Constant Black News

Burnski's high-quality Constant Black is back with more essential club-ready sounds. Donnie Cosmo and Pascal Benjamin step up for one side of action each. Cosmo's 'Holo Glitch' is first and pairs balmy synth work that is colourful and silky with some punchy tech drums and rolling bass that pulls you in deep. 'Echo Drift' is another lithe and lively one to get you on your toes while the groove flows and 'Airplane Mode' is another stylish mix of lush synth design and great rhythm. Benjamin's trio on the flip is a little more gritty with industrial-space-tech many the most fitting way to describe these curious cosmic cuts.

Double Touch return to All Day I Dream label to release their four track EP, Storm. The duo is joined by Reigan, who contributes vocals for two tracks on the EP.

The EP kicks off with its title track, which features vocals from Reigan about power, control, and the bliss of surrender. Reigan and Double Touch are frequent collaborators; Reigan has contributed vocals for past Double Touch EPs released on All Day I Dream, TRYBESOF, and Magician on Duty.

Complex layers of percussion commence the record. Over the course of the introduction, melodic elements are slowly incorporated, crescendoing as Reigan begins to sing the first verse. The track breaks down around the midway point - as the percussion fades away, Reigan’s voice is highlighted, and tension builds. After the next chorus, the drums are reincorporated, as latent energy is released.

Regarding her lyrics, Reigan said: “The feeling of surrender comes during the melodic change in the chorus. I say “take hold of me” twice and then when I say “and you take all of me” the lift in the note feels euphoric. This is the surrender to power. ‘Storm’ is a dance of power and passion, pleasure and control. It’s leaning into the bliss of surrender while exploring the indirect holders of power in doing so.”

DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

Part 1. A collection of raw, dystopian machine funk that we love from dynArec.

Drumcode continues its commitment to releasing the scene's most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see's the return of Enrico Sangiuliano with 'Astral Projection'.

After his remix of Moby's of 'Why Does My Heart Feel So Bad' back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track 'Astral Projection' is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

'Blooming Era' has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

REISSUE

repressed !

A new outlet for lost classics from the raw, decadent and formative birth of club music re-programmed for modern floor

Third and final EP from Eros, and it's another mindblowing 4 tracker of lost classics from the raw, decadent and formative birth of club music re-programmed for modern floors

A new and very young groove-master in full effect !

Imagine having a song go viral for 17 years - without even knowing it. That's exactly what happened to the German 1980s band FEX. And this isn't just any song - it's The Most Mysterious Song on the Internet, a track that puzzled music detectives for decades before finally being identified in November 2024. Now, it has been officially released - twice.

The Story in Brief:
Sometime around 1984, a song was broadcasted on NDR Radio. The name of the song was Subways Of Your Mind - only found out 40 years later in November 2024. Back then, a listener recorded the NDR show on cassette, a common practice at the time. Decades later, the tape resurfaced, but while most songs from the recording were identified, one remained an enigma. On March 18, 2007, the track was uploaded to the internet in an attempt to uncover its origins. Due to its now-iconic opening lyric, it was tentatively titled Like The Wind. Over time, the mystery deepened, and the song was given a nickname: The Most Mysterious Song - or simply TMMS.

Starting in 2019, a dedicated Reddit group, TheMysteriousSong, now boasting over 63,000 members, took up the search. They meticulously documented every lead, hoping to solve the riddle of the song's origins. Then, in 2024, the breakthrough: Reddit user marjin1412 reached out to musician Michael Hädrich after discovering a reference to his band FEX in an old newspaper article. Hädrich, FEX's keyboardist, provided a recording from an old demo cassette which included an alternative version of the song. On November 4, 2024, the mystery was officially solved: FEX was the band, Subways Of Your Mind was the title.

What Happened Next:
Since then, FEX has released two singles - both featuring Subways Of Your Mind - through the Berlin-based independent label The Outer Edge. First, the demo cassette version was pressed onto vinyl, as the original NDR radio recording remained lost (see EDGE-028). The Remastered Demo Mix single instantly topped Bandcamp's global charts, holding the #1 spot for several days. By then, it was clear: this was more than just an internet curiosity. A real fanbase had formed. Enthusiastic comments on the sales page ranged from "best post-punk song to ever exist" to "FEX themselves (are) perhaps the most underrated musicians of all time."

