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Psych-rock band Longheads are set to release their debut album, Layers of Wax, after recently signing with Stolen Body Records. This seven-track album delves deep into the realms of stoner and doom, all while retaining the signature psychedelic sound that fans have come to love from their first two EPs. Following the success of their acclaimed second EP, Mars Doesn’t Feel Like Home Anymore, Layers of Wax marks a significant evolution in the band's sound. Listeners can expect a more polished and mature sound that still captures the energy that propelled their previous EP to prominence within the London psych scene. The first single from the album, "Deathcap Farmer Part Two," will be released alongside a psychedelic, space-faring music video. This track showcases the band's continued experimentation with a 9/4 time signature, a technique they began exploring on the title track of their previous EP, Mars Doesn’t Feel Like Home Anymore.

Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool is the fourth solo studio album by former White Zombie frontman Rob Zombie. The album is a sequel to his debut album Hellbilly Deluxe and was released on February 2, 2010. This is the first album with bassist Piggy D and the last with drummer Tommy Clufetos.

Hellbilly Deluxe 2 is also the first release where Rob Zombie worked with his full touring band. Previous albums were written and recorded by Rob Zombie himself and a rotating set of musicians. The lead single ""What?"" debuted on radio stations on October 6. Rob Zombie enlisted the help of artists Dan Brereton (creator of Nocturnals), Alex Horley (of Image Comics and DC Comics) and David Hartman (storyboard artist) to create the album artwork. British dark/horror/science fiction/steampunk artist Sam Shearon aka 'Mister Sam Shearon' (artwork for Ministry, Slayer, Clive Barker, and tour merchandise for Iron Maiden) also contributed to the artwork of Hellbilly Deluxe 2.

Hellbilly Deluxe 2 is now available as a limited numbered edition of 1500 copies on Dracula coloured vinyl, housed in a gatefold and it comes with a 4 page booklet.

Leng’s San Francisco connection has long been strong, with the 40 Thieves collective – and their friend Cole Odin – providing some of the label’s most memorable releases of the last decade. That Bay Area connection comes to the fore once more on the imprint’s latest release, which sees Odin join forces with fellow San Francisco resident Marshall Watson, a long-serving producer, engineer and live performer known globally for his Balearic-minded productions.
‘Voyager’, the pair’s first collaborative single, is a genuine meeting of minds. It combines Odin’s love of low-slung dub disco, dancefloor psychedelia and low-tempo cosmic house with Watson’s
picturesque Balearic synths, sparkling piano riffs and immersive sound design. It’s this blend that dominates on the EP-opening Original Mix, an infectious workout that gets progressively more blissed-out and saucer-eyed as it progresses. Listen carefully and you’ll hear some suitably psychedelic guitar solos nestling amongst the heady washes of sound, sun-bright piano riffs and weighty bass.


Those languid, stretched-out guitar parts naturally take a more prominent role on the Extended
Guitar Mix. On this alternative take, the pair deliver a lightly tweaked take on the original groove, stretching it out while overlaying eyes-closed guitar solos, pots-and-pans percussion and a more DJ-friendly outro. It’s effectively an extended club mix – the club in question being a Bay Area basement at 5am. To round off the EP, Odin and Watson dust off their dancing shoes and pay tribute to San Francisco great Patrick Cowley. On the appropriately titled Cosmic Rave Mix, the pair swap their bass guitar for a pulsating sequenced bassline, trance-inducing synth sounds, and locked-in electronic loops designed to take you to a higher state of consciousness. By the time the track’s familiar piano refrain drops midway through, you’ll be reaching for the lasers in no time at all.

Freestyle Records drop another UK boogie 12" rarity from Eddie Capone's Treatment, this time the previously white label-only "Only You Know What I Like" from 1985. Limited to 300 copies worldwide.

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A mainstay of the UK's reggae, soul, funk & rock circuits since the early 1970s, Eddie Capone has played with a diverse and revered collection of acts; Chairmen of the Board, The Foundations, Black Velvet, The Elgins, Arthur Brown's Kingdom Come, Arthur Lee's Love, Billy Preston and Edwin Starr to name but a few. Eddie was also part of short-lived group Casablanca, with David Costa & Barry Clarke of early 70's folk-rockers Trees, signed to Elton John's Rocket Record Company.

Eddie founded the Treatment band in the early 1980s bringing in a revolving cast of singers and players, and created the Treatment Records imprint out of his own Black Rock studio in South East London in 1982. Releasing a string of singles - with efforts from Eddie Capone's Treatment, a side-project with singer Beryl Marsden as Salt & Pepper, and a single from Norwegian group Wave - Treatment Records then followed this up in 1985 with the 12" release of "I Won't Give You Up" with Diane Jones brought in on vocal duties. This received solid support amongst DJs and radio at the time, and was quickly followed with this solid slice of white label-only UK boogie-funk that has since become a favoured deep cut on the selectors circuit.

Treatment Records continued through the 1980s through to early 1990s releasing Eddie's music, both as a solo artist and as part of collaborative side-projects, and Eddie has continued to write, perform and produce music from his home studio right through to the present day. As a committed community figure & activist in South East London, Eddie has since 2014 re-started Treatment Records under the name of 3G Treatment - bringing together three generations of people from the local area to ensure young artists & musicians have access to the expertise and experience of their elders for support and encourage successful careers in the industry.

