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The Acido family in full effect: leftfield, lo-fi Acid, ace Ambient trips, Disco vibes & what not.

Back for round two on WOLF Music, Toronto Hustle & Sean Roman present their ‘Social Narcotics’ EP. The deep house dons from Canada don’t disappoint with a hard-hitting slammer, and a suite of remixes courtesy of some of the scene’s most-respected producers.

The A-side starts with none-other than Byron The Aquarius on the remix. You see that name on a record and you know it’s going to be a hot 12”. Just look at some of the labels he’s released on; Sound Signature, Wild Oats, Eglo, Axis; that’s the only stamp of approval you need. His remix of ‘Social Narcotics’ is deeper than deep. Moody, musical and packed with detail. Proper house for those that know the good stuff.

Then POW! - you're hit with a legend of the game. Calling Nick Holder a legend isn’t hype, it’s just fact. Active since the early ‘90s and head of DNH Records, with releases on labels like NRK and Poker Flat Recordings, his influence runs deep. Any serious head will have some of his jams in their collection (‘Summer Daze’!!!). Teaming up with Tyrone Solomon under their ‘Trackheadz’ guise, the Canadian duo have delivered a trademark peak-time remix. Driving and groovy, this is tackle for proper dancefloors.

For the flip we have Toronto Hustle & Sean Roman's original track and a rather tasty dub version. ‘Social Narcotics’, blends sharp social commentary with a late-night, low-slung thumper of a soundtrack. With its warm, rolling and hypnotic feel, it has echoes of a prime 90s deep house cut, yet still sounds fresh and very much of the now. The dub mix turns the lights down even lower, stripping it back and letting the groove bubble away with a more heads-down sound.

This EP is a strong follow-up that keeps things deep, soulful, and club-ready. Exactly what you want from Toronto Hustle & Sean Roman, and another solid addition to the WOLF Music catalogue.

RAWAX welcomes Guillaume & the Coutu Dumonts to the artist Family!
Very happy to announce a series of records, starting with "Coup de Théâtre" which is a very strong opening release for us.
Lovely EP full of ´Groove, Soul and Funk.
Don't miss!

Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm.

Unsung House hero, Steve Bug has been there and done it all. Arguably Germany’s most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage Pornbugs are mixing in different circles with recent releases for Selador and Acker Dub, showcasing their crossover appeal with a new generation of DJs.

Opening with ‘On The Swing’ we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride.

Next up, ‘Behind The Glass’ takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.

"There is a suspicion that no one really knows how to deal with the legacy of the past." — Siarhiej Kraŭčanka

Malenčyk / Lami is a double vinyl release pairing previously unpublished archival recordings of Belarusian fiddler Stanisłaŭ Malenčyk with a response to that archive by Italian sound artist Giovanni Lami.

Stanisłaŭ Malenčyk (1928–2007) was a self-taught fiddler from a small village in Western Biełaruś, born on land that was then Polish territory. He never studied music formally and never worked on a collective farm — he supported his family solely through playing, crafting his own violins and harmonicas by hand. The music he played was made for a community: weddings, christenings, a room full of people, a shared life. As life shifted toward the cities and the village dissolved, that music lost the only place it could exist. By the end of his life, Malenčyk — nearly blind — was playing for whoever happened to be there: at the local bazaar, on district buses, moving through the aisles. He simply couldn’t stay home. He had to play.

These recordings were made by ethnographer Mykoła Kozienka in Ščučyn in 1999 and have not been released until now.

Giovanni Lami approaches this archive from a distance that could hardly be greater — geographical, cultural, temporal.

Credits:

Record 1 (Side A/B) — performed by Stanisłaŭ Malenčyk,
recorded by Mykola Kozenka in Shuchyn, Grodno Region, Belarus in 1999.

Record 2 (Side C/D) — produced by Giovanni Lami.

Mastering by Siarhej Cviki and Anton Aniščanka

Archival research by Alaksej Krukoŭski and Alaksandr Baroŭski

Cover Artworks by Volha Savič
Cover design by Ihar Jukhnievič

Project curation by Anton Aniščanka
Project assistance by Alaksiej Šumakovič

Texts by Siarhei Kraŭčanka (essay, editing, translation),
Alaksej Krukoŭski and Alaksandr Baroŭski (Malenčyk biography),
Giovanni Lami (artist statement)

Daniele Baldelli
"A pleasant surprise to find in this release various atmospheres and sounds that have always been part of my DJing. It even made me rediscover M’Bamina, whom I used to play back in 1974 at the Tabù Club in Cattolica.
There are afro vibes as well, with Black Line – Myele, which is featured on one of my Cosmic tapes, and Nowhere by the Stratosferic Band recalls a track I used to play at the Baia degli Angeli…
Excellent work!"

Voom Voom Music was an independent Italian record label based in Turin, founded and managed by record producer Ivo Lunardi (Turin, December 6, 1940 – December 9, 2010). A pivotal figure in the Piedmont music scene, Lunardi was active both as a DJ and as the owner of several disco clubs.

The label operated for several years in the latter half of the 1970s, releasing mainly productions connected to the Italian dance and pop scene.
Since 2016, the original master tapes from the Voom Voom Music catalog have been owned by Gianluca Pandullo (I-Robots), a close friend of Ivo and Luca Lunardi. Through his labels Opilec Music and Turin Dancefloor Express, Pandullo oversees their preservation and historical enhancement.

The artistic direction of Voom Voom Music was marked by a distinct sonic identity — eclectic yet visionary. The Turin-based label founded by Ivo Lunardi embraced a sound that blended disco, pop, and rock influences, interwoven with African American grooves in a pioneering, international perspective.

