DIKI Records Новости

The title track, Let It Be, is a true dancefloor weapon. Driven by a dynamic pulse and rich melodic layers, it unfolds as a breathtaking journey where evolving chord progressions create moments of pure magic. Each transition feels alive, pulling the listener deeper into an immersive and uplifting experience.

On the flip side, Aurora offers a more introspective yet equally powerful voyage. Slowly building with elegance and grace, the track rises with a majestic progression, blending subtle textures and emotive harmonies into a captivating sonic landscape.

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AMAND – Let It Be – Diki Records

Après avoir marqué l’histoire avec le mythique The Age Of Love et son remix acclamé par Charlotte de Witte & Enrico Sangiuliano, Diki Records a signé un retour remarqué l’an dernier avec Mentalis de Kayinda et son puissant remix par Pig&Dan.

Le label poursuit aujourd’hui sur sa lancée avec une nouvelle sortie marquante signée AMAND.

Reconnu pour sa signature melodic house raffinée et ses sorties acclamées sur All Day I Dream, ainsi que pour ses collaborations avec Lost Desert et Capoon, AMAND livre ici un EP deux titres qui capture parfaitement son univers : profondeur émotionnelle, grooves hypnotiques et progression cinématographique.

Le titre principal, Let It Be, est une véritable arme pour le dancefloor. Porté par une énergie dynamique et des nappes mélodiques riches, il se déploie comme un voyage saisissant où les évolutions d’accords créent des instants de pure magie. Chaque transition semble vivante, entraînant l’auditeur dans une expérience immersive et exaltante.

40 Thieves have been part of the Leng family since 2011 during which time they have released many quality singles and EPs as well as their sole full-length album, 2014’s epic The Sky Is Yours. Even so, double A-side ‘Love Is’/’Let Me Show You’ still marks their first release on Leng for almost three years.

In keeping with their signature sound, ‘Love Is’ is trippy, hallucinatory and gently mind-altering, with psychedelic guitar sounds, echoing percussion, and a heady lead vocal courtesy of crew member and Alona, all of which rides a chunky dub disco bassline and chugging mid-tempo beats. Richard Sen, a DJ and producer known for his love of dubbed-out sonics and pulsating grooves, delivers a typically spaced-out and otherworldly rework. Rooting his revision to the dancefloor via an undulating electronic bassline that throbs away restlessly throughout, Sen stretches out the track and emphasises its more trippy elements before introducing dreamier chords and heady vocals with a brilliant interpretation.

On ‘Let Me Show You’, 40 Thieves step things up to deep house tempo while remaining firmly rooted in 21st century San Francisco nu-disco with rich, dubby bass guitar, tactile piano chords, futurist synths and knowing nods to Patrick Cowley productions of the late 1970s and early ‘80s. The track is presented in two forms: the superb ‘Vocal Mix’, where Alona’s vocal rises above the groove and intoxicating electronics, and a genuinely radical and out-there dancefloor focused ‘Dub’. Pushing the track’s wilder and more out-there elements to the max via stripped-back arrangements and a smorgasbord of effects, 40 Thieves re-wire the cut as a heads-down psychedelic disco chugger topped off with wonderfully loved-up chords.

HARMONY024 — A meeting point between imprint founder Alfred Czital and Delhi-based artist Monophonik. This collaboration EP traces its origins back to a series of late studio sessions during Harmony’s tour in India in September 2025. Solanya captures a dialogue between hypnotic grooves and psychedelic textures. The result is a cohesive yet expansive journey, channeling a sense of place, memory, and connection into a deeply immersive listening experience.

DIFF007 Distributed by One Eye Witness.
All tracks Written & produced by Autokinetic in Minneapolis, Minnesota, USA.
Mastered by Tangible Air.
Designed by Felix Lücke.
Stickered cover.

