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HOLY TONGUE - “BASILIKUM”

HOLY TONGUE

“BASILIKUM”

12inchWHYT106LP
AD 93
30.10.2026
  • I've stood in this room for a long time before
  • Coca (ft. Dali De Saint Paul)
  • Orange 28
  • Bloom in D Minor (ft. Dali De Saint Paul)
  • Vuoto 25
  • ROSEROOT
  • Single~Eyed
  • Nature

Valentina Magaletti (Moin), Al Wootton and Susumu Mukai (Vanishing Twin) create expansive rhythmic music that moves freely through dub, trance, free improvisation and cinematic psychedelia. For Basilikum, the trio recorded a series of improvisations in the Swiss Alps and London. Built on the foundation of vintage drum manchines and instinctive interplay they created compositions where no stylistic borders apply.

Dub techniques meet ritual percussion, hypnotic pulse and vast Popol Vuh-esque landscapes. Drawing equally from popular music, experimental traditions and spontaneous interaction, the trio treats playing, recording, editing and transformation as part of the same creative act. Sounds emerge, dissolve and reappear in new forms, creating a music that is both deeply physical and endlessly open.

With no fixed boundaries and no allegiance to genre, their work embraces movement, texture and collective energy. The result is immersive, transportive music that shifts between meditation and propulsion, intimacy and scale, always evolving in the moment

pre-order now30.10.2026

expected to be published on 30.10.2026

Various - Jon Savage's 1976 Something Was Going To Happen Various Artists LP
  • A1: Roxy Music - Both Ends Burning
  • A2: Burning Spear - Old Marcus Garvey
  • A3: Max Romeo & The Upsetters - War In A Babylon
  • A4: Patti Smith Group - My Generation
  • A5: 10cc - I'm Mandy Fly Me
  • B1: Candi Staton - Young Hearts Run Free
  • B2: Banbarra - Shack Up
  • B3: Hello - Teenage Revolution
  • B4: Ramones - Havana Affair
  • B5: The Runaways - Cherry Bomb
  • B6: Blondie - In The Sun
  • B7: The 101'ers - Keys To Your Heart
  • C1: Eddie & The Hot Rods - Horseplay (Weary Of The Schmaltz)
  • C2: Junior Murvin - Police And Thieves
  • C3: The Flamin' Groovies - Shake Some Action
  • C4: Hot Blood - Soul Dracula
  • C5: Blue Öyster Cult - (Don't Fear) The Reaper
  • C6: Nick Lowe - Heart Of The City
  • D1: Lewis Furey - Top Ten Sexes
  • D2: Miami - Kill That Roach
  • D3: The Saints - (I'm) Stranded
  • D4: The Damned - New Rose
  • D5: Pere Ubu - Street Waves
  • D6: Buzzcocks - Time's Up
pre-order now30.10.2026

expected to be published on 30.10.2026

PISS - YOU MADE ME / SKIN ON LINEN
  • 1: KAI AND FRIENDS
  • 2: I WANTED TO BE A SINGER
  • 3: ANDREA I
  • 4: TIME LOOP AT HOT SLIT
  • 5: MANON ON THE TRIAL OF GISèLE PELICOT
  • 6: A LITTLE GIRL'S HORSE CRAZE BETRAYS HER
  • 7: TONI
  • 8: THERE WAS A DOOR
  • 9: ANDREA II
  • 10: HOW CAN YOU ACT OPPOSITE TO THIS EMOTION?
  • 11: BLOCKING A SCENE YOU CAN'T REMEMBER
  • 12: SELF-BLAME WITH THORN NECKLACE AND HUMMINGBIRD
  • 13: VIKKI
  • 14: ROTE ZORA. "RESISTANCE IS POSSIBLE." EMMA, NO. 6, JUNE 1984, PP. 39-41
  • 15: I KEEP TRYING TO CHANGE THE ENDING
also available

Cassette


PISS ist eine laute, genreübergreifende vierköpfige Band aus Vancouver, B.C. Durch die Kombination von Punk, Poesie, Soundcollagen, Performancekunst und bildender Kunst schafft die Band ein multidisziplinäres Gesamtwerk, das die Grenze zwischen Persönlichem und Politischem verschwimmen lässt. Angetrieben von durchdachter Musikalität, energiegeladenen Live-Auftritten und einer kristallklaren künstlerischen Mission schreibt PISS Punkmusik, die darauf abzielt, die Grenzen eines etablierten Genres zu überwinden. Ihre Arbeit schöpft Inspiration aus einer Reihe unerwarteter Einflüsse: literarische Größen, Philosophen, Filmemacher, Maler, Psychoanalytiker, Aktivisten, Kinder, Mitglieder einer deutschen anarcho-feministischen militanten Gruppe und Gespräche mit Zuschauern. Diese Stimmen repräsentieren unterschiedliche ideologische Überzeugungen zum Thema geschlechtsspezifische Gewalt und ermöglichen es PISS, Kunst zu schaffen, die herausfordernde und kontroverse Themen wie sexuelle Gewalt und verinnerlichte Geschlechternormen darstellt - ohne Vereinfachung, Romantisierung, Polemik oder Dogmatismus. you made me / skin on linen ist das Debütalbum der Band. Es schildert eine Kindheit, die von struktureller, systemischer und intimer Gewalt geprägt ist. Auf dem gesamten Album dienen Motive aus der Kunst als Metaphern für die unzähligen Arten, wie wir die Auswirkungen dieser Gewalt in uns tragen: Jede Erfahrung hinterlässt einen Eindruck und formt oder verzerrt nach und nach das Selbst - ganz wie ein Stück Ton, das durch jeden Abdruck, den es erhält, geformt wird.

pre-order now30.10.2026

expected to be published on 30.10.2026

PISS - YOU MADE ME / SKIN ON LINEN (TAPE)

PISS ist eine laute, genreübergreifende vierköpfige Band aus Vancouver, B.C. Durch die Kombination von Punk, Poesie, Soundcollagen, Performancekunst und bildender Kunst schafft die Band ein multidisziplinäres Gesamtwerk, das die Grenze zwischen Persönlichem und Politischem verschwimmen lässt. Angetrieben von durchdachter Musikalität, energiegeladenen Live-Auftritten und einer kristallklaren künstlerischen Mission schreibt PISS Punkmusik, die darauf abzielt, die Grenzen eines etablierten Genres zu überwinden. Ihre Arbeit schöpft Inspiration aus einer Reihe unerwarteter Einflüsse: literarische Größen, Philosophen, Filmemacher, Maler, Psychoanalytiker, Aktivisten, Kinder, Mitglieder einer deutschen anarcho-feministischen militanten Gruppe und Gespräche mit Zuschauern. Diese Stimmen repräsentieren unterschiedliche ideologische Überzeugungen zum Thema geschlechtsspezifische Gewalt und ermöglichen es PISS, Kunst zu schaffen, die herausfordernde und kontroverse Themen wie sexuelle Gewalt und verinnerlichte Geschlechternormen darstellt - ohne Vereinfachung, Romantisierung, Polemik oder Dogmatismus. you made me / skin on linen ist das Debütalbum der Band. Es schildert eine Kindheit, die von struktureller, systemischer und intimer Gewalt geprägt ist. Auf dem gesamten Album dienen Motive aus der Kunst als Metaphern für die unzähligen Arten, wie wir die Auswirkungen dieser Gewalt in uns tragen: Jede Erfahrung hinterlässt einen Eindruck und formt oder verzerrt nach und nach das Selbst - ganz wie ein Stück Ton, das durch jeden Abdruck, den es erhält, geformt wird.

pre-order now30.10.2026

expected to be published on 30.10.2026

BLACK MEKON - 13 SONGS ABOUT MONSTERS
  • 1: THERE'S A GHOST
  • 2: UNDERWHELMED
  • 3: BAT LEATHER
  • 4: GHOST RIDER (LOVESONG)
  • 5: YOUR GUM, MY HAIR
  • 6: TONIGHT I STRIKE
  • 7: THE BALLAD OF THE COMPOSITE CRYPTOZOIC KID
  • 8: RADIOACTIVE WOLFMAN
  • 9: ZOMBIES!
  • 10: TEY FUU
  • 11: THE FIEND
  • 12: BITE ME!
  • 13: KILL THEM!