Voom Voom Music was among the first Italian labels to introduce this kind of musical language in the country. A prime example is the Italian edition of the debut album by B.T. Express, Do It ('Til You're Satisfied), released in LP, 8-Track Cartridge, cassette, and 7" single formats.
The label’s productions clearly reflected the influence of black and funk music, as evidenced by the references and inspirations running through its catalogue. The track “Lady Pick-Up”, for instance, includes direct nods to “Do It Good” by KC & The Sunshine Band and Manu Dibango’s iconic “Soul Makossa”, revealing a musically refined and contemporary sensibility.

Among the label’s most representative works is Splash (1977) by the Stratosferic Band, a project conceived by Luigi Venegoni — producer, songwriter, and guitarist of Arti e Mestieri. Venegoni’s artistic journey spanned from progressive rock to space and Italo disco. The album artwork was designed by Piero D’Amore (1944 - 2022), a charismatic and multifaceted figure of Turin’s art scene (one of his works was even acquired by the MoMA in New York).
The record includes a disco reinterpretation of Van Morrison’s classic “Gloria”, and “Splashdown”, a track fusing the disco-rock energy of Rockets and Space. In contrast, “Nowhere” revisits the 1975 single by Hokis Pokis, a soul/disco band from Nassau County (New York), transforming it into a vibrant disco-funk number.

Another significant expression of the label’s catalogue is the afro-rock sound of M’Bamina, an Italo-Congolese group whose rhythmic energy and dialogue between African percussion and Western funk evoke the style of international formations such as Osibisa — themselves linked to a rich artistic history in Italy.

Advanced Art was formed in Tampere, Finland, in 1985 by Jana, Pete, and Vince. Too young to be part of the first wave of Finnish groups inspired by German synth pioneers and New Romantics, they instead forged their own path and soon became pioneers themselves. For the next ten years, Advanced Art defined and dominated Finland’s small but growing electronic underground. They inspired a new generation of Finns to experiment with synthesizers, built an international cult following, and were deeply involved in the local scene—running clubs, organizing events, and performing at some of the very first warehouse parties in the country.

Although the line-up shifted over time, the group’s creative drive consistently came from the partnership between Jana, who supplied the voice and words, and Vince, who shaped the music with his machines. Together they defined the band’s distinctive blend of sharp electronics and lyrical vision.

After several cassette demos and two 7-inch singles, Advanced Art signed to Poko Rekords in 1991. The EPs Scar and Time raised their profile both at home and abroad, especially thanks to valuable exposure on MTV Europe’s 120 Minutes. Known for their perfectionism, they finally released their debut album Product in January 1993. On Product the line-up was Jana (lyrics, vocals), Vince (music, production), and Factor (percussion, studio work). Having moved through phases of synth pop, EBM, and industrial, the album showcased Vince’s vision of a unified sound and style more clearly than ever before.

Force followed in 1994, conceived as a multi-part concept album (Update / Live / Retro). Recorded with live percussionist PW joining Jana and Vince, it expanded on the groundwork of Product with new beats, ideas, and a sharper, more defined identity.

By 1995, exactly ten years after their founding, Jana and Vince decided to bring Advanced Art to a close on the band’s birthday, 13 October. Their run had been precise: one decade of creative output, ending with a legacy that laid foundations for Finland’s electronic scene.

Now, conveniently coinciding with the band’s 40th anniversary, Advanced Art present Forced Product. This double-LP set, fully remastered, features Product in its entirety, alongside the Update and Retro sections of Force, plus additional EP tracks and remixes recorded between 1991 and 1994 at “Audible Art” – less a studio than a concept, existing wherever machines and people met.

Limited to 450 copies, Forced Product comes in a gatefold sleeve with poster and sticker, offering a definitive document of Finland’s pioneering electronic cult heroes — a band that helped invent their country’s scene and left a lasting influence far beyond it.

In the heart of a post-apocalyptic city, Spacelunch was making his way through the ruins, wearing a heavy armour of metal plates and flickering circuitry. Cat settled on his shoulder, listening intently to every sound. This time, they weren't just looking for an artefact — their target was the Singularity Echo, a mysterious device created right before the catastrophe. Legend had it that the scientists of the past, sensing the impending collapse, had put all their accumulated experience and knowledge together to create it. It was said that one day “Echo” would awaken and allow descendants to touch the wisdom of the ancients, learn the secrets of forgotten technologies and, perhaps, avoid the fatal mistakes of the past.

— We’ve been wandering around for how long? — muttered Cat, looking around warily. — And nothing.

— Sitting up there complaining, aren’t you? — Spacelunch grinned, deftly bypassing the debris and intertwined roots that poked out from under the asphalt.



Suddenly, a glow flashed before them, gradually taking the form of a palm-sized transparent crystal. It floated in the air, surrounded by silver lining that wove into intricate patterns, like a network of ancient runes. The symbols on its facets, flickering, cast soft reflections on the debris around them. As the professor slowly reached out his hand, the crystal shone brighter, and the low whisper of distant voices cut through the silence. Their minds were enveloped by the echoes of past events, filling their minds with images of the vanished world.

The friends froze for a moment, overwhelmed by shock and a sense of profound change.

— Well, — said Cat, not hiding his surprise. — It seems we've gotten a little smarter.

— A little? Now we have what has been lost for an era.

— So, we have a new adventure ahead of us. Where do we start?

The ghost town, once seemingly lifeless, now seemed to come to life: every collapsed building and every corner sparked with traces and clues as if the world itself was holding its breath, waiting for a sign.

2026 Repress

Mr. G, aka Colin McBean, presents a remastered, 23-track compilation entitled 'OG Retrospective'

'The day I found my original studio masters and got my rights back was the starting point, and then I realised it's 25 years on and it's time to recode, remaster and reevaluate because I've never looked back properly. I've always been like a bat out of hell, never quite thinking I'm good enough or great at what I do, but it's important to celebrate, because there's nota lot of people still here, still doing it after this length of time'.

