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Véronique Sanson is one of the most famous French pop oriented female
singer, songwriter, and composer of the 80s. She began her career in the 70s,
and was the girlfriend of genius composer Michel Berger. Her world turnt
upside down when she met Stephen Stills of Crossby Stills & Nash. One Day,
during a recording session in Paris, she left the studio pretending to go buy
cigarettes, but never came back... She flew overnight to the USA, where she
married Stephen Stills. In LA, she records new music with superstar
composers such as Ray Parker JR and Harvey Mason. "On m'attend là-bas",
produced in 1974, was one of the single of the album Le Maudit.
Funky French League is an intergenerational collective (based in Paris)
formed by Young Pulse (Gamm) , Dabeull (Roche Musique), Arthur Chaps,
Woody Braun (Malka Family), Mr Willy, DJ Asko et Uncle T (Groove
Deluxe). All coming from different universe from hip-hop, to electronic music,
but united by their love for the groove and the funk.

Véronique Sanson is one of the most famous French pop oriented female singer, songwriter, and composer of the 80s. She began her career in the 70s, and was the girlfriend of genius composer Michel Berger. Her world turnt upside down when she met Stephen Stills of Crossby Stills & Nash. One Day, during a recording session in Paris, she left the studio pretending to go buy
cigarettes, but never came back... She flew overnight to the USA, where she married Stephen Stills. In LA, she records new music with superstar composers such as Ray Parker JR and Harvey Mason. "Bernard's Song", produced in 1976, was the first single of the double gold album Hollywood.Funky French League is an intergenerational collective (based in Paris) formed by Young Pulse (Gamm) , Dabeull (Roche Musique), Arthur Chaps,
Woody Braun (Malka Family), Mr Willy, DJ Asko et Uncle T (Groove Deluxe). All coming from different universe from hip-hop, to electronic music, but united by their love for the groove and the funk

Emotional Rescue returns after a much-needed year hiatus, refreshed and ready, as it moves into its 15th year, to further explore the environs of oft-forgotten musical secrets and present them to new heads and minds.

To celebrate, the label looks back to one of its favourite collaborations, the music of French ‘Ethno-Industrialists’ Vox Populi! in presenting a truly unique EP of “In Dub”, inspired remixes by 4 fellow Paris based artists of today in Full Circle, Froid Dub, Krikor and Shelter.

“In Dub” takes a selection of songs from the series of albums reissued or compiled on Emotional Rescue and sister label, Platform 23, and gives the Master tapes to this talented ensemble to offer their own, unique dub reworks. The project explores the on-going advances in technology offered, mixed with pure talent and a respectful homage.

Formed by Axel Kyrou and including wife Mitra, as well as long-term music and art partners Pierre Jolivet aka Pacific 231 and Francis Lafont aka FR6 Man, they forged a path from obscure, drum and drum-based cassette releases on to fully realized albums and compilations on their now cult Vox Man Records.

Alexis Le Tan and Joakim’s Full Circle project starts, with their electronic dub remake of Soleyman Dub from the ‘Alternatif Réalisme’ compilation (ERC079). With releases on Good Morning Tapes, Offen and their own “Released” label, their plaudits as master diggers and producers of dubby tripped-out inspired electronics – releasing slowed Trance some 10 years before anyone else – is inspired. Tuning in and turning on the original dub into a mantra style slow-breaks (Digi)dub is the perfect experimental flavour.

Jube Man is next, a twisted, psychedelic dub out by rising stars Froid Dub. The stand-out from the ‘Magiques Creations’ release (ERC052), an album that explored Vox Populi’s furtive post-industrial period of 1984 to 1988, Jube Man was the perfect selection by the duo of François Marché and Stéphane Bodin.

Froid Dub have steadily developed their “cold” Digidub style to acclaim –

releasing a steady flow of dub inspired electronics on their own label Delodio, as well as recently appearing on sister label Emotional Response’s 10th year anniversary collection, ‘All Trades’. Their haunting, shuffling and murky acid / piano dub, with the drifting “Space Echoing” of Mitra’s vocals from the live desk mix, creates a ghostly version to effect.

Next, master mixer, producer and engineer Krikor serves a steppers remake with his “OverDub” of Zen-Dub. With a career that spans releases on Tigersushi, LIES and Soul Jazz, his sound has developed from Electro, House and Techno, to Acid, Bleep, Dancehall, Dub and touches of Gabba.

Taken from Vox Populi!’s master-opus Aither (ERC030), the first of our reissues dating back to 2016, Zen-Dub’s pacey, lo-fi dub experience is transformed and overdubbed into an incessant sound system throb, a true bass quaking “steppa”.

To close, Micro Climax is put through Shelter’s increasing avant dub exposition. Appearing on the likes of Growing Bin, Emotional Response and his own Protopost, as well for – and being in-house designer – on the much-missed Séance Centre, Alan Briand aka Shelter productions have developed from Balearic, Edits and House to explore Avant, Raga and live Dub productions.

Appearing on the recent ‘Ethniques Pyschedeliques’ compilation on Platform 23 (PLA032), in original form Micro Climax is a sprawling 10-minute ethno-dub of whispered vocals, drone and sub bass. Shelter strips it back, keeping background effects, adding live bass and percussion to create a wonky, slow, shuffling ska-lite excursion to complete a true “In Dub”.

ICONIC FRENCH LABEL VULTURE RETURNS WITH A NEW CHAPTER.

Marking its 25th anniversary, Alan Braxe label Vulture looks beyond its archive, from the French Touch imprint of “Intro” and “In Love With You” to The Upper Cuts, entering a new phase.



This chapter opens with Femme d’Intérieur. Developed in close collaboration with Million Miles and Braxe, the debut introduces French lyrics to the label’s catalogue, shifting toward a nocturnal strain of French Boogie and soulful songwriting.



The B-side reconnects the project to the label’s club lineage through remixes by Shakedown and JKriv (Razor-N-Tape).