Bella Boo lands on Aus Music with a mix of party-starting and heart-racing house jams

Swedish artist KURT. brings her characterful style to the title cut

Bella Boo has lit up the house world since breaking through in 2018. She has become a Studio Barnhus mainstay with a sound that is both emotional and energetic in the way it contrasts light and dark. It's built on solid grooves with fresh sound designs and has taken her to dj everywhere from Panorama Bar to Printworks. Her debut LP, as well as follow-up EPs, have seen her nominated for several Swedish Grammys and seen her profile grow around the world. KURT. is a rising star from Stockholm with an electric sound that blends club, r&b, pop and soul. It's high on attitude and laced with her own provocative vocals. She guests on opener 'Shake Down', which is a chunky, bass-first rhythm packed with character: hints of jungle breaks, heat-damaged synths and blasts of gloopy bass all bring the fun before KURT.'s vocal motifs - which are variously sultry, whispered and visceral - inject even more heat. The Regrette Rien Mix takes on a late-night feel with sustained chords and a silky smooth vocal from KURT. that turns you inwards. Bella Boo then goes solo for the super vibey 'Atlas', a deep, cruising house cut with catchy percussion and lush, layered bells. The golden chords and shimmering pads are immersive and expansive as the bass powered on. Lastly, '8Ball' quickens your step with bumpy kicks and increasingly detuned, wonky synths that bring a future feel to a punchy yet cuddly and feel-good groove.

After thirteen years of silence from the compound, during which anticipation has grown day by day, Boards of Canada finally return. Inferno retains their signature melodies and atmospheres, drawing on the esoteric influences explored in Societas X Tape (their 2019 NTS mix for Warp Records’ 30th anniversary) and the darker ambience introduced on Tomorrow’s Harvest, further deepened by an expanded role for speech soundbites.


Spanning seventy minutes, the new album is available on special edition limited red translucent 2LP vinyl in triple gatefold sleeve with a 16-page booklet, black 2LP vinyl and CD with 20-page booklet.

Infinity is over. That’s the motto of this next chapter which is getting unveiled in our musical village of Sakskøbing which will mark its 10th year anniversary this year. The captain of this spaceship is Jeroen Böhm with tons of experience behind him so you know it will be a smooth ride with minimal space turbulence. The release features vast variety of sounds all tied by the same concept and oozes through with a lot of character and artist’s signature sound, from the tight basslines and drums to the well-executed textures that make up this 12” disc. It is a true honor to welcome this talented artistic soul to the family of Sakskøbing, after this synergy has happened the only question remains why didn’t it happen sooner? To tell these who thought infinity is infinite, no, you were wrong all the time. Infinity is over.

For its milestone 10th release, Mr. Banger drops a massive four-track EP from Boychi. These are pure late-night vinyl weapons, engineered to sustain peak-time pressure before melting the dancefloor into a haz

2026 Repress

Two massive hits from the past which have been brought back into the light of the day by Michael Mayer.

*ZELDA SUITES (THE LIVE ALBUM) : A MODERN JAZZ REINTERPRETATION OF THE MUSIC FROM ZELDA, RECORDED LIVE!*

WRWTFWW Records continues its collaboration with Belgian jazzman Casimir Liberski with another Zelda-themed rendition, following his celebrated Z Suites album. This time it's a full-on live session - Casimir Libersk ReTRio's Zelda Suites (The Live Album) is a heroic Hyrule jazz adventure available in half speed mastered DLP in a heavyweight sleeve with obi.

Casimir Liberski reimagines the golden era of video game soundtracks with live jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) - and tons of Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.

Zelda Suites (The Live Album) is the origin story of Liberski's acclaimed Z Suites album. He explains:

The live recording of Zelda Suites (The Live Album) preceded the studio recording that later comprised ReTRio's first album, released on WRWTFWW entitled The Z Suites. This live recording was captured at the end of a tour in Germany and Belgium, in Osnabrück, in a small, intimate venue. This new album therefore contains only "hot first takes," imbued with all the emotion that permeated our playing that evening. In a way, it's perhaps more closely linked to my initial vision for the project: to "take the iconic themes from the Legend of Zelda games that shaped my childhood and perform them live through a jazz lens". For me, the conditions of live performance are the very essence of jazz. There's a frankness of being present, in the very moment the music is created and, one might say, listens to itself, that draws the musicians into a fervor and audacity that often transcends them. The magic of jazz comes at this price. Unapologetic, as they say in English. This album reveals a perhaps more authentic and unrestrained side of our playing. No excuses.

Again, long live Hyrule jazz!

