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Various - The Sound of Hardstyle Vol. 3 (LP)

With The Sound of Hardstyle Vol. 3, a new chapter in the vinyl series unfolds, this time putting the spotlight firmly on Hardstyle classics. This volume brings together some of the most defining tracks from an era where melody, energy and emotion came together at their absolute peak.

From the timeless sound of Wildstylez' Timeless to the uplifting power of Max Enforcer's Gold (24k Fix), and the unforgettable energy of D-Block & S-te-Fan's Built This City, this record captures the essence of what made Hardstyle so impactful. On the flip side, classics like Noisecontrollers' Down Down, Brennan Heart's Running Late and Code Black's Pandora continue that legacy, each representing a sound that shaped dancefloors across the world.

More than just a collection of tracks, The Sound of Hardstyle Vol. 3 is a tribute to a defining era. Pressed on vinyl, this release invites fans and collectors to relive the melodies, the energy and the moments that turned these tracks into true Hardstyle anthems.

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Luis Del Barrio - Maximalpayés EP

This EP contains 4 tracks inspired by the dance music boom in Europe from the late 80s to early 90s. Luis composed all the tracks using a Novation BassStation, an Akai MPC 2000XL for the drums and sampling, and a Korg M1 for the pads and melodies, using the occasional VST where appropriate.

A1 “Miedo aqui estoy” (Fear, here I am) combines a fast bassline with a hypnotic melody, New Wave influences and shades of electro unite to create an immersive atmosphere. The message ‘no to fear’ being transmitted through optimistic and euphoric pads.

A2 “Neminem Laedere”, inspired by New Wave sounds and rhythm, this track uses bright synths to create audio textures that invite introspection. The hypnotic melodies repeat throughout, enforcing the title's message ‘do no harm’.

B1 “Noches y Amaneceres” Taking the heavy and dark rhythms of new beat and entwining the contagious melodies of Italo provided by bright synths, this fusion gives the track a unique bouncy atmosphere.

B2 “Violines en el barrio”, A track that revolves around a focus on sampling. The breakbeat influence accompanying synths with an 80s flavour and pads providing a deeper texture.

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Turntable Case - ROADINGER Plattenspieler-Case Tour

Professional flightcase for one turntable (up to 450 mm width)

Suitable for all turntables without dust cover (up to 450 mm width)
Interior upholstered with foam (black)
High-quality workmanship with plywood multilayered glued, black laminated
Aluminum profile frames (25 mm) with rounded edges
Removable cover
Three-leg, medium-sized steel ball corners
4 steel-enforced rubber feet
2 lockable butterfly locks
Padded carrying handle

Technical specifications
Maximum load: 20 kg
Material: Glued plywood, 7 mm
Color: Black, laminated
Outer dimensions/corners approx.: 60 mm
Dimensions: Width: 53,5 cm
Depth: 45,5 cm
Height: 23 cm
Weight: 6,50 kg

Flightcase für einen Plattenspieler (bis 450 mm Breite)

Für alle Plattenspieler ohne Abdeckung (bis 450 mm Breite) geeignet
Schaumstoffgepolsterter Innenraum (schwarz)
Hochwertige Verarbeitung mit mehrschichtig verleimtem Holz, schwarz laminiert
Aluminiumprofilrahmen (25 mm) mit abgerundeten Ecken
Abnehmbarer Deckel
Dreischenklige, mittelgroße Stahlkugelecken
4 stahlverstärkte Gummifüße
2 abschließbare Butterfly-Schlösser
Gepolsterter Tragegriff

Technische Daten
Maximale Last: 20 kg
Material: Mehrlagiges verleimtes Schichtholz, 7 mm
Farbe: Schwarz, laminiert
Außenmaß der Ecken ca.: 60 mm
Maße: Breite: 53,5 cm
Tiefe: 45,5 cm
Höhe: 23 cm
Gewicht: 6,50 kg

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Wrekin Havoc - Wrong Number EP

The Havoc guys have been on an enforced hibernation through the winter due to a lurgy that had been affecting the planet. They have remained in the cave throughout this time huddling up to keep warm and exploring what had become their home away from home for months on end. One night, whilst lighting a fire, trying to find motivation for the next release (basket weaving had lost its appeal) they spotted a glint across the way – On further inspection, it was a small bottle and had a label of sorts – It looked to be medicine or smelling salts – Liquid Gold. Curious creatures they are they all took a long good sniff of this elixir. And just like that, they rummaged around the records stacked in the corner put some more coal in the old computer and began their work.

