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[a] A1 | Your Ghost; Vocals [Additional Vocal] – Michael Stipe

a A1 Kristeen Young feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer [Additional Engineering], Producer [Vocal Production] – Ainjel Emme; Mixed By – Anthony Paul Lopez, Justin Raisen; Producer [Additional Production] – Anthony Paul Lopez, Jeremiah Raisen; Producer [Music Produced By] – Justin Raisen, Kristeen Young, Tony Visconti; Written-By – Kristeen Young

[a] A1 Kristeen Young feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer [Additional Engineering], Producer [Vocal Production] – Ainjel Emme; Mixed By – Anthony Paul Lopez, Justin Raisen; Producer [Additional Production] – Anthony Paul Lopez, Jeremiah Raisen; Producer [Music Produced By] – Justin Raisen, Kristeen Young, Tony Visconti; Written-By – Kristeen Young

Hidden Sequence returns, this time to kick off a new label Magistrate, and hot on the heels of their quick-to-sell out 'Silent Roots' last year. This fresh EP seamlessly bridges classic 70s Jamaican dub with modern, bass-heavy and dubwise delights, starting with 'Isms & Schisms'. The horns are brilliantly inviting as are the low ends which have been well worked on a vast desk and come packed with echo and effects. 'Magistrates Dub' is an immediately infectious skank that shifts into a deep, dub-heavy exploration and unites past and present dub influences.

The third installment of To Pikap's retrofuturistic series entitled ''Remember the future''. A compilation of various styles with heavy 90â??s influences. From the euphoric Rave tunes of Quazatron and Dj Tsoug to the dystopian Electro of BufoBufo and NOT_MDK and from DimDj's leftfield House to the quirkiest IDM of Damage Per Second. Limited pressing, including download code and sticker. No re-press!

Born from the warm and vibrant local markets of Italy, 180 GR has always been a celebration of vinyl culture. Now, it takes the next step—evolving into a full-fledged record label dedicated to strictly 180-gram pressings, in vinyl-only, limited quantities, crafted for true collectors and connoisseurs.

The label’s inaugural release, Music & Territory, is helmed by none other than its founder, N-Zino. On the A-side, the Original 180 GR Mix of You Can’t Change Your Mind takes you on a mind-expanding journey—soulful, sensual, and deeply immersive.

Flipping to the B-side, the legendary Glenn Underground graces us with two masterful interpretations. His vocal version is a lush, organic groove filled with warmth and virtuosity, while the instrumental mix strips it back, letting the raw musicality shine through. Both versions embody the unmistakable touch of Chicago house—authentic, deep, and timeless.

This is more than just a record—it’s a collector’s gem, a piece of house music history pressed in its purest form.

To quote GU himself, HOUSE MUSIC WILL NEVER DIE.

"6-track house finesse from Amsterdam mainstay Beraber, topped off with a killer remix by Brazilian artist Zopelar. Expect six melodic tracks for the body & mind. Beraber returns to United Identities with Gentle Actions, setting the tone for long summer evenings and sun-soaked days. The Amsterdam based producer and DJ organically blends Chicago's classically-schooled keys and machine backdrops with subtle, atmospheric textures. This long-awaited record by Beraber (Baris Akardere) is a deeply personal collection of music, encapsulating a period of creative and personal growth. Rather than a concept record, it serves as a document of the past years, bundling some of most cherished productions into a cohesive and heartfelt gift to the audience. This EP marks the first time the producer has used his own vocals in his productions, next to vocal contributions from Barcelona-based artist Ivy Barkakati, whose lyrics perfectly resonate with the journey of the EP. Gentle Actions opens with Between Us, a calm builder, gracefully layered with meandering pads. Distant Language picks us up with its dubbed-out groove, guiding our feet on a journey through melodic landscapes. It flows into Responsibility, an introspective track with a powerful message about turning dreams into reality, before continuing with Lost in Loops, a loose and soulful house cut featuring his own vocals. The journey ends with the more upbeat, instrumental Good Company, topped off with a deep, nocturnal remix by Zopelar. Written and produced entirely in his Amsterdam studio -- housed in the same building that once held De School -- Beraber continues to rely on a deeply analog and outboard gear-heavy approach. The result is a record that stays true to his soulful and introspective signature, mirroring the sonic identity of his acclaimed radio show, Gentle Actions on Amsterdam's online radio station RRFM."

o C4 Waka Waka (This Time For Africa) The Official 2010 FIFA World Cup™ Song (Single)















[o] C4 Waka Waka (This Time For Africa) [The Official 2010 FIFA World Cup™ Song] (Single)















[o] C4 Waka Waka (This Time For Africa) [The Official 2010 FIFA World Cup™ Song] (Single)

After meeting vocalist, multi-instrumentalist, & physician Eki Shola through her first vinyl release and playing her on the Oonops Drops show on Brooklyn Radio, Oonops asked her to be featured on the Nautilus single "Why I Came to California" alongside Denise M'Baye.

After this incredible release, a new common project was needed: so he asked Japanese beatmaker Shin-Ski as well as soul pianist, soul producer and soul dj SWING-O 45 a.k.a. 45 from Tokyo who is the head behind the 45trio. Both of them chose their favorites songs from Eki's album "還 (Kaeru)" to create their own vibrant reinterpretation.

Besides the limited black edition, there will be a hand-numbered edition of 50 on golden 7"-vinyl via Oonops Drops.

Movement and Soul Records is the highly-anticipated imprint, founded by Nonna Fab...

