal scene. The album features guest contributions by cellist Maria Ahn and Nightwish vocalist and bassist Marko Hietala. Three singles were released: “April Rain”, “Stay Forever” and “Nothing Left”.

Delain’s April Rain is an album that belongs in the collection of every symphonic metal fan. It’s available as a limited edition of
1000 individually numbered copies on smoke coloured vinyl, including an insert!

Frankenstein Girls Will Seem Strangely Sexy is the second album by the electropunk band Mindless Self Indulgence. The album contains 30 songs, all of which are ranked by their title, including “Bitches”, “Dicks Are For My Friends”, “Holy Shit” and “Royally Fucked”. Industrial madness mixed with hip hop and electronic rock (or, as the band like to call it: industrial jungle pussy punk) packed with crazy lyrics sang by falsetto singer Jimmy Urine. It’s a fascinating record where you’ll discover something new every time you listen to it.

Frankenstein Girls Will Seem Strangely Sexy is available as a limited edition of 1500 individually numbered copies on pink coloured vinyl.

Dutch singer Anouk released her sixth studio album For Bitter or Worse in September 2009. Its release was preceded by lead single “Three Days in a Row”, an epic blues rock ballad in which Anouk sings she has loved someone for three days, after which she has never seen him again but she’s still sure they will continue their love story. The song reached number 1 in the Dutch charts. For Bitter or Worse also performed well in the charts, reaching number 1 in the Netherlands and number 2 in Belgium. Three more singles were released: “Woman”, “For Bitter or Worse” and “Lovedrunk”.

For Bitter or Worse is available on coloured vinyl for the first time. It is released as a limited edition of 1000 individually numbered copies on gold vinyl and includes a printed innersleeve with song lyrics

As part of the Queen 50 anniversary, Brian May’s 1992 debut album ‘Back to the Light’ has been remastered by Bob Ludwig for a suite of reissues, overseen by Queen designer Richard Gray. Released on a Limited Edition Collectors Box features a heavyweight colour vinyl LP, the remastered album on CD plus a bonus disc of alternate versions and B-sides chosen by Brian and his team, plus an exclusive enamel pin badge. ‘Back to the Light’ will also be available as 1CD Remaster, 1LP 180g Black vinyl and 2CD set with a bonus disc of alternate versions and B-sides.

As part of the Queen 50 anniversary, Brian May’s 1992 debut album ‘Back to the Light’ has been remastered by Bob Ludwig for a suite of reissues, overseen by Queen designer Richard Gray. Released on a Limited Edition Collectors Box features a heavyweight colour vinyl LP, the remastered album on CD plus a bonus disc of alternate versions and B-sides chosen by Brian and his team, plus an exclusive enamel pin badge. ‘Back to the Light’ will also be available as 1CD Remaster, 1LP 180g Black vinyl and 2CD set with a bonus disc of alternate versions and B-sides.

The internationally renowned alternative Bluesman, famous for his outrageous one-man live show and songs featured in Breaking Bad (plus many other soundtracks), has now brought his blues growl and rough sound up to peak industry production and style...of around 1974.
This album sits style-wise alongside the greats of the genre: Tom Waits, Randy Newman, Dr John. It also has the unmistakable blues harmonica, voice and wit all his own.
Fans also purchase Seasick Steve, Jon Spencer , and other alt-Blues recordings.
Son Of Dave is a unique genre bending 21st century Blues innovator who has been bringing his 9+ albums and shows to modern generations internationally over two decades and selling over 20,000 hard copies, 50,000 DD, and streaming 3 million annually.
UK PR has secured radio plays at BBC6Music, BBCRadio2, Jazz FM, RadioX Canadian PR has secured charting college station support and national CBC plays.
UK autumn tours include dates supporting Sleaford Mods (not your average blues circuit) 2020 and 2021 singles were playlisted at Spotify curated Nu-Blue, Bluestronica and other alt-Blues type playlists.
Former member of multi-million selling Crash Test Dummies all through their heyday
Has been chosen support for Iggy & The Stooges, Supergrass, Rag&Bone Man,
John Spencer, UB40 and many more. Not the same old Blues in other words.
A very long list of achievements.

“Distinct arrangements of silky, swaying pedal steel chords echo through smoke-filled rooms as booming bass guitar drones and cacophonous percussion occasionally shifts into fleeting moments of steadily swinging rhythms - grasping onto form amidst abstraction.”
Originally self-released in 2020 by New Orleans based Kelby Clark, ‘Casino’ is a self-reflective, acoustic journey, exhibiting the tender charisma of a bygone age filled with optimism and high stakes, while subsequently revealing a modern sense of sullen tension and ambiguity.
We believe this vital piece of southern storytelling should be available to the wider public, and thus we are elated to present the expanded re-issue of ‘Casino’, containing 2 additional pieces completed around the same time of the original work, as well as featuring new accompanying artwork.

Tomas Nordmark's music operates on multiple, equally thrilling planes. Having cultivated a deep appreciation for conceptual art and the phase-shifting minimalism pioneered by the downtown avant-garde community of NYC in the `60s, Nordmark set out to blend that with his pop-oriented upbringing and unique perspective on electronic music. The Swedish-born, London-based composer's new album pulses with unrelenting energy, waving and cresting around ambient tension and gorgeously realized melodies. Exit Ghosts is partly influenced by the history of film scores and the aesthetics carried by that tradition. As an instrumental album, Nordmark is tasked with conjuring emotions without words, and the way he utilizes specific cues mirrors the process of film scores, in addition to the work of seminal composers such as Tim Hecker, Arthur Russell, and Jóhann Jóhannsson.

THE BEST OF SURF MUSIC IN AN EXCLUSIVE 3 VINYL COLLECTION ! BETWEEN CLASSICS AND RARITIES, BE CARRIED AWAY BY THE WAVE OF SURF ROCK !

The latest installment of Four Flies' exclusive 12-inch vinyl series for DJs features Neapolitan-born producer pAd putting a dance-floor spin on "Manhattan" and "Philadelphia", both from Alessandro Alessandroni's soundtrack to Alfonso Brescia's Sangue di Sbirro (aka Knell, Bloody Avenger, 1976), a pulp/noir score that perfectly embodies Alessandroni's take on the Italian approach to blaxploitation (the main theme is clearly inspired by Isaac Hayes's music for Shaft).

pAd gives each Alessandroni original the double treatment, with a "daylight" and a "nightclub" version. His daylight "Manhattan" combines disco-funk with elements of 80s electro, while his nightclub one is more openly nu-disco/nu-soul and incorporates hip-hop and jazz-funk sounds. In its turn, "Philadelphia" is reworked into a delicate, soulful downtempo track (nightclub), as well as into a dub/leftfield & slow funk version with a sprinkling of Arab influences (daylight).

pAd's brilliant reworks fully respect the spirit of the originals while giving them new life in the present, where the music of a genius like Alessandroni is finally getting the recognition it deserves.