Toolroom Trax Novedades

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

The second in Void+1's "Convergence" vinyl-series, "Chapter 2", is a unique, must-have, mini-compilation with a variety of crossover-styles by Tensal, Scalameriya & Cam Lasky, Znzl, Liza Aikin & Monolog.
"Convergence Chapter 2" includes tracks from V+1020D, V+1021D, V+1022D & V+1023D.

With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience. The project album Ancient Moment marks the first collaboration between the Korean contemporary music ensemble WhatWhy Art and the Seoul underground electronic music collective vurt.. It is a record of a free journey where two different worlds collide and merge,

In Part 1 of the album, you will hear boundless performances by daegeum player Hong Yoo with electronic musician Unjin, and gayageum player Hwayoung Lee with ambient duo Hosoo. The recording was done in an improvised one-take format at STUDIO Y in Seoul, and Giuseppe Tillieci mastering enhanced the sonic quality.

Rhythm N Vibe deals in exactly that across the house and garage spectrum. Marc Cotterell is a mainstay and gets the EP underway with 'I Want You,' a chunky and dirty garage swinger with tumbling bass and steamy vocal coos. Home Team & Greyhound then bring some old school piano magic to their 'Worth The Wait' and UrMUMSBSMT goes deeper with some liquid pads and burning diva vocals on 'Don't Ya.' International Swing Committee shuts down with 'Though Da Storm', which brings some silkier grooves and more light-footed rhythms with another masterfully plunging bass. Pure body music brilliance.

Celebrating 30 years of the legendary label, we pick legendary bombs and unreleased gems from Black Vinyl Records rich catalogue. From its inception back in 1996 Black Vinyl Records has always been a label for the serious DJs. Tony Humphries, Paul Trouble Anderson, Ricky Morrison, Justin Berkman, David Morales, Bobby & Steve and most serious Underground DJ’s supported the original vinyl release of Kerri Chandler’s early masterpiece ‘My Old Friend Alan’, dedicated to label founder Alan Russell, and it gained many more supporters following its recent digital re-Master. The David Harness remix of Tedd Patterson’s ‘Roots’ appears on vinyl for the first time here and was featured in no less than 25 Traxsource DJ charts after it’s digital release in 2022, including luminaries such as DJ Pope, Quentin Harris, Kevin Yost, Charles Dockins, and many more. The vocal mix of ‘Fever Tension’ by Fresh & Low has always been a sought after gem, only ever appearing on a ‘Re:Cuts’ release in early noughties, and ‘Rising Into Joy’ by Arnold Jarvis was championed by Danny Rampling, Paul Trouble Anderson, Andy Ward, Deli G and all the 'heads' and is the definition of a Soulful House Classic.

ANAOH INVITES - Homeground Edition

Celebrating 10 years of ANAOH, this special edition of the label's annual Invites series turns the focus inward. Fixon and Dig-It open the A-side with two collaborative tracks reflecting the sound and creative bond that has shaped the label over the years.
On the B-side, Damian Vargas and Victor Fernandez, key members of the ANAOH crew, contribute two distinctive cuts representing the label's close-knit artistic circle.

Four tracks celebrating a decade of shared vision and community.
Available May 22 in record stores worldwide.

EFUNK Volume V is the fifth installation of the annual VA compilation featuring music from a curated collection of artists set to perform at Soul Clap’s House Of EFUNK touring party series. This release date on wax and digital is right in time for the official Movement Festival afterparty @ TV Lounge in Detroit that spans 2 days with 3 areas of sound. This year’s compilation features music from Soul Clap alongside long time friend and Baltimore favorite Baronhawk Poitier who present “Set The Scene”, a futuristic earthshaking groove with Baronhawk’s spoken vocals backed by Charles Levine’s vocoder and a Moog topline played by Baronhawk that won’t quit. Hercules & Love Affair makes a debut on the label with “Stay Ready” a chugging tracky / acid infused banger which should absolutely induce a dancefloor sweat. Kai Alce shares a discofied sample-licious crowd pleaser called “Boogie” with the help of additional keys by Byron Blaylock better known as Byron The Aquarius. Detroit’s new school starchild JMT joins with the hard hitting peaktime soul powered “Black Magic Touch” and last but certainly not least, Lauren Flax adds an edge of danger while calling for “Revolution” featuring vocals from Liz Wight. These tracks are sounding warm and round thanks to the mastering expertise of Caserta and have been dancefloor approved by Soul Clap!