On June 5th, Tectonic Recordings will release Beatrice M.’s debut LP, Sinking, on a vinyl triple pack and digital download. The vinyl edition will be split across 3 separate 12” vinyl releases, packed in matching printed disco bags. This is part 2 of 3.
Beatrice M. pushes the needle forward for a sound and scene that nestles among a niche that blends UK dubstep, techno, and the golden era of tech house. The Paris-born artist is in their mid-20s and has been building up a grassroots following and plenty of momentum over the last few years, through their Bait label and its output of sonically resonant artists, alongside numerous remixes and collaborative and solo releases for labels such as Tectonic, Tempa, and Rinse. There are plenty of accolades coming in for Beatrice's work too, with notable DJ mixes for respected heavyweights such as Mixmag as well as featuring in Resident Advisor’s best mixes of 2025.
Beatrice is known for making deep explorations into the history of the scenes that have interested them, tracking and highlighting connections between dubstep, tech house, jungle and beyond across various self-produced, one-off radio shows, often taking a journalistic approach to subjects of true passion. They travel across Europe on a packed-out DJing schedule, avoiding air travel, and doing it mainly by train. Many of the LP's tracks started life as sketches put together on these long journeys, as the sights of different countries rolled past the window.
Having taken inspiration from Tectonic artists such as 2562, the label – a home to music that was originally placed in the dubstep-techno crossover spectrum—feels like the perfect place to host Beatrice M.'s debut album Sinking, beginning a new chapter for this kind of sound.
The album's lead single and sole vocal track, ‘In Touch’, showcases Beatrice M.’s split UK-France upbringing. The track unites French MC Kaba and UK MC Jinnal for a bass-driven anthem that seamlessly trades French and English lyrics. Next up is a vinyl exclusive track: the ‘Remedy Mix’ VIP of ‘Poison’, a rolling, bass-driven tech house/techno crossover version of a track originally released on the Tectonic Sound collection from last year.
‘Here’ sees Beatrice M. collaborating with Jay Carder to create a soulful broken-beat flavoured track as ‘Years’ rounds off the journey with contemplative melancholy, providing a deep and dubby closer.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition 12" (100 on Red and Black Marbled vinyl). New life and an expanded treatment for this 1990 French House classic with the 2 Original tracks + 2 special dancefloor Remixes by none other than Marcoradi.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition 12" (100 on Red and Black Marbled vinyl). New life and an expanded treatment for this 1990 French House classic with the 2 Original tracks + 2 special dancefloor Remixes by none other than Marcoradi.

In 2019, La Volte released Les Furtifs, the latest novel by science fiction writer Alain Damasio. At that time, to mark the publication, Damasio invited the band Palo Alto to join him on stage in response to an invitation from the literary festival Oh les beaux jours !, held at La Criée – Théâtre national de Marseille. What was initially intended as a one-off performance led to a multi-date tour across France. The show performed at La Maroquinerie was filmed and recorded in multitrack and will be release on the 12th of June 2026 on Hublotone (HUBLO006CD).

At the same time, to join this release, Palo Alto invited eight artists to remix the pieces composed for the show: Ptôse, Pacific 231, Judith Juillerat, Herb Duncan, Norscq, Thierry Zaboitzeff, Lefdup & Lefdup, and Electronicat.

Bringing together the best of the French underground music scene, these tracks echo avant-garde artists such as Coil and Tuxedomoon, blending electronic music with string instruments, instrumental compositions with acid club influences. They will be available on vinyl in a gatefold sleeve featuring artwork by Kiki Picasso (ex-Bazooka). Inside the gatefold, an exclusive text by Alain Damasio introduces the project.

Palo Alto is a French band formed in Paris in the late 1980s. They have recorded a dozen albums and developed several projects featuring guest musicians such as Scanner, Simon Fisher Turner, Ramuntcho Matta, J. G. Thirlwell / Foetus, Richard Pinhas and the New York trumpeter Rhys Chatham. They contributed to a tribute album to John Balance / Coil and asked a dozen artists to reinterpret "Half-Mute", Tuxedomoon’s debut album, featuring the original members of the American band (Steven Brown, Blaine L. Reininger and Peter Principle). In 2018, they were selected by the Californian band The Residents to take part in a cover album released on Cherry Red Records. Their latest album, dedicated to the philosopher Gilles Deleuze, was released on the Belgian label Sub Rosa in 2020.

a A1 - The Stealthy Ones remix By Ptôse
[c] A2 - Une Grâce [remix By Pacific 231]
[e] A3 - Menace Prophylaxie Niveau 6 [remix By Judith Juillerat]
[g] A4 - La Ville Est À Nous ! [remix By Herb Duncan]
[i] A5 - Lueur Ultramarine [remix By Norscq]
[k] B1 - Une Clameur De Sabbat [remix By Thierry Zaboitzeff]
[m] B2 - Un Cri [remix By Lefdup & Lefdup]
[remix By Electronicat]

[a] A1 - The Stealthy Ones [remix By Ptôse]
[c] A2 - Une Grâce [remix By Pacific 231]
[e] A3 - Menace Prophylaxie Niveau 6 [remix By Judith Juillerat]
[g] A4 - La Ville Est À Nous ! [remix By Herb Duncan]
[i] A5 - Lueur Ultramarine [remix By Norscq]
[k] B1 - Une Clameur De Sabbat [remix By Thierry Zaboitzeff]
[m] B2 - Un Cri [remix By Lefdup & Lefdup]
[remix By Electronicat]

Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 11 & 12, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 12

A1) Borai & Denham Audio - Make Me (original release 2023)

Released in 2023 on the British label Room Two Records (catalogue R212001) on twelve inch vinyl, Make Me combines breakbeat, house and speed garage with high energy, featuring clear use of Amen breaks, rumbling sub bass and sharp rave sounds. At the heart of the track lies an instantly recognisable vocal hook from the mid eighties, a sample taken from Donna Allen - Serious (1986). The result feels like a long forgotten rave anthem from the nineties wrapped in a modern sound.

The original twelve inch pressing quickly became a highly sought after collector's item and received a limited pink vinyl repress in 2025. This track, first issued only on orange vinyl in 2023, was officially re released once all samples were cleared. It has every ingredient of a future classic, a true underground anthem for fans of modern UK rave and jungle energy.

A2) Smoke City - Mr. Gorgeous (and Miss Curvaceous) (Mood II Swing Vocal Mix) (original release 1997)

Originally released in 1997 on the album Flying Away by Smoke City. The Mood II Swing Remix, produced by New York house duo John Ciafone and Lem Springsteen (also the producers behind Ultra Naté - Free), takes the song straight to the dance floor with a smooth groove, soulful vocals and a deep, hypnotic flow.

The iconic line "Cool and calm, Mr Gorgeous..." remains untouched, while the remix enriches the original Latin and trip hop influences of the band with that distinctive late nineties house atmosphere. The result is a timeless club favourite, almost nine minutes of pure vibe (the Mood II Swing Vocal Mix runs 9minutes and 20 seconds), adored by DJs who like to bring a touch of soul to their house sets.

Released on Jive Records, the track received great praise. Music Week highlighted its "tight ay ay ay hook" and noted that the Mood II Swing and Hyperspace mixes made it a real standout. The original version reached number one in Italy in 1997, and the Mood II Swing Remix has since gained cult status in the Belgian club scene and beyond as the perfect marriage between soul and dance floor energy.