Black Mekon gelten als Kultfavoriten und verbringen seit mehr als 15 Jahren ihre Zeit damit, rund um den Globus zu touren und eine Reihe hochgelobter Geheimtipp-Alben zu veröffentlichen. Dabei haben sie ihren einzigartigen Mix aus Lo-Fi-Garage-Rock, Punk und Blues stetig perfektioniert und sich eine treue Fangemeinde aufgebaut.Nachdem sie bereits mit Künstlern wie Jon Spencer, Black Lips, Kid Congo und The Scientists die Bühne geteilt haben, wurden sie kürzlich persönlich von Jack White als Support-Act ausgewählt. Dies geschah kurz nach einer weiteren Japan-Tournee gemeinsam mit Guitar Wolf.13 Songs About Monsters hält genau das, was der Titel verspricht: eine Sammlung von Horror-inspirierten Garage-Rock-Hymnen, die pünktlich zu Halloween erscheint und als streng limitierte Glow-in-the-Dark-Vinyl-Edition veröffentlicht wird.

pre-order now30.10.2026

expected to be published on 30.10.2026

$UICIDEBOY$ - Stop Staring At The Shadows
  • A4:
  • A1: All Dogs Go To Heaven
  • A2: I Wanna Be Romanticized
  • A3: One Last Look At The Damage
  • A5: Mega Zeph
  • A6: Putrid Pride
  • B1: That Just Isn't Empirically Possible
  • B2: What The Fuck Is Happening
  • B3: Bizarro
  • B4: Scope Set
  • B5: Fuck Your Culture
  • B6: And To Those I Love, Thanks For Sticking Around

$uicideboy$’ Stop Staring at the Shadows continues to stand out as a defining project in the duo’s catalog, showcasing the dark, atmospheric production and raw, introspective lyricism that have helped establish them as one of the most influential acts in the underground rap space.

The project further cemented their ability to connect with a highly dedicated global fanbase while pushing their sound deeper into the mainstream.

The release has become a fan favourite, with tracks such as ...And to Those I Love, Thanks for Sticking Around continuing to generate strong streaming activity, social engagement, and renewed discovery years after its original release. Its heavy production, emotionally charged themes, and distinctive $uicideboy$ aesthetic have given the project lasting catalog value and a strong connection with their core audience.


















xb Whispers Indistinctly




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[d] A4 [Whispers Indistinctly]

pre-order now30.10.2026

expected to be published on 30.10.2026

Glenn Branca - Lesson No. 1

Glenn Branca

Lesson No. 1

2x12inchSV039
SUPERIOR VIADUCT
30.10.2026

After cutting his teeth in the late '70s No Wave scene with bands Theoretical Girls and The Static, Glenn Branca made his first solo statement, Lesson No. 1, in 1980. The inaugural release on legendary post-punk / dance label 99 Records, Lesson No. 1 unveils Branca's visionary guitar concepts with two monstrous, side-long compositions that helped forge NYC's downtown art-punk sound and acted as a massive influence on countless young groups, including Sonic Youth and Swans.

The title track is easily Branca's most-accessible moment; its driving beat and interlocking patterns resemble German pioneers Neu! playing Philip Glass. Never before (or since) has minimalism sounded so euphoric. "Dissonance" is the A-side's polar opposite. Dark, skittish and unhinged, Branca leads his band (guitar, keyboard, bass, drums and sledgehammer) through block after block of industrial terror, leaving listeners drained in the process.

pre-order now30.10.2026

expected to be published on 30.10.2026

Goat - Goat LP

Goat

Goat LP

12inchLAUNCH363SR
Rocket Recordings
30.10.2026
  • 01: One More Death
  • 02: Goatbrain
  • 03: Fool’s Journey
  • 04: Dollar Bill
  • 05: Zombie
  • 06: Frisco Beaver
  • 07: The All Is One
  • 08: Ouroboros

Repress of 2024’s self titled masterpiece. ‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

pre-order now30.10.2026

expected to be published on 30.10.2026

YUKI KAWAMURA - MAGIC IN THE SUN

Yuki Kawamura - a multifaceted producer, songwriter, DJ, and the founder of Tokyo's iconic DJ warmup bar, Shibuya Oiran - presents a highly anticipated 12" vinyl release on her imprint OIRAN MUSIC.

As a globally active selector, her international footprint includes a monthly residency on Romania's Black Rhino Radio, alongside notable appearances on world-renowned platforms like NTS Radio and The Lot Radio.

Back in Tokyo, her venue Shibuya Oiran - featured in Time Out Tokyo's '50 Things to Do in Japan' as a premier spot to "pregame in stylish surroundings" - serves as a vital cultural hub where legendary international and local DJs gather. Its unique musical ecosystem is perfectly reflected in this release, which features a carefully curated selection of popular remixes from her debut album, Love Forever.

Side A delivers Balearic and dancefloor-ready grooves. It opens with 'Ra' a tribute to Sun Ra featuring musicians Watusi and George Kano, a track that has garnered massive support from top DJs including Red Axes...
The A-side also features brilliant Balearic-infused dance remixes by DJ SHIKISAI and XTAL (known for his work with Traks Boys and (((ssurround)))).

Side B shifts the focus to deep ambient and chillout soundscapes. It includes the previously unreleased full version of R.I.P Sunset',featuring an exquisite violin performance by Neko Saito.
The standout on this side is a stunning remix by renowned Japanese producer Calm. This specific remix holds a special history: Yuki debuted it as her opening track during her historic DJ set at the legendary Cafe Del Mar in Ibiza - making her the first Japanese Female DJ to perform there - where it received an incredible response on the floor.

The striking cover art is designed by HAMADARAKA, an acclaimed and rapidly rising female twin artist duo, produced by Nomadic Gallery in Tokyo.

pre-order now30.10.2026

expected to be published on 30.10.2026

NWHR & Mist Gasp - Point of No Return

NWHR & Mist Gasp

Point of No Return

12inchLPR-V007
Loopaina
30.10.2026

Spanish label LOOPAINA hits its 007th vinyl reference with a devastating split EP that bridges the underground scenes of Spain and Argentina. For this special release, the label brings together Argentinian producer NWHR and the powerful Spanish duo MIST GASP on a limited 12-inch wax that redefines contemporary club music. The physical record features 6 meticulously crafted tracks: two original cuts from each artist alongside a crossover remix where each act replicates and transforms the other's work. The result is a cohesive sonic journey that exudes serious, deep, and hypnotic techno, while maintaining a sharp focus on the dancefloor by championing the rawest underground sound. All music written and produced by NWHR & MIST GASP Mastered by: Carlos Koschitzky Label: Loopaina Records CAT#: LPR-V007 Artwork by Rocío Barrio

pre-order now30.10.2026

expected to be published on 30.10.2026

Raoul Björkenheim & Paal Nilssen-Love - PING LP
  • 01: Ping Pung
  • 02: Not
  • 03: Cutting Strings
  • 04: Broke But Not Shy
  • 05: Some Say
  • 06: Shepherd Shuffle
  • 07: Raptor
  • 08: Loki
  • 09: Crosspulse

Finnish-American guitarist Raoul Björkenheim and Norwegian drummer Paal Nilssen-Love join forces on their new album PING, released by We Jazz Records on 30th October on LP, CD and digital formats. Recorded in Helsinki, the album finds the seasoned duo firing on all cylinders and delivering a remarkable set of contemporary free music.

PING brings together nine excursions beyond “guitar + drums” and way beyond “free jazz”. That being said, those are still good touching points for the music that is wild, imaginative, raw, yet also at times delicate and introspective. Friends and collaborators for decades in groups such as the lauded Scorch Trio, Raoul and Paal have the history and the trust to create memorable and original improvised music that stuns and moves the curious listener.