But the story didn't end there. A higher-quality version of the NDR radio recording was rediscovered in late december, remastered, and now sent for a second vinyl pressing: the TMMS Version. This new vinyl 7" is backed with Talking Hands another great and unissued song that was found on the demo cassette.

Fame Comes with a Price
Suddenly, time isn't standing still for FEX. The band had to come to terms with the fact that they had become Lostwave super stars. A FEX fan club quickly formed on Reddit, fan-hosted FEX parties are popping up, and the internet is demanding more - an album, merchandise, live performances. But how does a band prepare for a comeback after a 40-year hiatus?

For now, FEX is carefully considering their next steps. Their demo cassette contains six songs - and a few other recordings have resurfaced which probably could be restored and compiled. But foremost, a brand new re-recording of Subways Of Your Mind is in progress.

One thing is certain: The Most Mysterious Song will continue its unstoppable journey around the world. Don't miss this (second) chance to own a piece of music history!

The Dutch Francesco Robustelli is back on Bla Bla Music with his first vinyl release, we welcome him to the world of wax! Enjoy the power of his ''Work Ep''

Mit „USB002” setzt Fred again... „USB”-Serie fort. Er selbst bezeichnet sie als „unendliches Album”. Fred ist wieder da! USB 002 ist endlich da – das nächste Kapitel seines „unendlichen Album“-Projekts und die offizielle Fortsetzung des Bestsellers USB 001.

Dialling it back to the early ‘80s yet with a firm foot still in the future, Dr Packer takes on two of Freeez’s classic brit funk cuts ‘I.O.U’ and ‘We Got The Juice’ for a double dose of disco remix deliverance.

First up for a slice and dice, Freeez’s biggest hit ‘I.O.U’ gets a trademark Dr Packer update with a tougher bassline and squelching synths, echoed and extended in all the right spots. On the B, ‘We’ve Got The Juice’ gets a DJ friendly edit, with the Dr replaying the bass riff to get that extra dose of funk, whilst tightening up the percussion ready for it to be unleashed on the dancefloor.

DJ Support:

Arthur Baker, Dave Lee, Michael Gray, Fingerman, Casual Connection, Yam Who?, Andy Smith (Streetsounds), Walterino, Casa Blanco + many more

Italian producer Gledd has been quietly carving out a reputation for groove-led house music that balances raw dancefloor energy with rich musicality. Drawing on influences that span gospel, afrobeat, and classic deep house, his productions channel both heritage and forward-thinking club culture. My House Is Your Church marks his debut release on Delusions Of Grandeur - a fitting home for his expansive, souldrenched sound - and signals a bold new chapter in his evolution as an artist.

The EP opens with On His Way, a percussion-heavy deep roller built for maximum dancefloor impact. Anchored by fat, heavyweight production and a massive low-end presence, the track surges forward with relentless energy. An incredible gospel vocal cuts through the mix, elevating the groove into something transcendent - equal parts spiritual and physical. On It’s Not That Easy, Gledd leans further into his gospel house influences. Highimpact and rhythmically rich, the track weaves together organ fills and subtle tropical flourishes, creating a vibrant, sun-soaked energy while keeping the pressure firmly on the floor.

It’s a track that feels both uplifting and commanding. Flipping to the B-side, Habibi Gospel pushes into more “outernational” territory. A wild, expressive lead vocal takes center stage, riding atop a heavy, driving groove. Organ stabs punctuate the rhythm, locking dancers into a hypnotic flow that bridges cultures and styles with effortless confidence. Closing the EP, Can You Hear My Noise? brings things to a richly textured finale. Slightly more organic in feel, it blends echoing synth stabs, percussive melodic lines, and chopped vocals into a melting pot of sound. The result is a seamless fusion of gospel, afrobeat, and classic house - deep, emotive, and undeniably danceable. With My House Is Your Church, Gledd delivers a statement of intent: music as ritual, the dancefloor as sanctuary.

More Modern Soul madness from the team at Celestial Echo. No Stranger To Love is one of those rare tracks that crosses over both Modern and Northern scenes & has long been a favourite of collectors and selectors with original copies regularly changing hands for £100 + on the second hand market.

This lead to the synth laden funk track being picked up by Dam Funk & the Stones Throw crew, who shone a new light on the track via online mixes which has only increased the demand.