B1) Chris Raven - I Know You Love Me Too (Bruce Norris Remix) (original release 1997)

Christian Raabe, better known as Chris Raven, is a German producer who made his name in the late nineties progressive trance scene.

The Bruce Norris Remix of I Know You Love Me Too (Additive Records, catalogue 12AD 027) first appeared in late 1997 and was officially released in early 1998. The remix builds an euphoric atmosphere witha beautiful melody, dreamy pads and powerful drums, all typical of the progressive trance sound of that period.

The track gained extra attention when it appeared on Northern Exposure 3: Expeditions by Sasha and John Digweed in 1999. Many fans first discovered it there (especially the Van Bellen Remix version), helping to cement the cult status of I Know You Love Me Too within the progressive and trance community.

B2) Grooveyard - Mary Go Wild (original release 1996)

One of the most recognisable and iconic club tracks in Belgian and Dutch underground house history is without a doubt Mary Go Wild, released in 1996 on EC Records. The track quickly became the defining anthem of the rave scene in the Low Countries.

With a raw groove around 133 BPM, pumping four to the floor drums and the hypnotic vocal sample "Mary... go wild!", the record set dance floors ablaze in the nineties. Producer Jeroen Verheij, also known as Secret Cinema (from the classic Timeless Attitude), perfectly captured the raw energy of the European house movement of that era.

To this day Mary Go Wild stands as a symbol of pure rave power, a timeless anthem that, as one Discogs collector put it, "still works on any dance floor." Original twelve inch pressings on EC Records and later issues on Blanco Y Negro are highly sought after, and the track remains a staple in retro house and classic DJ sets.

C1) Dave Swayze - Last Flight To Paris (original release 2000)

Dave Swayze, best known for his classic Goldwave, has several hidden gems to his name, and Last Flight To Paris is certainly one of them. Released in November 2000 on the Belgian label Yeti Records, the track is a subtle blend of trance and progressive house. It is known for its emotional melody, dreamy build up and strong percussion, built on the foundation of progressive trance but with thewarmth and groove of house.

At the time, Last Flight To Paris was frequently played by progressive trance DJs and soon became a cult favourite among vinyl collectors within the genre. Original pressings on Yeti Records are now extremely rare and much sought after. The mix of emotion, euphoria and timeless club energy makes Last Flight To Paris a hidden treasure from the late trance era of 1999 and 2000.

C2) Joe Goddard - Music Is The Answer (Hot Since 82 Remix) (original release 2017)

This remix by Hot Since 82 (Daley Padley, from Barnsley in the north of England) for Music Is The Answer by Joe Goddard is partly based on the original classic Celeda - Music Is The Answer (in the Danny Tenaglia Remix). It was released in February 2017 as a digital exclusive through Domino Records.

Hot Since 82 reworked the original, a vocal house track by Hot Chip member Joe Goddard, into a deep, grooving house track with a warm rolling bass line. The soulful vocals of Joe Goddard (featuring SLO) take on a subtle melancholic tone in his remix, creating a modern house classic filled with emotion and drive.

The remix became a major club favourite in 2017 and 2018, supported by leading names in the tech house scene and heard at festivals around the world. Interestingly, this popular version had never been released on vinyl, which only increased its cult status among collectors. Music Is The Answer (Hot Since 82 Remix) remained a digital classic for years, until now, finally available in this long awaited vinyl edition.

D1) Just A Man - I'm Sorry (Original Club Mix) (original release early 2000s)

The French project Just A Man consists of brothers Hervé and Nicolas Subrechicot. Their track I'm Sorry is an emotionally charged house record that perfectly captures the early 2000s club atmosphere.

Released in 2003, the song combines soulful male vocals with a warm, rhythmic production that blends UK garage and classic club house influences. The Original Club Mix (6 minutes and 14 seconds) builds gradually towards a powerful, uplifting climax, carried by rich chords and an irresistible groove.

Although I'm Sorry stayed somewhat under the radar at the time, it is regarded by connoisseurs as a hidden gem, a perfect balance of melody and groove. The twelve inch vinyl release (on RKG / Motor Music, 2003) is now hard to find and highly prized among vinyl and house collectors, which only adds to its appeal.

I'm Sorry embodies the pure sound of early 2000s vocal house: sincere, funky and danceable, with that unmistakable UK garage touch, even more evident in the G Box Garage Club Remix on the same EP. An unfairly overlooked track that has always remained a true timeless classic since the very beginning of 12 Inch Lovers.

D2) Teddy Pendergrass -Life Is A Song Worth Singing (Jamie Jones Remix) (original release 2019)

In 2019 Jamie Jones breathed new life into the classic soul song by Teddy Pendergrass with a contemporary house rework. The remix was released in March 2019 as part of the digital EP Mixmag Presents: Teddy Pendergrass - The Remixes, issued in honour of the documentary If You Don't Know Me, a film about the rise of Teddy Pendergrass, the first African American male artist to achieve five consecutive platinum albums in the United States during the seventies.

Jamie Jones stayed true to the feel good essence of the 1978 original but wrapped it in a modern club sound, with pulsing synths, a warm rolling groove and a tight four to the floor beat providing the perfect base for Teddy's powerful and instantly recognisable voice.

The result is a captivating, soulful house track that effortlessly bridges past and present without losing the emotional power of Pendergrass's vocal delivery.

Despite its widespread popularity in the international club scene, where it became a favourite among DJs who love to blend soul with house, this remix never had a physical vinyl release. Until now, with its long awaited appearance on 12 Inch Lovers Sampler 12.

Steal Vybe are back on the cultured Seasons Limited label, this time with Stephanie Cooke adding some fantastic vocals. 'Change' first came back in 2017 in limited quantities on white label only, and now it gets a full release with some new remixes, original remixes and a fresh version from Steal Vybe. That one is balmy, soul-drenched and sun-kissed with a loved-up feel that swells the heart. The Dino & Terry mixes focus on pairing things back a little and going deeper, while French house legend Franck Roger ups the ante with some heftier drum weight.

"Rising talent Baka G delivers an outstanding classic house EP on SEVEN. The French-Swiss artist, currently based in Brussels, draws inspiration from intimate house parties, blending their warmth with a deep understanding of classical music. Driven by uplifting piano riffs, thoughtful arrangements and an overall positive energy.

The EP is complemented by a series of remixes on the B-side, featuring Retromigration and Zombies in Miami, with an additional remix by Andre Zimmer included as a digital bonus"

Disco Segreta proudly presents the reissue of one of the most elusive and sought-after gems of underground italo disco, Govindo’s “Ou Ka Vini Com Moin”.