Techno is the game. Realm United is the team. Powerful, direct, uncompromising club vibes.
K S R "collective works".

Techno is the game. Realm United is the team. Powerful, direct, uncompromising club vibes.
K S R "collective works".

VA – Paradisi Artificiali brings together four distinct sound compositions, each resisting the urge to resemble the others but united by the way they manipulate perception.
Polygonia crafts shifting rhythmic paths where the groove warps and regenerates in real time, maintaining an organic tension that keeps the body in motion without ever truly settling into place.
Feral operates through subtraction, slowing time and excavating sound’s spatial depth. Its tracks don’t progress so much as they envelop, drawing the listener inward into a layered, introspective space.
Agonis introduces a more unstable, sensory thread, weaving transitions and accumulations that build in stages. Frequencies become tangible matter, and the progression unfolds without ever erupting entirely.
Crossing Avenue weaves these directions together without hardening them, infusing the record with a more rooted, almost ancestral rhythmic element that surfaces in the structure of the patterns and the choice of timbre.
The result isn’t a neat synthesis, but a coexistence. The tracks unfold along a shared line without ever converging, articulating a dynamic balance between tension and release. It’s an album that works through gradual alterations, through subtle slippages in perception, as in “Les Paradis Artificiels”. The point isn’t escape, but intensification. The sound burrows deep, reshaping how things are experienced, until a denser, more ambiguous, more alive reality emerges.

With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch.
In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.
The project album Ancient Moment marks the first collaboration between the Korean contemporary music ensemble WhatWhy Art and the Seoul underground electronic music collective vurt.. It is a record of a free journey where two different worlds collide and merge, breaking cultural boundaries and dismantling aesthetic hierarchies.In Part 2 of the album, you will hear boundless performances by haegeum player Jieun Kang with electronic musician Djilogue, and Whatwhy Art with electronic musician Siot.
The recording was done in an improvised one-take format at STUDIO Y in Seoul, and Giuseppe Tillieci mastering enhanced the sonic quality.
Credit
Jieun Kang / Haegeum
Hong Yoo / Daegeum
Hwayoung Lee / Gayageum
Woongsik Kim / Korean Traditional Percussion
Djilogue / Electronics
Siot / Electronics
Produced by Hong Yoo, Yoojun
Executive Produced by Jieun Kang
Designed by Yoojun
Motion Graphic Video Created by Nahsol
Live Sound Recorded by Jeong Morgan at STUDIO Y
Mastered by Giuseppe Tillieci at Enisslab
Supported by Arts Council Korea (ARKO)
Distributed by Space Cadets
Released by WhatWhy Art & vurt.

X – Ochenta y Tres 06

Tremendo Various Artists con seis pelotazos originales, editado por el sello 83 para su sexta referencia en vinilo.

After years of building this project quietly and patiently, ISLA004 feels like a reflection of everything that shaped the island along the way.

Between hypnotic techno, trance, electro and synth-pop influences, this release moves through nostalgic melodies, dark textures and emotional tension balancing moments of introspection with the energy of the dance floor.

More than defining a genre, this VA captures a state of mind: late nights, distant memories and the feeling of getting lost in sound.

A new chapter for the island.

Welcome

Stereoblaster launches its journey with a powerful Various Artists release.

More than a compilation, this project defines the sonic identity of the label — blending deep, minimal and acid influences into a cohesive club-driven experience.

Each artist brings a unique perspective, contributing to a shared vision rooted in underground culture and forward momentum.

This is Stereoblaster.
A sound explosion.