Raoul Björkenheim (b. 1956) is a Finnish-American guitarist and composer who has been creating original music for the past four decades living in New York City and Helsinki, where he is presently based. Describing his on-going work as investigative guitarism, he is best known for an expressionistic and lyrical guitar style. Björkenheim’s eclectic discography numbers 50+ albums, ranging from ambient soundscapes to visceral free jazz, from duo to big band. His large-scale works for symphony orchestra have yet to be recorded, and he has also composed scores for over ten films and dance productions. Björkenheim has collaborated musically with Bill Laswell, Toshinori Kondo, William Parker, Mats Gustafsson, Hamid Drake, Ingebrigt Håker Flaten, Gerald Cleaver, Henry Kaiser, Lukas Ligeti, Morgan Ågren, Paul Schütze, Edward Vesala and Juhani Aaltonen, for the labels ECM, Rune Grammofon, Cuneiform, Tum Records and Long Song records. Björkenheim has been awarded various prizes including the Emma prize for best jazz recording of the year, and been nominated three times for the Nordic Music Award.

Paal Nilssen-Love (b. 1974) is a Norwegian drummer, composer, bandleader, and producer known for his central role in Scandinavian free jazz and improvised music. Since the mid- 1990s, he has appeared on more than 280 albums, including 70 released through his label, PNL Records. He has performed with influential groups including Atomic, The Thing, Peter Brötzmann’s Chicago Tentet, Scorch Trio, and Frode Gjerstad Trio, and collaborates regularly with artists such as, Ken Vandermark, Akira Sakata, Otomo Yoshihide, David Murray, Arto Lindsay and more. Paal Nilssen-Love’s fascination with traditional and experimental music has taken him around the world. Since his first visit to Ethiopia in 2009, he has built strong connections with musicians and artists in Addis Ababa, leading to collaborations, performances, teaching, and artist exchanges with Norway. Since his first trip to Brazil in 2013, he has returned regularly, developing collaborations with artists and musicians across the country. His musical explorations have also brought him to Tsugaru and Aomori in northern Japan, where he has developed an interest in the region’s traditional music. Nilssen-Love is also an active organizer and educator. He started both Oslo’s all-Ears festival, the Blow Out festival and FRAM Kunstfest, and has led workshops internationally and in Norway.

pre-order now30.10.2026

expected to be published on 30.10.2026

Luna Soul - Second Nature LP
  • 01: Seasons
  • 02: Down The Line
  • 03: Night Magic
  • 04: Only Human
  • 05: Like Water
  • 06: Blinded By Love
  • 07: Truoble
  • 08: Love Philosophy
  • 09: Let The Groove Play On
  • 10: Silver Morning

Blending shimmering disco grooves, warm analog synths and soulful vocals, Luna Soul bring together the elegance of the 70s and 80s with contemporary disco pop. Formed by German singer Lisa Michèle Lietz and Spanish guitarist Jordi Arnau Rubio, the band creates music that feels equally at home on the dancefloor and during a quiet drive home after midnight.


Following the release of their debut album „First Move“ (2025), Luna Soul have established themselves as an internationally touring live act, performing more than 50 concerts each year across Germany, Spain, France, the Netherlands and Denmark. Airplay and features on radio stations including Deutschlandradio Kultur, Radio Eins, NDR and Bayern 2 introduced the band to a growing European audience.


With their new album „Second Nature“ Luna Soul expand both sonically and emotionally. Written between tours and shaped by constant movement, the record explores themes of change, longing, resilience and the search for genuine connection. Ten new songs unfold like scenes from a midnight movie. Synthesizers, guitars and soulful melodies accompany stories of long journeys, quiet conversations, fading memories and the hope found in new beginnings. The album’s first singles, “Only Human” and “Down The Line” capture the two emotional poles of the record. „Only Human“ embraces vulnerability and acceptance with an uplifting warmth, while „Down The Line“ moves through nocturnal cityscapes, combining cinematic intimacy with the pulse of the dancefloor. Together they introduce an album that feels equally suited to solitary late-night drives and crowded dancefloors.


Live, Luna Soul perform as an multi-national four- to six-piece band, seamlessly moving between disco, sophisticated indie pop, yacht rock and atmospheric slow-burners. Their performances combine musical precision with emotional immediacy, inviting audiences into the same cinematic world that defines „Second Nature“.


„Second Nature“ defines Luna Soul‘s most mature artistic statement to date, a record less concerned with nostalgia than with preserving fleeting moments before they disappear.

pre-order now30.10.2026

expected to be published on 30.10.2026

BATTISTINO - IL SEGRETO EP

BATTISTINO, the artistic alias of Marco Battistini, is an Italian musician, songwriter, producer and DJ. His project is rooted in the meeting point between Italo Disco, French Electro, late-’70s Disco Music and Italian pop culture, reinterpreted through a contemporary vision that avoids nostalgia in favor of a distinctive sonic identity. His main influences include the aesthetic vision of Daft Punk, the musical freedom of Daniele Baldelli’s Cosmic Sound, the international disco movement of the late 1970s, and the golden era of Italian Italo Disco, with a special admiration for Righeira. His productions combine driving synth grooves, pulsating basslines and immediate melodies. Gritty electronic drums, saturated synthesizers and subtle harmonic distortion deliberately break away from the polished sound traditionally associated with classic Italo Disco. The result is a more physical and textured sonic palette that preserves the melodic elegance at the heart of the project. BATTISTINO’s visual identity follows the same philosophy. Elegant, reserved and almost bureaucratic, he prefers to remain behind the scenes rather than at the center of attention. More than a performer, he acts as the curator of a sonic archive, where every track represents a fragment of a larger story.

“Il Segreto” is the opening chapter of a conceptual trilogy inspired by an affair that was never revealed, set on the Italian Riviera in the early 1980s. Rather than telling the story itself, the project explores what remains: silence, forgotten details, invisible traces and memories suspended in time. Music, visual design and imagery all become chapters of the same narrative. Every release is a new file, every track a recovered document, every production another fragment of a story that will never be fully disclosed. BATTISTINO doesn’t tell stories. He preserves them. And, from time to time, he allows part of them to surface.

The 12″ includes a N.O.I.A. Remix!

pre-order now30.10.2026

expected to be published on 30.10.2026

The Bar Stool Preachers - Party Eternal LP
  • 01: Sick World (feat. Fishbone)
  • 02: Plastic Romantic
  • 03: Want To Know
  • 04: Singing Along
  • 05: Pick A Side
  • 06: You're Killing Me, Eve
  • 07: Time Of Our Lives
  • 08: Hand Grenade Heart
  • 09: Heartbeat Baby
  • 10: S.O.S
  • 11: Party Eternal!
  • 12: The Closed Door
  • 13: One For The Weekend
  • 14: This Is Goodbye (feat. The Rumjacks)

“Trust me, you will pogo, skank, sing and possibly dance like your f*cking Dad on spice.” Party Eternal is the fourth studio album by the Brighton-based punk/ska band The Bar Stool Preachers. The album represents a massive turning point for the seven-piece, both creatively and structurally. It’s blisteringly good. Combining the best of brit-pop, ska, rock and indie ‘Party Eternal’ is exactly the tonic for the times. In parts scathing, and in others total escapism, this rowdy septet have written the greatest party punk album you’ll hear all year. Renowned for their relentless touring schedule, The Bar Stool Preachers have played stages around the globe, from grassroots venues to major festivals like Rebellion and Punk Rock Bowling. Their heartfelt lyrics and magnetic stage presence have earned them a reputation as one of the most engaging live acts in the punk scene today. Whether delivering politically charged messages or uplifting party anthems, The Bar Stool Preachers continue to inspire and unite audiences, carrying the torch of punk’s rebellious spirit into the modern era. Featuring the single ‘Pick A Side’ (the profits of which were donated by the band to Medical Aid for Palestinians), ‘This is Goodbye’ featuring Aussie Celtic Punk masters The Rumjacks and ‘Sick World’ which stars a guest turn from the genre-shattering and quite legendary Fishbone.

pre-order now30.10.2026

expected to be published on 30.10.2026

MALEDICTUS - LAZARVS LP

MALEDICTUS

LAZARVS LP

12inch2936484FSH
Fireflash Records
30.10.2026
  • 1: Exordium
  • 2: Crypt Of Dreams
  • 3: Silentium
  • 4: Shadows
  • 5: Leviathan
  • 6: Siren's Lullaby
  • 7: Madam Death
  • 8: Black Halo
  • 9: Maledictus

MALEDICTUS is a Portuguese metal band formed in Lisbon. Bringing together experienced musicians with a shared vision, the band creates dark, powerful and atmospheric heavy music. With a foundation of aggressive riffs, haunting melodies and emotional vocals, the band blends modern heavy metal with darker, more melodic influences.