Originally released in 1983 on the obscure “Gala” label and quickly withdrawn from the market, this hypnotic, space-tinged cosmic italo disco bomb remained virtually unknown outside a small circle of hard core italo disco collectors — until now.

Wriitten by Mario Baldoni aka Miro and recorded during a journey across the French Antilles, the track was laid down in Fort-de-France, Martinique, capturing a unique cultural and musical intersection. Its title comes from a typical Martinican Creole expression—”U Ka Vini Co Muè”—meaning “C’mon, come with me.”

The track’s lush arrangement, crafted by Gregorio “Greg” Puccio, is a quintessential snapshot of analog italo disco at its finest: Roland Juno 60, JX-3P, Korg PolySix / Poly800, and LinnDrum LM-1 create a dreamlike, deeply atmospheric soundscape.

For the first time, this edition presents the original 12” full-length versions (vocal/instrumental), alongside the shorter 7” vocal version, remastered directly from the actual analog master tapes, plus two new remixes: the Marcello Giordani Hypnomix – a future electro synth classic from one of Italy’s finest producers and the Miro’s Fort de France Sunset – a balearic downbeat contemporary reinterpretation by the original artist 42 years after.

"The electroclash genre sure has been having a bit of a renaissance moment. During its first coming an odd 25 years ago the French act Sweetlight was a favorite over here. Originally active between 2002 and 2010, they quickly positioned themselves within a refined strand of the global underground scene: inspired by 90s acid house club culture, they rose to prominence by releasing a sparse selection of original tracks and a multitude of remixes that were both dancefloor-effective and immediately recognizable. After the EPs stopped coming, the project seemed to have faded. But their tracks never left our bag: they combined minimalism with ambiguous elegance and retained a distinct, timeless quality, easily transcending the turn-of-the-century style they were most closely associated with. We are delighted, in what we consider nothing less than a full-circle moment, to release "Selected Recordings: 2004 - 2006" and shed light on an underrated yet, in our eyes, absolutely essential project. ALT022 is an anthology release featuring four extensive, remastered cuts. Abusator, arguably the act's hallmark track and a crossover hit, kicks off the EP. It is joined by Mecaniques Remontees, which opened the milestone Suck My Deck mix by Ivan Smagghe, and Too Shy, both initially part of the same EP back in 2004. Noir Comme Le Beat, an unreleased curiosity from the same era, closes the record. You will find dark, endless, ever-modulating arpeggiator basses, Detroit-via-Paris chord progressions, and spartan drums. The work is, in the artists' own words, low-profile, detail-oriented, and built for late hours. It's an ideal compilation or - depending on the case - introduction, especially now that new work is rumored to be finally on its way."

Coming in hot on Berlin's Toy Tonics label: a new EP by the talented duo ALMA NEGRA!

Founded in 2013, Alma Negra is a Swiss collective centered around the brother duo Dersu and Diego Figueira, whose diverse roots in Switzerland and Cape Verde inform their sound. The project was launched with the ambitious vision to explore the world's diverse rhythms and drive musical innovation by mixing different styles. Their work is anchored in a process of digging and sampling, skillfully blending traditional sounds-from Fela Kuti-influenced Nigerian afrobeat and Angolan Lamento to Caribbean Zouk and the Maloya sound of Réunion-into a contemporary dance music context.

The Figueira brothers' eclectic DJ sets embody this ethos, peppering disco and house with salsa, samba, jazz, and Afro-Caribbean carnival rhythms, all under their guiding motto: "As long as it's Funky."

Since 2014, Alma Negra has made an important contribution to intercultural exchange in their hometown of Basel. Their international presence began in 2015 with their first shows abroad in countries like France, the Netherlands, and Portugal. From 2016 to 2019, their reach expanded significantly, with performances in major hubs like London, Paris, and Berlin, as well as Istanbul, Tel Aviv, and Tunisia. Highlights from this period include sets at the Montreux Jazz Festival, Dimensions Croatia, and Fuse Club in Brussels. Their standing is further cemented by releases on respected labels like Heist Recordings, Sofrito, and Basic Fingers, alongside remixes from an elite group of peers, including Soulphiction, Kuniyuki, and Yuksek.

Parallel to their studio and DJ work, the project expanded into the Alma Negra Live Band, formed with jazz musicians from Basel. While the band is currently on hiatus, this collaboration made live instrumentation increasingly central to their productions, creating a dynamic they feel is essential for any dancefloor. The live band has performed in cities like London and Hamburg and has led to collaborations with artists such as French singer Pat Kalla and jazz trumpeter Bodo Maier.

A true disco anthem collides with French electronic elegance as Bon Entendeur reimagine the iconic Boys Town Gang classic Can’t Take My Eyes Off You for a new generation.

Originally released in 1981/82, Boys Town Gang’s explosive hi-NRG reinterpretation of the 1967 Frankie Valli original became one of the defining dance records of the era. The track stormed to No.4 in the UK Singles Chart while dominating dancefloors across Europe and beyond, hitting the top of the charts in countries including France, the Netherlands, Belgium, Spain and Japan.

Decades later, its euphoric energy still feels timeless. Now, Parisian duo Bon Entendeur inject the record with a fresh wave of sophisticated French touch cool. Renowned for their seamless fusion of nu-disco, house, funk and nostalgic pop culture references, the duo have become one of France’s most distinctive electronic exports. Bon Entendeur have built an international following, mastering the art of blending retro emotion with modern electronic production.

Their connection to iconic French musical heritage has become a signature. Following the success of their celebrated collaboration with Jeanne Mas on Toute Première Fois, Bon Entendeur now turn their attention to another record deeply woven into France’s club culture DNA. And it makes perfect sense. Bon Entendeur tap directly into that shared musical memory, delivering a remix that feels both nostalgic and effortlessly contemporary.

The result is a dazzling crossover of generations and styles: disco emotion, uplifting grooves and sleek French electronic sophistication wrapped around one of the most instantly recognisable hooks ever recorded.

French touch meets disco immortality. Et voilà.

a A1 Bon Entendeur Remix Ben Liebrand 12" Edit

With this new remix EP, The Lovers explore different shades of disco and house through a carefully balanced and personal approach.

The opening track sets the tone with a playful and hypnotic groove, built around arpeggiated patterns and a steady modern rhythm. A female spoken vocal, instantly recognizable from Italian television culture of the 1980s, takes center stage, while a smooth saxophone line adds a sensual, cinematic layer.