Officially reissued for the first time in 40 years and as always, officially licenced and remastered by Celestial Echo Records. Needless to say, buy or cry.

Repress on Transparent Red Vinyl

2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

The ‘Haris – Fourtrack EP’ marks the debut release from Shimmy, a new reissue label with a sharp ear for overlooked gems. Originally released 25 years ago and long coveted on Discogs, this sought-after EP finally returns to the shelves, breathing new life into a classic of the tech house underground.

Haris made his mark in the late ’90s and early 2000s with releases on iconic labels like Oblong and his own imprint, Laus Records, collaborating with scene heavyweight, Terry Francis. Renowned for his mastery of rolling, groove-led tech house, Haris crafted a sound that remains timeless and endlessly playable.

Each of the four tracks delivers a distinct flavour for different dancefloor moments, offering real depth and versatility across the EP. Expect snappy tribal percussion, eerie synths, haunting vocals and deep, driving basslines - all the essential ingredients for a late-night shimmy.

Back on PANORAMA Records, we turn to a beautiful slice of under-the-radar Jamaican reggae with Horace Martin – “Me Rule.”

Born in Kingston, Jamaica, Horace Martin was just 20 years old when he stepped into Channel One Studio to record the track in 1974. At the time he was building his name locally, performing in clubs and talent shows around the city while cutting sides in Kingston’s vibrant studio scene. “Me Rule” captures that moment perfectly — youthful confidence over a deep, steady rhythm.

This record earned its place among the deepest collectors: Proper rootsy dancefloor reggae that feels just as good today as it did when it first came out of Kingston.

On the flip, things open up with a dubbed-out version of the rhythm titled “Rule,” credited to Prince Huntly. Stripped back, the dub extends the track — echo, percussion, and bass doing the work.

As always, PANORAMA Records continues its search for overlooked gems from across the globe — records with history, character, and real musical weight. Carefully remastered and brought back on 7inch, PAN013 is another example of these records finding their way back to the turntable.

Globally adored Spanish techno protagonist Indira Paganotto releases her debut album 'Arte Como Amante' via ARTCORE / PIAS Électronique. It brings together thirteen fearless tracks that stretch way beyond any one genre. It's high-pressure, high-energy, and deeply personal. A full-spectrum dive into the world of one of electronic music's most dynamic artists.

It follows a huge 2025. She debuted at Coachella. Played her first ever b2bs with Armin van Buuren at Sonar and Sara Landry at EXIT. She became the first woman to close Monegros. She held down her first Club Room residency at Hï Ibiza for 14 weeks, and even launched her own creative studio space, ARTOPIA, in Santa Eulalia. Her label ARTCORE the home of this special album also took their presence in the dance world to the next level with their own curated stages at Tomorrowland, Mysteryland and Dreambeach.

Now, she's telling her story. The title 'Arte Como Amante' means 'art as a lover'. For Indira, that's not just a phrase. It's her life. This album has been 14 years in the making. It began in Madrid in 2012, when she was 19, and was completed in 2024. She waited for the right moment. She lived life. She collected experiences. She built the sound. "I know to take 14 years to make an album seems crazy," she says, "but without living those experiences, how could I have made the music about them?"

The result is a diverse, adrenaline-fuelled body of work that hits hard and moves deep.

Trelik is an A-grade label for minimal heads and now the founder, Baby Ford, welcomes back fellow micro-house specialist Ion Ludwig for vital two-tracker. 'It Broke With Speed' starts with jittery rhythms and blurts of synth as the rubbery bass rolls on and the percussion is spindled lightly up top. It's a more fulsome sound than you might expect from this producer but the art is in the intricacies of its layers. 'Archa Edel' on the B is quick and deep, speedy but tightly controlled with fluttering snares peeling off the groove and cosmic whimsy existing in the pads. Classy cuts as always.

Fast ein Jahrzehnt hat sich Jamie xx seit Veröffentlichung seines Solodebüts Zeit gelassen. „In Waves“, das zweite Album des Londoners, der mit seiner Band The xx zu den prägendsten Figuren der jüngeren Musikgeschichte gehört. Erneut lässt er seiner Liebe zur elektronischen Musik freien Lauf und entwirft die Geschichte einer Nacht, in der man in den himmlischen Puls von Schatten, Licht und Dancefloor-Rhythmen hinabtaucht.