In the age of streaming platforms and social media, stimulation is easy to come by. Real pleasure, however_the kind that feeds our soul rather than draining it_is in shockingly short supply. The second LP by THUS LOVE is full of that kind of nourishing euphoria. It swoons, shakes, and swaggers with a combination of grit and sensuality that's been hard to locate in music lately. It's called, fittingly, All Pleasure. The album came out of a period of dizzying growth and transformation for the group. When they began work on it, vocalist/guitarist Echo Mars and drummer Lu Racine were still reeling from the runaway success of their 2022 debut Memorial_a set of lush, elegant post-punk that brought praise from The FADER, the NME, and the Guardian_along with processing the departure of the founding bassist. With All Pleasure, the band re-formed with new bassist Ally Juleen and guitarist/keyboardist Shane Blank. The group convened in a barn in the woods that Mars had transformed into a recording studio, and kept one rule at the forefront: "If it's not joyful, don't do it." What emerged from that mission is a stunningly gorgeous album, full of big, arcing melodies and a range of kinky stylistic twists that will surprise listeners who know the group just for Memorial's chorus-drenched 80s-style psychedelia. "Birthday Song" gives grungy glam rock with a transcendent hook that underlines Echo's lyrical tribute to communal joy. "Get Stable" transmutes existential panic into sharp-angled punk pop. The anthemic title track is something like the album's mission statement, paying tribute to the power of joyful creation. Mixed by Matthew Hall and Rich Costey and mastered by Bob Weston, All Pleasure was recorded as live as possible, capturing the sheer infectious ecstasy that comes from sharing space together and making a divine racket. Put on All Pleasure, tap into the energy that THUS LOVE is putting out, and you just might find an escape.

Transparent Blue Vinyl. After years of preparation, Marcus Drake emerges from the basement networks of the resistance underground to claim the first save point along his quest ahead. Welcome to Save Point 1, a universe where popular forms of the past collide at warp speed with Marcus's mutant inspirations to produce sounds and genres hitherto unknown. Save Point 1 is a visionary and singular Debut work of Avant Rock & Pop Alchemy, blown apart and reassembled under the laws of Quantum Musical Mechanics. Written, Produced & Performed by Marcus Drake, the album eludes classification, but sounds like a sci-fi fusion of musical DNA from Nine Inch Nails, Prefab Sprout, Nobuo Uematsu (the Final Fantasy video game composer), Animal Collective, Prince, Mr. Bungle, Liars, The Mars Volta, and Lil Ugly Mane. The album marks the first release under Drake's own name, and the latest since his 2017 release as Anthony Fremont's Garden Solutions_his idiosyncratic side-project with Water From Your Eyes' Nate Amos, Options' Seth Engel, and NNAMDI. He has also since scored for film and video, including the Adult Swim short Thoron the Conqueror. Save Point 1 isn't just a new beginning, but a reintroduction to Marcus Drake the artist and composer. Drake experimented with new techniques and approaches for many years while recording Save Point 1, a process that transformed his sound, voice, and artistic identity. The resulting oeuvre is giddy and dreamy, an Olympic-height diving board from which to descend through indie rock and videogame soundtracks, thrilling math-rock riffs that turn experimental, and synths that glow in rainbow hues. Just turn to the glitchpop of "Heaven's in the Rot" or the slow-motion acoustic glitter that is "Dragon It Out" to hear it in motion. And note the two-part "Haunted" suite that funnels his unpredictable experimentation into darker, weirder directions.

Finally back on vinyl, this 2011 release was the first proper full-length showcase for the Grammy Award-winning superproducer. The signature soulful style of 9th’s beats was a sensation in hip hop and R&B--for underground fans and in the mainstream--and he played a leading role in bringing North Carolina to the forefront of American music culture in the 21st century.

With his 9th album, Housemeister invites you on a fascinating journey through electronic music. This work combines influences from techno, electro, synthesizer music, melodic house and synthpop, and shows the artists diversity and creativity. Driving rhythms, optimistic sounds, life-affirming vibes and less nervousness than in previous releases make this album more mature and an incomparable listening experience. The album captivates with its varied mix of different styles that magically come together in harmony. Beautiful melodies that stay in the ear and a successful balance of slow and fast tracks make it a work that constantly reveals new facets. A particular highlight of the album is the track Love is a Killer, in which Joy Tyson provides goosebump moments with her incredible voice. This alternative synthpop song is an emotional highlight and shows Housemeisters ability to create deep and moving music. This album is a must-have for all electronic music lovers and a versatile companion for any playlist. Whether in the club, on the radio or in a personal playlist, Housemeisters new album will set dance floors ablaze and hearts melting. And like always, the artwork is made by Housemeister himself.

Matthew Herbert setzt seine Soundtrack-Produktionsreihe mit der Musik für den britischen Horrorfilm "Starve Acre" des Regisseurs Daniel Kokotajlo mit Matt Smith und Morfydd Clark in den Hauptrollen fort, der im September 2024 erscheinen soll - eine düstere Untersuchung von Trauer, Glauben und Übernatürlichem, die stark auf Folklore und Mythologie zurückgreift. Der OST folgt auf Arbeiten für Independentfilme wie "The Wonder", "The Cave" oder den Oscar-nominierten "A Fantastic Woman" und ist eine minimalistische Übung in Spannung und Zerbrechlichkeit, die geduldige Instrumentierungsfäden mit atmosphärischem Sounddesign verbindet – romantische Wogen der Orchestrierung gegen drohenden Druck im unteren Frequenzbereich und körperlose, unnatürliche Stimmen, die die bösartigen Kräfte darstellen, die im gesamten Film angedeutet werden. Er enthält zusätzlich zwei Versionen von "Let Me In", einer Interpretation des englischen Volksliedes "It Hails, It Rains, It Snows, It Blows" aus dem frühen 20. Jahrhundert, gesungen von Matt Smith und gespielt vom Folk-Elektronica-Duo Crewdson & Cevanne (Hugh Jones & Cevanne Horrocks-Hopayian) - ein bezauberndes Finale für die allgegenwärtige Düsterkeit der weiteren Partitur.