The second cut moves into deeper emotional territory. Beginning with a restrained atmosphere, the track slowly builds tension through a rebuilt bassline and a solid house pulse, eventually opening into a more expansive and powerful moment on the floor.

A warmer disco-driven piece follows, focused on groove and feeling. The original spirit is preserved, while a heavier low end gives the track new confidence and presence within a contemporary club setting.

The EP closes with an elegant house reinterpretation inspired by French pop sensibility. A melancholic melodic theme and subtle references to tango shape the final moments, blending emotion and rhythm with a refined sense of flow.

A concise collection of remixes for selectors drawn to groove, memory and understated elegance.

Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood.

On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales.

With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER.

‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language!

‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.

Released on 180g vinyl with custom artwork on card sleeve designed by AL KENT / MILLION DOLLAR DISCO.

For the first time, Endrik Schroeder and The Hacker have joined forces. Their unique sounds and styles have combined seamlessly to produce a 12” that draws on their own musical histories. The title track pulls the listener into a darkened sweaty basement, a space where neon lights leer and quivering speakers vibrate. Melting elements of new beat and rave revelry, the track is bawdy and bold. Robotic samples cut through siren blasts, clean snare rolls skidding in thick basslines and creamy breaks.

Two remixes follow, both care of fellow French producer: Back From The Wave. First up is the “Breaky Remix”. Adhering to the club origins of the source material, this remake sends melodies ever higher as drums lift elated lines to the stern refrain of “Emergency”. The “Indie Remix” closes. The glowsticks are sheathed in this version, instead it is the soaring keys that are given the limelight with beats bolstered for extra bite. Three tracks set to delight and ignite dancefloors.

Big remix package for TOY TONICS'S boss KAPOTE. His song "Mystery" from the last album reworked by HARVEY SUTHERLAND, OPOLOPO, CLOSE COUNTERS with a bonus remix by french house master CASSIUS. Turning Kpaote's New school house anthem into super fresh jazz-funk disco, NYC 1990ies House hit and proto-dance bangers. There is no way there is not one version that every good DJ with an interesting fresh sound can't play.

It's 2025 and Toy Tonics one more time tries to define what are the perfect vibes for the "post-dark-electronic music age". Yes. After 10 years of explosion of hard techno, dark trance and fast race sounds Toy Tonics is trying every month to bring ideas for a more positive, high quality, forward-thinking dance music.

Opolopo: Opolopo brings his legendary touch to "Mystery." With a career spanning decades and a reputation for fusing boogie, funk, and broken beat, his remix promises a soulful journey. An artist who's famously remixed everyone from Gregory Porter to Stevie Wonder, Opolopo's version is pure, unadulterated groove.

Harvey Sutherland: Straight from the heart of Melbourne's electronic underground, Sutherland delivers his signature "Neurotic Funk." The celebrated synthesist and producer, known for his distinctive analog textures and a discography that's earned him ARIA Award nominations, is sure to inject his unique genre-bending energy into the track.

Close Counters: The duo from Melbourne, Close Counters, are set to turn "Mystery" into an electrifying fusion of house, soul, and jazz. Known for their dense synths and infectious energy, they have earned praise from tastemakers like Gilles Peterson and have wowed crowds at festivals like Splendour in the Grass.

Finally, the package features "Berlin Boogie Town" with a new interpretation from Parisian legend Cassius, adding some uplifting French Touch filter vibes.

Utter presents Marshall Jefferson's previously unreleased meditation opus 'Yellow Meditation For The Dance Generation' alongside two remixes from French production maestro Joakim.

Marshall Jefferson: Chicago House music pioneer, creator of the anthemic ‘Move My Body’, an original collaborator of Adonis, Ce Ce Rogers and Roy Davis Jr., production mastermind of countless dancefloor classics such as Phuture’s ‘Acid Tracks’, Sterling Void’s ’It’s All Right’, Hercules’ ‘7 Ways’… and the soothing voice behind a 36 minute healing meditation guide. Yes, really.

But let’s rewind, slightly.

In 2017, Marshall was approached and encouraged by Ian ‘Snowy’ Snowball to write his autobiography and the pair set about putting Marshall’s account of the history of House music together. The book, ‘Marshall Jefferson: Diary of a DJ’ was published in 2019.

Following the book’s release, Ian and Marshall's collaboration continued and during the pandemic an outlandish idea arose to create a piece of music combining Ian's interest in meditation (he runs Club Chi specialising in Shibashi Qigong - a form of Tai Chi Qigong - which is a gentle form of movement therapy/exercise) and Marshall's willingness to experiment musically to see what might be possible.



The result is ‘Yellow Meditation For The Dance Generation’, where Marshall vocalises Ian’s lyrics in his instantly recognisable voice. The keen-eared out there may also recognise aspects of the music itself as a stripped back, lengthened and far mellower version of Marshall’s 1985 obscurity ‘Vibe’:

“I would take tapes to the Music Box and Ron Hardy would play my music. ‘Vibe’ was one of those tracks. I recorded ‘Vibe’ in 1985, but it became one of my tracks that I just forgot about until some guy on Facebook sent me a recording of it that was taken from a club. The only person who I ever gave a recording of ‘Vibe’ to was Ron Hardy. The other people I know who had copies of the track were Gene Hunt and Emanuel Pippin (DJ Spookie).

"The original version of ‘Vibe’ was made using a Roland 707, Roland JX-8P keyboard and a Roland 727 drum machine. I was still working at the Post Office at the time, and this was pre-‘Move Your Body (The House Music Anthem)’. ‘Vibe’ has the building blocks for ‘Move Your Body’ because it was using the instruments on the track that I discovered what I could do with the bass sound, to make a track like ‘Move Your Body’.”



Still, Ian’s initial intention for ‘Yellow Meditation’ was function and it was designed to be a ‘Sequential Relaxation Exercise’ focusing on the Solar Plexus. Bearing this in mind, Marshall took a bare-bones and hypnotic approach to this particular re-recording of ‘Vibe’ so that the voice takes centre stage and listeners (hopefully) find themselves on a meditative journey. In fact, this long-form track was always intended as a private tool purely for meditation at Club Chi rather than released to the public - after all, Marshall had also created and released a more drum heavy, ’traditional’ club-focused 'Vibe Three' instrumental version for that very purpose - but a chance airing of the full 36 minute version changed its path.



Much like those 1985 ‘Vibe’ cassettes, Marshall had sent the track to a few close contacts, one of whom was Kieran at Phonica Records who aired it over the shop’s basement soundsystem. Its unorthodox nature caught the ear of colleague Alex (of Utter) and the seeds of a physical release were planted.