The group was formed by musicians seeking to explore a heavier and more expressive sound, combining technical musicianship with compelling songwriting and a cinematic atmosphere. Their music strikes a balance between intensity and melody, moving between crushing guitar passages, dynamic rhythms, and dramatic vocal performances. ""Our music reflects who we are and how we process life and our own emotions. Music is life manifested through an artist's soul. We all process life with a sense of dark melancholy”, comments guitarist Ben Stockwell. As history has taught us, Portuguese metal bands are known for their melancholic sound, which reflects their cultural identity.

Since their formation, MALEDICTUS has been focused on creating music that reflects the darker and more emotional aspects of the metal genre. Drawing inspiration from classic and contemporary metal acts, the band aims to create a sound that feels familiar yet distinct, appealing to fans of powerful, atmospheric metal.

Boasting a line-up of seasoned performers and a clear artistic vision, MALEDICTUS is developing new material and establishing its presence in the Portuguese metal scene and beyond. Their debut album, „Lazarvs“, is set to be released on Friday 13th of November. The album title draws heavily on the biblical story of Lazarus in the Gospel of John, in which Jesus performs the great miracle of raising his deceased friend Lazarus from the dead after he had been in the tomb for four days.

With Rez on vocals, the band has an exceptional singer with a distinctive, powerful voice. „He is undoubtedly one of the best out there having power, soul, range and timbre. Everything fits perfectly with our sound. We couldn't have asked for a better voice or frontman"", says the guitarist. Rez’s lyrics are another perfect addition to the band's dark, epic and partly progressive sound. The lyrical themes focus on life's darkest moments. „Death brings an opportunity for renewal, as do our most difficult struggles, which require part of us to die in order to be overcome.

pre-order now30.10.2026

expected to be published on 30.10.2026

Holly Johnson - Legendary Children (All Of Them Queer)
  • Original
  • Saturday Night In Heaven Mix
  • Luv Foundation (UK) Remix
  • Luv Foundation (UK) Extended Remix

Legendary Children (All of Them Queer)" is a celebrated 1994 dance-pop track by former Frankie Goes to Hollywood frontman Holly Johnson. The song acts as an upbeat LGBTQ+ historical roll-call, honoring historical queer icons from Andy Warhol to Leonardo da Vinci, and was notably performed at London's Gay Pride in 1994. The song is based on the iconic Paris Is Burning and features the brilliant vocals of Helen Terry (Culture Club/2wo Third3). 

Released on the album Soulstream, the song is famous for its spoken-word verses and euphoric chorus celebrating legendary figures like Oscar Wilde, Jean Cocteau, and Joe Orton. The overarching message is captured in its defiant lyric: "The answer is clear, they're all of them queer."

Now 2026 sees brand new versions by Luv Foundation (UK). George from the Sharp Boys, a dear friend of Holly's and Mark Loverush, mentioned to Holly that Luv Foundation (UK) should do the rework. Mark Loverush and Julian Napolitano wanted to capture as much of the original essence as possible, keeping that 90s flavor while giving the remix a big, classic feel reflective of how it would sound today. 

This is a limited edition of 700 pink vinyl, including 2 of the original versions alongside 2 remixes by Luv Foundation (UK).  It comes in brand new artwork by Philip Marshall.

pre-order now30.10.2026

expected to be published on 30.10.2026

X-Clan - To The East Blackwards LP
  • A1: Funkin' Lesson
  • A2: Grand Verbalizer, What Time Is It?
  • A3: Tribal Jam
  • A4: A Day Of Outrage, Operation Snatchback
  • A5: Verbal Milk
  • B1: Earth Bound
  • B2: Shaft's Big Score
  • B3: Raise The Flag
  • B4: Heed The Word Of The Brother
  • B5: Verbs Of Power
  • B6: In The Ways Of The Scales

X Clan emerged from Brooklyn, New York as one of the most distinctive and politically charged groups of the early 1990s. The original lineup, Anthony “Sugar Shaft” Hardin, Claude “Paradise” Gray, Jason “Brother J” Hunter, and Lumumba “Professor X” Carson, became the driving force behind the Blackwatch movement, a collective that also included artists such as Lin Que aka Isis and Queen Mother Rage.

Renowned for their Afrocentric vision, militant activism, and unmistakable sonic identity, X Clan quickly rose to prominence. Their 1990 debut album To The East, Blackwards sparked both acclaim and controversy, reaching No. 11 on Billboard’s Top R&B/Hip-Hop Albums and No. 97 on the Billboard 200. The record delivered several standout singles, including “Heed The Word Of The Brother” backed with “Raise The Flag”, “Funkin’ Lesson” backed with “Shaft’s Big Score”, “Grand Verbalizer, What Time Is It?”, and the funk-driven, sample-heavy track “Verbal Milk”.

The group’s original formation dissolved in 1995, and tragically, both Sugar Shaft and Professor X passed away later that year.

To The East, Blackwards is now reissued on vinyl for the first time since 1991, honouring one of hip‑hop’s most influential and culturally resonant albums.

pre-order now30.10.2026

expected to be published on 30.10.2026

Sensational & Abu Ama - Ringing In Your Ear

What happens when bassweight electronic beats meet the abstract world of one of the most uncompromising MCs on this planet?

Get ready for a special listening experience as Abu Ama and Sensational take you deep into a world of heavy bass, fractured rhythms, strange frequencies and completely unpredictable flows.

Abu Ama is known for his unique production style, combining Dub, Ambient and Industrial soundscapes with Middle Eastern sound structures. His productions create vast, atmospheric spaces where bass pressure and subtle details constantly collide. Over the years, he has developed his signature sound through releases on forward-thinking labels such as Bokeh Versions and Accidental Meetings. With Ringing In Your Ear, Abu Ama presents some of his most adventurous and forward-thinking productions to date.

On the microphone, we are proud to present a true underground legend straight outta NYC: Sensational.

Born Colin Julius Bobb in Guyana and raised in Brooklyn, Sensational became one of the most distinctive and unpredictable voices to emerge from New York’s experimental hip-hop underground. Originally performing under the name Torture, he was already connected to the Jungle Brothers in the early 1990s before developing the completely unique style that would become synonymous with Sensational.

In 1997, he released his debut album Loaded With Power on the influential Word Sound label. Built from dusty beats, unusual samples and lo-fi textures, the record established Sensational as an artist who seemed to operate completely outside the established rules of Hip Hop.

Over the following decades, he continued to explore the space between underground rap, experimental electronics, noise and abstract music. His long list of collaborators included artists such as Spectre, Kouhei Matsunaga, Kid 606, Cardopusher, Handsome Boy Modeling School and many others. His work with Kouhei Matsunaga was even remixed by Autechre.

Sensational was never interested in fitting into a particular scene. His rhymes were surreal, his flows unpredictable and his approach completely his own. For more than three decades, he remained a true outsider — a cult figure whose music connected underground Hip Hop with some of the strangest and most adventurous corners of experimental music.

After Abu Ama and Sensational’s heavy 2023 single International Rokkaz left us wanting more, the two decided to take things much further. What started as a single collaboration evolved into a full length soundclash.

We were already incredibly hyped about this collaboration from the moment we heard it. But while we were preparing for the release of the single MOZZ, the terrible news reached us: Sensational had passed away.

The news hit hard. It is still difficult to believe that we will never hear a new Sensational verse again.