LIL PEEP; PART ONE war das erste große Projekt von Lil Peep, das in seinem Schlafzimmer in Long Island, New York entstand. Es markiert einen
bedeutenden Moment in Peeps Karriere, da es den Grundstein für seine einzigartige Mischung aus Emo, Punk und Hip-Hop legte. Das Projekt enthält
rohe, emotionsgeladene Texte gepaart mit eindringlichen Melodien, die Peps Kämpfe mit psychischer Gesundheit, Herzschmerz und
Drogenmissbrauch widerspiegeln.
Das Projekt enthält einige seiner populärsten Songs, darunter „Praying to the Sky“ und „The Way I See Things“. Außerdem enthält es einzigartige
Samples von Künstlern wie Thirty Seconds to Mars, Flyleaf, Lil B und dem Titelsong von Fullmetal Alchemist. Zur Feier des 9-jährigen Jubiläums wird
LIL PEEP; PART ONE auf Vinyl und CD veröffentlicht.

In 2021, Will Marsh ditched his music career, packed his bags and headed to New Orleans to pursue an MFA. Pandemic brain had firmly set in, so while Marsh dove into his work with Habitat for Humanity, he also found himself dazed and confused amidst such a turbulent time. Music wasn't at the forefront of his mind_ but it chased him. Let's rewind a bit. Will Marsh started Gold Connections at the College of William and Mary, where longtime friend Will Toledo (Car Seat Headrest) produced and recorded Marsh's debut self-titled EP, released via Fat Possum in 2017. Two EPs followed on EggHunt, 2018's Popular Fiction and 2019's Like A Shadow. This leads us to Fortune, the band's brand new LP, out worldwide on October 25 via New Orleans indie Well Kept Secret. It's a record that sounds like "a conversation between old Virginia and the buzzy psychedelic world of post-COVID New Orleans," according to Marsh. The eleven tracks on Fortune deftly navigate a geographical and spiritual journey: remorse, intoxication, anger, mystery, destruction, and regeneration, delivered with the same approach that NPR hailed as "undeniably catchy" and Sterogum claimed was "an animal of it's own."

The album features smooth vocals, rich harmonies, and vibrant rhythms, capturing the essence of the era’s musical Innovation.

Each track is a testament to the trio’s talent, blending traditional Brazilian sounds

with contemporary influences. Standout songs include “Sol Quarenta Graus” and ”Sempre Existe Alguém,” which highlight the group’s dynamic range. The production quality is excellent,

Raul Seixas really did a marvelous job! This is truly one of those undiscovered gems in Brazilian music!

‘Les Cigales’ takes its’ sonic cues from the structure of film and TV music from the 1960s and 70s, channelling the influence of film composers such as Francois de Roubaix and David Axelrod, whilst also sitting somewhere between the washed out, sun-soaked sonics of Surprise Chef and Robohands. As the EP unwinds, its narrative reflects a love story, full of longing, melancholy and drama, connecting with the story of Gyptis and Protis – the founding myth of Marseilles – whose love broke convention and welcomed the arrival of foreign people on French soil.

The project follows The Offline’s debut album ‘La couleur de la mer’, released in November 2023, which saw him create his own soundtrack to a film yet to be made. Inducing images of manorial, fog- swept villas at the seas edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. ‘Les Cigales’ sees him continue to build upon a distinctive sound that moves from dramatic cues to fragile romanticism, incorporating psychedelic spaciness, retro soul and hip-hop sensibilities informed by his extensive record collection.

Das epische Power Metal-Highlight des Jahres 2010 in der längst überfälligen Vinyl-Neuauflage! Mit der Hymne "We Are Pirates" gelang der Band um Sänger Seeb Levermann seinerzeit der Durchbruch.
"Easton Hope" kommt nun erstmals als 2-Picture LP (limitiert auf 500 Einheiten), auf der alle Details des aufwendigen Andreas Marschall-Artworks perfekt darstellt sind; sowie als Clear White 2-Vinyl (limitiert auf 500 Einheiten).

25 Jahre nach seinem Durchbruch zieht Eminem den Schlussstrich unter das aggressive Slim Shady-Kapitel,
mit dem 1999 alles anfing – auf dem 12. Studioalbum „The Death of Slim Shady (Coup De Grâce)“.
Weltbekannt für seinen bissigen Humor und seinen einzigartigen Flow, zählt Eminem seit gut 25 Jahren
zu den größten Heavyweights der Hip-Hop-Welt – und als popkulturelle Ikone. Schon kurz nach der
Veröffentlichung der „The Slim Shady LP“ im Jahr 1999 avancierte er zum meistverkauften Rapper der
Musikgeschichte. Abgesehen von inzwischen weit über 220 Millionen verkauften Alben, konnte Eminem
bereits 15 GRAMMYs sowie einen Academy Award in Empfang nehmen. In den USA erhielt er bereits
seine sechste Diamant-Auszeichnung (!). Zuletzt hatte Eminem im Jahr 2020 mit dem Vorgänger-Album
„Music to Be Murdered By“ zum 10. Mal Platz #1 der Billboard-200 eingenommen. Während auch
hierzulande etliche Alben regelmäßig Platz #1 der Charts belegten (u.a. „The Eminem Show“, „Encore“,
„The Marshall Mathers LP2“), ist Eminem inzwischen der Musiker mit den meisten Studioalbum, die schon
für sich genommen Streams in Milliardenhöhe verbuchen. Mit „The Death of Slim Shady (Coup De Grâce)“
schlägt der 51-jährige ”Über-MC” das 12. Albumkapitel auf und sorgt dafür, dass sich der Kreis schließt.