With new masters provided by Simon at the renowned London mastering house The Exchange London, a direct link to the original mastering done by the late-Nilz (Nilesh Patel) from The Exchange, Mr. G's 'OG Retrospective' marks a reflective period in McBean's life.

'All I've ever done is write and move forward, but more and more, I get the new generation sending me videos of my old tracks and sometimes I don't even recognise them, so finally I thought, 'ok, you're comfortable in your own skin, let's really see how you sounded at the beginning, how you've changed, how have the techniques changed'?

It was quite raw going back over these; some of the memories are riddled with pain and angst - friends dying, where I was in my life at the time, having a heart attack and so on. Having a sound, too, can be a cross to bear. You're only ever competing with yourself, your only game is being better than your last game, so if you dwell on the past too much you can't move forward. Getting to the point where I can look back and feel happy, feels good.

Invariably, what will come from this is 'more', because, with my own label I have endless possibilities and will continue telling my story.'

a A1 James Russo (2)– Winged, Written-By Dialogue – Quentin Tarantino


d A4 Jamie Foxx And Christoph Waltz– "In That Case Django, After You...", Written-By [Dialogue] – Quentin Tarantino

[f] A6 Anthony Hamilton & Elayna Boynton– Freedom, Acoustic Guitar – Elayna Boynton, Co-producer – Daniel Beard, Mixed By, Mastered By – Daniel Beard, Duane Allen (2), Piano, Electric Piano [Wurlitzer], Bass, Electric Guitar, Acoustic Guitar, Programmed By, Percussion – Kelvin Wootenm, Producer – Kelvin Wooten, Recorded By – Daniel Beard, Kelvin Wooten, Vocals, Backing Vocals – Anthony Hamilton, Elayna Boynton, Written-By – Anthony Hamilton, Elayna Boynton, Kelvin Wooten
[g] B7 Don Johnson And Christoph Waltz– Five-Thousand-Dollar Nigga's And Gummy-Mouth Bitches, Written-By [Dialogue] – Quentin Tarantino

[i] B9 Don Straud– Sneaky Schultz And The Demise Of Sharp, Written-By [Dialogue] – Quentin Tarantino


[l] B12 Rick Ross With Walton Goggins And Jamie Foxx– 100 Black Coffins, Engineer [Recording Engineer] – Isaiah Pryor, Phillip "Logann" Scott III*, Guitar – Charlie Burrel*, Lyrics By – Jamie Foxx, Rick Ross, Mixed By – Jaycen Joshua, Mixed By [Assisted] – Trehy Harris, Music By – Jamie Foxx, Producer – Ainz "Brainz" Dimilo*, Jamie Foxx
[m] Recorded By [Rick Ross's Vocals] – John Rivers*, Written-By [Dialogue] – Quentin Tarantino

[o] C14 Samuel L. Jackson, Leonardo DiCaprio And Christoph Waltz– Hildi's Hot Box, Written-By [Dialogue] – Quentin Tarantino


[r] C17 James Brown And 2Pac With James Russo (2), Christoph Waltz And Jamie Foxx– Unchained (The Payback / Untouchable), Mixed By [The Payback], Edited By [The Payback] – Claudio Cueni, Voice [As Ace Speck] – James Remar, Written-By [Dialogue] – Quentin Tarantino, Written-By [The Payback] – Fred Wesley, James Brown, John Starks*, Written-By [Untouchable (Swizz Beatz Remix)] – Anthony Henderson, Bruce Washington, Kasseem Dean*, Tupac Amaru Shakur*, Yafeu Fula, D18 John Legend– Who Did That To You?, Performer [Sample] – The Mighty Hannibal, Producer – Paul Epworth, Written-By – James T. Shaw (The Mighty Hannibal)*, John Stephens (3), Paul Epworth
[s] D19 Brother Dege– Too Old To Die Young, Lyrics By, Music By – Dege Legg, Mastered By – Bruce Barielle, Mixed By – Dege Legg, Primo (9), Tony Daigle, Producer – Dege Legg, Primo (9), Tony Daigle, Recorded By – Dege Legg, Vocals, Resonator Guitar [Slide/Dobro], Body Percussion [Stomps], Handclaps [Claps] – Dege Legg
[t] D20 Samuel L. Jackson And Jamie Foxx– Stephen The Poker Player, Written-By [Dialogue] – Quentin Tarantino

[v] D22 Samuel L. Jackson And Jamie Foxx– Six Shots Two Guns, Written-By [Dialogue] – Quentin Tarantino
[w] D23 Annibale E I Cantori Moderni*– Trinity: Titoli, Composed By – Franco Micalizzi, L. Stott*, Conductor [Orchestra Directed By] – M° Gianfranco Plenizio*

[a] A1 James Russo (2)– Winged, Written-By [Dialogue] – Quentin Tarantino


[d] A4 Jamie Foxx And Christoph Waltz– "In That Case Django, After You...", Written-By [Dialogue] – Quentin Tarantino

[f] A6 Anthony Hamilton & Elayna Boynton– Freedom, Acoustic Guitar – Elayna Boynton, Co-producer – Daniel Beard, Mixed By, Mastered By – Daniel Beard, Duane Allen (2), Piano, Electric Piano [Wurlitzer], Bass, Electric Guitar, Acoustic Guitar, Programmed By, Percussion – Kelvin Wootenm, Producer – Kelvin Wooten, Recorded By – Daniel Beard, Kelvin Wooten, Vocals, Backing Vocals – Anthony Hamilton, Elayna Boynton, Written-By – Anthony Hamilton, Elayna Boynton, Kelvin Wooten
[g] B7 Don Johnson And Christoph Waltz– Five-Thousand-Dollar Nigga's And Gummy-Mouth Bitches, Written-By [Dialogue] – Quentin Tarantino