What makes Ringing In Your Ear even more special is that it captures Sensational doing what he did best — completely free, completely unpredictable and completely himself.

We dedicate this record to Colin Julius Bobb aka Sensational, in loving memory of an extraordinary artist, MC and true underground original.

Rest in power, Sensational.

pre-order now30.10.2026

expected to be published on 30.10.2026

Various - Turbo Charged Soul! (10")

This release is a homage to the Turbo label.

Turbo was a part of Joe Robinson and Sylvia Robinson’s All-Platinum Records set up in New Jersey which operated from 1967 to 1979. At one stage the fiercely independent and proudly black owned label threatened to become another Motown or Philadelphia International. That never happened, but the Robinson’s dream of worldwide success came later when Sylvia discovered Rap, recorded Rappers Delight by The Sugarhill Gang and Sugar Hill records was born.

Music historian Steve Guarnori describes All Platinum as "probably the most unusual record company there ever was. Dysfunctional, but at the same time wonderful."

The All-Platinum chaos extended to Turbo. But despite anarchy - some superb albums went straight from manufacture to be deleted and sold as cut-outs - sublime music was created. This 10" 6-track release collects together some of the most hallowed Turbo releases which between them have become cherished by collectors.

Brother to Brother "The Bottle" captures the label at its most astute. Gil Scott-Heron and Brian Jackson’s original version was an album only track on Strata-East so Turbo seized the opportunity to quickly make a worthy cover version and rush release it a single which enjoyed success.

"Ton Of Dynamite" by Frankie "Love Man" Crocker was Turbo’s debut release in 1968 (it actually sounds a later recording). At the time Frankie was a DJ on WWRL radio station in New York and the release was essentially a reward for his previous support of All-Platinum releases. The record (a b-side) is actually made Willie & The Mighty Magnificent who went on to re-record it as

"Funky 8 Corners". It took until 1975 for "Ton Of Dynamite" to get recognition when it became an anthem as the UK Northern Soul scene adopted it as part of the movement away from old skool 1960’s Soul. Whatever its’ provenance, "Ton Of Dynamite" is now revered by the Rare Soul and Funk communities.

The Optimistics "Man" from 1971 is another b side single. The group specialised in smooth harmony Soul but "Man" is a funkier affair which won support from Rare Soul aficionados and will cost you £600 plus if you are lucky enough to locate a copy of the hard to find 45.

Willie & West "Attica Massacre", also from 1971, is an even more elusive single. It is a powerful protest against the killing of 29 prisoners, many black, following a riot at a prison - Attica Correctional Facility in New York. The deaths and a subsequently discredited cover up caused outrage. John Lennon was amongst the first musicans to make a recording about the bloodbath, but the most emotional protest is this Willie & West track. Only 300 copies were manufactured of one of the most powerful civil rights recordings ever made. The vocal sounds like anti-War Edwin Starr at his most bristlingly aggressive.

Perhaps the strangeness of All-Platinum is best illustrated by the later success of Lonnie Youngblood "Sweet Sweet Tootie" which is essentially the backing track of "Attica Massacre" plus exquisite sax playing by Lonnie. Despite it selling 100,000 plus copies the label did not see this as a reason to reissue "Attica Massacre". Strange. Or as Marvin asked "What’s Going On"?

The New Sounds "Don’t Take Your Love From Me" was only issued by Turbo as an album track. Despite good music on it the LP was poorly (it at all)/ promoted and flopped. The superb "Don’t Take Your Love From Me" is a long time Northern Soul / X-Over favourite.

Larry Saunders mesmerising "On The Real Side" made no impact when released on Turbo in 1974 but was nevertheless issued in the UK by London Records. The Northern Soul discerning dancers instantly latched on to its combination of uplifting lyrics, heartfelt vocal and clomping beat and since then its’ appeal has extended across the whole of the Soul community. Without doubt an all time classic.

So six treasures from a label that despite frequently advocating cash out of chaos frequently conjured up awesome music.

ANORAX is grateful to have the opportunity to present this very special Soul selection.

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manu de soleure - searching for the baby nautilus

Deep in the sea lives one of Earth's most ancient creatures: the Nautilus. Hunted for its beautiful shell and now, through our global evolution, endangered, like so many other beings. Perhaps most astonishingly, no one has ever observed a baby Nautilus in the wild. The title track of this debut EP takes you on a dark journey, searching through the deep ocean for this elusive animal.

On the other side, I don't believe in Fermi’s Golden Rule, is a sonic interpretation of a statement made during a quantum field theory lecture, questioning the experimental mathematics often used to derive the famous rule. But actually, trying to express the confusion about quantum physics in general.

The dub-infused EP is mainly inspired by the pioneering magic of Detroit’s electronic music scientists and the experiments of European electro wizards.

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Various - Wig Out! Freak Out! LP 2x12"
  • A1: The Sonics - Shot Down
  • A2: The Standells - Dirty Water
  • A3: The Haunted - 1-2-5
  • A4: The Birds - You’re On My Mind
  • A5: Paul Revere & The Raiders - I’m Not Your Stepping Stone
  • A6: The Shadows Of Knight - Shake
  • A7: The Starlets - You Don’t Love Me
  • A8: The Wimple Winch - Save My Soul
  • B1: The Action - Land Of 1000 Dances
  • B2: Jacques Dutronc - Le Responsable
  • B3: The Eyes - You’re Too Much
  • B4: The Remains - Don’t Look Back
  • B5: The Kinks - Louie Louie
  • B6: Rita Chaos & The Quests - Hanky Panky
  • B7: The Argyles - Farmer John
  • B8: The Poets - Wooden Spoon
  • C1: The West Coast Pop Art Experimental Band - Shifting Sands
  • C2: ? & The Mysterians - Up Side
  • C3: The Third Bardo - I’m Five Years Ahead Of My Time
  • C4: The Shadows Of Knight - Gloria **
  • C5: The Chocolate Watch Band - Let’s Talk About Girls
  • C6: The Open Mind - Magic Potion **
  • C7: Count Five - Double-Decker Bus
  • C8: The Satans - Makin’ Deals
  • D1: The Quik - Berts Apple Crumble
  • D2: The Spencer Davis Group - I’m A Man
  • D3: Julie Driscoll, Brian Auger & The Trinity - Indian Rope Man
  • D4: The Hi-Fis - Tread Softly For The Sleepers
  • D5: The Yardbirds - Stroll On
  • D6: The Pirates - Cuttin’ Out
  • D7: The Seeds - Pushin’ Too Hard
  • D8: Davie Allan & The Arrows - Blues Theme
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Alwin Nikolais - Electronic Dance Music, 1966-1989 (2x12")

Often credited as the father of multi-media theatre, Alwin Nikolais (1910-1993) took complete creative control over his productions - including cutting-edge approaches to lighting and costume that transformed human bodies into shifting sculptural shapes, while also composing wildly innovative electro-acoustic and synth-based audio as accompaniment.

After initially experimenting with musique concrète and tape manipulation (as demonstrated on the 1959 LP Choreosonic Music of the New Dance Theatre of Alwin Nikolais) Nikolais became the first owner of Robert Moog's synthesizer at the Audio Engineering Society convention in New York in late 1964. Relying heavily on the Moog and later the Synclavier synth/sampler, these 21 tracks document Nikolais' highly-prescient compositions across the mid 1960s through to the late 1980s - existing not only as extensions of his other-worldly choreographic productions, but standalone pieces of foundational mid-century American electronic and experimental music.

"Born in Southington, Connecticut in 1910, Nikolais’s early years and early career were in acting, music and puppetry. It was not until the late 1930s that he began his work as dancer/choreographer in Hartford, Connecticut, where he was commissioned by the Avery Memorial Theatre, a part of the Wadsworth Atheneum, to create an evening-length work to the music of Ernst Krenek. Previously his work and study as a pianist-organist found him accompanying silent films. This sort of accompaniment required from the musician not only a playing skill but also a versatility in improvisation, matching movement to sound, and evoking mood to situation.