“In Waves” hat seinen Ursprung in einem Mix, den Jamie 2020 für BBC Radio 1 machte. Hier tauchten neben Tracks der aktuellen Generation an UK-Dancemusic auch diverse musikalische Helden auf, etwa Roy Ayers, Fela Kuti, Tom Zé oder Philip Glass. Auch erste Versionen von Songs, die nun auf dem Album erscheinen werden, waren zu hören. “Es erinnerte mich daran, warum ich diese Musik liebe“, so Jamie, der zuvor lange mit der Frage gehadert hatte, wie es für ihn weitergehen würde. “Ich fand einfach Spaß am kreativen Prozess, ohne dabei an ein Ergebnis zu denken.“



Jamie xx pflügt auf „In Waves“ durch die Subgenres und Dekaden und fügt Northern Soul, Disco, Garage, Acid House, Techno, Tropicalia. Hip-Hop, Funk und den Sound der UK Underground Pirate Radios zusammen. Die kleinen Momente sind dabei so eindrucksvoll wie das übergreifende Ganze. Etwa jener Part bei “Treat Each Other Right“, der parallel zum Album-Announcement erscheinenden neuen Single: Zunächst wird man herausgerissen aus dem breiten Breakbeat-meets-Future-Soul-Vehikel, um sich mit den gepitchten Motown-Vocals plötzlich im Mittelwellenradio der 60er wiederzufinden. Die Worte “I’ll never let you down“ werden in die Ewigkeit gezogen, bevor ein biepender Puls über atmosphärischen Synths einsetzt und man direkt zurückgeführt wird in die schweißnasse Katharsis des Dancefloors.



Im Zeitalter der Algorithmen ist “In Waves” Zeugnis für pure menschliche Empfindung, ein lebensbejahendes Gegengift, das über den Kopfhörer in eine andere Dimension führt und zugleich gemeinsam auf der Tanzfläche erlebt werden will. Mit dabei sind u. a. Romy und Oliver, The Avalanches, Robyn und John Glacier.

In his 30th year of releasing music, Jimpster returns to Freerange with Bassic Rollers, a brand new four-track EP that reaffirms his status as one of UK house music’s most enduring and inventive figures. This marks his first full release since the highly regarded The Phoenix EP on the legendary Nu Groove imprint.

In 1990, John Williams created the compilation album John Williams Conducts John Williams - The Star Wars Trilogy, which features 13 of his most memorable tracks from the original Star Wars Trilogy. All performed by the Skywalker Symphony Orchestra, it features the iconic “Main Theme” and “Throne Room / Finale” from Episode IV - A New Hope, “The Imperial March” from Episode V - The Empire Strikes Back, and “Luke And Leia”.

John Williams Conducts John Williams – The Star Wars Trilogy is available as an exclusive “May The 4th Be With You” edition of 1000 individually numbered copies on green/white split vinyl. This 2LP package includes an insert with liner notes by the creator of the Star Wars franchise, George Lucas.

the tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax. the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called "the single source of truth". considered as the ultimate goal by both psychedelic gurus and database optimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience. it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started. this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Danish producer Kasper Bjørke returns with a new release on Tropical Animals, the “Veri/Gliss” EP a work that fully captures his signature blend of cinematic depth, refined production, and forward-thinking electronic aesthetics.

“Veri” opens the EP as a richly layered and immersive experience. Built around an evolving tapestry of textures, the track unfolds through pulsating synths, shifting sonic details, and a steady yet powerful rhythm. The result is a truly intergalactic journey, where each element seems to orbit around a constantly transforming emotional core. This is Bjørke at his most visionary-bridging club functionality with intricate sound design in a hypnotic and expansive narrative.

On remix duties, label head Ricardo Baez reinterprets “Veri” with a sharper, more direct approach. Stripping back the original’s layered atmospheres, he delivers a driving electro version that’s lean, tense, and fully focused on the dancefloor. With its tight groove and immediate impact, the remix is built for peak-time energy and club intensity.

On the flip side, “Gliss” reveals a more intimate and emotive dimension of Bjørke’s sound. A modern electronic ballad, the track blends sensual rhythms with delicate, suspended melodies. Its subtle yet captivating groove carries the listener to an unknown planet, where everything moves in sync, locked into the same pulse and flow. It’s a piece that radiates both mystery and warmth, showcasing Bjørke’s ability to craft deeply atmospheric yet rhythmically engaging compositions.