[i] B9 Don Straud– Sneaky Schultz And The Demise Of Sharp, Written-By [Dialogue] – Quentin Tarantino


[l] B12 Rick Ross With Walton Goggins And Jamie Foxx– 100 Black Coffins, Engineer [Recording Engineer] – Isaiah Pryor, Phillip "Logann" Scott III*, Guitar – Charlie Burrel*, Lyrics By – Jamie Foxx, Rick Ross, Mixed By – Jaycen Joshua, Mixed By [Assisted] – Trehy Harris, Music By – Jamie Foxx, Producer – Ainz "Brainz" Dimilo*, Jamie Foxx
[m] Recorded By [Rick Ross's Vocals] – John Rivers*, Written-By [Dialogue] – Quentin Tarantino

[o] C14 Samuel L. Jackson, Leonardo DiCaprio And Christoph Waltz– Hildi's Hot Box, Written-By [Dialogue] – Quentin Tarantino


[r] C17 James Brown And 2Pac With James Russo (2), Christoph Waltz And Jamie Foxx– Unchained (The Payback / Untouchable), Mixed By [The Payback], Edited By [The Payback] – Claudio Cueni, Voice [As Ace Speck] – James Remar, Written-By [Dialogue] – Quentin Tarantino, Written-By [The Payback] – Fred Wesley, James Brown, John Starks*, Written-By [Untouchable (Swizz Beatz Remix)] – Anthony Henderson, Bruce Washington, Kasseem Dean*, Tupac Amaru Shakur*, Yafeu Fula, D18 John Legend– Who Did That To You?, Performer [Sample] – The Mighty Hannibal, Producer – Paul Epworth, Written-By – James T. Shaw (The Mighty Hannibal)*, John Stephens (3), Paul Epworth
[s] D19 Brother Dege– Too Old To Die Young, Lyrics By, Music By – Dege Legg, Mastered By – Bruce Barielle, Mixed By – Dege Legg, Primo (9), Tony Daigle, Producer – Dege Legg, Primo (9), Tony Daigle, Recorded By – Dege Legg, Vocals, Resonator Guitar [Slide/Dobro], Body Percussion [Stomps], Handclaps [Claps] – Dege Legg
[t] D20 Samuel L. Jackson And Jamie Foxx– Stephen The Poker Player, Written-By [Dialogue] – Quentin Tarantino

[v] D22 Samuel L. Jackson And Jamie Foxx– Six Shots Two Guns, Written-By [Dialogue] – Quentin Tarantino
[w] D23 Annibale E I Cantori Moderni*– Trinity: Titoli, Composed By – Franco Micalizzi, L. Stott*, Conductor [Orchestra Directed By] – M° Gianfranco Plenizio*

[a] A1 | James Russo (2)– Winged, Written-By [Dialogue] – Quentin Tarantino


[d] A4 | Jamie Foxx And Christoph Waltz– "In That Case Django, After You ..", Written-By [Dialogue] – Quentin Tarantino

[f] A6 | Anthony Hamilton & Elayna Boynton– Freedom, Acoustic Guitar – Elayna Boynton, Co-producer – Daniel Beard, Mixed By, Mastered By – Daniel Beard, Duane Allen (2), Piano, Electric Piano [Wurlitzer], Bass, Electric Guitar, Acoustic Guitar, Programmed By, Percussion – Kelvin Wootenm, Producer – Kelvin Wooten, Recorded By – Daniel Beard, Kelvin Wooten, Vocals, Backing Vocals – Anthony Hamilton, Elayna Boynton, Written-By – Anthony Hamilton, Elayna Boynton, Kelvin Wooten
[g] B7 | Don Johnson And Christoph Waltz– Five-Thousand-Dollar Nigga's And Gummy-Mouth Bitches, Written-By [Dialogue] – Quentin Tarantino

[i] B9 | Don Straud– Sneaky Schultz And The Demise Of Sharp, Written-By [Dialogue] – Quentin Tarantino


[l] B12 | Rick Ross With Walton Goggins And Jamie Foxx– 100 Black Coffins, Engineer [Recording Engineer] – Isaiah Pryor, Phillip "Logann" Scott III*, Guitar – Charlie Burrel*, Lyrics By – Jamie Foxx, Rick Ross, Mixed By – Jaycen Joshua, Mixed By [Assisted] – Trehy Harris, Music By – Jamie Foxx, Producer – Ainz "Brainz" Dimilo*, Jamie Foxx
[m] Recorded | By [Rick Ross's Vocals] – John Rivers*, Written-By [Dialogue] – Quentin Tarantino

[o] C14 | Samuel L Jackson, Leonardo DiCaprio And Christoph Waltz– Hildi's Hot Box, Written-By [Dialogue] – Quentin Tarantino


[r] C17 | James Brown And 2Pac With James Russo (2), Christoph Waltz And Jamie Foxx– Unchained (The Payback / Untouchable), Mixed By [The Payback], Edited By [The Payback] – Claudio Cueni, Voice [As Ace Speck] – James Remar, Written-By [Dialogue] – Quentin Tarantino, Written-By [The Payback] – Fred Wesley, James Brown, John Starks*, Written-By [Untouchable (Swizz Beatz Remix)] – Anthony Henderson, Bruce Washington, Kasseem Dean*, Tupac Amaru Shakur*, Yafeu Fula, D18 John Legend– Who Did That To You?, Performer [Sample] – The Mighty Hannibal, Producer – Paul Epworth, Written-By – James T Shaw (The Mighty Hannibal)*, John Stephens (3), Paul Epworth
[s] D19 | Brother Dege– Too Old To Die Young, Lyrics By, Music By – Dege Legg, Mastered By – Bruce Barielle, Mixed By – Dege Legg, Primo (9), Tony Daigle, Producer – Dege Legg, Primo (9), Tony Daigle, Recorded By – Dege Legg, Vocals, Resonator Guitar [Slide/Dobro], Body Percussion [Stomps], Handclaps [Claps] – Dege Legg
[t] D20 | Samuel L Jackson And Jamie Foxx– Stephen The Poker Player, Written-By [Dialogue] – Quentin Tarantino