Soon the A-Side of the new EP was born. Most certainly a step up in the BPM from the previous A-Side off EP1. A1 kicks off with a Germanic Proto Throb Job, that's sure to cause errr...Havoc on the dance floor. Whilst A2 is a Bassline Driven, Reconstructed Austrian Euro Pop Monster. One for late-night Discos.

After a while they had stopped sweating, hearts had stopped beating quite so quick. Whilst the creative juices were flowing a few more records were dug out and a log put on the fire and a cup of fungus juice imbibed. B2 came rattling out the speakers in no time at all in all its chugging glory, the vocals take in a nod to god after the devil has done his dirty work.

At this point, the sun was starting to peek through the mouth of the cave and a new day was upon them. One last record had been found, earlier, that was decided would work at this time, actually after consideration, any damn time... B2 Is like a familiar Balearic Back rub with pop-infused French vocals and beats for days...So now EP2 is complete. Back out into the world our intrepid or is it tepid threesome went... Let's only hope their wives haven't left them after all this time locked away.


DJ Support:

Jim (HMD)
Bill Brewster
Kelvin Andrews
Eric Duncan
Al Mackenzie
James Holroyd (Begin)
Pete Herbert
Phil Mison
Nick The Record
Justin Robertson
Coyote
Mind Fair
Steve KIW
Craig Christian
Dr Rob
Dave Jarvis
Max Essa
Andy Simms (Soft Rocks)
Howler
Jaye Ward
Nancy Noise
Andy Taylor (WATS)
Graeme Fisher
Severino (HMD)

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Record-Case Profi - Alu 50/50 Glatt 100

Record case in aluminum housing

For 100 LPs
Pragmatic 50/50 separation
Interior upholstered with foam (10 mm, black)
High-quality workmanship with plywood multilayered glued, aluminum-colored laminated
Aluminum profile frames (22 mm) with rounded edges
Three-leg, medium sized steel ball corners
Chromium plated corners and locks
2 high-quality butterfly locks
8 steel-enforced rubber feet
3 rugged carrying handles

Maximum load: 20 kg
Material: Glued plywood, 7 mm
Color: Alu colored, laminated
Outer dimensions/corners approx.: 50 mm
Dimensions: Width: 37,5 cm
Depth: 37,5 cm
Height: 44 cm
Weight: 6,60 kg

- Für 100 LPs
- Praktische 50/50 Teilung
- Schaumstoffgepolsterter Innenraum (10 mm, schwarz)
- Hochwertige Verarbeitung mit 7 mm mehrschichtig verleimtem Holz, aluminiumfarben laminiert
- Aluminiumprofilrahmen (22 mm) mit abgerundeten Ecken
- Dreischenklige, mittelgroße Stahlkugelecken
- Ecken und Schlösser verchromt
- 2 hochwertige Butterfly-Schlösser
- 4 stahlverstärkte Gummifüßen
- 3 robuste Tragegriffe

Maximalbelastung: 20 kg
Wandstärke: 7 mm
Außenmaße (BxTxH): ca. 375 x 375 x 430 mm
Innenmaße:
Einbaubreite: 322 mm
Einbauhöhe: ca. 370 mm
Einbautiefe: ca. 325 mm
Außenmaß der Ecken: ca. 50 mm
Gewicht: ca. 7,8 kg

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Last In: 4 months ago
ECCENTRONIC RESEARCH COUNCIL - DREAMCATCHER TAPES VOLUMES 1&2