Nik was drawn initially to dance by his involvement with the percussion scores used by the illustrious early twentieth century German dancer Mary Wigman. In trying to learn more about percussion, he was lured into dance class and thus his career began. His development of music and dance occurred simultaneously. His introduction to the twelve-tone technique opened his mind to the expanding areas of atonal music, and his dealing with music as sound per se. In 1948, after being appointed director of the Henry Street Playhouse in New York, Nikolais formed the Playhouse Dance Company, later known as the Nikolais Dance Theater, and began his aesthetic orientation toward dance as a study of motion. By the 1950s, he had ceased creating literal dances and began his explorations and eventual milieu as an abstractionist.

Sound became an important part of his abstract theatre. For his first dances, which involved his new thinking of dance as both a visual and kinetic art, he used live percussion scores in which he directed his dancers to play instruments of all nature. There was a combination of children’s toy instruments as well as harsh and resonant automobile brake drums, and other pitched auto parts which he also used to accompany classes. Once he installed his own tape recording machines, he quickly used the limited range these instruments provided in a new way, slowing and increasing speed and reversing sound. He also made the sounds adhere to the choreographic structure (not the other way around), thereby giving the dance its independence from the musical phrasing. But the real need remained: the search for new sound. Nik made a sound library, recording noises and percussion and vocal sounds, which the French aptly called musique concrète. Needless to say, he became a master at splicing bits and pieces.

From 1956 to 1962 Nikolais composed eleven major scores for his theatre pieces using such techniques. In 1963, James Seawright, who at the time was assisting Nik in his productions and also working at the Columbia-Princeton Center for Electronic Music, recorded a sound bank for the production Imago (1963). With this material, Nikolais created his first synthesizer score. Imago won the Paris Grand Prix in 1968 and launched the Nikolais Dance Theatre towards its national and primarily international acclaim.

During the same period, Seawright came to Nik and told him of a young man who had invented and constructed a simplified synthesizer and insisted that Nik visit the electronic fair currently being held in New York. Nik did so and met Robert Moog. He was completely taken by the new machine and after making some suggestions to Moog, (which Moog made), Nik bought the inventor’s first machine with the aid of a Guggenheim Fellowship. Moog himself was astonished by what his machine could produce for Nik. This machine was later acquired by the Museum of Musical Instruments at the University of Michigan at Ann Arbor as the first Moog synthesizer. The Synclavier was Nik’s next source of sound and since the mid-1970s remained the major instrument in the Nikolais soundroom.

Alwin Nikolais has been honored and awarded throughout the world. He has received the French Legion of Honor, the Kennedy Center Honors, National Medal of the Arts, two Guggenheim Fellowships, as well as Mellon, Ford, and Rockefeller grants. He has been a recipient of NEA grants since 1966, been awarded five honorary doctorates, all for his remarkable achievements in Dance Theater. His genius has influenced several generations of artists."
—Murray Louis

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PHOEBE BRIDGERS - LOST WEEKEND LP 2x12"

"Lost Weekend" ist das erste Album von Phoebe Bridgers seit dem mehrfach für den GRAMMY nominierten Vorgänger "Punisher" aus dem Jahr 2020. Bereits ihr gefeiertes Debüt "Stranger in the Alps", veröffentlicht kurz nach ihrem 23. Geburtstag, machte deutlich, welch außergewöhnliches Songwriting-Talent in Bridgers steckt. Mit "Punisher" löste sie dieses Versprechen eindrucksvoll ein: Das Album wurde für seine kluge, eindringliche und zugleich fesselnde Komposition weithin gefeiert und etablierte sie endgültig als eine der prägendsten Stimmen ihrer Generation. Wer nun "Lost Weekend" hört, wird jedoch feststellen, dass Bridgers noch einen Schritt weitergeht. Auf dem neuen Album präsentiert sie sich auf dem bisherigen Höhepunkt ihres künstlerischen Schaffens. Mit bemerkenswerter Präzision verfeinert sie die Motive, die ihre bisherigen Werke ausgezeichnet haben, und erweitert ihren Sound gleichzeitig um zahlreiche überraschende Facetten. Das Ergebnis ist ein Album, das vertraut wirkt und dennoch immer wieder neue Wege einschlägt. Vor ihren jüngsten Pop-up-Shows stand Bridgers zuletzt mit ihrer Supergroup boygenius auf der Bühne, die sie gemeinsam mit ihren engen Freundinnen Lucy Dacus und Julien Baker gegründet hat. Für das 2023 erschienene Album "the record" erhielt die Band mehrere GRAMMY Awards, darunter "Best Alternative Music Album" sowie "Best Rock Song" und "Best Rock Performance" für die Single "Not Strong Enough". Phoebe Bridgers verließ die Preisverleihung zudem als meistprämierte Künstlerin des Abends. Ihren vierten GRAMMY gewann sie in der Kategorie "Best Pop Duo/Group Performance" für "Ghost in the Machine", ihre Zusammenarbeit mit SZA auf deren Erfolgsalbum "SOS". Zuvor war Bridgers als Support-Act auf ausgewählten Terminen von Taylor Swifts "The Eras Tour" zu sehen. Davor absolvierte sie fast zwei Jahre lang ihre eigene "Reunion Tour" mit mehreren ausverkauften Nordamerika-Etappen, rund dreißig Konzerten in Europa sowie abschließenden Shows in Südamerika, Asien und Australien. Auch abseits der Bühne prägte Bridgers die vergangenen Jahre mit einigen der eindrucksvollsten Live-Performances im Netz und Fernsehen, darunter ihr viel beachtetes NPR Tiny Desk Concert sowie ihr Auftritt bei Saturday Night Live. Seit ihrem letzten Soloalbum veröffentlichte sie zudem zahlreiche Singles, Coverversionen und Kollaborationen mit Künstler wie Paul McCartney, MUNA, Bright Eyes, The 1975, Lorde, Taylor Swift und The National.

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Dopplereffekt - Gesamtkunstwerk LP 2x12"

2026 Repress

Originally released as three stunning 12inches on Dataphysix records in the mid '??90s, the LP edition of 'Gesamtkunstwerk' on Clone Classic Cuts will be available again. Including iconic tracks like '??Scientist'??, '??Pornoactress'??, '??Sterilization'??, 'Rocket Scientist'??, 'Cellular Phone'?? and '??Speak & Spell'??. '??Gesamtkunstwerk'?? is almost as important for the techno generation as Kraftwerk'??s 'Computerworld' and 'Autobahn' were for many in the '70s.

pre-order now02.11.2026

expected to be published on 02.11.2026

Last In: 12 months ago
Pascale Project - Watch EP

Sometimes things go quickly. After meeting Canadian artist Pascale Project early this year (twice in one month) on the same dancefloor of a crusty underground club in Neukolln, we sent this Berlin-based DJ and producer a short appreciation email to show curiosity and interest in her unreleased music. Our hope was to listen to it and maybe just maybe start a record-release project. Pascale sent back quickly, and she shared some fantastic club music with us. We had separate listens to the full playlist, and, funnily/coincidentally, we chose the same 4 tracks as highlights from the big playlist. One week later, Pascale emailed us back, mentioning the tracks she would feel/see/love to be released on the label, and they were the exact same ones we had naturally and unanimously chosen. Stars aligned for sure. Having long been active in the Montreal music scene, Pascale absorbed the essence of all her different experiences and years of training and creating, and then let it all start Sparkling into the 22nd Basic Moves release entitled "Watch EP". The record is based on the concept of losing and breaking things up, and eventually finding it all back. Reflecting hope in between the fog of life. It is clever modern underground club music rooted in the textures and energies of the golden days of progressive house, breakbeats and (real!) tech-house. These 4 tracks reflect an artist who expresses herself honestly, fully understands how to creatively arrange and produce club music, and never loses sight of the dancefloor, as she is often found on that dancefloor herself. Dive in and let us know what you think of it. We are stoked to play out and vibe on these tunes for real!

pre-order now02.11.2026

expected to be published on 02.11.2026

Limpe Fuchs - Pianostops (TAPE)
 