History must take its course.
Demon Records presents, for the first time on double 140g green and
yellow translucent vinyl, the complete narrated TV soundtrack of ‘Doctor
Who: The Crusade’, with linking narration by William Russell.
The TARDIS travellers materialise in 12th Century Palestine, where
English Crusaders are engaged in a holy war with Saladin, ruler of the
Saracens. When Barbara (Jacqueline Hill) is abducted in a Saracen
ambush, the Doctor (William Hartnell), Vicki (Maureen O’Brien) and Ian
(William Russell) find themselves guests at the palace of King Richard
the Lionheart (Julian Glover).
First broadcast in March and April 1965, the story has become a noted
classic among Doctor Who historical adventures, with a guest cast
including Julian Glover and Jean Marsh.
Only two of its four episodes survive in the BBC TV archive, but this vinyl
release features the complete audio soundtrack. Includes beautifully
illustrated individual sleeves featuring Radio Times-style billings for each
episode.
This release is dedicated to the memory of narrator William Russell, who
died in June aged 99.
Doctor Who is available now on BBC iPlayer in the UK and on Disney+ in the rest of the world,

Despite having never released his own album, Terry Marshall remains one of the most ubiquitous and influential individuals in modern music; this of course comes from the guitar amplifiers which bear his name. Debut album ‘Living The Blues’ by Terry Marshall and Friends, including Laurence Jones, Emma Wilson, Alice Armstrong, Krissy Matthews and Zoe Schwarz as well as an array of talented blues musicians, the album is the embodiment of a lifetime of dedication to music and a revitalising take on blues classics.

Doom (2005) is a science-fiction film based on the iconic video game series, starring Karl Urban and Dwayne Johnson. The film is centered around a group of marines sent on a rescue mission to a facility on Mars, which quickly turns into a game of survival when the team encounters demonic creatures. This release marks the first vinyl release of Clint Mansell's score, which comes as a 2-LP gatefold set pressed on Black Ice vinyl, with original artwork and a poster by illustrator Micha Huigen.

Still just 19-years-old, Toby Lee is already a three-time winner of Young Blues Artist of the Year at the UK Blues Awards - yet the virtuoso guitarist is only getting started. Praised as a remarkable talent by the likes of Jools Holland and Joe Bonamassa, 2024 represents a big breakthrough year as Toby releases his first album of all-original material ‘House On Fire’ on October 4th via 100% Records. As you’d expect from someone that The Times hailed as, “One of the best guitarists in Britain,” his six-string talents dazzle throughout with a rich tapestry of scorching leads, evocative melodies and swaggering grooves. Yet his vocals have come on leaps-and-bounds, his maturity and emotional expression providing a voice strong enough to front a band regardless of his guitar skills. His songs and stylistic scope have expanded too, with a set that moves seemingly effortlessly between classic blues jams, punchy hard rock, intimate acoustic moments and a modernist approach to classic soul and Stax-style R&B. It’s all played with a winning combination of youthful abandon and undeniable accomplishment. Toby Lee’s talents have been recognised by an array of legends. When he was 10, a get well soon video that he made for BB King went viral, leading to an invitation from the blues legend’s family to play at his club in Memphis, while the late Bernie Marsden was an early mentor and champion. He subsequently shared the stage with the likes of Buddy Guy, Joe Bonamassa, Slash, Billy Gibbons and Peter Frampton, while enjoying other high profile moments, such as starring in a West End production of ‘School of Rock’, performing with McFly on ‘Tonight at the London Palladium’ and featuring in ‘The Ellen DeGeneres Show’. Toby has now exceeded 500 million views on social media. His ability has been recognised with numerous endorsements. He has been a Gibson artist since the age of 10, and a recent highlight came when he helped launch Gibson’s custom Jeff Beck ‘YardBurst’ 1959 Les Paul Standard alongside fellow guests including Jimmy Page, Johnny Depp and Graham Coxon. Blackstar Amplification issued his own signature amp, the St James Toby Lee 50 6L6 head and cab, and he is also endorsed by D’Addario Strings.

Still just 19-years-old, Toby Lee is already a three-time winner of Young Blues Artist of the Year at the UK Blues Awards - yet the virtuoso guitarist is only getting started. Praised as a remarkable talent by the likes of Jools Holland and Joe Bonamassa, 2024 represents a big breakthrough year as Toby releases his first album of all-original material ‘House On Fire’ on October 4th via 100% Records. As you’d expect from someone that The Times hailed as, “One of the best guitarists in Britain,” his six-string talents dazzle throughout with a rich tapestry of scorching leads, evocative melodies and swaggering grooves. Yet his vocals have come on leaps-and-bounds, his maturity and emotional expression providing a voice strong enough to front a band regardless of his guitar skills. His songs and stylistic scope have expanded too, with a set that moves seemingly effortlessly between classic blues jams, punchy hard rock, intimate acoustic moments and a modernist approach to classic soul and Stax-style R&B. It’s all played with a winning combination of youthful abandon and undeniable accomplishment. Toby Lee’s talents have been recognised by an array of legends. When he was 10, a get well soon video that he made for BB King went viral, leading to an invitation from the blues legend’s family to play at his club in Memphis, while the late Bernie Marsden was an early mentor and champion. He subsequently shared the stage with the likes of Buddy Guy, Joe Bonamassa, Slash, Billy Gibbons and Peter Frampton, while enjoying other high profile moments, such as starring in a West End production of ‘School of Rock’, performing with McFly on ‘Tonight at the London Palladium’ and featuring in ‘The Ellen DeGeneres Show’. Toby has now exceeded 500 million views on social media. His ability has been recognised with numerous endorsements. He has been a Gibson artist since the age of 10, and a recent highlight came when he helped launch Gibson’s custom Jeff Beck ‘YardBurst’ 1959 Les Paul Standard alongside fellow guests including Jimmy Page, Johnny Depp and Graham Coxon. Blackstar Amplification issued his own signature amp, the St James Toby Lee 50 6L6 head and cab, and he is also endorsed by D’Addario Strings.