Points of interests

For fans of Zelda, jazz, video game music, Nintendo jazz, modern jazz, piano, Ryo Fukui, Brussels, fantasy, the 80s, the 90s, nostalgia, vintage consoles, Hyrule, half speed mastered vinyl, adventures, the pleasure of feeling alive, and appreciating the small pleasures of life in a world that's going crazy.

Limited edition vinyl release of modern jazz re-interpretations of Zelda music, recorded live!

Big release outta Casablanca, Morocco from Cee ElAssaad.

We here at Local Talk have been big fans of Cee's deeply organic and uplifting House productions for a good while, so we're mighty happy to present this new release.

The A side starts up with a massive organ house workout that has been played on repeat at Mad Mats residency at the Soulmates club in Stockholm over the last 6 months or so. A peak time jam!
To add more fire we asked Emmaculate to throw down a remix for us, and it doesn't hold back. Deep, bumpy and utterly funky. Again...those house organs are fully at work!

On the B side Cee goes to church with deep but slight jackin' 4/4s over some heavy gospel preaching.
To enhance the gospel experience, our friend from Amsterdam, Marcel Vogel makes a long overdue guest visit on Local Talk and delivers a big gospel intro that moves into a jazzy and thumpin' house affair.

Paul Murphy’s Claremont 56 label welcomes a genuine legend of UK music to its roster – Chaz Jankel, the man whose dizzying musicality and love of soul, funk and disco did much to shape the sound of Ian Dury’s Blockheads band in the late 1970s and early ‘80s.

A virtuoso keyboardist with a deep love of Black American music, Jankel’s arrangements and compositional skills were key to the success of their records, the funkiest of which not only became crossover pop hits – see ‘Hit Me With Your Rhythm Stick’ and ‘Reasons To be Cheerful, Part 3’ in particular – but also saw heavy rotation in now iconic New York clubs including the Paradise Garage and Studio 54.

This continued during the formative years of his solo career, with ‘My Occupation’, ‘Questionnaire’ and ‘Glad To Know You’ (later famously re-edited and dubbed out for nu-disco dancefloors by Todd Terje) all becoming club hits. The great Quincy Jones also covered Jankel’s infectious single ‘Ai No Carrida’, while experimental, club-ready synth-jam ‘3,000,000 Synths’ was also influential during the early years of the electro movement.

For his Claremont 56 bow, Jankel has delivered an all-new workout recorded earlier this year, the simply titled ‘Rhumba Jam’. A typically warm, groovy and rolling affair, it features Jankel delivering infectious, stretched-out Rhodes electric piano solos over toasty bass, clipped guitar licks, warm bass, accordion-style synth motifs and a densely layered Rhumba rhythm. While relaxed and sun-soaked, it also has bags of Balearic dancefloor potential.

Murphy remixes under his now familiar Mudd alias, leaning into the track’s languid Balearic vibe while keeping a firm focus on the dancefloor. Beginning with an enticing mix of metronomic drums and jangly acoustic guitars, Murphy slowly layers up key elements of Jankel’s original – think rubbery bass, rhythmic handclaps, mazy synth sounds and those wonderful, stretched-out solos. It’s a version that pays due reverence to the quality of Jankel’s musicianship, production and arrangement while subtly extending it and reframing it for 21st century Balearic dancefloors.

Chloe Lula Announces Syntax: A Singular Vision Connecting Ambient Meditations and Hypnotic Techno San Francisco-born, Berlin-based artist Chloe Lula announces the launch of Syntax, a record label that codifies her unique position within the electronic music landscape. Arriving as the definitive home for her work as a DJ, producer and cellist, Syntax follows her established residency at Tresor and acclaimed releases on foundational labels including Mord, Blueprint and the highly esteemed experimental imprint Subtext. Her label is the culmination of a decade spent as both a participant in and a defining voice in the scene—a space where Lula’s deep and cohesive vision of electronic music finally converge. The label’s name refers to the arrangement of elements to forge new meaning, a philosophy Lula applies to her singular musical grammar. Whether through her slow-burning, exacting techno or her instrumental compositions, Lula’s work is characterized by a patience that understands nuance and counterpoint. This vision is reflected in the label's structure: releases will arrive in thematic series that bypass traditional genre markers to focus on atmosphere, immersion and hypnotica. The imprint’s debut, SYN-PLS01, marks the beginning of the Pulse series, a collection specifically engineered for the floor. For this inaugural release, Lula took recordings from Swiss electroacoustic composer Alexandra Bellon as a jumping-off point, molding Bellon's architectural sense of space into six tracks of driving techno. Future series will expand the catalog into ambient and instrumental territories, reconciling formal acoustic tradition with the raw functionality of the electronic landscape. With a career spanning editorial leadership at Resident Advisor and her work shaping the dialogue of the culture through her writing and interviews, Lula brings a deep, analytical knowledge to her craft. Syntax is the connective tissue between her work in the booth and her critical contributions to the field—a project that formalizes her distinct perspective as both a curator and a creator. SYN-PLS01 arrives on May 8. Follow @syntax.records for updates.