2

Limpe Fuchs performs a live improvised score to an almost-lost silent western action film in a darkened Brussels theatre, continuing the tradition of the silent film pianist. Intimate and poetic: moonlight, projected images reflecting on the audience's faces, and a family connection (her grandfather once played violin for silent films) make this a uniquely personal recording.

pre-order now03.11.2026

expected to be published on 03.11.2026

PRAED - Al Wahem LP

PRAED

Al Wahem LP

12inchRPTD073LP
Ruptured
21.08.2026

Al Wahem (“The Illusion”) is the new full-length release by PRAED, the Swiss–Lebanese duo of Raed Yassin and Paed Conca. Recorded between Beirut and Berlin, the album returns to the group’s central aesthetic: a rhythm-driven weave of Egyptian shaabi, electronics, improvisation and the gritty pulse of street-level sound. Nearly twenty years into the project, PRAED have distilled their approach into four pieces that subtly shift the listener’s bearings, reordering grooves and fragments until familiar elements take on new identities.
The twenty-minute title track sets the tone. A tightly interlocking two-drum foundation from Pascal Semerdjian and Ayman Zebdawi shapes a structure that expands steadily: synth figures branch outward, clarinet and bass lines act as internal guideposts, and brief vocal calls from Yassin and guest singer Mayssa Jallad sit inside the texture rather than leading it. PRAED’s shaabi keyboard language is present, but the duo stretch it outward, building tension and movement through patient accumulation.

“Al Hathayan,” at 4:46, tightens the focus. Conca’s clarinet moves between melodic arcs and clipped rhythmic gestures, threading through electronic loops that surface and disappear. Zebdawi’s percussion adds a raw, tactile quality, placing acoustic patterns and electronics in direct conversation. The piece acts as a bridge between the album’s two long-form compositions.
Side B begins with “Al Maraya,” a thirteen-minute piece that relies on electronic, bass and clarinet interplay. The atmosphere nods to the breadth of PRAED Orchestra!, but remains anchored in the duo’s rhythmic foundations. Rather than building mass, the layering creates a sense of depth, as if new spaces were opening inside the groove.
The album closes with “Assarab,” featuring keyboardist Amr Said. Semerdjian and Zebdawi again form a dual percussive axis, while synths hover between melody and pulse, and themes recur in widening circles rather than building vertically. The porous boundary between electronic and acoustic sources — processed clarinet mistaken for a sequencer, rhythmic figures springing from live drums — is where the album’s theme of “illusion” shows itself most clearly.

Al Wahem follows a long arc: early releases on Annihaya, a key appearance on Ruptured Sessions Vol. 5 – Live at Radio Lebanon (2013), later albums on Akuphone, and the large-scale PRAED Orchestra! documented on Morphine Records. This new Ruptured/Annihaya co-release brings the duo back to a concentrated format, reorganizing their familiar materials with renewed clarity and intent.

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Son Of Lee - Non Cents Edits

Son Of Lee

Non Cents Edits

12inchNOLSOL002
SOL
21.08.2026

Brooklyn-based DJ and producer Son of Lee is a native New Yorker who's been active in the local underground for over a decade. He launched this label back in August with a doozy of an EP that soon sold out, and so we're glad he's back. These are four more flame-hot disco edits marbled with references to many classic sounds and artists. 'Stop Making Cents' is jangling disco-pop, while 'Different Places' slows down to an 80s synth chug and 'Louis-Dreyfus Dance Face' brings some erotically charged disco sophistication and 'Nichols In May' is a mid-tempo and dubbed out delight with funky guitars for days. Classy and effective.

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DJ Split & The Trip - Action Classa

DJ Split & The Trip

Action Classa

12inchTESS026
Tessellate
20.08.2026

Tessellate presents Action Classa, a new EP from DJ Split featuring three original tracks alongside a remix from The Trip. Following releases on Major NYC Records, Indulgence, Shadow Pressings and On Loop, DJ Split continues to prove himself as one of the scene’s most exciting producers with his raw, energetic take on classic Chicago house.

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RANDALL DUNN - MANIFOLDS OF PARTIALLY ACTUALIZED REALITIES
 
2

,Manifold of Partially Actualized Realities" ist das neue Album bei Kou Records von Randall Dunn - Produzent, Komponist und einer der markantesten Gestalter von Low-End- und räumlichen Klängen in der zeitgenössischen Musik, bekannt für seine Arbeit mit Sunn O))), Oneohtrix Point Never, David Torn und unzähligen anderen aus den Bereichen Heavy-, Experimental- und Avantgarde-Musik. Das Album ist eine Meditation über zerbrochene Realitäten, Zeit und Sterblichkeit - ein Spiegel, der sich auf sich selbst zurückfaltet und darüber, wie zukünftige Ereignisse die Vergangenheit beeinflussen. Sein tragender Geist ist Philip K. Dicks ,Pink Light Experience" von 1974, in der der Autor berichtete, eine Übertragung von einer gewaltigen, außerirdischen Intelligenz empfangen zu haben: informationsreich, uralt und überwältigend. Dunn nähert sich dem sowohl als Konzept als auch als kompositorische Logik - Musik, die in Schichten auftaucht, zusammenbricht, sich neu formiert und sich einer Auflösung verweigert.? In vier Stücken setzt Dunn ein ganzes Arsenal an Vintage-Synthesizern ein - Korg MonoPoly, Korg MS-20, PPG Wave, CS-80, Juno-60, Waldorf Strings, Fizmo - neben einer außergewöhnlichen Ensemblebesetzung. Spoken-Word-Beiträge von Jim Jarmusch (basierend auf PKDs Prosa) und Laima Leyton (basierend auf Robert Graves' ,Time") verankern zwei der vier Stücke in Sprache, ohne sie zu erklären. Das Album bewegt sich von orchestraler Kammermusik über elektroakustische Abstraktion hin zu einem abschließenden Stück - ,Ayn" -, das sich zu ekstatischem Jazz entfaltet, mit Cyro Baptista, Briggan Krauss, Henry Fraser, Charmaine Lee und Robert Aiki Aubrey Lowe. Wahre elektroakustische Komposition im vollsten Sinne: spektral, körperlich und weit offen. Produziert und gemischt von Randall Dunn bei Circular Ruin, April 2026. Aufgenommen und gemastert von Ben Greenberg. Dolby-Atmos-Mischungen von Ben Greenberg. Lackschnitt von Paul Gold bei Salt Mastering. Cover- und Rückseitengestaltung von Steve Rude.

pre-order now06.11.2026

expected to be published on 06.11.2026

KIYOSHI SUGIMOTO - OUR TIME

Colorful, powerful and elegant. A watershed masterpiece that embraces before then and after that by Kiyoshi Sugimoto, the master of the era.

Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as “Country Dream” and “Babylonia Wind.” This work was recorded with Akira Ishikawa, Hiromasa Suzuki, Takao Uematsu and others right after studying in America for about a year. Starting with the groovy and luscious “Our Time” and “Marmalade Sky”, the dubious keyboards of “Jones Street”, and the melancholic and beautiful “Quiet Pulse”, it can be said to be a gap between jazz rock and fusion. There are attractive songs. This work represents Sugimoto’s work in the mid-1970s.

pre-order now06.11.2026

expected to be published on 06.11.2026

HIROMASA SUZUKI - HIGH-FLYING

Hiromasa Suzuki, the hidden force behind Hiroshi Suzuki’s ""Romance"" and Jiro Inagaki’s ""Breeze,"" gathered a superb lineup of musicians and perfected the crossover sound on this masterpiece.