Die für einen Grammy nominierte, genreübergreifende Rockband FEVER 333 hat immer wieder bewiesen, dass sie zu den fesselndsten Acts der modernen Musik gehört. Jetzt, im Jahr 2024, schlagen FEVER 333 ihr bisher aufregendstes Kapitel auf, mit einer Fülle an neuer Musik. Die Band besteht aus dem Schlagzeuger Thomas Pridgen (The Mars Volta, Thundercat, Trash Talk), der Bassistin April Kae und dem Gitarristen Brandon Davis, die sich mit Frontmann Jason Aalon Butler zusammentun, um die mitreißenden Live-Auftritte der Band zu verstärken. Die Band hat außerdem kürzlich Headline-Termine in den Vereinigten Staaten, Europa und Großbritannien angekündigt. Die Tour findet im Herbst statt und beginnt am 17. Oktober in Los Angeles. Sie führt durch alle großen Städte des Landes und endet am 8. November in Brooklyn, NY. Am 14. November beginnt die Tournee in Großbritannien und Europa mit Konzerten in Deutschland, Frankreich, Belgien, Österreich, der Schweiz und anderen Ländern. Tickets sind ab sofort im Vorverkauf erhältlich.

Mötley Crüe werden ihre neue EP „Cancelled“ veröffentlichen!
Die EP markiert die erste neue Musik der Band seit 2019 und ihr Debüt bei Label Big Machine Rock. Die
Platte enthält den aktuellen Top 5 Rock Radio Hit „Dogs of War“, ihre neue Single, eine Coverversion von
„Fight For Your Right“ von den Beastie Boys und den Titeltrack „Cancelled“.
Mötley Crüe sagten: „It was really great getting in the studio and working on some tracks together. What
started out as a couple demo ideas turned into this EP produced by Bob Rock. We look forward to getting
back into the studio again soon and writing more new music, as well.”
Mötley Crüe melden sich mit ”Dogs of War” zurück, ihrer ersten Single seit 2015!
Seit über 40 Jahren sind Vince Neil (voc), Nikki Sixx (bass), Tommy Lee (drums) und Mick Mars (guitar) als Band aktiv und on the road mit bahnbrechenden Show Highlights wie Tommy Lee‘s Achterbahn
Schlagzeugperformance oder Nikki Sixx’s Auftritte mit seinem flammenwerfenden Bass.
Mötley Crüe hat über 5 Milliarden Streams auf digitalen Plattformen erreicht und hat über 8 Millionen
Follower in den sozialen Medien. Sie haben weltweit über 100 Millionen Alben verkauft, 7 Platin- und
Multi-Platin-Alben in den USA und 3 GRAMMY®-Nominierungen erhalten. Auch ihre Biografie „The Dirt
– Confessions of the Worlds Most Notorious Rock Band” wurde 2001 ein New York Times und weltweiter
Bestseller und erschien als Biopic 2019 auf Netflix.

Limitiert auf 500 Exemplare ww. Spearmint kehren 2023 mit This Candle Is For You zurück, um nach dem hochgelobten ,Holland Park" von 2021 mit großartigen neuen Album nachzulegen. Spearmint machen nun schon seit ein paar Jahrzehnten großartige Platten: dies wird ihr zehntes Album sein. Das Line-up ist immer noch dasselbe: Shirley Lee (Gesang, Gitarre), Simon Calnan (Gesang, Keyboards), James Parsons (Gitarre, Bass) und Ronan Larvor (Schlagzeug). Dieses Album wird die 60. Veröffentlichung auf ihrem eigenen hitBACK-Label sein. Bislang verpasst? Das neue Album ist der perfekte Startpunkt! Das schwindelerregende Multiversum des Albums deckt eine breite Palette von Themen ab, darunter die Suche nach einer vermissten Schwester, die Art und Weise, wie wir uns an verlorene geliebte Menschen erinnern, die Begegnungen von Prince mit Joni Mitchell, die Geschichte von John Gavin, dem James-Bond-Star, der nie einen Film drehen durfte, nächtliches Trinken in Soho, die Freuden von B-Movies & Video Nasties, die sich ändernde Einstellung zu psychischer Gesundheit, die Not und das Wunder älterer Katzen, die Reaktion auf den Tod von Sarah Everard und das Leben nach dem Tod. Die Band hat sich wieder mit dem Produzenten Rhodri Marsden (Scritti Politti) zusammengetan und ist der Meinung, dass dieses Album ihr bisher bestes ist. Sänger Shirley erklärt: ,Am Anfang wollten wir einfach nur ein Album machen, das neben unserem letzten Album ,Holland Park` bestehen würde, aber am Ende hat es uns überrascht - wir lieben es!"