Budabeats Records is kicking off the summer season with a strictly limited edition EP that blends disco and soulful house vibes. Three razor sharp edits and remixes tailored and fine tuned for the dancefloor by Hungarian producers Mr. Fiel, Grabosky and Chillum Trio.

Winter Collection arrives a little late, but it arrives right. Four tracks across two sides, drawing from Chicago, Detroit, Oakland, and Portland, mastered for DMM cut by Lawrie Dunster of Curve Pusher. The vinyl sounds like it means business.

The A-side opens with the Bryan Zentz Remix of Basic Analogue, originally written and produced by Mazi and Joshua Collins. Dunster’s remaster serves the synth work well, keeping the melodic lines clear and the low end present without overcrowding the mix. Zentz built something durable here, and the vinyl pressing confirms it.

Sound Whore by DJ Mes follows, and Mes doesn’t waste any time. The wah-wah guitar arrives early, the trumpet not far behind, and then the Latin percussion and vocal samples start stacking up. It’s a lot, but Mes holds it together with a groove that keeps pulling everything back toward center. You don’t resist it. You just follow.

The B-side belongs to the most requested track in the label’s catalog, and it’s easy to understand why. Mike Huckaby’s remix of Cesar Ramirez’s Congo Fury anchors itself to a conga line and then opens outward, synth lines drifting across the rhythm like smoke. Huckaby had a particular gift for this, the ability to make a moment feel like it could last forever without ever losing tension. Ramirez’s own keyboard solo survives toward the end, a subtle crescendo that feels earned. Dunster captures the whole thing with care.

It’s Time to Jack by Da Outlawz closes the record. 909 drums, cracking snares, chopped vocal fragments. Barebones Chicago house, designed for a sound system that can take the weight. Nothing complicated about it, and that’s the point.

Play it loud.

Track A1 written and produced by Maziar Namvar and Joshua Collins. Remixed by Bryan Zentz.
Track A2 written and produced by Jason Sutton.
Track B1 written and produced by Cesar Ramirez. Remixed by Mike Huckaby.
Track B2 written and produced by Gabriel Palomo & Geto Mark.
Mastered by Lawrie Dunster at Curve Pusher, UK.
Copyright Control
2026 Fresh Meat Records

Shorter Version

Winter Collection arrives a little late, but it arrives right. Four tracks across two sides, drawing from Chicago, Detroit, Oakland, and Portland, mastered for DMM cut by Lawrie Dunster of Curve Pusher. The A-side opens with the Bryan Zentz Remix of Basic Analogue, originally written and produced by Mazi and Joshua Collins. Dunster’s remaster keeps the melodic lines clear and the low end present. Zentz built something durable here, and the vinyl confirms it. Sound Whore by DJ Mes follows. The wah-wah guitar arrives early, the trumpet not far behind, then Latin percussion and vocal samples start stacking up. Mes holds it together with a groove that keeps pulling everything back toward center. You just follow. Mike Huckaby’s remix of Cesar Ramirez’s Congo Fury anchors itself to a conga line and opens outward, synth lines drifting across the rhythm like smoke. Huckaby had a gift for making a moment feel like it could last forever without losing tension. Ramirez’s keyboard solo survives toward the end, a subtle crescendo that feels earned. It’s Time to Jack by Da Outlawz closes the record. 909 drums, cracking snares, chopped vocal fragments. Barebones Chicago house, designed for a sound system that can take the weight. Play it loud.

Parisian label Chuwanaga announces the upcoming release of Inner Circle Vol. 1, the first installment in a series of house music releases bringing together artists from the label’s close circle. Available on limited 12" vinyl (300 copies) and digital.

The VA opens with “We All Got To Feel” by Argentine producer J. Koen (Nervous Records / Nite Grooves), a track that encapsulates the essence of deep house. Classy, colorful stabs, refined melodies, and a warm, funky bassline come together in a club-ready cut. It's exactly what you expect when you need a track that delivers — just drop it.

It is followed by “Sunny California” from French producer Kaffe Crème (Floors Records), an ode to the sun — both a celebration and a form of incantation recalling the spiritual energy of Ron Trent and Joe Claussell. The track builds toward a break filled with deep, jazz-inflected harmonies before returning with an electrifying melody carried by layered percussion, leading to an emotional climax.

