Buscar:angie

New Supa Killer Boogie Funk album of Funk Lab "Natural Feeling"

Armada Music are back again with a release packed full of nostalgic flavour, Angie Brown’s grade-A reimagination of the silver-certified ‘I’m Gonna Get You’ is a trip down memory lane tailored to today’s dance floor. A cult classic among ravers young and old, this re-release gives the early-‘90s classic a new lease of life. Now with three fresh new remixes 20 odd years later, following on from the original mix is Jess Bays’ Remix she brings her unique style of production which has been integral to her rise in the world of dance music by making hits for the likes of Defected, Stress, Warner, Universal, Sony and many more. Flipping over to the B side is Robbin Traxx an alias formed by the collaboration of the heavyweight hitters who are Solardo and Joshwa, together they bring their UKG touch to provide a fresh take to the 93’ classic. Finally, rounding off the release is Austin Millz an artist who has established himself as a genre-bending icon. Having performed with artists like Quincy Jones and Beyonce, his music is a deeply textured fusion of soul and dance-floor euphoria. An essential piece of vinyl for fans of classic dance music new & old!

DJ KENTA and DJ SOULJAH have launched a new B2B (Back-to-Back) style DJ unit, "OMAKASE"!
This is the second 7-inch of DJ-friendly edits, dubbed "OMAKASE 3-Minute Cooking," featuring a superb on-the-ground feel!

The opening break, "Montego Bay," is a DJ favorite, featuring synchronized bass and cowbell for a hip-pumping groove.
It's also featured on Usher's "Good Kisser"
And on the B-side, we've got the long-awaited DJ edit of a classic break from "Ultimate Breaks & Beats"! They've cooked up Foster Silvers' "Misdemeanor,"
which also samples The D.O.C. and Aaliyah!

Claire Chicha aka Spill Tab is feeling more free than ever before. The LA-based, French-Korean songwriter and producer,has spent the past five years as spill tab honing a sound that is as raw-edged as it is refined, channelling low-slung guitar-strumming confessionals as well as the earworming melodic hooks of anthemic pop to produce a heady and distinctive mix.

Following the 2019 release of her intimate and infectious debut single “Decompose”, Spill Tab has evolved her spill tab project through three EPs: 2020’s synth-pop influenced Oatmilk, 2021’s playful, uptempo Bonnie, featuring Gus Dapperton and Tommy Genesis, and 2023’s co-produced, sonically-intricate Klepto, which gleefully meanders from the Hiatus Kaiyote-influenced jazz freakouts of “CRÈME BRÛLÉE!” to the guitar-chugging thump of “Splinter”. Live, meanwhile, Spill Tab has been tapped for her explosively energetic presence to open the North American leg of popstar Sabrina Carpenter’s tour, as well as touring through Australia with alt-rock trio Wallows.
With “PINK LEMONADE”, opening single from her forthcoming debut album “ANGIE” , spill tab’s freewheeling sound finds its fullest expression, harnessing this onstage experience and recorded experimentation with her bass-weight and pitched-up vocals. Here we find Chicha only ever chasing that “weird thing”, fizzing with an infectious enthusiasm and intricate musicianship. “The best songs come from writing the main idea in a day, as it’s so instinctual,” she says, such as “PINK LEMONADE” recorded “from a clip taken out of a 40-minute jam that we then chopped and spliced”.
Born to her French Algerian composer father and Korean pianist mother, Claire Chicha spent her early childhood in the mixing room of her parents’ LA post-production studio, bringing coffees to artists as they tracked scores for exciting new projects. “I hung out in that studio all the time until I was around 10 years old, absorbing jazz music my dad was into and classical music that my mom loved,” Chicha says. “My mom had a big hand in making me an adventurous kid, always trying new things from piano to harp and violin, forever soaking up new sounds.”

At 12, Chicha’s life was uprooted as she relocated to Thailand to live with her mother’s family following the collapse of her parents’ business after the 2008 recession. What followed was an unstable and formative few years of early teenagedom, navigating new cultures and life changes. In Thailand, Chicha began learning guitar to cover the Paramore and Green Day tracks she had grown to love while also becoming immersed in Thai traditional music. After a year, she moved once more to live with her aunt in Paris and there she was introduced to the classic sound of Serge Gainsbourg and Édith Piaf before ultimately returning to LA following the untimely death of her father.