Zach Bryans fünftes Studioalbum, The Great American Bar Scene, erscheint am 11.10.2024. Im Juli erschien die Single „28“. Im Juni erschien bereits ein musikalischer Vorbote mit „Purple Gas“. Als Feature gastiert Noeline Hofmann, eine aufstrebende Countrymusikerin aus Kanada.Bryan singt mit Bruce Springsteen den von Beiden gemeinsam komponierten Song „Sandpaper“ und mit John Moreland huldigt er mit „Memphis; The Blues“ den Blues der Musikmetropole Memphis. Mit dem großartigen Gitarristen John Mayer beschwört er die „Better Days“. Drei unfassbar starke Songs, die ohne Frage als Highlights des Longplayers bezeichnet werden können! Die drei ersten Singles „Pink Skies“, „Purple Gas“ und „28“ gaben die musikalische Marschrichtung bereits an. Das gilt auch für die restlichen Titel des großartig gelungenem und umgesetzten Albums. Der ehemalige Soldat hat’s wirklich drauf und komponiert und textet Songs, so wie er sagt „wie ein Akkordarbeiter“, die sich aber keinesfalls mal schnell dahingeschrieben anhören, sondern den Zeitgeist, das echte Leben und gleichermaßen Ängste aber auch unbändige Lebensfreude widerspiegeln. Seine Geschichten erzählen von Liebe, Freunden, Bars und ja, vielleicht den besungenen „besseren Tagen“, auf die wir alle sehr gespannt sein dürften – wenn sie dann kommen, nicht wahr? Fazit: Das 19 Titel umfassende Album beinhaltet 18 Songs und ein (gesprochenes) Gedicht. Man fühlt sich als Hörer musikalisch sofort abgeholt und lauscht dem, meist sehr akustisch aufgenommenen Songs. Deshalb kommt auch keine Sekunde Langeweile auf – ein starkes Album.

2024 Repress

In the frontline of new generation techno, Kenji Hina aka Alarico sets the precedent of density and rhythmic essence with his Tokyo Rythms Trilogy and leads the way ahead of the curve. Each district gives an insight in his imaginary vision of what the depths of Tokyo is about techno wise. An example of the past and the future with clearly a framework in which no rules exist, he's pushing fundamental elements to new extremes.

Das Duo aus Jerusalem und Lothringen, bestehend aus Ruth Rosenthal und Xavier Klaine, entwickelt seit etwa fünfzehn Jahren ein einzigartiges Universum, in dem sich synthetische Punkklänge und dröhnende Gebete einer Gesellschaft am Rande des Abgrunds zusammenfinden. Genährt von Doom/Drone, Barockmusik, multidisziplinärem Theater und afroamerikanischer Kultur, verfolgen sie weiterhin einen einzigartigen Weg, indem sie einen radikalen Diskurs verteidigen, der sich seiner Widersprüche bewusst ist. Sie spielen auf der ganzen Welt in Clubs, Galerien und Kirchen. Ihre Musik ist minimalistisch, dunkel, politisch und rau, zwischen Magie, Chaos und Melancholie. Winter Family machen auch dokumentarische Theateraufführungen, die von großen europäischen Theatern produziert werden. Manchmal spielt ihre Tochter Saralei mit ihnen. "On Beautiful Days" ist das vierte Album von Winter Family und es erzählt in Wort und Klang viele Geschichten: die der Musiker selbst und ihrer Lieben, die ihres Umfeldes, ihres Lebens in Jerusalem, Paris oder Lothringen; die von Frauen, 'Hexen', Verschwörungsmythen; die des kapitalistischen und kolonialistischen Europas; die der Blindheit und Gewalt der israelischen Gesellschaft und der Indoktrination ihrer Bevölkerung; die der Besetzung Palästinas; die des ewigen Eingesperrt seins, die einer Laborratte; und vielleicht auch Deine Geschichte. Wir hören Pumpenorgeln und Harmoniums, ein altes Klavier, Verzerrungen und himmlisches weißes Rauschen, Sirenen, marschierenden Stiefel, Atmen im Schlaf, Betäubungsgranaten am Checkpoint 56 in Hebron, die Flötenklänge von Saralei, Beats von einem iPhone und Ruths (sprechende, erzählende, kommentierende) Stimme. Wir tauchen ein in all diese zeitgenössischen Geschichten, die von der Geschichte heimgesucht werden, in das Gefühl eines Sprungs ins Leere, in einen Zustand der Dissoziation oder in ein Gefühl der Befreiung. Eine komplexe und doch zugängliche, nachvollziebare Klangwelt erschaffen Winter Family. Vinyl klassisch schwarz, CD mit Bonustrack!

Die britisch-bengalische Musikerin Tara Lily aus Südlondon verbindet auf ihrem Debütalbum "Speak In The Dark" Alternative-R&B, Jazz, Electronica und traditionelle indische Klänge zu einer einzigartigen Fusion. Produziert von Dom Valentino, sind ferner US-Jazz-Trompeter Theo Croker, UK-Rapper Surya Sen und Archy Marshall (aka King Krule), mit dem sie schon die Bühne teilte, beteiligt. Erste EPs erschienen bei Motown UK, der Musikexpress zählte sie zu den hochgehandelten internationalen Newcomer*innen 2023".