Convertible returns to Sweet Free Association with a set of three driving house cuts!

"Sweet Free Association kicks off the year with the return of one of last-years breakout producers Convertible offering up his latest sure shot for the label.

The Free EP reflects its name - a package of cathartic music that is just asking to be played out late and loud in the club - but as always with Convertible, it has that timeless and beautiful quality - these tracks are for life!

Up until this point, Convertible has been a very mysterious figure, with very little online presence, but with this his second EP (and arguably a more upfront release), Free not only proves that he is more than a one hit wonder, but 2026 could be his year!"

All tracks written and produced by Convertible.
Mastered by Frank at The Carvery.
Comes in gradient-coloured sleeve.

For its third release, Tremendo Recordings brings together long-sought-after tracks by Corrie, one of UK tech house’s pioneers, drawn from his early releases on Wiggle and Bosh. Increasingly hard to find in their original form, these records return as a tribute.

Taken from releases between 2003 and 2005, this selection captures a side of Corrie that feels immediately recognisable: bold, playful and unmistakably his own.

Repress

The Men You'll Never See are back once again! Detroit In Effect's classic Unseen EP updated for 2019. Includes the Detroit Electrotechno anthem "R U Married".

finally repressed Clone Classic Cuts continues to dig in the crates to bring back forgotten or obscure records from the past

Alltime Classic !!! Must Have !! Repressed !

Nicaraguan-American artist Dagmar Zuniga makes music that feels both intimate and expansive: songs drift like disrupted signals, carried by harmony, tape hiss, and a strong sense of touch. Her debut solo album in filth your mystery is kingdom / far smile peasant in yellow music — written and recorded in New York, Norway, and Athens, Georgia over a period of five years on her longtime companion, the Tascam 424 — was uploaded to Bandcamp and YouTube in January 2025, quickly garnering over two hundred thousand views and the attention of artists such as Mount Eerie, who invited her to tour with them that summer. This year, what was once a jewel of tapped-in algorithms and message boards will meet the world at large, with in filth arriving digitally on March 4, and physically on April 10, via AD 93.

in filth is an atmospheric, devotional collage where one voice multiplies into a chorus of selves, sometimes delicate, sometimes severe; an effect created by Zuniga’s masterful layering of texture and complex harmonies. Synths glitter out like spears of sunlight from beneath clouds of moody, time-distorted guitars, and songs spin about themselves like tightly-wound music boxes, making use of a kind of hypnotic repetition, before melting apart into their components or slipping into the following track.

Zuniga began recording to tape as a teenager, drawn to the physicality of the medium — how a tape recording is fragile, mutable, and alive. Though her ethereal sound may draw easy comparisons to other female pioneers of psychedelic folk, she is influenced just as much by the darker sounds of Syd Barrett and The Fall. Like Barrett, Zuniga is a painter, and she is interested not only in recording music but in creating a full, self-contained artistic universe: she creates her own artwork, merchandise, music videos, and bootleg tapes of new and unfinished music that she exclusively sells at live shows (“If something is not material, it does not exist,” she insists). Her world has not gone unvisited, garnering her a monthly show on NTS Radio ‘World of Pain’, as well as a forthcoming appearance at Rewire Festival in April 2026.