[v] D22 | Samuel L Jackson And Jamie Foxx– Six Shots Two Guns, Written-By [Dialogue] – Quentin Tarantino
[w] D23 | Annibale E I Cantori Moderni*– Trinity Titoli, Composed By – Franco Micalizzi, L Stott*, Conductor [Orchestra Directed By] – M° Gianfranco Plenizio*

[a] A1 | James Russo (2)– Winged, Written-By [Dialogue] – Quentin Tarantino


[d] A4 | Jamie Foxx And Christoph Waltz– "In That Case Django, After You ..", Written-By [Dialogue] – Quentin Tarantino

[f] A6 | Anthony Hamilton & Elayna Boynton– Freedom, Acoustic Guitar – Elayna Boynton, Co-producer – Daniel Beard, Mixed By, Mastered By – Daniel Beard, Duane Allen (2), Piano, Electric Piano [Wurlitzer], Bass, Electric Guitar, Acoustic Guitar, Programmed By, Percussion – Kelvin Wootenm, Producer – Kelvin Wooten, Recorded By – Daniel Beard, Kelvin Wooten, Vocals, Backing Vocals – Anthony Hamilton, Elayna Boynton, Written-By – Anthony Hamilton, Elayna Boynton, Kelvin Wooten
[g] B7 | Don Johnson And Christoph Waltz– Five-Thousand-Dollar Nigga's And Gummy-Mouth Bitches, Written-By [Dialogue] – Quentin Tarantino

[i] B9 | Don Straud– Sneaky Schultz And The Demise Of Sharp, Written-By [Dialogue] – Quentin Tarantino


[l] B12 | Rick Ross With Walton Goggins And Jamie Foxx– 100 Black Coffins, Engineer [Recording Engineer] – Isaiah Pryor, Phillip "Logann" Scott III*, Guitar – Charlie Burrel*, Lyrics By – Jamie Foxx, Rick Ross, Mixed By – Jaycen Joshua, Mixed By [Assisted] – Trehy Harris, Music By – Jamie Foxx, Producer – Ainz "Brainz" Dimilo*, Jamie Foxx
[m] Recorded | By [Rick Ross's Vocals] – John Rivers*, Written-By [Dialogue] – Quentin Tarantino

[o] C14 | Samuel L Jackson, Leonardo DiCaprio And Christoph Waltz– Hildi's Hot Box, Written-By [Dialogue] – Quentin Tarantino


[r] C17 | James Brown And 2Pac With James Russo (2), Christoph Waltz And Jamie Foxx– Unchained (The Payback / Untouchable), Mixed By [The Payback], Edited By [The Payback] – Claudio Cueni, Voice [As Ace Speck] – James Remar, Written-By [Dialogue] – Quentin Tarantino, Written-By [The Payback] – Fred Wesley, James Brown, John Starks*, Written-By [Untouchable (Swizz Beatz Remix)] – Anthony Henderson, Bruce Washington, Kasseem Dean*, Tupac Amaru Shakur*, Yafeu Fula, D18 John Legend– Who Did That To You?, Performer [Sample] – The Mighty Hannibal, Producer – Paul Epworth, Written-By – James T Shaw (The Mighty Hannibal)*, John Stephens (3), Paul Epworth
[s] D19 | Brother Dege– Too Old To Die Young, Lyrics By, Music By – Dege Legg, Mastered By – Bruce Barielle, Mixed By – Dege Legg, Primo (9), Tony Daigle, Producer – Dege Legg, Primo (9), Tony Daigle, Recorded By – Dege Legg, Vocals, Resonator Guitar [Slide/Dobro], Body Percussion [Stomps], Handclaps [Claps] – Dege Legg
[t] D20 | Samuel L Jackson And Jamie Foxx– Stephen The Poker Player, Written-By [Dialogue] – Quentin Tarantino

[v] D22 | Samuel L Jackson And Jamie Foxx– Six Shots Two Guns, Written-By [Dialogue] – Quentin Tarantino
[w] D23 | Annibale E I Cantori Moderni*– Trinity Titoli, Composed By – Franco Micalizzi, L Stott*, Conductor [Orchestra Directed By] – M° Gianfranco Plenizio*

Queen Dem features multi-talented artists, writing, singing, producing, creating new genres of sound. This album offers a snapshot of the current writing of musical history by women who embody confidence and conviction in their art – whether they are firmly-established artists such as Yaya Bey, Yaeji, Dizzy Fae, Sudan Archives, COUCOU CHLOE and Georgia Anne Muldrow or under the radar rising stars such as Queenie, Aunty Rayzor, Vanessa Tha Finessa, MC Yallah or Nira.

OiOiOiOIAiAiAiIAiÆÆÆÆÆÆIIIIII!!!! The new Cucum45 EP dares to speed off from the endpoint of the two previous outputs Something Weirdcore and Cyclops í poka and off the edge of the record at 1000km/h. With a hardcore opening track titled “IIIiiiIIiiiiiiiiiiiiiIIIIIIIiiiiiiiIIIIIiiiiiiiiIIIIIIIiiiiiii” (I added several more I’s in there for dramatic effect) that clocks with everything it needs to say at under 2 minutes, it’s safe to say that Cucumb45 aka Bjarki in this EP is WIDE AWAKE, YES!