- "Spellbinding" - The Guardian

- "Beautiful, melancholic" - Jamie Cullum, BBC Radio 2

- "One to watch!" - Jamz Supernova, BBC 6Music

- "An all-star jazz collaboration." - Clash

- "One to watch for 2024" - Simon Phillips, Jazz FM

- "Soulful and heartfelt" - Jack Saunders, BBC Radio 1

Der aus Pittsburgh stammende Montell Fish ist ein Multiinstrumentalist, Produzent, Sänger und Komponist, der sich auf die Entwicklung von Projekten konzentriert, die Welten schaffen. Montells unvoreingenommene Herangehensweise an das Songwriting erlaubt es den Zuhörern, sich in seiner Welt willkommen
zu fühlen, in der er der Autor, Regisseur und Star ist. Charlotte ist das mit Spannung erwartete Nachfolgealbum des JAIME-Albums von 2022 und der zweite Teil seiner Jaime, Charlotte, Marshall-Album-Trilogie.
Mit jeder Veröffentlichung hat er einen mehrschichtigen Turm aus Referenzen und Metaphern aufgebaut,
der mit den Ängsten eines begabten jungen Menschen schwankt, der die Widersprüche der Welt in Einklang
bringen will: in der Liebe, in der Religion, in der Kunst und im Glauben. Es ist die Art von Musik, die
intensive Gefühle und Fangemeinde hervorruft. Auf seinem neuesten Album Charlotte, dem Nachfolger
seines Durchbruchsalbums Jamie aus dem Jahr 2022, denkt Fish gerne über die großen Fragen des Lebens
nach: Wie prägt die Kindheit einen Menschen? Was bedeutet es, eine Gabe zu haben, zu der die Welt
Zugang haben will? Fish, der in einem streng religiösen Haushalt aufgewachsen ist und nun selbst in der
Welt unterwegs ist, um seine Kunst zu machen, hat eine grenzenlose Neugier auf die Art zu leben und zu
schaffen. Charlotte ist sein bisher vollendetstes Projekt, der Klang eines Generationstalents, das in seine
Kraft tritt.

Unreleased themes from Kornelije Kovac for commissioned documentary short 'Raport iz Sarajeva', directed by Miodrag Zdravkovic in 1982. This music themes precede the official songs, idents and audio logos for the XIV Winter Olympic Games Sarajevo 1984 opening ceremony made by Kornelije Kovac in his Belgrade based studio from 1982 to 1984. Sourced from the original master tapes with full color artwork by Eric Adrian Lee. Includes insert with photographs from Kornelije Kovac private collection and liner notes by Zeljko Luketic. XIV Winter Olympic Games in Sarajevo 1984 had immeasurable status in the history of Yugoslavia and is widely recognized by organizing committee to be the best in recent history of the Games. However, they were also the pop-culture melting pot of the times, with posters by Andy Warhol and famed local designers and the music by Kornelije Kovac, leading the selected best-of-the-best composers of the times. The recordings on this release share the same musical approach to melody and structure Kornelije Kovac (1942 - 2022) was using at the beginning and the mid of 1980s: while exploring the possibilities of synthesizer, fresh from his collaborations in London with famed composer Hans Zimmer, and almost a decade since he shared Eurovision Song Contest stage with ABBA in Brighton with his Korni Grupa, He also collaborated with Bernie Marsden (Whitesnake), Paul Jones (Manfred Mann) and Andy Pask (Landscape) among others. Kornelije Kovac always insisted on the freshness of the harmony layers combined with DJ friendly rhythm backing track. With the warm analogue feel that resonates in today's digital world this was chosen for a purpose to be an old-school 12'' maxi-single, as it was intended to be, cut loudly for the sakes of all lost and existing discotheques in Sarajevo and all over the world.

Be fast on this one as always on HOOVE! The next HOOVE record comes in diverse. For this one the label invited four of their close friends to contribute fresh tunes perfectly matching the cologne house sound.

Repress!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

DREAMLESS VEIL make their debut with the new album, Every Limb of the Flood. The band, featuring members of INTER ARMA, ARTIFICIAL BRAIN, and PSYCROPTIC manifest terrifying Blackened Extreme Metal and offer one of the year's most haunting releases. Every Limb of the Flood is a concept album. Through tracks such as "A Generation of Eyes", "Saturnism", and "Cyanide Mine" Vocalist Mike Paparo and co. task the listener to consider what it would be like for an individual to fully disappear. DREAMLESS VEIL delves into this murk through 8 tracks - dramatic swells, melodic crescendos, and abrasive blast-beat poundings make way to more introspective moments ultimately resulting in pure horror. Paparo explores the concept of corporeal disintegration with pained shrieks and disembodied bellows, resulting in one of the most unchained performances of his storied career. Lyrics for the record show, but don't tell. DREAMLESS VEIL's concept alludes to misery leading to grotesquery - The opener "Dim Golden Rave" throws the listener into an ambiguous time and place: "Grief, spiritless, collapses against the filth-ridden street". The second track, "A Generation of Eyes" follows this narrative by invoking Neil Young, quoting him to the extent of "rust never sleeps." What ensues is a grief so powerful it decomposes from within. The end result manifests in the album closer "Dreamless" - the body is now fully discarded, hinting at a possible enlightenment through a horrible, gruesome process. Sonically, Every Limb of the Flood is a caustic, corrosive journey. Critically acclaimed drummer David Haley flexes some of his most creative drum work to date, dragging the listener through wild tempo changes, breakneck speeds that come to sudden halts, while guitarist Dan Gargiulo (ARTIFICIAL BRAIN) interweaves disorienting guitar madness. Recorded by Brett Bamberger (REVOCATION) Every Limb of the Flood was mixed by Gargiulo and mastered by Colin Marston (Gorguts, Krallice, and more.)