Eventually, with the full-version carefully whittled down to a vinyl friendly length of 24 minutes, full track parts in hand and a b-side to fill, Alex sought out one of his favourite producers to take up the remix reigns: Joakim. The Tigersushi co-founder and Crowdspacer boss has a long history of boundary-pushing remixes that straddle both dancefloor functionality and experimentation. This time the original material resulted in Joakim coming up with a number of ideas and he finally delivered two versions - one club focused (‘Vertical’), the other more introspective and meditative (‘Horizontal’), both of which appear on the final 12”.

The limited edition 12” also includes a download code giving buyers access to all of the vinyl tracks plus an 18 minute extended version of Joakim’s ‘Horizontal’ remix, its instrumental counterpart (for those who can live without Marshall's voice) and full 12 minute acapella (for those who can't!)


Alex

a A1. Yellow Meditation For The Dance Generation (Edit) 24:00
b B1. Yellow Meditation For The Dance Generation (Joakim's Vertical Remix) 9:09
9:05

VRNT presents VRLTD008, bringing together French producer Praymond with remixes by Guy From Downstairs and Cabanne. The label, vinyl-only, rooted in minimal techno and deep house, originally founded in Calgary and based in the Canada/USA-region, has built a reputation for high-quality, rhythm-centered releases. With L’odeur des rêves, Praymond delivers two originals and two reinterpretations that move in the micro-house and deep-house spectrum with subtlety and refinement. The A-side track presents a detailed groove with space and elegance; the Guy From Downstairs remix expands that vision with his signature swing. On the flip, “73 Infuse” anchors the release, and Cabanne’s remix reshapes the piece with clarity and finesse.
This 12″ (transparent vinyl, 140 g, four cuts) speaks to selectors and listeners who value texture, groove and mood ahead of showmanship. VRNT’s catalogue emphasises these traits, and this release slots in perfectly, warm, composed, and deeply musical.

Fatboy Slim & Daniel Steinberg join forces with a plethora of producers on the Bus Stop Please remixes. The package is one for all shapes and sizes - from the world renowned hit-maker David Guetta, through to UK underground royalty Sally C, Scotlands deep house finest Hayley Zalassi, and enigmatic French trio PPJ.

Welcome to the first instalment of a new collaboration between The Reflex’ DISCOLIDAYS label and Because Music in Paris, remixing gems from the Zagora catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood. Unearthing the multitrack for obscure cuts, The Reflex shifts the focus on the great studio musicians involved in these recordings (Wally Badarou amongst others) and delivers stunning revisions of ‘Harlem Bound’, a
131bpm jazz-funk disco powerhouse cut (1977) and ‘Dancin’ The Mambo’, a 122bpm Chic-esque meets early piano House monster laced with that unmistakable French sound, originally released in 1980.

Both first time-ever remixes from the stems, released on 180g vinyl with custom artwork on card sleeve designed by Al Kent / Million Dollar Disco.

Three more releases will follow, to complete the 4 x 12” vinyl and digital package spread over several months in 2024.

TRSN hits release number 36 with a statement from one of the Netherlands' most promising new names. Groef steps up for his full solo debut on the label, delivering four meticulously crafted originals that twist and stretch the parameters of hypnotic, high-impact techno. Fresh off the back of appearances on Delirium Vol. II and a breakout debut EP on Bipolar Disorder, Groef showcases his signature blend of raw textures, tightly-wound percussion, and heads-down momentum. Rounding out the EP are two heavyweight remixes from French powerhouses Bours? and Ferdinger, adding their own flavour while keeping the energy locked firmly to the floor. A bold and confident six-tracker that marks Groef as one to watch.

The cultured creative minds of James Simonson and Blair French reunite for this new Realities Remix EP on MotorCity Wine which was, in original form, recorded by Simonson in hotel rooms across Europe and the Americas while touring with soul legend Bettye LaVette. As such it takes in myriad global influences as well as evocative field recordings which get reworked in style. Blair French adds his touch with three remixes, firstly the anthemic 'Realities (Projector Remix),' then the more dance-driven 'Elektronolux Overture (Sunday Remix)' and the lush and downtempo 'Hannah (Remix)' featuring violinist Sonia Lee. Two originals 'Realities' and 'Elektronolux Overture' also appear on vinyl for the first time and sound superb.

Francis Bebey was a visionary who explored the intersection of African traditions and global music long before it became a global trend. Born in Cameroon, Bebey's sound was an eclectic blend of his rich cultural heritage and his deep exploration of modern music, spanning genres from traditional folk and jazz to funk and electronic experimentation. As an artist, Bebey was ahead of his time, using his unique voice and instruments to forge new paths for African music to be heard worldwide. His legacy is not just in the music he created but in the way he opened doors for the global recognition of African artists, influencing generations of musicians, producers, and fans alike.

This release marks an exciting moment, as we introduce remixes of bebeys iconic productions by contemporary electronic producers, giving new life through creative re imaginings.

Tracks:

Le Grand Soleil De Dieu (Psychemagik Remix): The UK-based musical duo are known for their eclectic blend of electronic music, psychedelic rock and mystical global sounds. Formed by Danny McLewin and Tommy McLewin, the duo has carved out a unique niche within the global music scene though their intricate arrangements. Their Remixes and Collaborations have been with artists like Fleetwood Mac, Tame Impala, and Hercules & Love Affair. Their psychedelic dub remix has otherworldly qualities, with dreamy atmospheres and bouncing baselines throughout this brilliant opening track.

Guinee (Turbotito Edit): The Berlin-based DJ and producer known for his infectious blend of house, disco, and funk. With a knack for smooth, groovy beats and a deep love for melody, Turbotito's music brings a fresh, energetic vibe to the dance floor. On this track, he effortlessly re-imagines and elevates the world of Guinee to match his signature sound. A combination of a great pulsing base line, ethereal vocals and bird sound effects incorporated into the percussion makes this track an absolute stand out.

Agatha (Voilaaa Remix): Bruno "Patchworks" Hovart from Lyon is the brains behind the Voilaaa project. Fusing soulful grooves, funk, and disco with an unmistakable French touch, Voilaaa creates infectious, feel-good rhythms that blend classic and contemporary influences. In this track we find the first big hook of the album vocally, coupled with Bebey's lively humour in spoken French on top of joyous instrumentation. The smooth vocals, catchy melodies, and vibrant arrangements, bring a fresh energy to the original hit track - a brilliant homage.