“I had to become a real people person to fit in everywhere I was moving, and it immersed me into so many different styles of music,” she says. “I went from listening to the nasal singing of Thai traditional music at muay thai fights in Bangkok, to emotive classic French songs. It definitely informed the need to experiment with my sound as I became more interested in making music.”

At high school in LA, Chicha joined one of the country’s foremost show choirs and realised a natural aptitude for stagecraft and performance as she sang medleys in competitions throughout the US. Going on to study Music Business at NYU, Chicha found a love for the alternative soul and singer-songwriting of the likes of Moses Sumney and Bon Iver, as well as developing her own sound while spending summers interning as an A&R at Atlantic Records and being exposed to the gamut of New York’s live music scene.

“I was going to so many shows as an A&R intern and seeing just how much a lot of music sounded alike,” she says. “It made me realise I wanted my music to feel different, to cut through the noise but still make something that felt honest to me.”

Beginning to independently release tracks, Soill Tab gradually built a loyal fanbase with the release of wistful early numbers “Calvaire” and “Cotton Candy” and soon found herself signed to a major label. Yet, as her career progressed through the COVID pandemic the demands of a corporate major began to conflict with her own searching style. “My last two EPs were under contract and it felt like I was always chasing the carrot,” she says, “I felt a certain pressure to put out tracks quickly and find that ‘hit’. It wasn’t the right environment to truly make what I wanted.”

Ultimately parting ways with her label, Chicha began work on a new album, exploring new sounds and ideas with her LA-based community of collaborators like producer David Marinelli, Solomonophonic, Wyatt and Austin and John DeBold, without expectation. “It became this beautiful experience of only following ideas that I really believed in and exploring all the musical avenues I hadn’t before,” she says. “I’ve never been more excited about songs and I’ve never felt like a project is more mine.”

Writing and recording while touring with Sabrina Carpenter and Wallows, Chicha road-tested her new tracks to see what might land best with an audience who had likely never heard her music before. “You have to win people’s hearts as an opener and you can see what resonates and what doesn’t,” she says. “I would watch people fall in love or not and it’s usually always the song you’re having the most fun with that does the best. That’s what I put on the record.”

« Angie », Spill’s Tab debut album is relased on because Music and expected for May 16th release.

Modern Soul Anthem - features Backstabbers' sample
Includes Hex Hector remix

Für ihr neues Album Light, Dark, Light Again musste Angie McMahon durch´s Feuer gehen. Der zweite Longplayer der Singer-Songwriterin ausMelbourne entstand aus der Asche eines harten, aber jahrlangen Beziehungswechsel, privater Zusammenbrüche und erschütternder Offenbarungenüber sich selbst.

Manchmal hatte McMahon das Gefühl, auseinander zu fallen. Aber stattdessen hielt sie durch und fand heraus, dass Hoffnung, Freude und Erleichterung auf der anderen Seite des Schmerzes liegen. Light, Dark, Light Again ist ein Album, das davon handelt, sich der Angst zu stellen und zu lernen, dass sie ein Tor zu etwas Größerem und Besserem sein kann. Es zeigt, dass die einzige Gewissheit im Leben ist, dass alles endet, und alles wieder beginnt - dass es Leben und Tod und wieder Leben gibt, dass es Licht und Dunkelheit und wieder Licht.

To make her new album, Light, Dark, Light Again, Angie McMahon had to walk through the fire. The Melbourne singer-songwriter’s second LP was written from the ashes of a tough but transformative few years of relationship changes, private breakdowns and core-shaking revelations about self. At times, McMahon felt like falling apart. But instead, she pushed through and found that hope, joy and relief lies on the other side of pain. Light, Dark, Light Again is a record about facing the fear and learning it can be a portal to something bigger and better. It finds that the only certainty in life is that everything ends, and everything begins again – that there is life and death and life again, that there is light and dark and light again.