Taking the album name from the famous adventure novel ‘My Side of the Mountain’, Iconoclastic artist Kat Von D explores themes of love and sobriety in her sophomore album release. Created whilst covering her iconic tattoos and finding a new faith to live by, this synthwave, goth, post-punk album was created whilst finding peace amongst the chaos and written from Kat’s own experiences of love, darkness and vulnerability with collaborations from respected songwriters Shep Solomon (Enrique Iglesias, Kelly Clarkson, Natalie Imbruglia) Fernando Garibay (Lady Gaga, Bruno Mars, and Kylie Minogue) and guest vocalist Alissa White-Gluz (Arch Enemy).Kat Von D has an impressive résumé. She has done everything from shaking up the tattoo industry to starring in hit TV shows, writing best-selling books, and creating a beauty empire. But before all of that, her first love was music. She poured her heart into melodies and songwriting before she became known for her work in tattoos and makeup. With a background in classical music and an eclectic appreciation for different genres, it is clear that ‘My Side of the Mountain’ is an impressive follow up album from Kat.

For our second release, circuit|breaker quips back the stacked offering of CBRK001 with another dynamic double LP, exhibiting some of the best local and international talent that’s cropped up on our radar over recent years.


The label is as driven as ever to build a bridge between our community and the wider electronic
music domain, giving artists a platform to preach the sound that speaks to them, and this release is but another stepping stone towards greatness, for us and for them.


CBRK002 opens up with a rolling, gritty number that could only be Fergus Sweetland, as metallic voices beckon forth on ‘Untitled (ARP 1.02)’. Hasvat Informant, whose thunderous reputation precedes him, then storms the barn with the explosive ‘Abispa Ephippium’. The B-side shifts gears to Goa’s Dotdat and his frantically groovy track ‘Holo’, followed by a gorgeous minimal number by Berlin-based Pino Peña – Mia’s Pocket; one that’s sure to get summer dancefloors pumping.


The C-side of the record contains two heaving tracks, the C1 from the prominent force of Cloudy Ku with ‘A Room of One’s Own’, and the C2 from the dark visage that is disgrays with
‘Turmstraße’. The final side of the record has Amsterdam legend Juan Sanchez open the filter with a warm, jacking submission in ‘Indulge’, while the Berliner Marsch takes us home with a
devious timbre that will have bodies glued to the floor on ‘Into You’.

Kid Bookie has always wanted to make music regardless of convention, expectation, or whether it played by the rules, the result: Kid Bookie’s upcoming album, ‘Songs For The Living // Songs For The Dead’, a journey through life, from beginning to end. Available in Red/White Colour In Colour LP and CD.

Cardinal Fuzz and Feeding Tube Records are proud to present to you the 2nd LP from TOMOYUKI TRIO (Tomoyuki Aoki, Mike Vest & Dave Sneddon) following their debut LP ‘Mars’ on the esteemed Riot Season Record Label. Tomoyuki Aoki is the founding member and lead guitarist of the legendary Tokyo Psych Monsters UP-TIGHT. Of all the Japanese psych-rock groups that emerged in the late nineties and early noughties, Up-Tight are the most reverent, the most directly plugged into the source, from their name (Velvet Underground) with knowing referential song titles like “Sweet Sister” to their extended heavy, dark black clad acid fried one chord psych melters -- we're talking bands like Fushitsusha, White Heaven, Kousokuya, Shizuka, and the grandaddies of 'em all, the deservedly-legendary, Les Rallizes Denudes. Shitsuren If anything has got an even heavier, dronier edge than what we heard on the last one. Super fuzzed guitars, sad ballads, grinding distorto epics and numbed, narcotic rhythms. This is one to play at maximum volume so that you can soak up its molten magik as over 2 sides of Shitsuren’s grueling guitar hypnotics you uncover the darker side of the ensembles personality to find them digging deep to drag the audience with them into the shadows of stoner psyche. If you can picture Okhami No Jikan, Asahito Nanjo. Musica Transonic & Toho Sara then you’re close to the outrageous levels of psychedelic excess captured here, a riotous concoction of ferociously brooding, locked down heavy bearing intensity of fierce/brutal speaker battering in the red levels.

Between December 2022 and January 2024, the collective De Niemanders (producer Rick Wiegerinck joined the team) visited asylum seekers' centers in the Netherlands with a mobile studio, searching for singers, musicians, and their music and stories. The music sessions were mostly filled with pure joy, while the conversations were heavy, hopeless, hopeful, cheerful, and everything in between. The collective connected with creative individuals from all over the world, who in turn introduced them to even more artists, writers, and storytellers. Rocco, Wout, and Rick quickly realized that they needed to offer more than ‘just’ the music album as a platform, so a completely unique Niemanders newspaper was born, and journalist Christianne Alvarado joined for a six-part podcast series.

Following their instincts, they created a new Niemanders album that became a genuine collaboration between the people they met and themselves. A significant difference from the prisons was that this time, the singers and musicians could be recorded in a mobile studio. As a result, the album is a mix of many singers and languages, telling the stories of their journeys, dreams, families, past lives ‘back home,’ and their current situation as refugees. There are songs inspired by the stories that residents of asylum seekers' centers told or wrote down, sung by Rocco, while other tracks emerged from writing sessions with singers Isma IP, Guy-El Mabiala, Q-Mars, and Hamid Reza Behzadian, and are also sung by them. The song material is a creative melting pot of colorful music that ranges from swinging afrobeat, highlife, desert rock, and rootsy psychedelia, but the alternative rock for which Ostermann and Kemkens are known also seeps through. You could say that, with few exceptions, each song is a film soundtrack for the text.

Unfortunately, the harsh reality of asylum procedures also intruded into some of the blossoming musical friendships. Due to a negative decision by the Immigration and Naturalization Service (IND), one of the great singers was forced to leave the Netherlands. This is just one example of the lack of control over—and the nerve-wracking wait for—an IND decision, which unfortunately seems to be something every person in an asylum procedure must endure. The asylum process can bring years and years of uncertainty and waiting, or sudden deportation.