Take “OpxThermin” – it’s straight up full-bore hardcore cartoon-pyrotechnics in overload, skipping and skedaddling over the turntables. Flipping out in a wild cocktail rush of hardcore ruffidge and smudged breaks that’s all smacked out on sugar frosted meth, listeners are gonna need some surgery to remove the smiley gurns from their faces. “Get Slothered 6even2” effectively can’t keep still as a track. From the collapsing rhythms and the pinging sound effects, it then decides what’s needed is a little bit of hip-hop flow in the background. Many hardcore rave re-treads (sorry, “deconstructed rave music”) often forget what this track seems to do at ease, and that is get you goddamn moving.

"Rathakrem" might have glitchy ambient Nintendo 90s vibe checks, but it is VERY un-chill. Stressed out hard drives grind to dust and distressed sounds of arcade dynamics mean that what you hear is the sound of Mario bricking it through all those haunted castle sections. Ironically the last track, “Crying Indian and Laser Horse” is the EP chill out tune, aiming instead for a nice, soothing, bottoms out disco-fister oompa-loompa warehouse techno track with auto-tuned cats, gunfire, orgasms, and
horses. A fine soundtrack for the morning commute!

Moom Sound are delighted to present a 3 track EP of timeless Chicago house tinged tracks from the maestro Stefan Braatz; ‘Timeless Altitudes’.

Omnipresent on the Berlin scene, Stefan began DJing and producing in the 90’s, and is passionate about working in the analogue space with physical instruments – drum machines and synths – rather than computers.

Alongside friends, he organised underground parties on old demolition sites, as well as playing at legendary Berlin events like Tresor, Globus and Stellwerk.

With breakout releases on Nu Groove, King Street and Poker Flat, there are very few discerning parties that haven’t danced to Stefans beat.

“Timeless Altitudes” drops v soon on Moom Sound and it’s definitely one for the house heads.

Luke's Anger (real name Luke Sanger) delivers his first outing on Love Love, Ceiling Walker. Sanger is a relentlessly interesting hero of the underground, probably best known as a techno and electro producer and an active player in the live experimental techno scene across Europe, notably including multiple appearances at Berghain/PanoramaBar. Based out of Norwich, UK, Luke has put out a plethora of banging records for two decades in styles from across the rave spectrum on some of our favourite record labels like Tigerbeat6, Don't and Sneaker Social Club, as well as an increasing amount of more ambient-leaning releases under his real name in recent years. Recognised as a true techno stalwart, Luke has received support from the likes of Surgeon, Dave Clarke, The Advent and Jerome Hill.

This EP fits firmly into the 'banging' camp - more than a nod to classic stateside sci-fi electro stylings as well as UK dance music's bleep techno bass foundations, this is popping, caustic, mechanical phunk expertly engineered to make you shake and wiggle. Particle Swarm kicks the EP off with strung-out synth chirps and plenty of latex squelch before moving onto the bounciest number, Threshold Rider, with buoyant bassline droplets poking through a solid 808 framework. On the flipside, title track Ceiling Walker utilises rushing crescendos and fluttering analogue rhythms to keep the dancefloor in rapture while closer, Silicon Boogie, achieves maximum levels of funk by aptly juxtaposing digi vocal snippets against square wave bass.

‘Nothing Iz Sacred’ is a statement, a collection of tracks that resist the pull of the fleeting, throwaway nature of today’s music scene. In an age where everything is often stripped down, consumed, and discarded, this 8-track LP stands as both a nudge and a reminder—a poke at the culture that surrounds it - it isn’t here to blend quietly into the background, nor to satisfy the urge for quick hits and shallow thrills.

Each track on the LP is woven with the sounds and textures Workforce has become known for, yet there’s a rawness here—a willingness to push boundaries, to blur the edges of genre and style. The LP is a blend of the familiar and the experimental, where thoughtful moments meet jagged beats, and where soulful undertones collide with darker layers. It’s a space that resists easy categorization, daring listeners to explore without expectation, to find meaning in the spaces between the sounds. This isn’t a record designed for the disposable playlists of tomorrow; it’s for those who know that music can mean more, and who understand that it is meant to live with us, to grow, and to shape the communities around it. This record isn’t about the chase for the next hit or the endless scroll; it’s for the ones who value artistry, who find culture in the smallest details, who want something real to hold onto.

‘Nothing Iz Sacred’ is brought to life with the voices and musicality of some incredible collaborators. Tyler Daley’s unmistakable warmth, Bobbie Johnson’s sharp lyricism, Tamara Blessa’s haunting soul, Leroy Horns’ textured brass, and Ed Zuccollo’s nuanced piano work all carve their own paths through the record. Together, they amplify the album's heartbeat, adding layers of richness and depth.

Probably the most astonishing hard rock LP out of 1970s Spain, repressed by popular demand and this time offering a very limited transparent blue colour run.



THE STORM hailed from Sevilla and were acclaimed by both audience and press reviewers as one of the best rock bands from Spain. The combo was formed by the Ruiz Geniz brothers (Angel and Diego), on guitar and drums respectively, plus Luis Genil (organ) and José Torres (bass).



Their debut album, originally released on Basf in 1974, is one of the Crown jewells of Spanish hard rock, and changes hands for a small fortune among collectors all over the world, especially since its inclusion in Hans Pokora's 'Record Dreams' books.



This LP really rocks. It's high energy hard rock that follows the line marked by the big organ outfits of the era such as DEEP PURPLE, ATOMIC ROOSTER, BRAM STOKER, MEGATÓN...



It has also a deep classic prog sound root, which reaches the top on 'Un Señor Llamado Fernández De Córdoba'.



We are talking of one of the seminal Spanish hard rock LPs.