Six Nine Records Ltd. UK proudly presents Angie Gooden’s first release on the label with the two stunning tunes “All Day Long” and the amazing T-Groove remix of “Feelin’ Kinda Funky”, both of them new, fresh and making their premiere on to wax! Both tracks have been produced by Christopher Vignoli (Zapp ChrisFunk) and just oozes with that French fingerspitzengefühl, nothing but exquisite sounds from the first to the last beat.

The song writers consists of Magoo and Yuki “T-Groove” Takahashi togheter with Angie herself and all this combined makes this one a winner for sure.
In summary - modern and funky boogie at its best, these two tracks will definitely make this summer even hotter!

Core Dimension team up with legendary vocalist Angie Brown to deliver a 1992 style Piano Breakbeat Hardcore Rave double Aside release.

While their trademark sound has always been flourished with plenty of nods to the past - think jazz-funk, disco, acid jazz and boogie - Reel People's career has been forged on crafting new songs and instrumentals. For their latest album, "Retroflection", they've decided to flip the script, serving up a set of covers of classic cuts with the assistance of some notable vocalists. It's a neat twist and one that results in a string of superb revisions. Check, for example, the Mica Paris-fronted take on Alicia Meyers' "I Want To Thank You", their starry version of electrofunk staple "Don't Stop The Music" (complete with sublime Angie Stone vocal), an Incognito style take on Willie Bobo's "Always There" and a riotous, scene-stealing romp through Pleasure favourite "Joyous".

Truly nuts and really kind of essential... the Starship Commander had his whole approach to the Synthesiser Voice technique. B-Boys/Girls delight. Check the instrumental cut, Mastership - a head nod synth voyage of the highest order. Limited copies. TIP!
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'How are you doing, Earthling' That's how Omer Coleman, Jr. addressed his public in the 80s, driving around Kansas City, Missouri in the electric space-car built especially for his alter ego Starship Commander Wooooo Wooooo.

Left Ear Records went back to Coleman's original master tapes for their vinyl reissue of the Commander's 1981 private press album Mastership, a lost electronic funk classic. Coleman performs in an alien voice that comes not from electronic filtering but from his own natural vocal distortions. This visitor from Mars wants people to be happy and, like his song goes, 'Laugh and Dance.' It's an endearing and very personal space-age funk that blends George Clinton and Kraftwerk in a vision of a better and happier world.

Born and raised in Kansas City, Coleman was musically inclined from an early age. His parents couldn't afford to buy him a real drum for orchestra, so he took up electrical wiring and wood shop instead, which fed his muse in a different direction. Omer built enormous speaker cabinets. In the late '70s he was a DJ, and ran a Mobile Disco business that took him across the country, hosting parties. After a trip to California, he came back to Kansas City inspired to dress up as Commander Wooooo Wooooo.

The future commander began working at the Armco Steel Mill in Kansas City when he was 18. He was inspired by older machinists who demanded perfection in their work and in their character. It was while he was working at the steel mill that Coleman came up with Starship Commander Wooooo Wooooo. One day coworker John Manley came up to Coleman with a vision of an electric car, and built it. His coworkers built all of his equipment, from lighting and fog machines to big steel eyeglasses. Coleman's sister, a seamstress, created his outfits.

Coleman started his own label in 1985 but took some time off from music to raise his children, and when they came of age his son recorded with Coleman as a gospel vocalist. When his son was killed in an auto accident in 2004, it took something out of him, and he stopped making music. But he's starting to get the feeling again.

Now 62, he's currently enjoying his retirement from a long stint with the IRS. The former Commander is in the middle of a house project where he's using metal ceiling tiles to line his walls. It's starting to look like a spaceship. Coleman promises, 'There is a real good possibility that we have not seen the last of Starship Commander Wooooo Wooooo!
Pat Padua'