Back in 2015, to celebrate the 50th anniversary of the BBC broadcast of Delia Derbyshire & Barry Bermange’s “Inventions For Radio: The Dreams”, The Eccentronic Research Council released their own super-limited edition cassette soundtracking the recalled dreams (and nightmares) of friends, artists, actors, musicians, scientists, poets and filmmakers. The release was called “The Dreamcatcher Tapes Volume 1”. Five years on, and with a large part of the planet under lockdown and with nowhere to go but within their imagination, the ERC put a call out once again to music collaborators, nurses, teachers, truck drivers, writers, journalists and shop workers to upon waking, record their dreams straight into their phones and to then send them to the ERC to soundtrack. And thus, Volume 2 of The Dreamcatcher Tapes was born!

How did you make the album during lockdown?
“We got around 26 dreams sent to us via email over the space of a couple of weeks then Dean Honer my partner in The ERC and I revved up the old analogue equipment and would record music and collage sounds to the dreams (remotely) from our home recording studios and bounce them back and forth to each other till they were done. It was a really good way to work actually, sometimes I didn’t even have to put on any trousers!” says ERC/ Moonlandingz founder Adrian Flanagan. Why a second volume of The Dreamcatcher Tapes? “I was really interested to see how the enforced lockdown and the removal of people’s basic needs such as human contact and hanging out in close proximity to friends was affecting the dreams of my friends, peers and those at the very front line of this horrible pandemic”, Adrian continues. “The Important shared experiences for people’s mental health such as going out to gigs, the pub, the cinema etc. ”It was an interesting experiment. Nurses dreaming of inadequate PPE and having to use blow up Elvis costumes to protect themselves. Teachers dreaming of zombies and lots of people dreaming about sex - where the hair of Greek sorceress’s Circe meets bouncy castle breasts and where other dreamers dream of serial killers or seeing dead family members, or taking baby elephants for a walk, or having discos for one in the middle of the ocean and so much more. I’m really proud of this record. It’s psychedelic in its truest most cerebral form”

Who’s on “The Dreamcatcher Tapes Volumes 1 & 2”? Who are the dreamers?
“Although our long time collaborator Maxine Peake wasn’t on the very first tape (her dream ended up on LTD edition split 7” ERC single we did with Pye Corner Audio) - she was the first dream that we soundtracked when I came up with the idea of doing the concept record. However, on the new vinyl and tape box set - she opens volume 1. Across the 2 volumes there’s film maker Carol Morley, Andy Votel from Finders Keepers records, John Doran from The Quietus (who also wrote the albums brilliant sleeve notes), acclaimed writers Benjamin Myers & Adelle Stripe, musicians such as Evangeline Ling from the group Audiobooks, Lias Saoudi from my ‘semi fictional band’, The Moonlandingz and fat white family, Sidonie from The Orielles, journalists /writers Wyndham Wallace (he wrote lee Hazelwood’s brilliant biography) and Daniel Dylan Wray amongst a whole array of musician friends, eccentrics and people with actual proper jobs!”

Why did you chose Castles in Space for this release?
“Jim Jupp at Ghost Box records suggested them to me so I looked into them and saw they were doing loads of really great strange little bespoke electronic record releases. I think that because this is a very niche limited run release, it required a label that was willing to treat it like a piece of art and not a throwaway mass produced commodity. So making sure the packaging was special, the artwork was bang on point and the sleeve notes were written by a writer we like all were very important to us. “It was also important that we could turn it around from the finished recording to being in people’s hands really quickly as Dean and I have another ten projects between us on the boil - and so far, Castles in Space have been true to their word. It’s an artists label done with love and there’s not many of them about anymore - believe it or not.“

“The Dreamcatcher Tapes Volumes 1 & 2” is an immense collaborative achievement which makes for a thoroughly compelling, and gloriously disorientating listening experience.

It is released as a double coloured vinyl LP in deluxe gatefold sleeve w/insert and a highly limited deluxe double cassette box set. The album is released on March 19th, 2021.

pre-order now19.03.2021

expected to be published on 19.03.2021

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