Though Zuniga’s work explores themes of solitude and suffering, the suffering in her songs is not borrowed or displayed; it is held, then opened outward through empathy — an exacting practice of attention that insists on shared ground. Solitude, in her work, is not withdrawal but a starting point for connection. Likewise, over time, her recording process has become increasingly communal, with in filth featuring musicians Hayes Hoey, Austyn Wohlers (Tomato Flower), and Zach Phillips (Fievel Is Glauque). Newer recordings widen the circle even more. For Zuniga, collaboration is a way to “find a place between worlds,” echoing Badiou’s idea of love as a vision refracted through the prism of difference. Meaning emerges there — in the space between voices, between artist and listener. “I hope my music helps people work through difficult experiences,” she says. “The same way it helps me.”

Anthea’s PILLZ imprint returns with its ninth release, welcoming Argentinian producer Dani Labb for the ‘It’s Tayme’ EP. Across four tracks, Labb combines detailed sound design with rave-ready energy, moving between modern electro textures and flashes of 80s club nostalgia while keeping a strong focus on the dance floor.

From the smoky, late-night drive of the title track to the playful lift of ‘Te Gane’, the deeper groove of ‘Cosmoclub’ and the hazy broken rhythms of ‘Cuchillo’, the EP delivers versatile club material with character and momentum throughout.

Fronted by Rainie Lassiter's sultry, soulful vocal and produced by Blaze, the track glides between sensuality and euphoria, capturing the exact moment house music went from underground NYC basements to global dance floors. The Deep Dish remix turned it into a worldwide anthem, topping charts in Italy and breaking into the UK Top 10, while still holding down credibility with DJs and crate- diggers alike. Its hypnotic groove, lush chords, and emotional pull have made it a staple in countless sets, and it's been sampled by artists like Four Tet & Champion who recognized its timeless pulse. Three decades later, "Hideaway" still sounds as smooth and vital asthe night it first hit the decks. This 12" features the Radio Edit, Deep Dish Remix & the Acapella.

Mysticisms arrives majestic at 20, transformative ceremonial offerings. Ritualistic, rhythmic, spiritual, chemistry.

The deep house of Elements Of Life returns, the forever sound. Alex From Utopia is a rising name. Utopia Records releasing a myriad, ambient to esoteric, Balearic to breaks, a discerning DJ found in smarter, darker London nightspots. He unearths and sanctifies the rare and lesser known Are You With Me Love?. Alex’s bump and swing version overlays the ambient original in to a late night groove for those hallowed hours. Find the Eternal.

Øyvind Morken comes fresh, How Bleep Is Your Love? all pure Detroit electro and Chicago jack beats, reminding where it’s at. Elemental, creative, demanding attention. The sound intensifies, gliding, heralding the past and future. Find the Control.

Eirwud Mudwasser & Romansoff are the nod’n’wink jack in the pack, popping and locking, Cherrie is all polyrhythmic pots and pans, crackles and unshackled, dubby beats ripple, psychedelic waves overflow. Find the Elixir.

Label brother N-Gynn appears, the on-going uplift of his Superlux label and DJing the globe, from Ibiza to Thailand, always the man who’s hard to pin. Dream house Es Vedra TB Deluxe floats across White Isle waves, embracing Rimini memories, 303 bubbling, fermenting the magic, alchemists all, gold in the sunrise. Find the System.

Hot Digits main guy Fingerman - a veritable of the UK nu-disco and disco re-edit scenes - is the man at the controls on the latest missive from the imprint's vinyl-focused Wax Digits offshoot. He's in prime form from the off, offering a deliciously chunky, effects-laden, dub disco style rework of a New York no-wave era 'downtown' disco classic. He doffs a cap to pal Chewy Rubs and their joint love of heavy, looped bass guitar lines on the stretched-out funk-goes-deep disco wonder that is 'Bestest Beat', before cunningly rearranging a more string-laden slab of disco-funk grandiosity on closing cut 'We Love It'. We certainly do, and there's a fair chance you will too.

After a 12 month Break we are ready for our 17th Chapter….VINYL ONLY as usual

repressed !