Continuing the very successful 'From The Vault' series of classic, previously unreleased Rolling Stones live shows this release is taken from their performance at Roundhay Park in Leeds, England on 25 July 1982. This show was the last concert on their 1982 European Tour in support of 1981's acclaimed 'Tattoo You' album which would be their last live tour for seven years. About half of the 'Tattoo You' album is included in the set including the hit single 'Start Me Up'. This would be the last Rolling Stones show to feature Ian Stewart on piano. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.Key Selling Points: Simultaneous release on DVD, SD Blu-ray, DVD+2CD and DVD+3LP. The 'From The Vault' series is now firmly established with Rolling Stones fans and has been very well received by critics. Full length concert of The Rolling Stones performing at their very best. Includes 'Under My Thumb,' 'Black Limousine,' 'Let's Spend The Night Together,' 'Beast Of Burden,' 'Honky Tonk Women,' 'Jumpin' Jack Flash,' 'Angie,' 'Tumbling Dice,' 'Miss You,' '(I Can't Get No) Satisfaction,' 'Start Me Up,' 'Shattered,' 'Brown Sugar' and many more!

Dr. Silberman makes a welcome return to Atom Trance Force and kicks things off in 2026 with his EP 'Welcome To The Future'. Two mixes of the title track are included: The fast paced original and the trance mix. The original is a serious ode to the late 90s Hamburg hard trance sound, and you can hear the influence of labels like EDM, Tunnel & Spaceflower. For the trance mix, he brings the tempo back down to 140 and moves more towards older Positiva energy. Rounding off the EP is Friends & Enemies, keeping the energy high but the quality to match.

From Atom - we thank you for your continued trust, and bigups to those supporting this release:

1995 Trance Sessions, Adam (Last Of The Mohicans) [Apple FM], Adam Bellew [Global Hard House Radio], Angie (FR), Busho, Choci, Digital Devil, Dimitri Kechagias, DJ Brisk [Stimulant DJs], DJs Present, Evolving Suns Audio [Cohesion / The Attic], Giuseppe Ottaviani, J.O.E [Tomorrows World], Jake Ayres, Jake Grace [TranceUnite / FCM Live], Jake Nicholls [Uprising], Loki [Terminal Trax], Louk / Hidden Identity, Mat Phat & Fugee Show [Newport City Radio], Mind Control [Noise Pollution], Mindflux, Paul Nineham [Brisk], Pete Morton [Harderfaster], Remnis, Renegade System, Rennz [Distorted Dreams], Rightsound [Dancesation / Timewarp], Rocco Jonsson [Collide / The Carnival Sweden], Spaceman [Tuned Flow], Spektral Noise, Suzy Solar, Tjerk Coers

l 4What Does It Take (To Win Your Love for Me) feat. Jonathan Butler












[l] c4 | What Does It Take (To Win Your Love for Me) [feat Jonathan Butler]












[l] c4 | What Does It Take (To Win Your Love for Me) [feat Jonathan Butler]

Modi: Three Days on the Wing of Madness is a 2024 biographical drama based on the life of renowned Italian artist Amedeo Modigliani.
Directed by Johnny Depp, the film stars Riccardo Scamarcio in the title role, with supporting performances by Stephen Graham,
Al Pacino, and Antonia Desplat. The film’s original soundtrack plays a pivotal role, blending evocative original compositions by The Tiger Lillies
with classic tracks from artists such as Charles Trenet, Augie March, Tom Waits, and The Velvet Underground & Nico.
The soundtrack is available as a deluxe 2LP vinyl set in a gatefold sleeve with imagery from the film
And as a 2CD Box Set with lift-off lid, featuring a 24-page booklet including exclusive notes from Johnny Depp and behind-the-scenes images

This 4-track EP showcases Robot84’s eclectic and diverse taste in editing, as well as his unique skill in finding those somewhat forgotten underground nuggets and expertly reimagining them. From the classic ’80s sound of FGTH to jazz-infused reworks of Public Enemy and Angie Stone, and the disco fuel of The Supremes, Robot Edits Vol. 1 sets the tone for a series made with serious selectors in mind.

Shawn Rudiman returns to Pittsburgh Tracks with his first full length since 2021’s Flow State.

“Reality in Quotes” is a complete statement from beginning to end... in the artist’s own words:

"Our perception, rational thought and intellect are the only way we discern what we even dare call reality. You can use any information you like, but we make our own realities from moment to moment.

Thank you to: my lady for understanding me; Pittsburgh Tracks for the friendship and wanting to release this album; Chase Smith for the great equipment help; Angie Linder / DTM for the live gig help and representation.