On the flip side, “It’s A Feeling (House Music)” by the French duo Milk & Honey (Chuwanaga) draws clear inspiration from the Chicago lineage, in the vein of Boo Williams. A looping bassline, deep silky chords, and steady drums create a hypnotic, flowing texture with a myriad of ear candy. It's a feeling, it's a vibe!

The record closes with “The Gatekeeper” by French producers Saint-James (Chuwanaga) & KX9000 (Pont-Neuf Records), a track influenced by the London boogie sound and its broken beat scene. Fans of Dego and Kaidi Tatham will recognize its syncopated grooves and percussive depth, bridging house and broken beat aesthetics.

A1 Aetius Clay - Toinella (Original mix)
A2 Aetius Clay - Anya (Original mix)
B1 Aetius Clay - Toinella (Holchin Remix)
B2 Aetius Clay - Anya (Alejandro Vivanco Remix

JUDDER opens a new chapter in its history with its first 12-inch vinyl release As part of a new mini-album series, the label brings together artists from diverse backgrounds and musical perspectives. What unites them all is an openness to experimentation and a deep affinity for sub-frequencies. Side A is driven by a bold, high-impact sound with references to techno, grime, and baile funk. The release opens with Komo by Italian producer Coido. The track unfolds in unpredictable ways, its rebellious character maintaining tension from start to finish and refusing to let go of the dancefloor. This energy is carried forward by Oddkut. His Phase Shift is a pure body-mover, where the core bassline and rhythms awaken a raw, primal energy. Side B shifts the focus toward more minimalist, rhythm-centered forms of bass music. In Diligence by Nattah, breakbeat and UK techno merge into a hybrid where atmospheric reverbs are expertly balanced with the drive of sub-bass pressure. Inspired by racing games, Naprimer closes the release with Carrera. This new 100 BPM experiment brings together the best elements of the Bristol and Manchester scenes. Tracklist: A1 Coido – Komo A2 Oddkut – Phase Shift B1 Nattah – Diligence B2 Naprimer – Carrera

Interactions is a new vinyl imprint based in Mallorca, emerging from an event series dedicated to connection, collaboration, and the exchange of sound. What began as intimate gatherings with handpicked artists now evolves into a label, extending its ethos from the booth to the studio. With a focus on minimal house aesthetics and a detailed approach, Interactions aims to highlight the subtle edges of groove-driven electronic music through artist exchange and collaboration.

The debut release comes from Veruh, an artist whose refined productions strike a balance between rhythmic detail and emotional restraint. The EP’s title track, Eurivor, is an atmospheric roller built on intricate FX and fleeting vocal snippets — minimal but with character, playful yet anchored by a persistent groove made for the club.

On the remix front, Sepp delivers a peak-time tech-house rework. A defining force in the minimal-tech scene, his version is a tight, rolling burner packed with late-night tension and summer-floor energy.

The B-side shifts into broken-beat territory: Abil Revis & Olab bring emotion to the surface, pushing the vocals forward in a remix made for after-hours sessions, where subtlety, mood, and movement take over. Finally, For·at craft a stomping reinterpretation — minimalist yet forceful, teeming with fractured rhythms and deep pressure.

Eurivor marks a confident first step for Interactions — a label grounded in collaboration, rooted in minimalism, and dedicated to the quiet magic that happens when artists connect.

With festival season in the air, Vince Watson lets loose on his big summer track for 2026. Piano-heavy ‘The Awakening’ hits right on the money - full-on hands in the air piano and some E-Dancer-style bass give this track the ‘Summer Anthem’ vibes. This is a hit record! It’s backed up with a stripped-back version, letting go of the big orchestral strings to make way for more heat from that E-Dancer baseline. On the flip side, there is a faster BPM edit of ‘Flashback’ from his 2023 album ‘Another Moment In Time’, not only bringing a more friendly club tempo, but also extra heat and intensity in the build-ups.