(EP, 12", 45RPM) In winter 1976, a few years before Olexandr Shapoval headed up the well-known band Vodogray, a jazz band called Shapoval Sextet recorded three pieces "Kobzareva Duma" in live at the Donetsk Jazz Festival. The tape has been lost for almost 45 years, until now. The most radical, experimental and psych jazz recording from the Ukrainian Soviet-era found to date.

For the second release of the Back to Back series of Stolen Goods goes for two stables of the scene: label manager and old school pillar of the Italian scene Lele Sacchi and Italo Spanish beat master Bawrut.
After B2B1 saw the funky deep sound of Rogue D feat Joe Le Groove and the raw house grooves of Ruff Stuff got played by Laurent Garnier on his show and by peeps like Jamie Jones and Oliver Dollar in their sets and chosen by Beatport in most of their weekend picks here we are ready for two bangers for clubbing prime time! Bawrut's fame goes a long way back to in the best of Europe's crossover of electronic dancefloor music and indie and urban flavours. An album on Ransome Note, hits for Life & Death, Correspondant and tracks supported by Dixon, Jennifer Cardini, Ricardo Villalobos Sven Bath and playing B2B with Kink and Skream in festival and clubs like Sonar, Nuits Sonores, Fabric, Sub Club, Nitsa, etc. and now this massive hands in the hair, goosebumps in the back monster of retro future rave piece of music!
Lele Sacchi is known to have an ear for bangers having been behind the decks all over the world for nearly 30 years, so whenever and with various aliases he turns into producer is quite normal to find his music out on labels like Snatch, Soul Clap, Nervous, Internasjonal, Crosstown Rebels, Pokerflat, Rebirth and more and more classic underground dance stables. This time he keeps his know funkier deep groove but adds a kille stab in the breakdown to represent a vein of peaktime monster attitude.
Again a message 'From Clubbers to Clubbers' as we love to say here at Stolen Goods records.

Extinguishers at the ready! Hot off the press, double trouble dub business that’s been causing a ruckus on dancefloors across the globe. Once only a weapon in a select few of the finest DJs record bags, these vinyl only head turners are now getting a full vinyl release.

As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?

Portrait of tracks separately:


"Darkest Hour before dawn"

Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?

Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.

The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.

Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.


"Lovely memories"

The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.


"24 hours"

Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.

Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.

"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...


"At night"

This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.

Perugia producer, synth collector and linchpin of the underground scene Feel Fly pokes his head above the trenches to deliver a consummate four track EP Mediterranean Dreams - Part 1.

Onironauta rolls up all the best bits of spaced-out disco and italo house into an expansive dancefloor soundtrack that would sound equally at home in a Den Haag squat as by an Ibizan hillside pool. Sounding in turns both futuristic and nostalgic, it sets the tone for the dream-like timezone in which this EP resides.

Meanwhile slowed-down 303 chugger Grace In Space sounds perfect for Room 2 - that is, if the room is on an orbiting space station and someone adjusted the gravity settings. The track concludes the side with timeless balearic drift and a dash of kosmiche afro percussion sprinkled on top.

Flip the 12” over and the title track Mediterranean Dreams seeps through, with more than a slight nod to the summer of ‘88, like a faded photograph. The revolving chord progression and melodic synth phrases that weave through the groove fit together sweeter than the cogs in a swiss watch.

EP closer Becalmed rounds proceedings out in fine cosmic disco style, firing more 16th note lasers through the dry ice than KITT, as melancholic pads float over the rhythm section like a négligée. It’s a stylish way to sign off a collection of tracks that are equal parts fond memory, hopeful optimism, and hazy dance-fuelled hedonism.

Homebase providing the 25th beatwax Release with three floor-focused Tracks and a Huge Mihai Popoviciu Remix , known for his Releases on Pokerflat, Bedrock, Bondage and many more...

Already getting huge Support worldwide...don`t sleep on this limited Release

Comes with full Color Sleeve and in 180 gr. Vinyl

Milan Records is pleased to release this stunning vinyl edition of the soundtrack to the hit anime series Cowboy Bepop.

Originally aired in 1998, Cowboy Bebop became a critical and commercial success both in Japanese and international markets (most notably in the United States), garnered several major anime and science fiction awards upon its release, and received wide acclaim for its style, characters, story, voice acting, animation, and soundtrack
Seatbelts’s repertoire covers not only jazz but also rock, electronic, funk, blues, heavy metal, country and Jpop

Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.

Trentemøller's debut album remains one of the few genre-defining and groundbreaking albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.

Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.

Green Vinyl

On his own Ladies and Gentlemen imprint, Green Supreme is the fourth studio album from house music veteran Phonique: a collection of 11 remarkable songs from one of the scene's most revered producers. To describe Phonique as prolific would be something of an understatement. To date, he has amassed a discography of more than 500 original tracks and remixes - as well as three previous studio albums - for acclaimed labels such as Dessous, Poker Flat, Crosstown Rebels, Systematic, Souvenir and of course his own label Ladies and Gentlemen, a collection which includes some runaway successes. Despite working on Green Supreme, Phonique's fierce production rate has continued unabated in 2016, with highlights including 'T Groove' on Katermukke and his stunning remix of Frank & Friedrich 'Coming Home' which landed on Universal earlier this year.

Magic sometimes happens with the wonders of the internet and digital age of the music industry. Lost Again is a great example of just that.The project started in Baltimore by Lomez and the singer Symbol. Then travelled to Florida to get the touch of Atnarko and ended up in Noir's hands (and studio) in Denmark before the beautiful song reached it's end result.
The package comes with a Raw Club Cut aimed for the tech house floors, a James Welsh (Hypercolour, Join The Dots) Remix for the UK beats and bass approach and a deeper 303 led techno journey done by German Patrick Chardronnet (Connaisseur, Poker Flat).