Thank you to everyone who has supported this release, and any release I've done over the last 27 years. It's humbling to still be able to make music and to play out.

Reality is the only word in the language that should always be used in quotes."

The second instalment in this long-overdue reissue series, newly remastered and re-cut from the original DATs. Originally released in 1992, this highly sought-after UK-style house EP returns to the relief of crate diggers everywhere.

‘Touch’ comes in three flavours—pulsing and hypnotic on the Button Mix, deep and swinging with pianos on the WC1 Dub, and somewhere in between via the High Society Mix. Flip it for the progressive, Juno-stabbed glide of ‘Could It Be’ (H&S Mix). Can you feel it? Of course you can. A proper essential from the golden era. More Discrete heat to come.

Backstory:

Ramona 55 was a side project and alias of the Foreman brothers—better known as The Thrashing Doves (yes, the same crew behind Paul Oakenfold’s Balearic classic mix of “Jesus on the Payroll”). This 12” saw their track transformed by Discrete Records, keeping only traces of Angie Brown’s original vocal and diving deep into the house.

“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk rocker “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

In der Heimat der Wettbüros wird zurzeit ein Name groß gehandelt: SHAME. Die Band lebt von Konfrontation. Sei es die brodelnde Intensität, die auf ihrem Debüt ,Songs of Praise" knistert, oder das Adrenalin-pumpende Chaos, das sich bei ihren aufregenden von großen Emotionen angetriebenen Shows entfaltet. Bestehend aus dem Sänger Charlie Steen, den Gitarristen Sean Coyle-Smith und Eddie Green, dem Bassisten John Finerty und dem Schlagzeuger Charlie Forbes, begann das in London lebende Quintett bereits im Schuljungenalter. Mit einem gesunden DIY-Ethos als Grundlage und mit The Fall und Wire als musikalische Einflüsse schafften sich SHAME eine Nische in der Musikszene Südlondons und entwickelten furchtlos ihren aufrichtigen, eckigen, peitschenden Post-Punk. Die zehn Songs von ,Songs of Praise" lassen keine Fragen offen. Ob "Gold Hole", ein augenzwinkernder Takedown von Rock-Narzissmus, oder die Single "Concrete", die den überwältigenden Moment der Erkenntnis einer zum Scheitern verurteilten Beziehung beschreibt, oder das frustrierte "Tasteless", das die Monotonie des Alltags beschreibt. ,Songs of Praise" bietet keine Atempause.

Love Wars is the 1983 debut album by Womack & Womack. The album charted at number 34 on the Billboard Top Black Albums chart.

Two singles from the album, "Love Wars" and "Baby I'm Scared of You", were hits in the UK, reaching number 14 and number 72 on the
UK Singles Chart, respectively. Album was ranked number 4 among the "Albums of the Year" for 1984 by NME, and the single

"Love Wars" was ranked as the year's number 1 song.

Love Wars is available as a limited numbered edition of 750 copies on silver coloured vinyl
limited edition of 750 individually numbered copies on silver coloured vinyl

Kee'ahn, whose name is derived from kee’an, the Wik word meaning to dance and to play, is a proud Yalanji, Jirrbal, and Badulaig artist. Her music is steeped in connection to culture, community, Country, and self and with her soulful voice and storytelling, Kee’ahn has had a powerful impact on the Australian music scene, earning her the Archie Roach Foundation Award and Music Victoria’s Best Emerging Artist award. She has since performed at the 2025 AFL Grand Final collaborating with Baker Boy, Thelma Plum, Emma Donovan, Dallas Woods, Alice Ivy and shared stages with the likes of Julia Jacklin, Hiatus Kaiyote, Greentea Peng and Angie McMahon.

Kee’ahn’s debut EP “for me, for you x” is a collection of lush cinematic soul and rnb love letters. Across 5 tracks, Kee’ahn explores the pursuit of hope, compassion, connection, heartbreak, and healing. This project naturally and authentically came together, detailing moments across 5 years of Kee’ahn’s life. Each song begins on guitar and vocals with demo production in Kee’ahn’s Brunswick bedroom - they are diary entries to herself, formed into messages that hit the hearts of its listeners.