Forest Nativity (Red Axes Edit): Red Axes are a dynamic electronic music duo from Tel Aviv, blending disco, house, and psychedelic influences into infectious, genre-defying tracks. Known for their unique sound, warm analog textures, and hypnotic rhythms, Niv Arzi and Dori Simao craft music that moves both the body and the mind. Forest Nativity arrives as a full circle closer, incorporating some of the most authentic African instruments such as a Balafon, an instrument similar to a xylophone and a Djembe, a hand drum central to many West African traditions. The 7 minute track is guaranteed to take you on a fascinating journey through Bebey's culture and livelihood.

Produced by Chez Damier and Ron Trent, the track was born in NYC, inspired by a transformative night at the legendary Sound Factory Club. In the early morning haze, as the echoes of basslines and rhythms lingered, the duo channeled the energy of the dancefloor into their studio. The result captured the raw, soulful essence of Deep House, reflecting the dancefloor communion that transcended time and space. To extend the feeling while honoring the original, Atjazz was invited to bring his jazz-influenced touc

With his deep understanding of groove and texture, he reimagined the track through two distinct remixes, each offering a fresh perspective. While both versions explore different nuances, they remain faithful to the track’s core essence, maintaining its hypnotic flow while adding a renewed vibrancy to the dancefloor. The duo of Chez Damier and Ben Vedren, proudly welcome French producer Fred H, one of the closest members of their extended musical family, to deliver a special remix of their track "Berlin Nights In Paris".

The result is a re-imagination of the track, introducing a percussive soundscape that drives the rhythm forward while offering a space for the listeners' minds to wander, immersing them in an atmospheric journey. This reinterpretation preserves the original’s essence while infusing it with new textures, dynamic movement, and a hypnotic flow that deepens its emotional impact.

This collaboration is more than just a remix. It’s a testament to the creative synergy within their musical circle, reinforcing the timeless spirit of house music while pushing it forward. er. Through his deep connection to what truly ignites the dancefloor, DJ SOURIRES maintains the emotive spirit of the original track, keeping its essence intact, yet injecting fresh dynamics that transforms it into a high-octane dancefloor heat track. His intricate, oscillating drum programming and masterful arrangement drive the rhythm forward, creating a compelling urgency that commands attention and movement. The remix swells with intensity, amplifying the hypnotic elements of the original while layering in driving percussion, rich basslines, and sharp, yet spacious synths that build tension and release in all the right moments. Every twist and turn in this remix is an invitation to lose yourself in the dance.

Like the morning sun penetrating a Winter sky, a shimmering frost flecks the brightness of “Message to Nowhere”.

The four tracker showcases the sound of Ruben Benabou’s Hyperstellar nom de plume, a sound that draws inspiration from sci-fi soundtracks and the warmer currents of electro. Refracted bleeps introduce the title piece, shorn beats cutting through glowing synthlines as the EP takes flight. Tight terse drum patterns are the launchpad from which melodies sail and swoop in “Words in a Void”, bittersweet strings and warbling pads bending and shifting above juddering basslines. Fellow Frenchman, and all-round electro virtuoso, The Hacker remixes “Message to Nowhere”. Pulling the track toward the centre of the floor, scissoring snares slice through echoing notes and silken shrouds in this machine funk remake. Temperatures rise for the close. Bold key changes and snapping rhythms gather in “A Thousand Nights”, a lively late evening close to a quartet of sheer quality.

Baka G returns to Happiness Therapy with her highly anticipated second EP, building on the breakthrough success of ‘Weekend’ and a remarkable European tour with the label. Unveiling ‘In Circles’, the rising French-Swiss talent delivers four fresh original tracks, joined by remixes from COEO and Marc Brauner.

With each new project, Baka G refines her signature blend of garage and tribal house, subtly bringing more of her own vocals into her compositions and infusing her sound with the infectious energy that has become her hallmark. A captivating force in the underground house scene, her productions offer an open-minded, club-friendly soundtrack that bridges her musical heritage with her commitment to minorities and the queer community.

Soon, she’ll bring all of this to her new residency at Paris’s iconic house club, Djoon, as well as on her upcoming tour.

Dalmata Daniels third LP comes from Rapha, marking his return to the label after contributing to its split and compilation series. Known for bold acid treatments and dark, futuristic tones, Rapha takes his craft to new heights on Midnight Dancer, which also features remixes by CT Kidobo and PRZ. The album opens with I Win U Win, pulling listeners into an adventure of pulsing basslines and cosmic, minimal electro. CT Kidobos remix then twists it into a darker, seductive French-inspired club sound. The third track, ...And Them, continues the journey of the opener with mechanical beats and textured soundscapes, while Alien Dance highlights Raphas signature sharp, distinct style leaving a strong mark on the deep electro club scene.

On the flip side, Midnight Dancer plunges into a hypnotic realm of haunting echoes and distorted rhythms, with heavy basslines reverberating through the darkest corners of the mind. PRZs remix of the title track retains the original groove but adds a cleaner, equally impulsive electro edge perfect for the club. The albums final tracks, Lost Start and Galactico, round off the journey with shimmering electro patterns and eerie, alien soundscapes, leaving an unforgettable impression.

In Midnight Dancer, Rapha showcases his ability to blend industrial grit with cosmic melodies, delivering hard-hitting electro suited for both club play and immersive listening at home or on a night ride. Be warned DDLP03 is limited to 150 copies, housed in a Studio Jetski designed jacket with a digital download card and shrink wrap.

Jean-Phi Dary's much-anticipated *MIND* project gets its first release with the *For Peace Remixes EP*. The record is set for release on September 20, 2024, via Comet Records. Featuring the extraordinary talents of French producer *I:Cube*, who brings his extensive expertise in the electronic scene to reinterpret Dary's original MIND compositions in his own unique way.
The record opens with a masterful blend of rhythmic precision and electronic depth, infused with Dary's signature style with a mindful, meditative quality. This 3-tracker delivers a dynamic and immersive experience with *I:Cube* signature rhythmic excellence and sharp focus on dance floor ready grooves.

Jean-Phi Dary, a producer and keyboardist with deep roots in Paris, London, West Africa, the Caribbean, and the United States, has crafted his debut project MIND to serve as a culmination of his musical journey. With sounds inspired by legends such as Herbie Hancock, Wally Badarou, and Brian Eno - Dary's work is bedded deeply in the modern modular synth culture and enriched by his collaborations with renowned artists like Tony Allen, Papa Wemba, and Jeff Mills - who Jean-Phi is currently collaborating with on "Tomorrow Comes The Harvest" with their album Evolution out last year, soon to be followed by a worldwide tour in 2024!
His innovative use of technology and analog instruments, combined with the unique contributions of I:Cube make the *For Peace Remixes* a notable release.