Francois Kevorkian is a name that should need no introduction. With over 40 years in the game FK has occupied numerous roles in his long and storied career - drummer, DJ, A&R man, remixer and producer - his skills know no boundaries. Having DJ-ed during the nascent days of club culture in NYC alongside Walter Gibbons, Larry Levan and more, Kevorkian has been there from day one. Years spent in the seminal clubs of the day sharpened his ears and his prowess behind the mixing desk saw him become the A&R man at the legendary Prelude records in the early 80's, this in turn led to him working with everyone from The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk and many many more. A true NYC original and legend, Kevorkian is still active today and the respect he commands amongst his peers has never waned, his adventurous extended DJ sets, seminal mixes and remixes and his open ears and open mind have ensured that he will go down in history as a musical pioneer.

Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover.

EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey.

This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

NOW CLOSE YOUR EYES, PAUSE QUIETLY FOR A FEW MOMENTS, AND BE HERE NOW. ATTUNE YOURSELF WITH YOURSELF AND THE UNIVERSE AND, SO, WITH ALL OF US. IF YOU ARE MOVED BY THE SPIRIT, THANK YOU FOR SHARING THE SPIRIT WITH US.

Following the underground cult success of Mystical Funk, Gerardo Frisina returns to the 7” format with a new double-sider aimed at dancefloors, collectors, and selectors with a taste for cinematic funk. A record that feels as though it emerged from a lost Afro-funk session, where cosmic funk and Afro-Latin grooves are filtered through a distinctly modern electronic sensibility.
On the A-side, “Duala”, inspired by the African city of Douala, pays tribute to Afro-funk in its most visionary era, evoking the unmistakable sound made famous by the great Manu Dibango. The track opens into a dense and hypnotic electronic funk journey: pulsating basslines, fluid guitars, psychedelic synthesizers, and a rhythmic tension that recalls the golden age of Afro-funk. A nocturnal voyage through rare groove and cinematic atmospheres, with the groove constantly remaining at the heart of the composition.
On the B-side, “Lindeza” is a tribute to the beauty and richness of Brazilian musical culture. A track that shifts perspective while keeping the temperature high: elegant, percussion-driven electronics with a Latin spirit, flowing at around 110 BPM. Warm and magnetic, the piece carries all the hallmarks of Gerardo Frisina’s sound, where futuristic jazz, tropical funk, batucada, and club culture meet in a refined production designed equally for deep listening and the dancefloor.

The Saint Wax label branches out with a new series of edits from founder Eduardo Barbi aka Gledd, who traverses funk, disco and soul across five irresistible cuts. 'Street Preacher' has a spoken word that reminds of early rap days paired with a rousing choral backing, then 'Stevie's Word' turns up the funk with a chunky bassline. 'Do It For Me' is another gospel-fuelled pumper with big stabs ramping up the intensity and then 'Under The Moonlight' is a classy disco stomper lead by florid and chunky funk in the drums. 'Your Love' is an excitable finish with big horns, bigger chords and even bigger vocals. It's big, basically.

Big boi edit biz! Leading on from the huge selling volume 1, the second edition sees RNT predictably enlists an all-star roster of heavyweight editors for a heavy 4 tracker representing artists from their 2026 Movement Detroit event. On the A side Glenn Underground delivers obscure soul heat and Detroit’s own Dez Andrés cooks up a deep and jazzy groover. Representing NYC on the flip GE-OLOGY edits some low-slung funk, and JKriv retweaks a cheeky uptempo Italo stomper. From NYC, to the D, to the galaxy!!!

Grant Dell’s name is woven deep into the fabric of UK underground house. As a DJ, producer, and co-founder of Swag Records, he’s been part of a movement that prioritized groove, individuality, and dancefloor connection over trends and hype. From the raw energy of early London parties to a catalogue that still resonates with diggers today, his work has always been guided by instinct and a deep respect for the roots of the music.

Still DJing worldwide and has been a wiggle regular Gems have unearthed another piece of classic underground tech house music with one of Grant Dell’s most sought-after productions. Originally released on Visitor Recordings out of Belgium.

Remastered for 2026 limited stock act fast!

The first release of Sub Culture, Puzzle by Gregory Shiff, is a tech house masterpiece with both delicacy and an innate strength. The original release came out in 2003 on the American label Matter/:Form Records and immediately caught the attention of lovers of the genre. The release features four versions of Puzzle, including an “Unreleased mix” produced in 2003. A highly respectable repress for record bags, not only for those who love tech house.