With the “Veri/Gliss” EP, Kasper Bjørke and Tropical Animals reinforce a shared artistic vision where sonic exploration meets club-ready precision, balancing introspection and dancefloor energy, cosmic textures and physical groove.

Khen has landed on All Day I Dream with his new My Pure Soul EP, a sentimental three-track collection that marks his first release on the beloved electronic label.

Written in dedication to his father, My Pure Soul explores themes of introspection and transcendence, blending organic percussion with lush synth work to create an emotive sonic journey. Offering a robust medley of dynamic rhythms and mesmerizing melodies, Khen’s hypnotic house grooves envelop listeners as the EP progresses from the titular track through its accompaniments ‘Lyup’ and ‘Uchi Mata’. A wondrous debut from Khen, My Pure Soul embodies the entrancing soundscapes synonymous with the label’s curation for more than a decade.

StandUP Records returns with its second release, welcoming a respected name Konerytmi with the 1999 EP.

Across five tracks, Konerytmi pulls listeners straight into the golden era of 80s electronic music. Steering clear of formulaic kicks and basslines, the EP embraces eerie nostalgia, raw textures, and dim-lit atmospheres, the elements that defined the genre’s earliest identity. It’s a deep dive into the past, capturing the authentic sound, spirit, and experimental edge of early electronic music.

Occasionally an album comes along that seems to capture the mood of the time. "The K&D Sessions" was one. In the late 1990s no afterparty, smoking session or languid Sunday afternoon was complete without Kruder & Dorfmeister blasting from the Bang & Olufsen. Now approaching it"s 25th anniversary the lore around this iconic release, steeped in a silvery cloud of smoke, retains a star quality which only shines brighter as time hurtles on. With the original having sold well over a million copies by this point in time, it"s hard to imagine a mix or remix compilation being able to inform a movement like "The K&D Sessions" has. To celebrate this monumental milestone, we"ve created a limited boxset in 6LP and 3CD of "The K&D Sessions", mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes which recount humorous tales surrounding the duo and the people who spent time with them in this epoch. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna"s "Nothing Really Matters". The 6th LP also contains Peter Kruder"s Powercut Mix of Roni Size"s "Heroes" and K&D"s remix of U.F.O, "L.O.V.E.". In addition there are two cerebral alternate remixes of Lewis Taylor, one being completely dubbed and the other the using the vocal line for this beautiful gem, "Lucky" and a special remix of "Speechless" by Count Basic. These have been staples in K&D"s sets and now take their rightful place collected in the canon of "The Sessions".

"Life & Death has been a bucketlist label for me since day one. I've always been inspired by the way DJ Tennis approaches music and the whole philosophy around the label. What always stood out to me is the variety in the releases. One record can be deep and emotional, the next one raw and club-focused, but it still feels like it belongs to the same world. That balance is something I am always chasing in my music. Next to this: in a world that is focussed more and more on short term wins and commercial performance, i really can tell that Tennis still values the art and process of making music the most, which is something i really appreciate"

I remember hearing him play at Circoloco in Ibiza and later in the Loft in Amsterdam and thinking: 'fuck, I should've send him the tune I made last week.' When I came back home, I immediately put together a pack of tracks to send to him. Two were released as part of the Fabric release, and 4 of them are on this EP.
For me, this release is a next step in my career, and I'm happy and proud to be part of a label that is both legendary and super relevant in 2026."

2026 Repress

Ten years after it was first released, the eponymous debut EP by M.O.O.N gets a re-release in the much sought-after picture sleeve alongside the follow-up collections, Particles EP and Day/Night EP.

The EP has found fans in DJs such as Andrew Weatherall, Peggy Gou, and Jacques Renault, whilst the appearance of all four tracks on the soundtrack for cult game Hotline Miami the EP ensured a cult following, racking up millions of plays on streaming sites.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

fabric Originals is proud to announce the release of the highly anticipated collaborative EP by Irish-born DJ, producer, and label owner Mano Le Tough, one of the most celebrated names in underground house and techno, and electronic musician and DJ Perel—who was the first German artist to sign to James Murphy's seminal dance-punk label DFA Records.