*Artist Quote* "I had the opportunity to use magnificent samples of the voices of singers from the Maroni River in French Guiana on certain tracks, these voices of the Bushinengé people reconnect me to my Guyanese and neg-maroon origins, my mother was born on the river and my father grew up in the Amazon region..”

The Funky French League is a collective of intergenerational DJ’s / producers /
musicians, composed of Young Pulse, Arthur Chaps, Woody Braun, Monsieur
Willy, DJ Asko and Uncle T.
Coming from diverse backgrounds, from hip hop to electronic music, the love of
groove brought them together. Their goal is to promote funk and its derivatives
through parties, mixes, remixes, radio broadcasts...
Much more than a musical style above all, they defend a state of mind:
celebration, diversity, inclusivity, good vibrations and the spirit of the party.
„Shake Your Body Down“ is the perfect follow up single to „Free“ and is a Young
Pulse next level production. Pounding, shaking, uplifting and 150% danceable…

After their electrifying collaboration on "Parribean Disco", Dimitri From Paris is back in the driver’s seat with Cotonete’s "O Céu E Preto" featuring Gystere. This time partnering with French deep house pioneer DJ Deep for a sizzling remix from Cotonete lauded album "Victoire de la Musique”.

The remix is a house music masterpiece, featuring an infuriatingly catchy bassline, playful percussions, swirling keyboards, and tantalizing guitar licks that elevate Gystere’s mesmerizing vocal loops. The buildup peaks with irresistible horn riffs, delivering a straight-up house banger.

On Side B, the refined deep house and techno duo of DJ Deep and Romain Poncet present a streamlined, dubbier, and club-ready version that’s perfect for late-night sessions. Finally Voilaaa world-groove master gives a laidback airy and light disco take, always with a stomping beat (vocal and instrumental versions)
Don't miss out on this French Brazilian disco summer gem!

Welcome on Vibes Addikt !!
Label Owned by N.O.B.A, An artist with a large number of tracks that have been lucky enough to top the Beatport Top 100, but also the support of big names such as Amelie Lens, Mark Sherry, Nusha, Frankyeffe, Klaudia Gawlas, Frank Biazzi, Charlotte De Witte, Mha Iri, Sebastian Groth, Steve Shaden, Yves Deruyter ... and many more...

This 3rd Vibes Addikt present Dimitri Cooman
Belgium Techno and Hard Techno artist who play on all events from the legendary Cherry Moon Club (Lokeren.Be)

Born near Brussels, Dimitri fell in love with music early on.
The interest in house –and techno music grew since the start of going out to small venues and raves at the age of 16.

Soon he visited one of the mayor Belgian clubs, Cherry Moon, there everything changed.

Impressed by the "the club, the people, the music" he quickly fell in love with 'The House of House' and that love for the club would not change until this day.
During this period he started mixing himself, playing the music he loved from his homebase.

Since a while ago he is an official resident and one of the driving forces behind the Cherry Moon events, runs the techno imprints Cherry Moon Records & Nachtkabarett Recordings, manages the brand and parties of 'Techno Avenue' and tours with all of this all over Belgium whilst also playing on numerous techno events.

His EP's and remixes have also been released on Cherry Moon Records, the Berlin based Db130,the italian labels No Response Records and SMR Underground, Strohm Records, Dark Distorted Signals, Bonzai & Ithica Records, Sonaxx Records and soon Reload Records, DIKI records and Vibes Addikt.

He present on Vibes Addikt "Vanished Technologies" an Underground EP including a remix from Fhase87, French Artist who have support by Mark Broom, Ben Sims, Dj Rush ... and others big name

EP already supported by Frank Biazzi, Frauleinz, Samuel Sanders ... and many more

Igor Radošević aka Cosmic G is next to join the E&X roster with his encapsulating “Human Spirit EP” for our first delve into 2024.

The Serbian DJ & Producer has been in high demand over the past 12 months releasing a plethora of well received records on respected labels such as Haws, Goddezz & Neptune Discs, ensuring a rapid rise through the progressive house & trance scene.

Both originals are backed by two stunning remixes from up and coming French talent Clint who has added plenty of raw energy into both his renditions, turning this record into a must have for any discerning DJ or record collector.

One of the most interesting publishing events of the 1980s were special British editions of Italian, French or German productions containing PWL remixes. Behind PWL name were producers associated with the hit trio Stock/Aitken/Waterman, which promoted a number of great artists, including Dead Of Alive, Banarama and Kylie Minogue to name a few. PWL’s remixes for London Boys and Blue System became evergreens.

And since the group of artists associated with DISCO NOSTALGIC included those who sounded like Blue System, the label decided to refer to the events of 1989 and prepared an EP with remixes inspired by the mixture of German and British euro disco.

Ukrainian vinyl label ARTREFORM significantly raises the stakes as its important anniversary (a soon-to-be-released 50th record) is gradually approaching. ARR048 is a double record, including three original tracks by Romanian producer Funky Trip and four Barac, Petit Batou, Lorgu, and Lukea remixes. ARTREFORM's founder, Kyiv DJ and sound producer JOSS, obviously trusts and bets on Funky Trip's talents, and this bet looks set to play out big time. Nicolae Catalin Cimpoier (Funky Trip's actual name) is a notable representative of the new
wave of the Romanian electronic scene that catapulted many stars to global fame. Thanks to a series of successful releases on Rawax Music and Stamp Records Paris, this Bucharest musician perfected his recognizable sound of crystal-clear minimal house, embellished with warm emotions and exquisite, shimmering melodies. Now it's high time Funky Trip transitioned to vinyl!

The second part of ARTREFORM's latest double vinyl release captures a new Romanian electronic scene star, Funky Trip, presenting a track called "Magic Woman." Just like femme fatale encounters often tend to, this occasion leaves one too many questions unanswered. Funky Trip's signature minimal house maintains tension through a looped leitmotif while the rhythm section and spacious ambient pads gradually trick the listener in. "Magic Woman" has the appeal of an ideal "second track" in the mix, the one intriguing enough yet leaving space for further narrative development. Funky Trip's delivery is delightfully contrasted by a beautiful remix by Lorgu that brings to the table an atmospheric, groovy house with many small nuances. The next track, "Les Voix," is another collaboration with Mia Zedan and a perfect specimen of ARTREFORM's sound pedigree: a powerful bass line coupled with an energetic and inventive tech house beat. However, its full depth of immersion takes effect via a remix by Lucas Morello, known as Lukea. His sci-fi-infused vibes of cosmic alienation and observation elevate this remix to the adornment of this Romanian-French-Ukrainian fruitful
creative collaboration.

Early support: Barac, NTFO, Lukea, Sam Farsio.