The eleventh release from label Early Morning, run by Guy J, presents a three-track EP totaling 22 minutes and 23 seconds, reinforcing his position as one of the most disciplined and forward-thinking figures on the global scene. Despite intercontinental recognition, Guy J continues to approach his work with restraint and focus, treating sound not as a finished achievement but as an ongoing exploration. His imagination remains a constant source of carefully developed ideas that resonate through a restrained yet expressive intensity.

The opening track, Piece of Cake, sets the tone with confident momentum, unfolding through a precisely balanced structure where hypnotic rhythm meets expansive spatial design. Selector expands the palette with a fierce bassline drive, textured atmospheres, random squeaks, and euphoric build-up, building on the opening piece and taking the vibe into psychedelic territory.

The release concludes with Against the Wall, a composed and decisive finale. Strong rhythmic foundations, paired with suggestive female narrative vocal samples, bring the record to a resolved and coherent close.

IBOGA Africa Edits and Overdubs by Joaquin Joe Claussell Feat Long Versions and Unreleased Afro Centric Compositions Special White Color Vinyl 7inch W Full Color Jacket

IBOGA by Joaquin Joe Claussell

Straight from the acclaimed IBOGA EP series, Joaquin Joe Claussell returns with a powerful limited-edition 7-inch pressed on colored vinyl. This special release features the long-awaited extended version of “Dark Eyes,” alongside two brand-new Afro-centric edits.

Included are “Egbe Awan Okurin,” a deep rhythmic journey inspired by African cosmic soundscapes, and “Mochate,” a reimagined 1970s Afro-disco edits enriched with fresh overdubs and signature Claussell energy.

Crafted for DJs, collectors, and selectors alike, this essential 7-inch delivers raw groove, spiritual rhythm, and dancefloor-ready Afro-inspired sounds.

Good Life sees Detroit icons Inner City return on KMS with one of the most celebrated house records of all time, presented here on fresh 12” vinyl.
A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy.
This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
As a cornerstone release from the KMS catalogue, the record continues to resonate across generations of DJs and listeners, maintaining its place as an essential dancefloor staple.
Back on fresh 12" vinyl, this repress offers strong appeal for both collectors and DJs looking to stock a truly iconic house record.
An essential catalogue piece for stores supporting classic house and Detroit heritage releases.



c B2: Good Life (Remastered) Dub Mix

Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.

Known to many in underground House and Techno circles, he’s spent the last 3 decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

For the latest solo series edition, Paul reaches out to the talents of UK based songwriter and producer James Shinra, for a heavyweight 4 track EP of 303 fuelled excursions. Hitting the floor head on with the muscular tones of “Jaunt” on A1 – punchy 808 percussion builds with jarring rave-etched synthesis, before rushing into the roar of a 303 grabs you by the scruff of the neck and unleashes a rolling groove that jacks hard until the twisted end. Do not be fooled by the calmer overtures of A2 “Venture”, Shinra unleashes another rolling 4 to the 4 floor workout. Balancing airy leads and shifting pads to precision programmed beats, the TB saws its way through to maximum frequency exposure over the course to brazen effect.

On the B-Side, B1 “WASP” takes control via deeper bass tones, squelching tweaks and A-A-Acid vocal chants, all paced at a solid mid-tempo groove that really brings things to the boil: just when you need it. Signing off with the stunning IDM inflected melodies of “Flexion” on B2 – Shinra shows his mastery of space and warmth with this beautifully balanced slice of Electronica that really is the icing on the cake.

Fingier Records, released through Acid Jazz Records, has established itself in recent years as a distinctive voice in contemporary soul, drawing from Northern and Rare Soul, 60’s R&B and Raw Funk, Mod Jazz and Boogaloo, conceived by Argentinian producer Kevin Fingier.

‘Nothing Like Be Present’ is a new dancefloor-filler from Jo Ann Hamilton (USA), backed by The Kevin Fingier Collective. A powerful slice of Rare Soul tailor-made for Northern Soul all- nighters. Vibraphone, backing vocals and tight horn arrangements keep the energy locked on the dancefloor, while Hamilton’s voice takes the record to another level.

The instrumental was simply too strong to leave out, so it features on the B-side - a DJ-friendly cut that will feel right at home in many 7” boxes.