This EP marks the second release in the label’s new series, 'Future Memories,' which pairs together a legendary producer with new talent to create groundbreaking music that bridges generations.

The 'Future Memories' series is fabric Originals' latest initiative to celebrate the legacy of electronic music while paving the way for future innovation. By pairing seasoned veterans with promising newcomers, the series aims to create timeless tracks that resonate across generations. Mano Le Tough and Perel comes hot off the heels of our 1st release – by UK Garage royalty MJ Cole and rising UK techno X Dubstep producer and one half of Wisdom Teeth, K-LONE.

NTD005 adds a new artist to the collective - Metamethod aka Simon Haynes.From Adelaide, Australia, Metamethod (Undefined Recordings) returns from a long hiatus with a new EP.
The product of much time refining sounds and ideas, both tracks on the EP are essential synthesis. Sounds primarily sculpted from scratch, resulting in biochemical rhythms and algorithmic loops.
A must have record for anyone wanting to add some raw energy to their collection.

This record is the third release of the label and the opening of a new series: Material Hotline.

The opus is consistent with the era of techno 90's wave that inspired certainly this first record of the series.

The four tracks that delivered the two artists Multivoq and Solah are resolutely Trance.

"The Devil Calls" open the record on its Techno side followed by an acidic track "The Horror Show". The other side makes its way between New Beat with "Last Chance" and finally trance with "Deep Jungle".

Un Canto por México, Vol. 1 is the eighth studio album by Natalia Lafourcade. The album was part of a project destined for the reconstruction of the Centro de Documentatión del Son Jarocho at Jáltipan de Morelos, a cultural building that was damaged after 2017 Puebla earthquake on 19 September 2017.

The album was a great success and gave Lafourcade three Latin Grammy Awards and the album also won the Best Regional Mexican Music Album at the 63rd Annual Grammy Awards.

Un Canto por México, Vol. 1 is available as a limited edition of 2000 individually numbered copies on yellow vinyl, packaged in a gatefold sleeve, with printed inner sleeves

This 7" record by Agogo Records features two remixes by Mo' Horizons. Track one is a cover of Nat King Cole's "Calypso Blues", performed by percussionist and singer Nené Vasquez, who is part of the Mo' Horizons family and used to play in Shakira's band in a former life. Super Oud is a musical project from Bremen, Germany, combining traditional Middle Eastern sounds with modern electronic grooves.

a. Nené Vasquez - Calypso Blues (Mo' Horizons Remix)
Written by Nat King Cole & Don George. Published by Crestview Music.
Original production by Nené Vasquez. Remix production by Ralf Droesemeyer.
Lead Vocals by Inna Vizotska. Additional Remix Vocals by Frankie Figueroa.

b. Super Oud - Zala (Mo' Horizons Remix)
Written by Claas Bösling & David Niedermayer.
Original production by Claas Bösling. Remix production by Ralf Droesemeyer.
Oud by David Niedermayer. Remix Vocals by Marriam.

Frankfurt am Main -- Leipzig duo not even noticed deliver their long-awaited debut album space beyond noise - a 12-track journey balancing club functionality with immersive, long-form listening.

Shaped by years of touring and a shared ritual of visiting botanical gardens around the world, the album blends shapely grooves, field recordings and warm melodic textures into a cohesive, lived- in sound. Subtle environmental details run throughout, creating a natural flow between tracks.

Musically, it moves between electro-funk, breakbeat and hip-hop- inflected cuts, with downtempo and dubby excursions. Highlights include the driving “chrone,” the sundown groove of “diras,” the acid-tinged “plune,” and the hazy two-step moment “skum.”

Designed with warmer months in mind, space beyond noise captures the balance between dancefloor energy and home listening depth.

Toronto Vs Boston: Lace up those skates, The PATCHOULI BROTHERS face off against GMGN on the hockey rink of destiny, who's edit will burn hotter and melt the ice, transforming this frozen dance floor into a disco roller rink for the ages? The disco brothers from Canada kick things off with "BURNIN'", dark and sexy, with textural percussion, sultry vocals, and a straight ahead piano focused groove. After a short flight to Boston, GMGN comes in on the B-side with the instant classic "A LITTLE BIT". Cutting up 70s funk over a solid disco base and diva vocals that will have you proclaiming "All you need is a little bit of Soul!"