This vinyl includes a free downloadcode were customers get the
whole digital release for free via Facebook !!
Alex Flatner´s (Get Physical, Circle Music, Pokerflat) vinyl debut for Noir
a collabo with MSMS and singer Cari Golden. Real house music with
remixes from Emerson Todd (Saved, Upon You), Paolo Rocco and Fabio
Giannelli.

Dark Dub Techno by Chris Manura. Dirtydrivesounds is back with its second vinyl - including Mac-Kee and Sven Tasnadi (Pokerflat, Katermukke) Remixes.

After a long development with several releases for Labels like Microtonal and Inclusion Records
Sascha finally decided to set up his own playground to release music with heart and emotions.
The debut EP is pretty much showing his large variety of producing unique music.

Played & supported by Laurent Garnier, Toni Rios, Max Cooper, Slam (Soma), Alexi Delano, Paco Osuna (Plus 8),
Anderson Noise, Alex Flatner (Cocoon, Poker Flat), Patrick Kunkel (Cocoon), Tim Xavier (Clink),
Kolombo (Kompakt, Systematic), Carlos Sanchez (8bit Supernature), Patrick Lindsey, Franco Bianco (Argentina),
Hanne and Lore, Microtrauma (Traum), Alec Troniq (Ipoly), Beatamines, Summer - Brendon Collins (Manual Music),
Fine Cut Bodies (Chi Recordings, Resopal), Turm 3 (Seenplatte), Laurent N. (France) and more

Limited to 300 Copies....
Solamente is back with their strictly Vinyl only series. This time with Lopazz and Zarook (Get Physical, Shaker Plates, Pokerflat, Circle) meeting Labelhead Sierra. 2 jacking & chicago-influenced Originals with a superb Shooshine remix. We love Vinyl !!!

2023 Repress

Two true heroes of underground electronic music, Alex Flatner & Lopazz step up the game with this brand new outing on Poker Flat. The original version of "Dinosaurs' is a pacy, energetic jam with a super-solid bass foundation.

Conrad Subs continues his run of releases on Metalheadz, this time landing on Metalheadz Platinum for the first time with the 'Cylinder EP'. The Ipswich-based producer has built a reputation through a slew of releases rooted in drum and bass tradition, paired with a sharp, modern edge. His sound draws on the core elements of the genre while maintaining a consistency that now sees him land on Metalheadz vinyl for the first time, with four tracks built to do the heavy lifting.

RATTUS' furious sophomore album from 1984 reissued in May Rattus is one of the most legendary Finnish hardcore punk bands. Formed in 1978 and split up in 1988, Rattus returned in 2001 and are setting venues ablaze to this day. Uskonto on vaara was originally released on Poko Rekords in 1984. It's a furious album with nine killer songs; an aggressive and intense ride, a true classic in its genre. Svart Records reissued the album in 2012 and after fourteen years it's about time to bring it back to the streets with black and limited color vinyl editions. "RATTUS combustion, startling adrenaline speed and hammerhead blows of power. Featuring the new high-velocity rasping vocals of Annikki, RATTUS virtually sweep forth with sharp-edged earloads of riveting force and disorderly rapidity. Brilliant Finnish hardcore, unhesitant and explosive assaults of raw nitro energy." -Pushead, Maximum Rocknroll #7, July/August 1983

RATTUS' furious sophomore album from 1984 reissued in May Rattus is one of the most legendary Finnish hardcore punk bands. Formed in 1978 and split up in 1988, Rattus returned in 2001 and are setting venues ablaze to this day. Uskonto on vaara was originally released on Poko Rekords in 1984. It's a furious album with nine killer songs; an aggressive and intense ride, a true classic in its genre. Svart Records reissued the album in 2012 and after fourteen years it's about time to bring it back to the streets with black and limited color vinyl editions. "RATTUS combustion, startling adrenaline speed and hammerhead blows of power. Featuring the new high-velocity rasping vocals of Annikki, RATTUS virtually sweep forth with sharp-edged earloads of riveting force and disorderly rapidity. Brilliant Finnish hardcore, unhesitant and explosive assaults of raw nitro energy." -Pushead, Maximum Rocknroll #7, July/August 1983

Dänemarks Streetpunk-Aushängeschild HEROES 2 NONE liefern mit A WASTE OF TIME AND MONEY ihr bislang stärkstes Statement. Lauter, schärfer, kompromissloser. A WASTE OF TIME AND MONEY ist Streetpunk mit Haltung, Humor und Fäuste-hoch-Refrains. Produziert von Tue Madsen. Oi! lebt! Heroes 2 None ist eine Street-Punk-/Oi!-Band aus Aarhus, Dänemark, und reiht sich damit in eine lange Tradition von Bands dieser Art von dort. Geradliniger, unkomplizierter Sound, der einfach gehalten bleibt und dem Geist des Punk treu bleibt. Nenn es, wie du willst (Oi!, Street-Punk, Hardcore-Punk, Punkrock usw.) - wenn es gut klingt, dann machen HEROES 2 NONE es trotzdem, auch wenn es ein bisschen vom Genre abweicht. Die Bandmitglieder verfügen über einen reichen Erfahrungsschatz aus verschiedenen Bands wie The Zero Point, War Of Destruction, Skaloot, The Hoolies, The Guv'nors, The Outfit und Last Seen Laughing aus den letzten 35 Jahren. 180g transparent blue vinyl, 300 Stück ww, handnummeriert mit Einleger oder als CD im Digipak mit Booklet & Bonustrack.

Carlo Karacho schwingt durch die deutsche Dub Diskothek wie ein Profi. Leichte Töne für harte Zeiten. So fängt er dich ein, bis er dich mit spielerisch durchdachten Texten durch einen krautigen New-Wave Dschungel in einen Trip-hop Himmel verschleppt und verzaubert. Tie me up, tie me down!