The label aims to capture deeper sounds and meditations in rhythm, spanning spiritual jazz, broken-beat and deeper house.
Nature is Enlightenment is the debut release on the label. With flute, keys, bass and drums from Nonna Fab and saxophonefrom Benjamin Ten-Bruggencate.

The B1, 'TROPIC' invites Kali, lyricist, poet and azz influenced vocalist from Sheffield, accompanied on piano/rhodes by Nonna Fab.

The broken-beat focussed B2,'FLOAT' featuring bassist Tom French and an opening poem, that touches on thecosmos, by Kali.

Multi-instrumentalist, producer, band leader, record collector and party'starter, Nonna Fab has launched the label as a platform to push the sound of his own music, working closely with a range of musicians from the North.

"It's come at the right time for me to allow a space to push a very new, organic sound working with a lot of the musicians I play with regularly, interweaving the sound with dance music."

Nonna Fab is behind audiophile party, Apricot Ballroom, which was named in the top 10 nights in the country in TimeOut Magazine as well as being acknowledged for being a pioneer of northern contemporary jazz by BBC for Footprints. As well as this, Nonna Fab is co-owner of Grub Records, which has been written about in DJMag, Mixmag and Resident Advisor.

"The label is a true hybrid of both live sound and electronic dance music and really allows focus on true communication and expression. I have always appreciated more free-form styles of dance music so it really is a space for me to explore the more expressive andspiritual side of my sound"

Hologram Teen is the solo project (and anagram) of former Stereolab keyboardist Morgane Lhote. Her colourful playful songs are heavily influenced by disco and 80s French pop.

Initially from Paris, Morgane relocated to Los Angeles where she concentrated on her solo material. Captain Fluo is a disco-fuelled love letter to 1980s Paris and its underground nightlife, record store discoveries and the exhilaration of growing up as a gay teenager in a world of self-discovery.

Produced and mixed by Andrew Claristidge (Acid Washed) at Duca Sonora Studios in Brittany Captain Fluo is a vibrant fusion of propulsive beats, bouncy synths and funky basslines. Morgane’s signature keyboards weave through a constellation of guest vocalists including Sandra Zettpunkt, Maxwell Farrington, Eric D Clark and Alex Aikiu. From the euphoric pulse of ‘Lust Pill’ to the radio crooner nostalgia of ‘Fréquence Gaie’ each track is a portal to the dance floors and late-night airwaves of a bygone era.

Drawing inspiration from French pop icons like France Gall, Michel Berger and Louis Chedid alongside the sleek productions of Italo disco pioneers Kasso and the genre-defining touch of David Bowie, Nile Rogers, Quincy Jones and Depeche Mode, Captain Fluo is a heartfelt ride through an era when music was liberation.

"...When I make music, I'm always trying to create a temporary refuge for myself, a refuge from the increasingly frightening world out there. A kind of remote island where I can hide, switch off for a while, feel at peace. In any case, I feel inner peace when making this music, and I hope, in some way, it does the same for you..."


"Dub Tapes. Volume 2 picks up exactly where its predecessor left off, employing a very similar sonic palette, drawn from analog instruments and effects. All 4 tracks are driven by Lars' live B-line virtuosity. He's played bass for a host of jazz bands and it shows. The bottom-end throughout is a constant, reassuring, warm, womb-like presence, that packs a deceptively powerful pulse. The subtle splashes of studio trickery might have their root in Basic Channel-esque techno, but the results reside somewhere far less minimal, more relaxed, more melodic and musical.
The reverb and delay twisted into soothing, rather than room-shaking shapes. Resembling birdsong and mountain streams.
Lars' piano improvisations are also integral to everything...Stuffed with rich, diverting detail for stoners and siesta seekers, the EP is certainly a set that you're supposed to sit back, settle into and savour."

"All four tracks are superb, the opener 'Ferry From Torkwrith' setting the scene - languorous, beatific Balearic dub from Berlin, music to hide inside, to temporarily block the outside world with.
Second track 'Morning Hour' is slightly more sunlit, a guitar joining the mix. 'Starlings' sets off with birdsong and the thud of a kick drum, a wave of synth chord and some bass guitar, unhurried and mellow.
Fourth track 'Isle Of Stonsey' drifts in, a nine minute excursion into a chilled-out version of space, Hawaiian guitar and dub bass prodding us gently into the cosmos."

Bangers from Nesh Mayday and Wonka, remixed by eachothers : melted styles in an Acid 160 BPM night music sound.

Rave.

Repress and remaster of the Dead End Limited 03 PLUS 8 remixes.

Repress and remaster of the Dead End Limited 03 PLUS 8 remixes.

[f] B1 Follow The Drinking Gourd; Arranged By [Arr. By] – Jorma Kaukonen; Written-By – Traditional

A young doctor on the verge of greatness finds his career and life shattered after choosing to treat two children rather than the town mayor. The deaths of one of the children are inexplicable. What if he had saved a monster?

Monster, the manga created by Naoki Urasawa, is an acclaimed psychological thriller that has been a huge critical and commercial success. The complex and gripping story, which follows the moral choices of a surgeon confronted with a serial killer he has saved, has attracted a wide international audience. Monster has won several awards and is regarded as one of Urasawa's major works, affirming her place as a master of suspense in the world of manga.

Kuniaki Haishima is a Japanese composer best known for creating the soundtrack to the anime Monster. In addition to his contribution to Monster, Haishima has also composed music for TV series (Terra Formars and S-CRY-ed) and films (Tokyo Tribe and Helter Skelter).