[b] A2: The Awakening [No Strings Attached]
[c] B1: Flashback [Edit]

Z.I.P.P.O returns to SK11 with his second EP 'Eleven', a collection of four tracks that defy formula while remaining anchored to the roots of techno. Boldly unconventional yet highly functional, each piece serves as a passage: a shift in tempo, tone, or texture, shaped by a deeply personal sonic vision. Rather than offering a fixed narrative, the record encourages fluid movement - between genres, emotional states, and sonic architectures. Eleven is a finely tuned exercise in tension, groove, and release a thoughtful and uncompromising work from one of Italy's most singular voices.

The EP kicks off with the title track "Eleven", which carries the weight of a timeless hymn - balancing melancholy and release through an impactful lead motif, anchored by a heavy, hypnotic kick. "Hypernova" dives into submerged territory, where swinging percussions, chopped vocals, and aquatic atmospheres unfold with eerie precision on its 909 workout. On the B side, "Kaus" moves in a state of continuous evolution: elegant and deep, driven by tribal rhythms and swelling chords that glide into trance-like dimensions. "Replication" closes the cycle with relentless pressure: twisted sound design, full-bodied groove, and a sense of motion that refuses to resolve.

An exception to the rule, Zodiak Commune Records returns to Acid Kore after a few years.

ZC-KORE005 - Second Sign EP
Jaquarius Procell Triphaz Palindone

Fifth entry in the Acid Kore series.

Old school attitude meets new school pressure across four uncompromising acid tracks, built for the floor.

Next up on Acid Pauli's new label All Is Acid is Urwald (engl. jungle). Originally released 2009 on Smaul, the track has been carefully restored and remastered and comes with a brand new remix by French DJ and producer rRoxymore.
Urwald marks an early moment in Acid Pauli's solo work. The track is built on a dry, steady rhythm and a small melodic loop that shifts slowly over time. It does not follow a classic build-up structure and lets subtle changes shape the movement to give it a hypnotic vibe.
The new rRoxymore remix makes the tune even trippier. She loosens the rhythmic grid, softens some of the edges and tell's her own story with lots of off-the-wall elements that guide the listener through the jungle.

You wait positively yonks for a new Amit record and what do you know, two turn up pretty much at once. Not that we're complaining, especially as this is quite a different beast to its dubby downbeat predecessor on the Slough producer's Amar label. A double sided collaboration with Bedford's Outrage, 'Trigger' showing the pair taking the most well worn of ingredients - crackling Amen breaks and disorientating synths - and turn them on their head, reshaping them into something you've never heard before. On the flip, 'Zulu' is another hardstepping big hitter with precision beats, plenty of drama, truly disgusting bass pressure and beats that evoke ancient memories of Digital at his most individual. There's drum & bass and then there's 'proper' drum & bass, and it doesn't get much more proper than this.

Departure Lounge welcomes Andy Ash to the lineup with his four-track EP, "When The Sunlight Comes." Warm and deep - Andy traverses the euphoric realm, as well as acid influences on the a-side, before a slung out b-side cements a satisfying reflection of his range. Over a year in the making, this is a truly special release, and a testament to Andy's craft. As a final touch, Flabaire closes out the record with a tasteful remix of "Sunrise Acid."

DJ Support: Sound Metaphors, Castro & Nemo, Luke Una and more

Test Pressing Tracks is a new label from the TP crew with a focus on club music. With three releases lined up we’re pretty excited about whats to come. The first release comes from Apiento & Tepper ft the vocals of MC Kinky (of ‘Everything Begins With An E’ fame) on Yellow Place Chop. On the flip we have Le Tour - a deep electronic journey that sounds best very loud. Artwork for the label comes from Dan Lissivk of Studio. More soon…

The Gabber masterpiece from Atomic Compressor !!!
Four massives tunes in da best old school Mokum style. Those tunes will never let you down !

Repress!