Each song is reminiscent of classic 60’s jazz soul to 90’s neo-soul rnb, to early 2000’s inspired soul pop weaving dynamic soundscapes with clear and meaningful catchy lyricism.

Legendary R&B vocalist Chantay Savage returns with "Still", a stunning new single released on Mirror Ball Recordings. Known for her timeless voice and emotive delivery, Chantay brings soulful elegance to a modern groove—blending classic R&B sensibilities with contemporary production.

This release marks a powerful moment of reflection, resilience, and growth, perfectly suited for lovers of real soul music and fans of artists like Jill Scott, Angie Stone, and H.E.R. • Return of legendary 90's R&B talent Chantay Savage. • Still is a certified modern soul classic gaining huge support from the scene since it's digital release. • Produced by Chicago house music legend Terry Hunter & James Poyser (The Roots)

Known for her timeless voice and emotive delivery, Chantay brings soulful elegance to
a modern groove - blending classic R&B sensibilities with contemporary production.
This release marks a powerful moment of refection, resilience, and growth, perfectly
suited for lovers of real soul music and fans of artists like Jill Scott, Angie Stone, and
H.E.R.
Return of legendary 90's R&B talent Chantay Savage.
Still is a certifed modern soul classic gaining huge support from the scene since
it's digital release.
Produced by Chicago house music legend Terry Hunter & James Poyser (The
Roots)

THEE MICHELLE GUN ELEPHANT’s 5th original album CASSANOVA SNAKE will be reissued on vinyl to commemorate the band’s 30th anniversary!
This 180g 2LP reissue is part of the “THEE 30TH” project and features the latest remaster, newly cut for vinyl."=

After coming up in different bands in the Long Island and Brooklyn DIY scene in the late '00s and early 2010s, the indie rock outfit Freezing Cold came together in 2017 and settled into its current lineup in 2019. Featuring lead vocalist/guitarist Jeff Cunningham, formerly of Bridge And Tunnel, bassist/vocalist Leanne Butkovic, formerly of Never, and Angie Boylan, formerly of Aye Nako and drummer for Sleater-Kinney — Freezing Cold is coming into their own now more than ever as a dynamic trio.

After playing shows in support of Algernon Cadewalder, Radiator Hospital, and Screaming Females over the past year, the band is sharing their strongest, most fully formed work yet with the album Treasure Pool, due out August 1 on Don Giovanni Records. The 10-track record builds upon the group's extensive DIY experience, while finding an equilibrium where each member shines and moves beyond the early punk resonant in their past projects and toward something more mature.

The new release was recorded in 2023 at Asbury Park's Lakehouse Recording Studios, with production from Marissa Paternoster of Screaming Females and Eric Bennett. It follows the band's 2019 debut Glimmer, produced by J. Robbins (Against Me!, Jawbreaker) and released before Butkovic filled out the group, and 2021's Stuck on Hold/Drawn to Scale EP.

Amerikan Kaos ist der Gitarrenvirtuose Jeff Waters (am besten bekannt von Annihilator). Jeff Waters hat insgesamt +1 Million Follower auf sozialen Medien. Amerikan Kaos ist einer der Hauptdarsteller im Handyspiel Rock Kommander. Das Album 'All That Jive' wurde bei Sterling Sound in Nashville von Ted Jensen gemastert.

Amerikan Kaos ist der Gitarrenvirtuose Jeff Waters (am besten bekannt von Annihilator). Jeff Waters hat insgesamt +1 Million Follower auf sozialen Medien. Amerikan Kaos ist einer der Hauptdarsteller im Handyspiel Rock Kommander. Das Album 'All That Jive' wurde bei Sterling Sound in Nashville von Ted Jensen gemastert.

Manchester-based poet, writer and producer Antony Szmierek has announced the release of his debut album, Service Station At The End Of The Universe. The past few years have been a wild ride for the artist. Cutting his teeth on the Manchester spoken word scene and gaining notoriety for his seamless flow skewering everything from the hardships of contemporary British life to finding the unexpected beauty in the everyday, it was the 2023 release of his single ‘The Hitchhiker’s Guide To The Fallacy’ that kicked off his meteoric ascent.