Hiromasa Suzuki was a composer, arranger, and keyboardist who played an active role not only in jazz, but also across the wider Japanese music world, including kayoukyoku, film, television, and commercials. From the late 1960s through the mid-1970s, he was deeply involved in works by Terumasa Hino, Akira Ishikawa, Jiro Inagaki, and others during their most cutting-edge periods, fully demonstrating his remarkable skill. His innovation, always one step ahead of the times, reached a kind of culmination in this work, recorded in 1976. Featuring young Shuichi “Ponta” Murakami, Akira Okazawa, and Masayoshi Takanaka, this is a masterpiece of pre-fusion and crossover.

pre-order now06.11.2026

expected to be published on 06.11.2026

LINO CAPRA VACCINA & LUCA FORMENTINI - LIMEN

LINO CAPRA VACCINA & LUCA FORMENTINI

LIMEN

12inchSPS26123
13
06.11.2026

Limen brings together two artists whose musical paths converge around a shared sensitivity to listening, resonance, and the evocative power of sound.
Recorded at Ritmo e Blu Studio during a five-day residency between spring and summer 2025, the album emerged from a series of spontaneous encounters free from predetermined structures. The pieces preserve their original form, retaining the immediacy and temporal flow of the dialogues as they first unfolded.
Subsequent interventions were conceived not as revisions, but as an exploration of the open spaces already present within the recordings—deepening what remained unspoken and extending resonances without altering the music's natural evolution.
The title, derived from the Latin word for “threshold,” reflects the nature of the project itself: a place of passage between improvisation and composition, silence and vibration, memory and imagination. Limen inhabits a suspended territory where listening becomes an experience of openness, presence, and transformation.
---
Lino Capra Vaccina
Lino Capra Vaccina is one of the most distinctive voices in Italian experimental music. A percussionist, composer, and pioneer of minimalist and meditative sound practices, he first emerged in the early 1970s as a founding member of the influential group Aktuala, whose visionary fusion of ancient traditions, improvisation, and contemporary research anticipated what would later become known as world music.
Over a career spanning more than five decades, Vaccina has cultivated a unique artistic language centred on vibration, resonance, and the transformative power of sound. His landmark 1978 album Antico Adagio remains a touchstone of European minimalism, while his collaborations have included figures such as Franco Battiato, Juri Camisasca, Markus Stockhausen, Keith Tippett, Paolo Tofani, and many others.
Whether working with percussion, piano, electronics, or voice, Vaccina's music seeks a state of suspension and contemplation. His compositions unfold as immersive sonic environments whereancient echoes and contemporary sensibilities meet, inviting listeners into an experience that is at once intimate, spiritual, and timeless.
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Luca Formentini
Luca Formentini is an Italian composer, sound artist, and improviser whose work unfolds at the intersection of experimentation, atmosphere, and deep listening. Active since the late 1990s, he has developed a highly personal language in which guitar, voice, field recordings, and electroacoustic processes become tools for exploring memory, perception, and the expressive potential of sound itself.
His music resists easy categorization, moving freely between ambient, contemporary composition, improvisation, and sound art. Throughout his career he has released numerous solo works and collaborated with a wide range of internationally acclaimed musicians, including Holger Czukay, Robert Rich, Markus Stockhausen, Steve Jansen, Theo Travis and Steve Lawson.His recordings have appeared on labels across Europe, Asia, Australia, and the United States.
Rooted in a practice of attentive listening and sonic exploration, Formentini creates evocative musical landscapes that invite reflection rather than certainty, opening spaces where silence, texture, and resonance become as meaningful as melody itself.

pre-order now06.11.2026

expected to be published on 06.11.2026

Topdown Dialectic - False LP (2x12")

Since the early 2010s, photographer and producer Izaak Schlossman has been surreptitiously using the Topdown Dialectic moniker to frame his most enigmatic and most psychedelic productions: faceless pure sound experiments that ogled dub and techno archetypes from somewhere far beyond the veil. This generous 2LP collection surveys over a decade of persistent activity, pulling together recently unearthed gear written between 2013 and 2016 (the same time period as the iconic Peak Oil trilogy) and muddling it with more contemporary material. It's a rare chance to fully comprehend the slow, measured evolution of the project: its genesis as a method to fractalize various bass music frequencies with suggestion rather than over-compression, and its ongoing advancement through sensitively finessed ASMR ambiance towards spangled neo-psychedelia.

So it's no surprise that the lengthy suite of five-minute snapshots was initially devised while Schlossman was preparing for his first ever Topdown Dialectic live appearance in 2025. A hazed early morning, open air performance that's still lodged in the memory banks of anyone who witnessed it, the set provided the narrative anchor for the album, blurring the past and present and reaching tentatively into the future - ideal material for audiences whose brains are fully plasticized. The tracks, while divided, sound as if they're breathing over and into one another; beats and phrases materialize and dissolve just for moments, leaving the mind to fill in the gaps with any available sonic material. What might reflect the bright neon light of acid house at first soon embodies the flicker of a candle over a desk of drum machines in a Midwestern basement, or the first blush of sunlight over a tiny campground as subwoofers creak in the distance.

It's music that asks the listener to be involved in the creation itself, projecting their own shapes on the negative space, their discreet fantasies on haunted stretches of near silence. Schlossman's identity was never the point, Topdown Dialectic was always a scrying stone intended to divine far more personal revelations.

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SEAN BEING - THANK GOODNESS

LP with insert

In the artist’s own words:

"Thank Goodness brings together an overdubbed ‘chamber band’ of bass guitar, viola, piano, harpsichord, voice and drums. Made on my own in London and Ireland between 2023-26 as a slow channelling inward of a lot of social energy.”

Seán Being is a committed figure at the sharp edges of Irish music, including being the key instigator of the band Princ€ss, touring bass player with Maria Somerville, and a long-time affiliate of Dublin label wherethetimegoes. Their various collaborations include contributions to live and recorded projects with the likes of Spellcaster, Nashpaints, Florian TM Zeizig, Jennifer Moore, Olan Monk, Dylan Kerr, Asa Nisi Masa, Life is Beautiful, Polido, Adriana João and Usof.
Not always in the business of ‘popular music’, Seán also has Gregorian Chant and car horn performances in their repertoire.

Aspects of all of this activity have made their way, directly or otherwise, into this first full-length album.

pre-order now06.11.2026

expected to be published on 06.11.2026

Party Dozen - 21 Bum Salute LP

Party Dozen

21 Bum Salute LP

12inchSLANG50622X
CITY SLANG
06.11.2026

21 Bum Salute is the fifth album from Sydney experimental psych-noise-pop duo Party Dozen. The work of Kirsty Tickle (saxophone, vocals) and Jonathan Boulet (drums, loops, production), 21 Bum Salute finds the critically-acclaimed, semi-improvised duo feeling liberated - from their peers, their worries, and what the nell they're supposed to sound like now.

Emerging in 2017 from the warehouses of the Sydney experimental noise-rock scene, Party Dozen arrive at the release of their fifth album, 21 Bum Salute, in peak form. Over the course of four, increasingly perverse albums of psych-tinged rock peppered with pop noise and bursts of doom in equal measure, they've transformed from gleeful noise-makers producing DIY albums from a tiny room in Marrickville, NSW, to globe-hopping, critically-adored favourites - producing DIY albums from a tiny room in Marrickville.

As well as tours with Amyl and the Sniffers, King Gizzard and the Lizard Wizard, Tropical F*ckstorm, Algiers and more, Party Dozen had Nick Cave appear on 2022 single Macca The Mutt', collabed with New York rapper billy woods, performed an incendiary live set on KEXP, signed international deals, firstly with Temporary Residence LTD (Mogwai, Explosions in the Sky,
Along the way Party Dozen self-released their first two albums, The Living Man (2017) and Pray For Party Dozen (2020), struck a chord internationally with album The Real Work (2022), which sent them on tours of Europe, North America, Japan, China and New Zealand, while fourth LP, Crime in Australia (2024), an ode to Aussie noir that leaned beyond rock into moodier moments, repeated it.

Party Dozen recorded, mixed and mastered 21 Bum Salute completely themselves, over a three month span. Inspired by spooky "old recordings" as well as the primal impulses of acts like ESG and Bikini Kill, 21 Bum Salute - named after a peculiar, larrikin ritual in Australia's arid Northern Territory - condenses consecutive years of jam sessions, loops and improvisations into just over half an hour's worth of fizzing, strutting, striking sonics from the fringes.

pre-order now06.11.2026

expected to be published on 06.11.2026

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