For the upcoming release on KNTXT, label boss Charlotte de Witte announces a dual EP release. “The Selected EP and Pressure EP, to me, are the perfect reflection of the music I have been playing over the years.” says Charlotte de Witte. “On the Selected EP people will find the straightforward Techno sound with the Acid twist, that I love to bring to the floor when I’m touring.”
“It’s counterpart, the Pressure Ep, is an extension of the mixes that I assemble for my BBC Residency.

A more ambient approach, that’s rougher around the edges.”“Both releases can be seen as an ode to the techno I love and cherish.” concludes de Witte. On the subject of the dual release Charlotte says “For me this duality is essential to explore my interests both as a producer and DJ. Therefore it also made sense to me to release them simultaneously, as we also combine our label releases with events and our weekly radio show.”

"Pulso is about sexual desire, my desire. Me as the subject, not only the object of it. I sing my pleasure and daydreams, because it's my body and my imagination, so I know what I like to feel."

Sonically inspired by reggaeton, a genre that is personally nostalgic and reminiscent of times spent at parties listening to the imported genre as a teenager in her home country, Spain.
Clara! works with producers who don’t usually dabble in the genre - SKY H1, Pearson Sound and Low Jack - in order to mix their own, unique universes with it.

Here, breathing fresh life into Ruffneck ft. Yavahn’s seminal heater - ˙Everybody Be Somebody˙ - are the mighty Classmatic; re-moulding the mid-nineties classic, into an organically-garbed, rolling-House titan.

With Yavahn’s inimitable, sultry tones, sliding across a bed of sub-aquatic bass, rotund kicks, hissing hats and revolving toms - it’s a track, tailor-made for the terraces of Ibiza, beaches of the Adriatic and beyond.

Deaf Florists, the alias of Conor Wheeler, returns with a powerful new EP on trUst Recordings, the imprint founded by Saoirse. A key figure in the pre-social media UK techno and bass underground, Wheeler first made his mark in the early 2010s with his label Nineteen89, operating alongside the era that birthed influential collectives such as Night Slugs, Swamp81 and Hessle Audio.

After years spent navigating the industry—managing artists, overseeing A&R for major labels, and curating club nights at some of the UK’s most respected venues—Wheeler channels 17 years of deep listening and lived experience into Deaf Florists. The project moves fluidly between peak-time intensity and introspective depth, unbound by strict genre lines.

Lead track “Squelch, already a highly ID’d fixture in Saoirse’s DJ sets, is built around a corrosive acid line from a Roland TB-03, reinforced by a Behringer Crave counter bass and a pitched-down vocal command to “get down.” “Melt” detonates with industrial force, inspired by the chaos of a reactor in meltdown—earning Saoirse’s succinct verdict: “It’s a bomb.” Closing cut “Gunk” nods to the hypnotic repetition of Mr G, transforming a stripped-back DJ tool into a distorted techno workout primed for dark rooms.

Early support by Gerd Janson, Moxie, Tim Sweeney, James Zabiela, Prins Thomas

Berghain’s Panorama Bar resident and Love On Rocks founder, Paramida delivers her take on Deep Dish’s classic ‘Say Hello’.

For the Lisbon based, international superstar DJ and producer, it’s a full-circle moment. As a teenager living in Tehran, she listened to “Say Hello” on her daily car rides to and from an internship at an Iranian newspaper while attending a German school.

Paramida explained the remix idea came together very quickly, in a single take, with everything falling perfectly into place.

An essential remix that is sure to be played everywhere from sweaty basements to festival throughout the Summer.

Real heads with good memories and a lifelong love of good grooves might remember that the original mixes of 'Disco Glory' first appeared on DJ Garth's Wicked imprint in 1996. Top DJ dogs like Danny Tenaglia, Francois K and Doc Martin all used to drop them on the regular and ensuing remixes even made their way onto Sony Pictures' 'Groove' soundtrack. The DJ Garth & ETI mixes have long been out of print, so fetch a pretty penny on the second-hand market, which means it's great news that the 30th anniversary is marked with a fresh return to wax. The Acid Rock mix is psychedelic and trippy, the Look To The Moon dub is a dark and dubby tech sound that could be brand new, and the Ye Olde Organ Grinder mix has a moody and retro house charm.