Manchester-based poet, writer and producer Antony Szmierek has announced the release of his debut album, Service Station At The End Of The Universe. The past few years have been a wild ride for the artist. Cutting his teeth on the Manchester spoken word scene and gaining notoriety for his seamless flow skewering everything from the hardships of contemporary British life to finding the unexpected beauty in the everyday, it was the 2023 release of his single ‘The Hitchhiker’s Guide To The Fallacy’ that kicked off his meteoric ascent.

"You're traveling through another dimension - a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination". This iconic introduction is from Rod Serling's timeless and influential television program, The Twilight Zone. Perhaps he would also apply this description to Can Con, the debut album by The Psych Fi's. The group is an offshoot of Canadian singer-songwriter Jerry Leger's rock 'n' roll side project, The Del Fi's. Just as The Psych Fi's describe themselves as "spontaneous psychedelic rock", The Del Fi's recorded two albums characterized by spontaneity, spirit, and trust. This time Leger brings his songs to a revolving door of musicians and singers (18 members, including Jerry, in the case of Can Con). Most of the performers have not heard these compositions before recording them. They have no chance to second-guess; they must be fearless and jump in with both feet and perform live in studio. Leger acts as a sort of loose conductor, allowing certain soloists to emerge from the musical collage. The group takes you on a hypnotic journey from the epic opening medley "Alone in a Room of Mirrors / James Cagney" to the groove of "You Know that I Love You, I Do" and the openness of "Song for Vultures". You'll get lost in "Summer's Right Around the Corner", which also features Don Stevenson (founding member of the legendary 60s psychedelic rock band Moby Grape) on backing vocals, alongside Kate Boothman (Katie Cruel) and Angie Hilts. This sound has evolved out of Del Fi performances, specifically when musicians Nichol Robertson, Jason Kenemy, Dave Clark (The Rheostatics, Woodshed Orchestra), and Michael Eckert were involved. Leger and these "Fi's" eagerly ventured down less-traveled roads to destinations unknown. Other Psych Fi's include Ken Yoshioka, Matthew Cooke, Les Armstrong, Chris Bennett, Shawn Clarke, Katie Methot, and members of "Jerry Leger & The Situation" (Dan Mock, Kyle Sullivan, Alan Zemaitis). Leger tells us at the beginning of the record, "I'm excited to live again", and by the end of Can Con, he's singing in his dreams and ours. This album will continue to grow, live, breathe, and expand as we share in each other's minds. It's a happening, and it's happening - you can hear it throughout the grooves. Here is your mantra: "I AM A PSYCH FI". File under: Psychrock, Crazy Horse, Electric Dylan.

BLACK GIRL SINGER LM, formerly known as Lillie Nicole McCloud is a singer of exceptional ability with a sparkling career and a discography spanning seven albums.

Worth noting that in 1986 as Nicole, she had the smash hit ‘New York Eyes’ - a duet with the late great Timmy Thomas.

Her musical collaborations include Melissa Morgan, Keith Sweat and Angie Stone to name just a few!

Now as BLACK GIRL SINGER LM, she has begun releasing new songs. I DO LOVE YOU is considered by ‘those in the know’ to be one of the finest soul tracks from last year. Totally enamored by the soulful vocal prowess and production qualities, IZIPHO SOUL had to gain a vinyl release. On the flip side, this queen of vocals brings it home with the fervent ballad HEART OF HEARTS.

Originally released in 2013 and previously unreleased on vinyl, we are proud to present the 3rd volume in the Piece Maker series by legendary DJ Tony Touch. Featuring an incredible line up of MC's that includes Busta Rhymes, Reek da Villain, Roc Marciano, Lil' Fame, Too Short, Xzibit, Kurupt, B-Real, Papoose, Uncle Murda, Black Thought, Styles P, Sheek Louch, Jadakiss, Raekwon, Ghostface Killah, RZA, Eminem, Twista, Bun B, Action Bronson, Prodigy, Joell Ortiz, Royce da 5'9", KRS-One, Crooked I, Redman, Method Man, N.O.R.E. and Erick Sermon among others.